Architecture of Rome

Last updated December 03, 2024

The architecture of Rome over the centuries has greatly developed from Ancient Roman architecture to Italian modern and contemporary architecture. Rome was once the world's main epicentres of Classical architecture, developing new forms such as the arch, the dome and the vault. The Romanesque style in the 11th, 12th and 13th centuries was also widely used in Roman architecture, and later the city became one of the main centres of Renaissance and Baroque architecture.^[1] Rome's cityscape is also widely Neoclassical and Fascist in style.

Ancient Rome

During the Roman Republic, most Roman buildings were made of concrete and bricks, but ever since about 100 BC and the Roman Empire, marble and gold were more widely used as decoration themes in the architecture of Rome, especially in temples, palaces, fora and public buildings in general.^[1] Most buildings, just like in Classical Athens, had caryatids and atlantes supporting balconies or structures, mainly representing standing women or muscular men. The caryatids found in ancient Roman architecture were mainly copies of the Greek ones, just like in the Forum of Augustus.^[1]

Roman temples were usually built on a high podium. They had a portico and a triangular pediment above columns.^[1] Romans mainly utilized the Greek classical orders, but also created a new Composite order, which was used in the Arch of Titus. Domes, vaults, aediculae (small shrines designed as small temples) and coffers were also popular elements of Classical and Imperial Roman architecture. The Colosseum is the most prominent example of ancient Roman architecture, but also the Roman Forum, the Domus Aurea, the Pantheon, Trajan's Column, Trajan's Market, the Catacombs, the Circus Maximus, the Baths of Caracalla, Castel Sant'Angelo, the Mausoleum of Augustus, the Ara Pacis, the Arch of Constantine, the Pyramid of Cestius, and the Bocca della Verità are renowned ancient monuments.

Romanesque

Cosmatesque pavement in the Basilica of Saint Praxedes Benfoto-Roma2013-087.jpg — Cosmatesque pavement in the Basilica of Saint Praxedes

Rome has a rich and diverse Romanesque heritage. Many of the first Christian churches in the world were constructed in Rome, and Byzantine churches were mainly based on the Roman basilica. They were often oblong or geometric, with three naves and full of rich golden mosaics.^[1] Later Romanesque churches in Rome were more round, using the Roman arch.

Examples of buildings from this period include the Torre delle Milizie, the Torre dei Conti, and the churches of Santi Quattro Coronati, Santa Prassede, Santa Maria in Cosmedin, and Santa Maria in Aracoeli. Elaborate tabernacles were popular especially in the 13th century, and basilicas were often full of rich mosaics.^[1] In the 12th and 13th centuries, the Cosmati family was famous for their mosaics and elegant decoration. They created beautiful marble floors with mosaics, often with inlays of green and red porphyry. Their designs in Rome became so popular that they were known as Cosmatesque.^[1]

Renaissance

Rome is widely regarded as being the second Renaissance capital of Italy after Florence, and was one of the most important architectural and cultural centres of the time. It derived its main designs from the Classical models. Loggias, or open-sided galleries, were fashionable,^[1] and palaces, or palazzi often had rusticated blocks decorating the grand entrances to their houses. In churches, especially in St. Peter's Basilica, baldacchini or column-supported canopies, were widely used. Examples include the Palazzo del Quirinale (now seat of the President of the Italian Republic), the Palazzo Venezia, the Palazzo Farnese, the Palazzo Barberini, the Palazzo Chigi (now seat of the Italian Prime Minister), the Palazzo Spada, the Palazzo della Cancelleria, and the Villa Farnesina.

Baroque

Rome is widely regarded as being the epicentre of Baroque architecture, and was profoundly influenced by the movement. Roman baroque architecture was widely based on Classical symmetry, but broke many of the architectural rules, creating a far richer and more elaborate style, preferring grandiosity and opulence rather than Renaissance classicism and elegance. Putti, or child cupids and cherubs, were popular in Baroque architectural design.

The city is famous for its many huge and majestic Baroque squares (often adorned with obelisks), many of which were built in the 17th century. The principal squares are St. Peter's Square, Piazza Navona, Piazza di Spagna, Campo de' Fiori, Piazza Venezia, Piazza Farnese and Piazza della Minerva.

One of the most emblematic Baroque structure is the Trevi Fountain by Nicola Salvi. Notable 17th-century Baroque palaces are the Palazzo Madama, now the seat of the Italian Senate and the Palazzo Montecitorio, now the seat of the Chamber of Deputies of Italy.

Neoclassical Rome

Altare della Patria, the best-known symbol of Roman neoclassical architecture VittioriEmanuele.jpg — Altare della Patria, the best-known symbol of Roman neoclassical architecture

In 1870, Rome became the capital city of the new Kingdom of Italy. During this time, neoclassicism, a building style influenced by the architecture of classical antiquity, became a predominant influence in Roman architecture. During this period, many great palaces in neoclassical styles were built to host ministries, embassies, and other governing agencies.

One of the best-known symbols of Roman neoclassicism is the Victor Emmanuel II Monument, or "Altare della Patria", where the Grave of the Unknown Soldier that represents the 650,000 Italians that fell in World War I, is located.

Fascist architecture

The Fascist regime that ruled in Italy between 1922 and 1943 developed an architectural style that was characterised by its links with ancient Roman architecture.

The most important Fascist site in Rome is the E.U.R district, designed in 1938 by Marcello Piacentini. It was originally conceived for the 1942 world exhibition, and was called "E.42" ("Esposizione 42"). The world exhibition, however, never took place because Italy entered the Second World War in 1940. The most representative building of the Fascist style at E.U.R. is the Palazzo della Civiltà Italiana (1938–1943), the iconic design of which has been labelled the cubic or Square Colosseum. After World War II, the Roman authorities found that they already had the seed of an off-centre business district of the type that other capitals were still planning (London Docklands and La Défense in Paris).

The Palazzo della Farnesina, the current seat of Italian Foreign Ministry, was also designed in 1935 in Fascist style.

Related Research Articles

Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of ancient Greek and Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture and neoclassical architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to other parts of Europe at different dates and with varying degrees of impact.

In European architectural sculpture, an atlas is a support sculpted in the form of a man, which may take the place of a column, a pier or a pilaster. The Roman term for such a sculptural support is telamon.

Pediments are a form of gable in classical architecture, usually of a triangular shape. Pediments are placed above the horizontal structure of the cornice, or entablature if supported by columns. In ancient architecture, a wide and low triangular pediment typically formed the top element of the portico of a Greek temple, a style continued in Roman temples. But large pediments were rare on other types of building before Renaissance architecture. For symmetric designs, it provides a center point and is often used to add grandness to entrances.

Cathedrals, collegiate churches, and monastic churches like those of abbeys and priories, often have certain complex structural forms that are found less often in parish churches. They also tend to display a higher level of contemporary architectural style and the work of accomplished craftsmen, and occupy a status both ecclesiastical and social that an ordinary parish church rarely has. Such churches are generally among the finest buildings locally and a source of regional pride. Many are among the world's most renowned works of architecture. These include St Peter's Basilica, Notre-Dame de Paris, Cologne Cathedral, Salisbury Cathedral, Antwerp Cathedral, Prague Cathedral, Lincoln Cathedral, the Basilica of Saint-Denis, Santa Maria Maggiore, the Basilica of San Vitale, St Mark's Basilica, Westminster Abbey, Saint Basil's Cathedral, Antoni Gaudí's incomplete Sagrada Família and the ancient cathedral of Hagia Sophia in Istanbul, now a mosque.

Andrea Palladio was an Italian Renaissance architect active in the Venetian Republic. Palladio, influenced by Roman and Greek architecture, primarily Vitruvius, is widely considered to be one of the most influential individuals in the history of architecture. While he designed churches and palaces, he was best known for country houses and villas. His teachings, summarized in the architectural treatise, The Four Books of Architecture, gained him wide recognition.

The following outline is provided as an overview of and topical guide to classical architecture:

GiacomoBarozzida Vignola, often simply called Vignola, was one of the great Italian architects of 16th century Mannerism. His two great masterpieces are the Villa Farnese at Caprarola and the Jesuits' Church of the Gesù in Rome. The three architects who spread the Italian Renaissance style throughout Western Europe are Vignola, Serlio and Palladio. He is often considered the most important architect in Rome in the Mannerist era.

The Composite order is a mixed order, combining the volutes of the Ionic order capital with the acanthus leaves of the Corinthian order. In many versions the composite order volutes are larger, however, and there is generally some ornament placed centrally between the volutes. The column of the composite order is typically ten diameters high, though as with all the orders these details may be adjusted by the architect for particular buildings. The Composite order is essentially treated as Corinthian except for the capital, with no consistent differences to that above or below the capital.

Campitelli is the 10th rione of Rome, Italy, identified by the initials R. X, and is located in the Municipio I.

The Palazzo Venezia or Palazzo Barbo, formerly "'Palace of Saint Mark'", is a large early Renaissance palace in central Rome, Italy, situated to the north of the Capitoline Hill. Today the property of the Republic of Italy it houses the National Museum of the Palazzo Venezia. The main (eastern) facade measures 77 metres (253 ft) in length, with a height of about 31 metres (102 ft). The north wing, containing the "Cibo Apartment", extending westwards, measures 122 metres (400 ft) in length. It covers an area of 1.2 hectares and encloses two gardens and the Basilica of Saint Mark. It was built in the present form during the 1450s by Cardinal Pietro Barbo (1417-1471), titular holder of the Basilica of Saint Mark, who from 1464 ruled as Pope Paul II. Barbo, a Venetian by birth as was customary for cardinals of the Basilica of Saint Mark, lived there even as pope and amassed there a great collection of art and antiquities. During the first half of the 20th century it became the residence and headquarters of the fascist dictator Benito Mussolini, who made notable orations from its balcony to huge crowds filling the Piazza Venezia.

Egg-and-dart, also known as egg-and-tongue, egg-and-anchor, or egg-and-star, is an ornamental device adorning the fundamental quarter-round, convex ovolo profile of moulding, consisting of alternating details on the face of the ovolo—typically an egg-shaped object alternating with a V-shaped element. The device is carved or otherwise fashioned into ovolos composed of wood, stone, plaster, or other materials.

Italy has a very broad and diverse architectural style, which cannot be simply classified by period or region, due to Italy's division into various small states until 1861. This has created a highly diverse and eclectic range in architectural designs. Italy is known for its considerable architectural achievements, such as the construction of aqueducts, temples and similar structures during ancient Rome, the founding of the Renaissance architectural movement in the late-14th to 16th century, and being the homeland of Palladianism, a style of construction which inspired movements such as that of Neoclassical architecture, and influenced the designs which noblemen built their country houses all over the world, notably in the United Kingdom, Australia and the United States of America during the late-17th to early 20th centuries.

Italian Gothic architecture (also called temperate Gothic architecture, has characteristics that distinguish it considerably from those of the place of origin of Gothic architecture, France, and from other European countries in which this language has spread.

Ferrara Cathedral is a Roman Catholic cathedral and minor basilica in Ferrara, Northern Italy. Dedicated to Saint George, the patron saint of the city, it is the seat of the Archbishop of Ferrara and the largest religious building in the city.

<span class="mw-page-title-main">Foligno Cathedral</span>

Foligno Cathedral is a Catholic cathedral situated on the Piazza della Repubblica in the center of Foligno, Italy. The cathedral, built on the site of an earlier basilica, is dedicated to the patron saint of the city, the martyr Felician of Foligno, who was buried here in 251 AD. It is the seat of the Bishop of Foligno. It contains the cathedra for the Diocese of Foligno.

Italian Baroque architecture refers to Baroque architecture in Italy.

The culture of Rome in Italy refers to the arts, high culture, language, religion, politics, libraries, cuisine, architecture and fashion in Rome, Italy. Rome was supposedly founded in 753 BC and ever since has been the capital of the Roman Empire, one of the main centres of Christianity, the home of the Roman Catholic Church and the seat of the Italian Republic. Due to its historical and social importance, Rome has been nicknamed the Caput Mundi, or "capital of the world".

This timeline shows the periods of various architectural styles in the architecture of Italy. Italy's architecture spans almost 3,500 years, from Etruscan and Ancient Roman architecture to Romanesque, Gothic, Renaissance, Baroque, Rococo, Neoclassical, Art Nouveau, Fascist, and Italian modern and contemporary architecture.

The Royal Palace of Milan was the seat of government in the Italian city of Milan for many centuries. Today, it serves as a cultural centre and it is home to international art exhibitions. It spans through an area of 7,000 square meters and it regularly hosts modern and contemporary art works and famous collections in cooperation with notable museums and cultural institutions from across the world. More than 1,500 masterpieces are on display annually.

The following outline is provided as an overview of and topical guide to Rome:

References

1 2 3 4 5 6 7 8 Ercolia, Olivia; Belford, Ros; Mitchell, Roberta (2006). Rome. Dorling Kindersley. pp. 36–37. ISBN 1-4053-1090-1.

External links

Roman architecture – Overview at World History Encyclopedia

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.

[r1-1] 1 2 3 4 5 6 7 8 Ercolia, Olivia; Belford, Ros; Mitchell, Roberta (2006). Rome. Dorling Kindersley. pp. 36–37. ISBN 1-4053-1090-1.

[1]