"Always and Forever" | ||||
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Single by Heatwave | ||||
from the album Too Hot to Handle | ||||
B-side |
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Released | 3 December 1977 | |||
Recorded | 1976 | |||
Genre | R&B, soul | |||
Length |
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Label | ||||
Songwriter(s) | Rod Temperton | |||
Producer(s) | Barry Blue | |||
Heatwave singles chronology | ||||
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"Always and Forever" is an R&B song written by Rod Temperton and produced by Barry Blue. It was first recorded by the British-based multinational funk-disco band Heatwave in 1976. Released as a single on 3 December 1977, the song is included on Heatwave's debut album Too Hot to Handle (1976) and has been covered by numerous artists, becoming something of a standard.
The song reached number 18 on the US Billboard Hot 100 in March 1978 after peaking at number two on the US Billboard R&B chart, the band's highest showing on that tally. The single was certified platinum by the RIAA on 6 September 2001. [1] [2] In the UK, the songs "Too Hot to Handle" and "The Groove Line" were released before a double A-sided "Always and Forever" / "Mind Blowing Decisions" was issued in November 1978. This became the band's second top-10 hit on the UK Singles Chart when it spent two weeks at number nine in December.
After the international success of Heatwave's disco single "Boogie Nights", "Always and Forever" was chosen as the U.S. follow-up single in late 1977. A ballad featuring lead vocals by Johnnie Wilder, Jr., "Always and Forever" stood out among the band's predominantly disco repertoire and became a successful U.S. hit song in early 1978.
In the late 1970s through to the 1980s, it was a popular "slow dance" song at high school proms, weddings, particularly in inner-city areas with a high minority population. The song was also played during the slow dance scene in the movie House Party .
In the liner notes to Heatwave's 1996 compilation album, The Best of Heatwave: Always and Forever, music writer and former Billboard contributor Brian Chin notes that Wilder
says that it was right around the time of the single release of "Always and Forever" that he knew Heatwave's music would stand the test of time. This pop standard is emblematic of the Heatwave fusion of influences - R&B, teen romance, and both European and American flavors of pop. [3]
AllMusic reviewer Craig Lytle states that the song "was and continues to be an ageless piece. Johnnie Wilder's vocal exhibition throughout the vamp is breathtaking." [4]
In 2009, Essence magazine included the song in their list of the "25 Best Slow Jams of All Time". [5]
Weekly charts
| Year-end charts
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"Always and Forever" | ||||
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Single by Luther Vandross | ||||
from the album Songs | ||||
Released | 8 November 1994 | |||
Genre | R&B | |||
Length | 4:53 | |||
Label | Epic | |||
Songwriter(s) | Rod Temperton | |||
Producer(s) |
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Luther Vandross singles chronology | ||||
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Music video | ||||
"Always and Forever (Live)" on YouTube |
American R&B/soul singer-songwriter Luther Vandross released his cover of "Always and Forever" as the second single from his ninth album, Songs (1994). His recording earned him a Grammy Award nomination in the category Best Male R&B Vocal performance at the Grammy Awards of 1995 and placed on four US Billboard charts, with its best showing on the R&B chart, where it reached number 16. Vandross's single made the Hot 100 at number 58 and also appeared on Billboard's adult contemporary and rhythmic top 40 charts. [15]
Larry Flick from Billboard described the song as "a faithful rendition of a romantic standard". He added, "Layered with glorious strings and the golden input of producer Walter Afanasieff, single has the potential to go where his "Endless Love" duet with Mariah Carey did not–right to the top of the Hot 100. His voice has rarely fit so well with a song intended for pop radio consumption." [16] Steve Baltin from Cash Box stated, "Despite the challenge of young guns on the r&b charts and big-name stars on the pop charts, Luther’s new album Songs , made up of covers, has been a big crossover hit. [...] This remake of an r&b classic should keep the fire burning, as Vandross gives the song the treatment, exploding at the climax. Big on A.C. and urban, with some top 40 appeal." [17] In his weekly UK chart commentary, James Masterton felt that "it never was the most exciting of records and Luther does little to add to this." [18]
Chart (1995) | Peak position |
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Canada Top Singles ( RPM ) [19] | 74 |
Canada Adult Contemporary ( RPM ) [20] | 41 |
Scotland (OCC) [21] | 28 |
UK Singles (OCC) [22] | 20 |
US Billboard Hot 100 [23] [24] | 58 |
US Rhythmic ( Billboard ) [25] | 37 |
US Hot R&B Singles ( Billboard ) [26] | 16 |
US Adult Contemporary ( Billboard ) [27] | 25 |
Among many artists who have recorded versions of "Always and Forever" is the American R&B vocal group Whistle, who released their single in 1990 from their album of the same name. Their version of the song peaked at number nine on the Billboard R&B chart and number 35 on the Billboard Hot 100. [28]
American pop singer Johnny Mathis recorded the song for his 2008 compilation album, A Night to Remember.
"Reflections" is a 1967 song recorded by American soul music group The Supremes for the Motown label. The single release was the first Supremes record credited to "Diana Ross and the Supremes", and the song was one of the last Motown hits to be written and produced by Holland–Dozier–Holland before they left the label.
"You're All I Need to Get By" is a song recorded by the American R&B/soul duo Marvin Gaye and Tammi Terrell and released on Motown Records' Tamla label in 1968. It was the basis for the 1995 single "I'll Be There for You/You're All I Need to Get By" from Method Man and Mary J. Blige.
"The Best Things in Life Are Free" is a duet between American singers Luther Vandross and Janet Jackson, recorded for the Jimmy Jam and Terry Lewis produced soundtrack to the 1992 American film Mo' Money, starring Damon Wayans. The song was composed by Jam, Lewis, Michael Bivins, Ronnie DeVoe, Harry Wayne Casey and Richard Finch. The song was released as the soundtrack's lead single on May 12, 1992, by Perspective Records and A&M Records. Additionally, the song was remixed by David Morales, Frankie Knuckles, and CJ Mackintosh. The duet became a major hit in several countries, peaking at number two in Australia and the United Kingdom, number six in Ireland and New Zealand, number eight in Canada and Germany, and number 10 in the United States. Its music video was directed by Paris Barclay, but didn't feature Vandross and Jackson. The song was nominated for the Grammy Award for Best R&B Performance by a Duo or Group with Vocals.
This is the singles discography of American singer Janet Jackson. Janet has sold more than 100 million records worldwide. Billboard ranked her as well as the third greatest female artist of all time on Billboard Hot 100 history.
"Endless Love" is a song written by Lionel Richie and originally recorded as a duet between Richie and singer/actress Diana Ross. In this ballad, the singers declare their "endless love" for one another. It was covered by Luther Vandross with R&B-pop singer Mariah Carey, and also by country music singer Shania Twain. Billboard has named the original version as the greatest song duet of all time.
"Until You Come Back to Me (That's What I'm Gonna Do)" is a song written by Morris Broadnax, Clarence Paul, and Stevie Wonder. The song was originally recorded by Stevie Wonder in 1967, but his version was not released as a single and did not appear on an album until 1977's anthology Looking Back. The best-known version of this song is the 1973 release by Aretha Franklin, who had a million-selling top 10 hit on Billboard charts. The song reached No. 1 on the R&B chart and No. 3 on the Hot 100 chart in 1974. It became an RIAA Gold record.
"Part-Time Lover" is a song by American R&B singer and songwriter Stevie Wonder, released as the first single from his twentieth studio album, In Square Circle (1985). The song reached number one on the Billboard Hot 100, R&B, dance, and adult contemporary charts, becoming Wonder's final number one hit to date. The song's simultaneous chart successes made Wonder the first artist to score a number-one hit on four different Billboard charts. The song was also released as a special 12" version. Lyrically, it tells the story of a man who is cheating on his wife with a mistress, only to find out in the end that his wife is cheating on him as well.
"Always" is a song by American R&B group Atlantic Starr. The track was the second single from the group's seventh studio album All in the Name of Love (1987). The single was the biggest hit for Atlantic Starr; it peaked at number one on both the US Billboard Hot 100 and Billboard Hot Black Singles charts in June 1987, being the band's only number one song. The song also spent two weeks atop the U.S. adult contemporary chart. In July, it topped the Canadian RPM 100 national singles chart, where it remained for two weeks. The British Phonographic Industry (BPI) certified it silver.
"Never Too Much" is the debut song written, composed, produced, and performed by Luther Vandross. The R&B song was released in 1981, as the lead single from Vandross's debut album of the same name. The title track hit number one on the US Billboard Hot R&B/Hip-Hop Songs chart and number four on the US Billboard Dance Club Songs chart. It peaked at #27 in Cash Box and #33 on the US Billboard Hot 100.
"Love the One You're With" is a song by American folk rock musician Stephen Stills. It was released as the lead single from his debut self-titled studio album in November 1970. The song, inspired by a remark Stills heard from musician Billy Preston, became his biggest hit single, peaking at No. 14 on the Billboard Hot 100 in early 1971. David Crosby and Graham Nash, Stills's fellow members of Crosby, Stills & Nash, provide background vocals on the song. Also providing the backups are Rita Coolidge, her sister Priscilla Jones, and John Sebastian. They all sing the "Do Dos" that come before the instrumental portion and the outro. The song was also recorded by the Isley Brothers, The Meters, Bucks Fizz, Luther Vandross, Bob Seger and Richard Clapton, among others.
"Power of Love/Love Power" is a single by American singer-songwriter Luther Vandross. It was released on April 9, 1991 as the lead single from his 1991 album of the same name. The song spent two weeks at number one on the US R&B chart, and peaked at number four on the US pop chart, becoming his biggest pop solo hit.
"Superstar" is a 1969 song written by Bonnie Bramlett and Leon Russell, that has been a hit for many artists in different genres in the years since. The best-known versions are by the Carpenters in 1971, Luther Vandross in 1983, and Sonic Youth in 1994.
"I Can Make It Better" is a song by American recording artist Luther Vandross. It was released in 1996 as the second single from his tenth and platinum album, Your Secret Love (1996). The song reached number 15 on the US Billboard Hot R&B Singles chart and peaked in the top fifty on the UK Singles Chart. A music video was also produced to promote the single.
"So Amazing" is a 1983 song by Dionne Warwick. It was written by Luther Vandross and Marcus Miller and produced by the former for her studio album How Many Times Can We Say Goodbye (1983). Three years later, Vandross himself covered the song for his fifth studio album Give Me the Reason (1986). Released as a single, it entered the top 40 on the UK Singles Chart and earned a Soul Train Music Award nomination in 1988.
"Love Won't Let Me Wait" is a hit 1975 single by Major Harris, a former member of R&B/soul group The Delfonics. Written by Vinnie Barrett and Bobby Eli, the single is considered to be a staple of classic soul playlists, and was Harris' only entry into the top five on both the soul and pop charts. The single hit number five on the pop chart, and also hit number one on the soul chart for one week. Billboard ranked it as the No. 24 song for 1975. It was awarded a gold disc by the R.I.A.A. on 25 June 1975.
The Rush is a song by American recording R&B artist Luther Vandross', released as the third single from his 1991 album, Power of Love. It reached number six on the US R&B Singles chart and peaked at number 73 on Billboard's Hot 100 in January 1992. The next single to follow was "Sometimes It's Only Love".
"How Many Times Can We Say Goodbye" is a 1983 song by Dionne Warwick and Luther Vandross. The ballad was issued as the lead single of Warwick's album How Many Times Can We Say Goodbye, later appearing on Vandross' album Busy Body, both of which were released in 1983.
"Your Secret Love" is a song by American recording artist Luther Vandross, released in August 1996 as the lead single in support of his tenth studio album, Your Secret Love (1996). The single peaked at No. 5 on the US Billboard Hot R&B Singles chart and No. 14 on the UK Singles Chart.
"Little Miracles (Happen Every Day)" is a song by American recording artist Luther Vandross. Released in April 1993 by Epic Records, the single supports his platinum and eight album, Never Let Me Go (1993). The song was written by Vandross and Marcus Miller, and produced by them both. It became a top ten hit on the US Billboard Hot R&B Singles chart and reached top 30 on the UK Singles Chart. It also became the most successful single from the album on the Billboard Hot 100, peaking at number sixty-two. "Little Miracles (Happen Every Day)" was nominated for best R&B songwriting at the 36th Grammy Awards in March 1994.
"Heaven Knows" is a song by American singer-songwriter Luther Vandross, released in September 1993 by Epic and Sony as the second single from his eight studio album, Never Let Me Go (1993). The song was written by Vandross with Reed Vertelney and produced by Marcus Miller. It peaked in the top 30 on both the US Billboard Hot R&B Singles and Hot Dance Club Play charts, and also at thirty-three on the Billboard Hot Adult Contemporary Singles chart. "Heaven Knows" was nominated for Best R&B Song alongside "Little Miracles " at the 36th Annual Grammy Awards in March 1994, losing to "That's the Way Love Goes" by Janet Jackson.