Architextiles

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The Olympiastadion in Munich makes extensive use of tensile roofing structures. Olympiastadion Muenchen.jpg
The Olympiastadion in Munich makes extensive use of tensile roofing structures.
Diwan-i-Khas, Red Fort, Delhi with red awnings or shamianas, in 1817 Diwan-i-Khas, Red Fort, Delhi with red awnings or shamianas, in 1817.jpg
Diwan-i-Khas, Red Fort, Delhi with red awnings or shamianas, in 1817
Model of the Colosseum with its velarium in the Museum of Roman Civilization Maquette du Colisee Velarium.svg
Model of the Colosseum with its velarium in the Museum of Roman Civilization

Architextiles refers to a broad range of projects and approaches that combine architecture, textiles, and materials science. Architextiles explore textile-based approaches and inspirations for creating structures, spaces, surfaces, and textures. Architextiles contribute to the creation of adaptable, interactive, and process-oriented spaces. [1] :5 [2] Awning is the most basic type of architectural textile. [3] [4] [5] In Roman times, a velarium was used as an awning to cover the entire cavea, the seating area within amphitheaters, serving as a protection for the spectators against the sun. [6] [7]

Contents

Hylozoic Ground, on the other hand, is a modern and complex architextile example. Hylozoic Ground is an interactive architecture model presented in the 18th Biennale of Sydney. [8] [9] Olympiastadion is another example of modern architecture presented in an unusual way. [10]

Etymology

Architextiles is a portmanteau word of textiles and architecture. [1] :5 'Technology' and 'Textiles' both are derivation of a Latin language word texere that means 'construct' or 'weave'.Textiles is also among derivative words of the Ancestor of the Indo-European language word "tek" which is the root to architecture. [1] :6

Architecture and textiles

Architectural textiles

Architextiles is the architecture that is inspired by characteristics, elements, and manufacturing techniques of textiles. [1] It is a field that spans multiple disciplines. It is a combination of textile and architectural manufacturing techniques. Laser cutting, ultrasonic welding, thermoplastic setting, pultrusion, electrospinning, and other advanced textile manufacturing techniques are all included in architextiles. Architextiles integrate various fields like architecture, textile design, engineering, physics and materials science. [1]

Textile inspirations

Architextiles exploits the sculptural potential of textile-based structures. [1] :4 Textiles motivate architects with their numerous features, enabling them to express ideas via design and create environmentally conscious buildings. [1] Textiles also influence architecture in the following ways:

Characteristics

Textiles are adaptable, lightweight, and useful for a variety of structures, both temporary and permanent. Tensile surfaces composed of structural fabrics, such as canopies, roofs, and other types of shelter, are included in architectural textiles. If necessary, the subjected materials are given special purpose finishes, such as waterproofing, to make them suitable for outdoor use. [11]

Besides surface qualities, such as rough and smooth, dull and shiny, hard and soft, textiles also includes colour, and, as the dominating element, texture, which is the result of the construction of weaves. Like any craft it may end in producing useful objects, or it may rise to the level of art.

Anni Albers, [12]

The essentially structural principles that relate the work of building and weaving could form the basis of a new understanding between the architect and the inventive weaver. New uses of fabrics and new fabrics could result from a collaboration; and textiles, so often no more than an after thought in planning, might take a place again as a contributing thought.

Anni Albers, [13] :66

Coated fabrics

Air supported structure BC Place BC Place - night game (6219415118).jpg
Air supported structure BC Place

There is considerable use of coated materials in certain architectures, Pneumatic structures are made of teflon or PVC-coated synthetic materials. [14] Coated fiberglass, coated polyethylene and coated polyester are the most common materials used in lightweight structural textiles. Lightweight fabric constructions accounted for 13.2 square yards of total usage in 2006, according to Industrial Fabrics Association International (IFAI) [15] Chemically inert, Polytetrafluoroethylene fibreglass coating is capable of withstanding temperatures as low as -100 °F (-73 °C) and as high as +450 °F (232 °C). [16]

Interactive textiles

Parametric design Parametric designs.jpg
Parametric design

Textiles that can sense stimuli are known as interactive textiles. They have the capability to adapt or react to the environment. [17] [18] Felecia Davis has designed interactive textiles such as parametric tents that are able to change size and shape in response to changes in light and the number of people underneath. [19]

3D structures

Soundproof 3D woven walls with a ribbed structure that are suitable for soundproofing and interior designing. [20] Aleksandra Gaca designed the furnishing of the concept car Renault Symbioz with a 3D fabric named 'boko'. [21]

Origami-inspired textiles

Textiles inspired by origami impart novel properties to architecture. Architects try out origami and three-dimensional fabric structures when designing structures. [22] [23] [24]

History

The Field of the Cloth of Gold, oil painting of circa 1545 in the Royal Collection at Hampton Court. Henry VIII on horseback approaches at bottom left. The Field of the Cloth of Gold.jpg
The Field of the Cloth of Gold, oil painting of circa 1545 in the Royal Collection at Hampton Court. Henry VIII on horseback approaches at bottom left.

Examples of architextiles have been found dating back a long way. Over centuries, nomadic tribes in the Middle East, Africa, the Orient, and the Americas have developed textile structures. [25]

Historical structures

Historical architextiles include yurts and tents, the great awnings of Colosseum in Rome, the tents of the Mongol Empire, and the Ziggurat Aquar Quf near Baghdad. [1]

Present

Denver International Airport terminal Denver International Airport terminal.jpg
Denver International Airport terminal
Millennium Dome Millennium Dome 1.jpg
Millennium Dome

Properties

Architextiles have a number of advantages; primarily, they are cost effective and can be used to construct temporary or transportable structures. The programming can be modified at any time. [1] :10

Examples of architextiles

Muscle NSA

NSA Muscle, is a pressurized (Inflatable body) structure which is an interactive model. It is equipped with sensors and computing systems, the MUSCLE is programmed to respond to human visitors. [1] :7

Carbon tower

The carbon tower is a prototype carbon fiber building. [26]

Hylozoic Ground

Hylozoic Ground is an exemplar of live architecture, interactive model of architecture which is a kind of architextiles. [9] [27]

Textile growth monument

Textile growth monument ‘textielgroeimonument’ is a 3D 'woven' structure in the city Tilburg. [1] :11

Pneumatrix

Pneumatrix, RCA Department of Architecture, London, a theatre which is deployable and flexible. [1] :10

See also

Related Research Articles

<span class="mw-page-title-main">Textile</span> Various fiber-based materials

Textile is an umbrella term that includes various fiber-based materials, including fibers, yarns, filaments, threads, different fabric types, etc. At first, the word "textiles" only referred to woven fabrics. However, weaving is not the only manufacturing method, and many other methods were later developed to form textile structures based on their intended use. Knitting and non-woven are other popular types of fabric manufacturing. In the contemporary world, textiles satisfy the material needs for versatile applications, from simple daily clothing to bulletproof jackets, spacesuits, and doctor's gowns.

<span class="mw-page-title-main">Tent</span> Temporary shelter which can be easily dismantled and which is portable

A tent is a shelter consisting of sheets of fabric or other material draped over or attached to a frame of poles or a supporting rope. While smaller tents may be free-standing or attached to the ground, large tents are usually anchored using guy ropes tied to stakes or tent pegs. First used as portable homes by nomads, tents are now more often used for recreational camping and as temporary shelters.

<span class="mw-page-title-main">Wearable art</span> Designed pieces of clothing or jewelry created as fine or expressive art

Wearable art, also known as Artwear or "art to wear", refers to art pieces in the shape of clothing or jewellery pieces. These pieces are usually handmade, and are produced only once or as a very limited series. Pieces of clothing are often made with fibrous materials and traditional techniques such as crochet, knitting, quilting, but may also include plastic sheeting, metals, paper, and more. While the making of any article of clothing or other wearable object typically involves aesthetic considerations, the term wearable art implies that the work is intended to be accepted as an artistic creation or statement. Wearable art is meant to draw attention while it is being displayed, modeled or used in performances. Pieces may be sold and exhibited.

<span class="mw-page-title-main">Gabardine</span> Tough, tightly woven fabric used to make suits, trousers and some other garments

Gabardine is a durable twill worsted wool. It is a tightly woven waterproof fabric and is used to make outerwear and various other garments, such as suits, overcoats, trousers, uniforms, and windbreakers. Thomas Burberry created the fabric in the late 1870s and patented it in 1888. The name gabardine comes from "gaberdine", a type of long, cape-like dress worn during the Middle Ages.

<span class="mw-page-title-main">Poncho</span> Cape- or blanket-like outer garment

A poncho is a kind of plainly formed, loose outer garment originating in the Americas, traditionally and still usually made of fabric, and designed to keep the body warm. Ponchos have been used by the Native American peoples of the Andes, Patagonia, and the Valley of Mexico since pre-Hispanic times, in places now under the territory of Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, Mexico, Peru, Uruguay, and Venezuela, and have also become familiar in parts of the U.S. A rain poncho is made from a watertight material designed to keep the body dry from the rain.

<span class="mw-page-title-main">Awning</span> Secondary covering attached to the exterior wall of a building

An awning or overhang is a secondary covering attached to the exterior wall of a building. It is typically composed of canvas woven of acrylic, cotton or polyester yarn, or vinyl laminated to polyester fabric that is stretched tightly over a light structure of aluminium, iron or steel, possibly wood or transparent material. The configuration of this structure is something of a truss, space frame or planar frame. Awnings are also often constructed of aluminium understructure with aluminium sheeting. These aluminium awnings are often used when a fabric awning is not a practical application where snow load as well as wind loads may be a factor.

<span class="mw-page-title-main">Anni Albers</span> German-American textile artist (1899–1994)

Anni Albers was a German-Jewish visual artist and printmaker. A leading textile artist of the 20th century, she is credited with blurring the lines between traditional craft and art. Born in Berlin in 1899, Fleischmann initially studied under impressionist painter Martin Brandenburg from 1916 to 1919 and briefly attended the Kunstgewerbeschule in Hamburg in 1919. She later enrolled at the Bauhaus, an avant-garde art and architecture school founded by Walter Gropius in Weimar in 1922, where she began exploring weaving after facing restrictions in other disciplines due to gender biases at the institution.

<span class="mw-page-title-main">Canopy (architecture)</span> Structure providing shade or shelter

A canopy is a type of overhead roof or else a structure over which a fabric or metal covering is attached, able to provide shade or shelter from weather conditions such as sun, hail, snow and rain. A canopy can also be a tent, generally without a floor. The word comes from the ancient Greek κωνώπειον, from κώνωψ, which is a bahuvrihi compound meaning "mosquito". The first 'o' changing into 'a' may be due to influence from the place name Canopus, Egypt thought of as a place of luxuries.

<span class="mw-page-title-main">Warp knitting</span> Manufacturing process

Warp knitting is defined as a loop-forming process in which the yarn is fed into the knitting zone, parallel to the fabric selvage. It forms vertical loops in one course and then moves diagonally to knit the next course. Thus the yarns zigzag from side to side along the length of the fabric. Each stitch in a course is made by many different yarns. Each stitch in one wale is made by several different yarns.

<span class="mw-page-title-main">Gunta Stölzl</span>

Gunta Stölzl was a German textile artist who played a fundamental role in the development of the Bauhaus school's weaving workshop, where she created enormous change as it transitioned from individual pictorial works to modern industrial designs. She was one of a small number of female teachers on the Bauhaus' staff and the first to hold the title of "Master".

<span class="mw-page-title-main">Ripstop</span> Reinforced woven fabric

Ripstop is a woven fabric, often made of nylon, using a reinforcing technique that makes it more resistant to tearing and wear. During weaving, stronger reinforcement yarns are interwoven at regular intervals in a crosshatch pattern. The intervals are typically 5 to 8 millimeters. Thin and lightweight ripstop fabrics have a two-dimensional structure due to the thicker yarns being interwoven in thinner cloth. Older lightweight ripstop fabrics display the thicker interlocking thread patterns in the material quite prominently, but more modern weaving techniques make the ripstop threads less obvious. A similar effect can be achieved by weaving two or three fine yarns together at smaller intervals.

<span class="mw-page-title-main">Jersey (fabric)</span> Plain knit fabric

Jersey is a knit fabric used predominantly for clothing manufacture. It was originally made of wool, but is now made of wool, cotton and synthetic fibers.

<span class="mw-page-title-main">Textile-reinforced concrete</span> Type of reinforced concrete

Textile-reinforced concrete is a type of reinforced concrete in which the usual steel reinforcing bars are replaced by textile materials. Instead of using a metal cage inside the concrete, this technique uses a fabric cage inside the same.

<span class="mw-page-title-main">Burnham Pavilions</span> Public sculptures

The Burnham Pavilions were public sculptures by Zaha Hadid and Ben van Berkel in Millennium Park, which were located in the Loop community area of Chicago, Illinois. Both pavilions were located in the Chase Promenade South. Their purpose was to commemorate the 100th anniversary of Daniel Burnham's Plan of Chicago, and symbolize the city's continued pursuit of the Plan's architectural vision with contemporary architecture and planning. The sculptures were privately funded and reside in Millennium Park. The pavilions were designed to be temporary structures.

<span class="mw-page-title-main">Felecia Davis</span> American architect, engineer and educator

Felecia Davis is an American architect, engineer and educator. She is principal of FELECIA DAVIS STUDIO where she bridges art, engineering, design and architecture. Davis is known for her work in computational textiles.

<span class="mw-page-title-main">Textile performance</span> Fitness for purpose of textiles

Textile performance, also known as fitness for purpose, is a textile's capacity to withstand various conditions, environments, and hazards, qualifying it for particular uses. The performance of textile products influences their appearance, comfort, durability, and protection.

 The different textile applications require a different set of performance parameters. As a result, the specifications determine the level of performance of a textile product. Textile testing certifies the product's conformity to buying specification. It also describes product manufactured for non-aesthetic purposes, where fitness for purpose is the primary criterion. Engineering of high-performance fabrics presents a unique set of challenges.
<span class="mw-page-title-main">3D textiles</span> Three-dimensional fibers, yarns and fabrics

3D textiles are three-dimensional structures made with different manufacturing methods such as weaving, knitting, braiding, or nonwoven, or made with alternative technologies. 3D textiles are produced with three planar geometry, opposed to 2D textiles that are made on two planes. The weave in 2D textiles is perpendicular. The yarn is fed along two axis: length (x-axis) and width (y-axis), while 3D textiles also have a perpendicular weave, but they have an extra yarn with an angular feeding (z-axis) which creates thickness. 3D weaves are orthogonal weave structures, multilayer structures, and angle interlocks. 3D textiles have more manufacturing opportunities, various properties, and a broader scope of applications. These textiles have a wide range of applications, but they are most commonly used where performance is the primary criterion, such as technical textiles. Composite materials, manufacturing is one of the significant areas of using 3D textiles.

<span class="mw-page-title-main">Coated fabrics</span> Fabrics that go through a process of coating

Coated fabrics are those that have undergone a coating procedure to become more functional and hold the added properties, such as cotton fabrics becoming impermeable or waterproof. Coated textiles are used in a variety of applications, including blackout curtains and the development of waterproof fabrics for raincoats.

Hylozoic Ground is an interactive model of architecture which was presented in the Venice Biennale of 2010 and the 18th Biennale of Sydney in 2012. Hylozoic Ground is an exemplar of live architecture: it is an installation by Philip Beesley, who is a professor at the University of Waterloo.

Philip Beesley is a multidisciplinary artist, designer, and university professor. A practitioner of sculpture test beds and digital media art, his work is cited for his contributions to the field of responsive and interactive systems.

References

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