An Open Letter to My Teenage Son

Last updated
"An Open Letter to My Teenage Son"
Single by Victor Lundberg
from the album An Open Letter
B-side "My Buddy Carl"
ReleasedSeptember 1967
Genre Spoken word
Length4:23
Label Liberty
Songwriter(s)
Producer(s) Jack Tracy

"An Open Letter to My Teenage Son" is a spoken-word song performed by American WMAX radio newscaster Victor Lundberg. Released in September 1967, the song was written by Robert R. Thompson and produced by Jack Tracy. The recording of Lundberg's vocals is played over "Battle Hymn of the Republic." It features on Lundberg's only album, "An Open Letter."

Contents

Content and lyrics

The song acts as a message to the teenagers and young adults of the 1960s in the United States who were protesting against being drafted and sent to Vietnam in the midst of the Vietnam War. The lyrics touch on hippies, the hippie movement, 1960s counterculture, the summer of love, and the questioning of Christianity and the existence of God by teenagers. The narrator describes the wishes of his son to be judged on his "own personal habits, abilities and goals," questions about whether God is dead, (a question likely a product of the negative events of the time and unheard prayer) to which Lundberg tries to convince his son that "God is a guide, and not a storm trooper," and that the protests and movements are based on "a well intended but unjustifiable misconception" that "created part of the basis of (your) generation's need to rebel against (our) society." One of the biggest themes of the message is draft-card burning, in which Lundberg claims "all past wars have been dirty, immoral, bloody and second-guessed—however, history has shown most of them necessary," and that if his son is doubtful of the principles upon which the U.S. was founded, whether the free enterprise system in this country is worth protecting, of people's freedom of religion, individual endeavors and method of government, he "(doesn't) belong here." The narrator also accuses him of being ungrateful for the "opportunities" this country has given him. Towards the end, Lundberg tells his son that his mother will love him no matter what he does, and that he loves him too, but that he should also burn his birth certificate because that means to him that he has no son.

On the B-side is a 3-minute-41-second song titled "My Buddy Carl," which discusses similar themes and recounts a letter from a war soldier about one of his best friends at the time, over the same instrumental.

Chart performance and critical reception

For the week of November 11, 1967, the record hopped onto the Billboard Hot 100 chart at #84, breaking into the top ten in just 3 weeks, making it one of the dozen or so fastest-climbing records in Hot 100 history up to that point, as well as one of the shortest-lived top ten presences seeing as it spent a total of only six weeks on the chart. [1]

The record sold over one million copies within a month of release and was awarded a gold disc, [2] along with a Grammy Award nomination for Best Spoken Word Recording, [3] losing to Senator Everett McKinley Dirksen's "Gallant Men".

A writer for Cashbox magazine called it an "inspirational narrative with some interesting points to make," but refuted them, saying "the conclusion rings somehow false." [4] Emmanuel Hapsis of KQED wrote "The track is essentially a rambling rant by a random newscaster about long hair, beards, glue-sniffing, whether God is dead, and George Washington," [5] while Douglas Wolk of Slate called it "the ne plus ultra of right-wing spoken-word hits." [6] One of the songwriters, Robert Thompson, was interviewed by Rolling Stone magazine for their second issue in November 1967:

It's based on a letter I wrote to my 17-year old son back in June as a, more or less, series of written discussions we were having, that I had no intention of using for something else. Then Lundberg read it, and suggested we record it just to play for some friends. It was so well received, they suggested we do something further with it. So, we sent it to Jerry La Coursiere of Liberty Records, who was so enthusiastic when we played it on the phone for him, that he insisted we mail it to Liberty immediately. I never once expected anything to come of all this. [7]

The record caused criticism as well. William Zinsser wrote a long article for Life magazine in January 1968 titled "The Pitfalls of Pop's Pompous Pop-off," and said of the song, "It's not necessary to be a teenage son to be offended by this record, this is something that anybody can hate. This creep has a voice of mushy smugness intoning a set of rigid creeds. It is hard in a mere magazine to convey the sanctimonious roundness of Lundberg's voice. This man does not sound like anyone's father." He accused the song of "being bought by Lt. General Lewis B. Hershey and sent to draft boards across the country." [8]

Lundberg made an appearance on The Ed Sullivan Show on November 12, 1967.

Parts of "An Open Letter To My Teenage Son" were used as the intro for the song "All My Best Friends Are Metalheads" by American band Less Than Jake.

Response records

"An Open Letter" spawned at least ten "response" records, identified by the Vietnam War Song Project. [9] Most of these spoken-word records all have the father's son write a response to what the father had said. The son's response varies from letter to letter, depending on the nature of the records that are shown here. [10]

"A Letter to Dad"
Single by Every Father's Teenage Son
B-side "Josephine's Song"
ReleasedOctober 1967
Genre Spoken word
Length2:53
Label Buddah
Songwriter(s)
  • Bill Dean
  • Rob Marshall

A Letter to Dad

"A Letter to Dad" by the group Every Father's Teenage Son (a play on the name of pop rock band Every Mother's Son) was one of the most notable response records, and the only one to chart on the Hot 100, peaking at number 93 and charting for 4 weeks. [1] It was written by Bill Dean and Rob Marshall.

In "A Letter to Dad," the narrator poses as the teenager in question, politely considers his father's words and clears up misconceptions, such as the question "Is God dead?" The first of claims from the original record that the narrator disagrees with to be brought up is whether war is necessary. "I've spent long hours over this question, and find that I must hold that war is not inevitable," the narrator says, "That man's greatest goal should be to avoid war at all costs—It is not the lack of pride for my country, but an abundance of respect for my fellow man which demands that I must promise myself not to use violence, no matter what." He also cites that anti-war advocates Albert Schweitzer and Mahatma Gandhi motivate his choice to burn his draft card. The song ends with "Dad, it will be you who will have to burn my birth certificate, and though you'll stop calling me son, I'll never stop calling you Dad."

The speech is layered over an unknown guitar track in the key of E major. On the B-side is a song called "Josephine's Song"

A Cashbox writer called the response track "extremely pacifist," and "an open answer deck to reasonable rebuttal," [11] while a Billboard writer described it as, "a well thought-out answer, performed and arranged in the best of taste." [12]

"Letter from a Teenage Son"
Single by Brandon Wade
ReleasedNovember 1967
Genre Spoken word
Length2:49
Label Philips
Songwriter(s)
  • Brandon Wade
  • M. Sweeney
Producer(s) David Carroll

Letter from a Teenage Son

"Letter from a Teenage Son" was another response track, this time from 16-year-old Brandon Wade. It was written by Wade and M. Sweeney and produced by David Carroll and the Chicago Symphony Orchestra, who provided the instrumental for the track. (supposedly "Pavane pour une infante défunte" by Maurice Ravel, as it had been commonly credited, though the two sound nothing alike.)

The much more gloomy sounding song gives a more raw, open, and rather harsh response to the message, where the narrator frustratingly questions his father's idea of what love is; "How can you even speak of love when you don't seem to understand that the very first step in giving love is to accept someone as he is, not as you would like him to be?", claims that he doesn't have a "voice in the government" if he is not old enough to vote. "Doesn't the real test of a free nation and its democracy lie in the right of its people to question their government?", Wade also asks. He then disputes that he "(doubts) the principles upon which (the U.S.) was founded," by claiming, "That's not true at all, it's just that I doubt some of our new founded principles," ending off with "Please, Dad, don't let the sound of taps deaden the lips of those millions of Americans who believe in their country's right to ask 'why?'"

A Cashbox writer called this one a "dramatically read, intelligently worded, beautifully orchestrated, stunning recording, presenting a mature reply that could well steal the spotlight from other retorts from the younger generation—demands a listen." [13]

Wade cracked number 120 on Billboard's Bubbling Under Hot 100. [14]

Other recordings

The following spoken-word records are similar to the ones that involve the son's response. In those records, they show other people make their own responses in account of not only the son, but also society in general at the time.

Related Research Articles

<span class="mw-page-title-main">Carl Perkins</span> American guitarist (1932–1998)

Carl Lee Perkins was an American guitarist, singer and songwriter. A rockabilly great and pioneer of rock and roll, he began his recording career at the Sun Studio, in Memphis, beginning in 1954. Among his best-known songs are "Blue Suede Shoes", "Honey Don't", "Matchbox" and "Everybody's Trying to Be My Baby".

<span class="mw-page-title-main">John Phillips (musician)</span> American musician (1935–2001)

John Edmund Andrew Phillips was an American musician. He was the leader of the vocal group the Mamas & the Papas and remains frequently referred to as Papa John Phillips. In addition to writing the majority of the group's compositions, he also wrote "San Francisco " in 1967 for former Journeymen bandmate Scott McKenzie, as well as the oft-covered "Me and My Uncle", which was a favorite in the repertoire of the Grateful Dead. Phillips was one of the chief organizers of the 1967 Monterey Pop Festival.

<span class="mw-page-title-main">Eve of Destruction (song)</span> 1965 song written by P. F. Sloan

"Eve of Destruction" is a protest song written by P. F. Sloan in mid-1965. Several artists have recorded it, but the most popular recording was by Barry McGuire.

<span class="mw-page-title-main">Earache My Eye</span> 1974 single by Cheech and Chong

"Earache My Eye" is a comedy routine and song by Cheech and Chong from their 1974 album Cheech & Chong's Wedding Album. The skit is about a teenager who wakes up and listens to a song by "Alice Bowie", while his father yells at him to get ready for school.

<span class="mw-page-title-main">Reflections (The Supremes song)</span> 1967 single by Diana Ross & the Supremes

"Reflections" is a 1967 song recorded by American soul music group The Supremes for the Motown label. The single release was the first Supremes record credited to "Diana Ross and the Supremes", and the song was one of the last Motown hits to be written and produced by Holland–Dozier–Holland before they left the label.

<span class="mw-page-title-main">Stoned Love</span> 1970 single by The Supremes

"Stoned Love" is a 1970 hit single recorded by The Supremes for the Motown label. It was the last Billboard Pop Top Ten hit for the group, peaking at number seven, and their last Billboard number-one R&B hit as well, although the trio continued to score top ten hits in the UK into 1972. In the UK, it was the post-Ross Supremes' biggest hit, reaching number 3 in the singles chart. The single spent six weeks in the UK top ten and five weeks in the US top ten. The BBC ranked "Stoned Love" at number 99 on The Top 100 Digital Motown Chart, which ranks Motown releases solely on their all time UK downloads and streams.

<span class="mw-page-title-main">Paul Petersen</span> American actor, singer and writer (b. 1945)

Paul Petersen is an American actor, singer, novelist and activist.

<span class="mw-page-title-main">Tommy Sands</span> American singer and actor (born 1937)

Thomas Adrian Sands is an American pop music singer and actor. Working in show business as a child, Sands became an overnight sensation and instant teen idol when he appeared on Kraft Television Theater in January 1957 as "The Singin' Idol". The song from the show, "Teen-Age Crush", reached No. 2 on the Billboard Hot 100 and No. 1 on Cashbox.

<span class="mw-page-title-main">Love Is Here and Now You're Gone</span> 1967 single by the Supremes

"Love Is Here and Now You're Gone" is a 1967 song recorded by the Supremes for the Motown label.

"For Once in My Life" is a song written by Ron Miller and Orlando Murden for Motown Records' Stein & Van Stock publishing company, and first recorded in 1965.

"Father of Mine" is a rock song by American rock band Everclear from their 1997 album So Much for the Afterglow. This song is autobiographical, as lead singer Art Alexakis's father left his family when he was a young boy. "Father of Mine" was the third top-five Modern Rock Tracks single from So Much for the Afterglow, peaking at number four. It also hit number 23 and 24 on the Adult Top 40 and Mainstream Top 40 charts, respectively. This song is also recorded in a radio mix, which can be heard on Ten Years Gone: The Best of Everclear 1994-2004.

<span class="mw-page-title-main">Surrender (Cheap Trick song)</span> 1978 single

"Surrender" is a single by Cheap Trick released in June 1978 from the album Heaven Tonight. It was the first Cheap Trick single to enter the Billboard Hot 100 chart, peaking at number 62. Its success in Japan, as well as the success of its preceding singles "Clock Strikes Ten" and "I Want You to Want Me", paved the way for Cheap Trick's concerts at Nippon Budokan in Tokyo in April 1978 which were recorded for Cheap Trick at Budokan, the group's most popular album.

Victor Lundberg was an American radio personality, best known for a spoken-word record called "An Open Letter to My Teenage Son", which became an unlikely Top 10 hit in 1967.

"The Last Thing on My Mind" is a song written by American musician and singer-songwriter Tom Paxton in the early 1960s and recorded first by Paxton in 1964. It is based on the traditional lament song "The Leaving of Liverpool". The song was released on Paxton's 1964 album Ramblin' Boy, which was his first album released on Elektra Records.

The Beatles experienced huge popularity on the British record charts in early 1963, but record companies in the United States did not immediately follow up with releases of their own, and the Beatles' commercial success in the US continued to be hampered by other obstacles, including issues with royalties and public derision toward the "Beatle haircut".

<span class="mw-page-title-main">So Much Like My Dad</span> 1992 single by George Strait

"So Much Like My Dad" is a song written by Chips Moman and Bobby Emmons and recorded by Willie Nelson on his 1986 album Partners. American country music artist George Strait released the song in June 1992 as the second single from his album Holding My Own. The song reached number 3 on the Billboard Hot Country Singles & Tracks chart in October 1992.

<span class="mw-page-title-main">Bobby Jameson</span> American singer-songwriter (1945–2015)

Robert Parker Jameson was an American singer-songwriter who was briefly promoted as a major star in the early 1960s and later attracted a cult following with his 1965 album Songs of Protest and Anti-Protest, issued under the name Chris Lucey. The album's dark lyrics and sophisticated arrangements led its advocates to note similarities with Love's 1967 album Forever Changes. For decades, little was known about Jameson or his origins, and he was more famous for engaging in public disturbances and suicide attempts than his music.

<span class="mw-page-title-main">Cry Like a Baby</span> 1968 single by The Box Tops

"Cry Like a Baby" is a 1968 song written by Dan Penn and Spooner Oldham, and performed by The Box Tops. The song reached No.2 in April 1968 on the Billboard Hot 100 chart, a position it held for two weeks. It was kept out of the top spot by Bobby Goldsboro's "Honey", which stayed at No.1 for five weeks. "Cry Like a Baby" also reached No.2 on Cashbox for one week. It stayed on the Hot 100 for 15 weeks and Cashbox for 14 weeks. It was awarded a gold disc for selling over one million copies in the United States.

<span class="mw-page-title-main">My Son (song)</span> 1968 single by Jan Howard

"My Son" is a song written and recorded by American country music singer Jan Howard. It is among several songs recorded by country artists during this period that related to the Vietnam War. The song is based on a letter Howard wrote to her son, Jimmy, who was drafted into the war. After writing the letter, she was inspired by family and friends to put it to music. Recording the song in a single take, it was released as a single in 1968.

<span class="mw-page-title-main">New Frontier (song)</span> 1983 single by Donald Fagen

"New Frontier" is a song recorded by American singer-songwriter Donald Fagen for his debut studio album, The Nightfly (1982). The song was released as the second single from the album in January 1983 through Warner Bros. Records. The song received acclaim from music critics.

References

  1. 1 2 "An Open Letter To My Teenage Son At 22 (6 Weeks) and Letter To Dad At 93 (4 Weeks)". Hot 100 Chart .
  2. Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. p.  225. ISBN   0-214-20512-6.
  3. The Envelope Archived September 25, 2009, at the Wayback Machine , Los Angeles Times . Accessed October 19, 2007.
  4. "Cashbox - Week of October 14, 1967 - Page 22" (PDF). Cashbox .
  5. "Beyond Janis and Jimi: The Forgotten Jams from the Summer of Love". KQED .
  6. "A Brief History of the Spoken-Word Pop Hit". Slate .
  7. "Rolling Stone - Issue 2, Page 8 (November 23, 1967)". Rolling Stone .
  8. "The Pitfalls of Pop's Pompous Pop-Off". LIFE . January 5, 1968. Retrieved October 15, 2023 via Google Books.
  9. Brummer, Justin. "Vietnam War Song Project". RYM. Retrieved 24 July 2024.
  10. Brummer, Justin. "Victor Lundberg's "An Open Letter" & Answer Songs". RYM. Retrieved 25 July 2024.
  11. "Cashbox - Week of November 18, 1967" (PDF). Cashbox .
  12. "Billboard - November 18, 1967" (PDF). Billboard .
  13. "Cashbox - Week of November 25, 1967" (PDF). Cashbox .
  14. "Billboard - December 16, 1967" (PDF). Billboard .
  15. Vietnam War Song Project (February 24, 2012). "Dick Clark - Open Letter to the Older Generation". Archived from the original on 2021-12-12. Retrieved October 26, 2017 via YouTube.