American Epic: The Best of Country

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American Epic: The Best of Country
American Epic The Best of Country 312x310.jpg
Compilation album by
Various artists
ReleasedJune 16, 2017
Recorded1922-1934
Genre Country, folk
Length49:45 (download) 36:58 (vinyl)
Label Lo-Max, Sony Legacy, Third Man
American Epic chronology
American Epic: The Best of Blues
(2017)		American Epic: The Best of Country
(2017)		 American Epic: The Best of Mississippi John Hurt
(2017)

American Epic: The Best of Country is a compilation of early country and folk songs recorded between 1922 and 1934 and released in 2017 to accompany the award-winning American Epic documentary film series. [1] The album was released as a 16-track download and a 12-track vinyl LP.

Contents

Background

The album was compiled by the American Epic film producers and co-writers Allison McGourty, Duke Erikson and director Bernard MacMahon to provide an overview of the country and folk music researched for the documentary series and as a sampler of the music featured on the 5-CD box set American Epic: The Collection . [2] [3]

Compilation

The download album features 16 songs recorded in the 1920s and 30s and covers a broad range of rural American country and folk music, including female-led Appalachian country from the Carter Family, Texas white country blues from Prince Albert Hunt, an ancient English folk song from Clarence Ashley, a murder ballad from West Virginia coal miner Dick Justice, Kentucky country gospel from Alfred Karnes, a North Carolina mountain ballad from Bascom Lamar Lunsford, an Alabama fiddle reel from the Stripling Brothers, and a Tennessee hoedown by Uncle Dave Macon. [4]

Restoration

New sound restoration techniques developed for the American Epic film series were utilized to restore the sixteen 1920s and 30s recordings on the album. [3] The 78rpm record transfers were made by sound engineer Nicholas Bergh using reverse engineering techniques garnered from working with the restored first electrical sound recording system from the 1920s in The American Epic Sessions. [5] This was followed by meticulous sound restoration by sound engineers Peter Henderson and Joel Tefteller to reveal greater fidelity, presence and clarity to these 1920s and 1930s recordings than had been heard before. [5] [6] [7] [8] [9] Some of the recordings were repressed from the original metal parts, which the production located whilst researching the films. [10] Henderson explained, “in some cases we were lucky enough to get some metal parts – that’s the originals where they were cut to wax and the metal was put into the grooves and the discs were printed from those back in the ‘20s. Some of those still exist – Sony had some of them in their vaults.” [9]

Release

The album was released on June 16, 2017, seventeen days after the US broadcast of the American Epic documentary films. [1] The album was issued as a download, and on a truncated and completely re-sequenced vinyl LP which featured a song not available on the download – Eck Robertson's 1922 recording of “Sallie Gooden”.

Critical reception

Professional ratings
Review scores
SourceRating
Vice (Expert Witness)B+ [11]
Tom Hull A− [12]

Robert Christgau in Noisey awarded the download album an B+ grade, stating “for me, this might well replace Legacy's White Country Blues whenever I need reminding that the Trumper-spawning white supremacists who lost the Civil War had their moments of blessed foolishness, bemused melancholy, and supernal grace.” [13] The restoration work was described by Greil Marcus in The Village Voice as “re-mastering I can only call profound. Performances you might think you knew sound as if you’ve never heard them before — never apprehended them.” [6] Robert Baird in Stereophile added that “what's most interesting for audiophiles is the huge improvement in the quality of the sound coming from these 78 transfers.” [14] Ian Anderson in fRoots , reviewing the restoration, wrote “you haven’t really heard these tracks at all. Not like this. Forget bad dubs of worn-out 78s pressed on poor vinyl. The ‘reverse engineering’ transfers by Nicholas Bergh and subsequent restorations are so startlingly better, practically everything you will ever have experienced from this era can be discounted and CD is the best way to hear them. The clarity of group recordings where every instrument is well defined, and of solo artists where their instruments and voices suddenly sound real, will have you on the edge of your seat. And there's none of that fog of 78 surface noise which many people find too much of a distraction: suddenly, legendary artists are in the room with you”. [8]

Track listing

Digital download

No.TitleOriginal Artist and yearLength
1."Bury Me Under the Weeping Willow" The Carter Family 19273:00
2."If the River was Whiskey" Charlie Poole and the North Carolina Ramblers 19303:11
3."The Coo Coo Bird" Clarence Ashley 19292:59
4."Waiting for a Train" Jimmie Rodgers 19282:47
5."Henry Lee" Dick Justice 19293:27
6."Sail Away Ladies" Uncle Dave Macon and His Fruit Jar Drinker 19273:01
7."I Wish I Was a Mole in the Ground" Bascom Lamar Lunsford 19283:20
8."Stackalee" Frank Hutchison 19273:07
9."Peg and Awl" Carolina Tar Heels 19282:58
10."Blues in a Bottle" Prince Albert Hunt's Texas Ramblers 19283:25
11."Ladies on the Steamboat" Burnett and Rutherford 19273:17
12."Country Blues" Dock Boggs 19273:04
13."Brown Skin Gal (Down the Lane)" Massey Family 19342:48
14."I Am Bound for the Promised Land" Alfred G. Karnes 19273:13
15."I Get My Whiskey from Rockingham" Earl Johnson and His Clodhoppers 19273:04
16."The Lost Child"Stripling Brothers 19283:09
Total length:49:45

LP

Side one
No.TitleOriginal Artist and yearLength
1."If the River was Whiskey" Charlie Poole and the North Carolina Ramblers 19303:11
2."I Wish I Was a Mole in the Ground" Bascom Lamar Lunsford 19283:20
3."Peg and Awl" Carolina Tar Heels 19282:58
4."Ladies on the Steamboat" Burnett and Rutherford 19273:17
5."The Coo Coo Bird" Clarence Ashley 19292:59
6."Sail Away Ladies" Uncle Dave Macon and His Fruit Jar Drinker 19273:01
Total length:18:46
Side two
No.TitleOriginal Artist and yearLength
1."Waiting for a Train" Jimmie Rodgers 19282:47
2."I Get My Whiskey from Rockingham" Earl Johnson and His Clodhoppers 19273:04
3."Sallie Gooden" A.C. (Eck) Robertson 19223:10
4."Stackalee" Frank Hutchison 19273:07
5."Country Blues" Dock Boggs 19273:04
6."Bury Me Under the Weeping Willow" The Carter Family 19273:00
Total length:18:12

Personnel

(download edition)

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References

Notes

  1. 1 2 "American Epic: The Collection & The Soundtrack Out May 12th". Legacy Recordings. 2017-04-28. Retrieved 2018-02-20.
  2. ↑ "The Long-Lost, Rebuilt Recording Equipment That First Captured the Sound of America". WIRED. Retrieved 2018-02-20.
  3. 1 2 "American Epic - Reviving Record Production's Past". Long Live Vinyl. 2017-06-16. Retrieved 2018-02-20.
  4. ↑ Wald, Elijah; McGourty, Allison; MacMahon, Bernard; Bergh, Nicholas (2017). American Epic: The Collection . Legacy / Lo-Max. pp. Liner notes essay. ASIN   B071RHDMB8.
  5. 1 2 "'American Epic': Inside Jack White and Friends' New Roots-Music Doc". Rolling Stone. Retrieved 2018-02-20.
  6. 1 2 "Greil Marcus' Real Life Rock Top 10: The Epic Tradition" . Retrieved 2018-02-20.
  7. ↑ Lewis, Randy (14 May 2017). "'American Epic' explores how a business crisis ignited a musical revolution". Los Angeles Times . Retrieved 2018-02-20.
  8. 1 2 Anderson, Ian (August 2017). "American Epic". fRoots . p. 59.
  9. 1 2 "Restoring a vintage 1920s recording system for 'American Epic'" . Retrieved 2018-02-20.
  10. ↑ Wald, McGourty, MacMahon 2017, pp. 21-22
  11. ↑ "Robert Christgau on Some Delta Blues Gems and Country Blues Moments". Noisey.vice.com. 15 December 2017. Retrieved 2018-01-02.
  12. ↑ "New Records Rated This Week". tomhull.com. Retrieved 2017-10-30.
  13. ↑ "Robert Christgau on Some Delta Blues Gems and Country Blues Moments". Noisey. 2017-12-15. Retrieved 2018-02-20.
  14. ↑ "American Epic". Stereophile.com. 2017-06-12. Retrieved 2018-02-20.

Bibliography

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