A parka or anorak is a type of coat with a hood, often lined with fur or faux fur. This kind of garment is a staple of Inuit clothing, traditionally made from caribou or seal skin, for hunting and kayaking in the frigid Arctic. Some Inuit anoraks require regular coating with fish oil to retain their water resistance.
A belt is a flexible band or strap, typically made of leather, plastic, or heavy cloth, worn around the natural waist or near it. The ends of a belt are free; and a buckle forms the belt into a loop by securing one end to another part of the belt, at or near the other end. Often, the resulting loop is smaller than the hips. Belts come in many lengths because of the variety in waist sizes, and most belts can be adjusted at the buckle to suit the wearer's waist.
A hood is a type of headgear or headwear that covers most of the head and neck, and sometimes the face. Hoods that cover mainly the sides and top of the head, and leave the face mostly or partly open may be worn for protection from the environment, for fashion, as a form of traditional dress or uniform, or in the case of knights, an armoured hood is used for protection against bladed weapons. In some cases, hoods are used to prevent the wearer from seeing where they are going. Hoods with eye holes may be used for religious purposes to prevent the wearer from being seen. In the case of Ku Klux Klan members, terrorists, or criminals such as robbers, a hood with eye holes helps prevent identification.
A baby sling or baby carrier is generally made of soft fabrics that wrap around the chest. They provide comfort and support for the baby and allow the parent or carer to keep their hands free as they go about their everyday tasks.
Jessie Oonark, was a prolific and influential Inuit artist of the Utkuhihalingmiut Utkuhiksalingmiut whose wall hangings, prints and drawings are in major collections including the National Gallery of Canada.
A duffel coat is a coat made from duffel cloth, designed with toggle-and-rope fastenings, patched pockets and a large hood. The name derives from Duffel, a town in the province of Antwerp in Belgium where the manufacturing process of this kind of fabric, a coarse, thick, woolen cloth originated. Duffel bags were originally made from the same material.
Inuit dolls are made out of soapstone and bone, materials common to the people of northern Alaska, Greenland and northern Canada. Many are clothed with animal fur or skin. Their clothing articulates the traditional style of dress necessary to survive cold winters, wind, and snow. Dolls could have been gifts to young Inuit girls, to be used as teaching devices and passing down of culture. With these dolls, young girls learn various skills necessary for their survival such as skin preparation, cutting & sewing, proper use of materials, designs and significance of symbols in their cultures. Inuit dolls were enjoyed by both young and old Inuit individuals and give an excellent insight into Inuit culture.
This is a list of existing articles related to fashion and clothing. For individual designers, see List of fashion designers
Inuit art, also known as Eskimo art, refers to artwork produced by Inuit, that is, the people of the Arctic previously known as Eskimos, a term that is now often considered offensive. Historically, their preferred medium was walrus ivory, but since the establishment of southern markets for Inuit art in 1945, prints and figurative works carved in relatively soft stone such as soapstone, serpentinite, or argillite have also become popular.
Copper Inuit, also known as Inuinnait and Kitlinermiut, are a Canadian Inuit group who live north of the tree line, in what is now the Kitikmeot Region of Nunavut and in the Inuvialuit Settlement Region in the Inuvik Region of the Northwest Territories. Most of them historically lived in the area around Coronation Gulf, on Victoria Island, and southern Banks Island.
The Inuit are an indigenous people of the Arctic and subarctic regions of North America. The ancestors of the present-day Inuit are culturally related to Iñupiat, and Yupik, and the Aleut who live in the Aleutian Islands of Siberia and Alaska. The term culture of the Inuit, therefore, refers primarily to these areas; however, parallels to other Eskimo groups can also be drawn.
The Inuit are indigenous people who live in the Arctic and subarctic regions of North America. The ancestors of the present-day Inuit are culturally related to Iñupiat and Yupik, and the Aleut, who live in the Aleutian Islands of Siberia and Alaska. The word "Eskimo" has been used to encompass the Inuit and Yupik, and other indigenous Alaskan and Siberian peoples, but this usage is in decline.
Yup'ik clothing refers to the traditional Eskimo-style clothing worn by the Yupik people of southwestern Alaska.
History of clothing in the Indian subcontinent can be traced to the Indus Valley civilization or earlier. Indians have mainly worn clothing made up of locally grown cotton. India was one of the first places where cotton was cultivated and used even as early as 2500 BCE during the Harappan era. The remnants of the ancient Indian clothing can be found in the figurines discovered from the sites near the Indus Valley civilisation, the rock-cut sculptures, the cave paintings, and human art forms found in temples and monuments. These scriptures view the figures of human wearing clothes which can be wrapped around the body. Taking the instances of the sari to that of turban and the dhoti, the traditional Indian wears were mostly tied around the body in various ways.
Judas Ullulaq was a Canadian Inuit artist recognized for his sculpture works that are mainly figural and zoomorphic.
Traditional Inuit clothing is a complex system of cold-weather garments historically made from animal hide and fur, worn by Inuit, a group of culturally related indigenous peoples inhabiting the Arctic areas of Canada, Greenland, and the United States. The basic outfit consisted of a parka, pants, mittens, inner footwear, and outer boots. The most common sources of hide were caribou, seals, and seabirds, although other animals were used when available. The production of warm, durable clothing was an essential survival skill which was passed down from women to girls, and which could take years to master. Preparation of clothing was an intensive, weeks-long process that occurred on a yearly cycle following established hunting seasons. The creation and use of skin clothing was strongly intertwined with Inuit religious beliefs.
In Inuit culture, sipiniq refers to a person who is believed to have changed their physical sex as an infant, but whose gender is typically designated as being the same as their perceived original sex. In some ways, being sipiniq can be considered a third gender. This concept is primarily attested in areas of the Canadian Arctic, such as Igloolik and Nunavik. The Netsilik Inuit used the word kipijuituq for a similar concept.
Archaeological evidence indicates that the use of Inuit clothing extends far back into prehistory, with significant evidence to indicate that its basic structure has changed little since. The clothing systems of all Arctic peoples are similar, and evidence in the form of tools and carved figurines indicates that these systems may have originated in Siberia as early as 22,000 BCE, and in northern Canada and Greenland as early as 2500 BCE. Pieces of garments found at archaeological sites, dated to approximately 1000 to 1600 CE, are very similar to garments from the 17th to mid-20th centuries, which confirms consistency in the construction of Inuit clothing over centuries.
There is a long historical tradition of research on Inuit clothing across many fields. Since Europeans first made contact with the Inuit in the 16th century, documentation and research on Inuit clothing has included artistic depictions, academic writing, studies of effectiveness, and museum collections. Historically, European images of Inuit were sourced from the clothing worn by Inuit who travelled to Europe, clothing brought to museums by explorers, and from written accounts of travels to the Arctic.
Victoria Kakuktinniq is a Canadian Inuk fashion designer from Nunavut. Under her label Victoria's Arctic Fashion, Kakuktinniq hand-stitches clothing such as parkas, kamiit, and other accessories. Her work has been described as a major influence in contemporary Inuit fashion. Kakuktinniq has described her work as a means of preserving Inuit traditional skills of sewing and clothing production, which has historically been a significant aspect of Inuit culture. In particular, she advocates for handmade fur garments as sustainable fashion.
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