Aruru | |
---|---|
Goddess of vegetation | |
Major cult center | Adab, Kesh, Irisaĝrig |
Genealogy | |
Siblings | Enlil |
Aruru was a Mesopotamian goddess. The origin of her name is presently uncertain. While initially considered an independent deity associated with vegetation and portrayed in hymns as violent, she eventually came to be viewed as analogous Ninhursag. Her name could also function as an epithet of goddesses such as Nisaba and Ezina-Kusu. She was often called the older sister of Enlil. Her cult centers most likely were the cities of Kesh, Adab and Irisaĝrig. She appears in a number of literary texts, some of which preserve information about her original character. She is also present in the Epic of Gilgamesh , which portrays her as the creator of Enkidu.
The etymology of the theonym Aruru ( d A-ru-ru, 𒀭𒀀𒊒𒊒) is considered either uncertain [1] or unknown. [2] A connection with Sumerian a-ru or a-ri, which can be translated as "the one who lets the seed flow," has been deemed implausible by Manfred Krebernik, as this term is only used in this sense to refer to men. [1] Thorkild Jacobsen initially suggested the explanation "the germ loosener," though he eventually abandoned it in favor of translating the name as "outpour of water," or implicitly "outpour of amniotic fluid," which is now considered a mistranslation, as the homophone arūru means "outlet of a canal," not "outflow." [3]
Gonzalo Rubio states that like other Mesopotamian theonyms of similar structure, such as Zababa, Alala, Belili, Bunene or Kubaba, Aruru's name likely did not originate in Sumerian or any of the Semitic languages, [4] though he also notes theories classifying them as examples of words from a hypothetical substrate language referred to as "proto-Euphratean" in old scholarship are now viewed critically in Assyriology. [5] Jeremy Black stated that a "pre-Sumerian" origin of Aruru's name cannot be ruled out, though caution is necessary, as she is not attested before the Third Dynasty of Ur. [6]
It has been suggested that the theonyms da.ru, attested in a god list from Abu Salabikh, [3] and dE4-ru6, referring to Sarpanit, might be etymologically related to Aruru's name. [1]
Julia M. Asher-Greve states that a variant form of the name prefixed with the sign nin, "mistress," is also attested, which according to her is analogous to the interchange between the forms Azimua and Nin-Azimua. [7] However, according to Antoine Cavigneaux and Manfred Krebernik, in the god list An = Anum the name Nin-Aruru designates a minor goddess from the court of Ninhursag, designated as one of her six gud-balaĝ, literally "bull lyres." [8] Krebernik treats her as a separate servant deity. [1]
The oldest known sources associate Aruru with vegetation, but do not portray her as a goddess of birth or as a creator deity. [9] Specific plants mentioned in compositions dedicated to her include poplar, date palm, cedar, Prosopis and the unidentified teme and marmaḫ. [10] She was also portrayed as a powerful and violent deity whose behavior was poetically compared to that of a bull or a viper. [11] [9] While she could be referred to as ama, according to Jeremy Black despite its literal meaning this term does not necessarily denote her as a mother, and can also be translated as "venerable woman" or simply "female." [11] Julia M. Asher-Greve, in her analysis of the use of epithets "mother" and "father" to refer to Mesopotamian deities, states that they also could be used to describe to a given deity's position of authority. [12] Black concluded that it would be inaccurate to refer to Aruru understood as a distinct deity as a mother goddess, as the only sources which describe her directly as a mother of mankind or other gods also syncretise her with other goddesses. [13]
While Aruru was originally a distinct deity, she eventually came to be conflated with various goddesses of birth [14] who at some point became interchangeable with each other. [15] However, Joan Goodnick Westenholz concluded that at least in Sumerian sources, Aruru never came to be fully conflated with any of them, and compares her case to that of Ninmena. [14] Jeremy Black noted that while syncretism is impossible to deny, known sources do preserve information which seemingly pertains to originally individual cults of the goddesses from this category, including Aruru. [3] He proposes that she was initially a minor goddess from the pantheon of Adab and Kesh whose cult was eventually subsumed under Ninhursag's, leading to conflation of the two and to the perception of Aruru herself as a goddess of birth. [6] Aruru's name is used interchangeably with Ninhursag's in one of the Temple Hymns . [9] It is presumed that in this case, it is meant to reflect that the latter occupied a position of authority in the pantheon. [16] In the Old Babylonian Nippur god list, Aruru is one of the nine goddesses of birth listed after Šulpae, [2] the husband of Ninhursag. [17] It is not certain if at this point in time they were understood as names of one goddess, or as closely affiliated deities. [2]
In a hymn to Nisaba, this goddess is referred to as the "Aruru of the land," which according to Westenholz is meant to highlight her high status, rather than point at a connection to birth. [16] In the earliest copies, dated to the Ur III period, the name is written as a-ru12-ru12, without the dingir sign, the divine determinative used to designate theonyms, though the standard writing, with a dingir, is employed in the later Old Babylonian copies. [3] It has been interpreted as an appellative. [1] In other contexts where this theonym occurs as an epithet of this goddess, or of Ezina-Kusu, it most likely reflects their respective roles as vegetation deities, [18]
Aruru was regarded as the older sister of Enlil. [6] She is described this way in many of the compositions which portray her as a violent vegetation deity. [19] She is also similarly referred to as a member of Enlil's family in Lugal-e , though she is portrayed as a goddess of birth in this text. [20]
In a hymn, a minor god named Baraguleĝara is described as a member of Aruru's entourage residing in Kesh, though this reference is unique, and he is otherwise absent from literary texts. [21] In god lists he appears as one of the sons of the "syncretised birth goddess," grouped with Panigingarra and his spouse Ninpanigingarra. [22]
A text known as Archive of Mystic Heptads labels Aruru as the "Bēlet-ilī of the city of Sippar-Aruru" in an enumeration of seven goddesses of similar character, who are all stated to be subordinate to Zarpanit, which reflects an attempt at assigning the position of other goddesses to her. [23]
The oldest certain evidence for the worship of Aruru is a theophoric name from the Ur III period, Ur-Aruru, [3] found in a text from Ur. [24] In the Lament for Eridu , Aruru's city is Irisaĝrig (Akkadian Āl-šarrāki), which was most likely located in the proximity of Adab, further upstream. [24] However, according to Jeremy Black no early texts from Adab itself known as of 2005 made any reference to offerings to her. [25] In the Isin-Larsa and Old Babylonian periods, Aruru is attested in Adab and Kesh. [22] Based on the presence of the closely associated god Baraguleĝara in the pantheon of Larsa Black suggested Aruru might have been worshiped in this city as well during the reign of Rim-Sîn I. [21]
The toponym Sippar-Yahrurum, known from Old Babylonian sources, was later reinterpreted as Sippar-Aruru through a folk etymology. [1] She is associated with this location in the so-called Archive of Mystic Heptads, which lists various goddesses at the time of its composition associated with birth and their respective cult centers. [23] However, Black did not list it among the cities where she might have actually been originally worshiped as a distinct deity. [6]
A number of compositions focused on Aruru treated as a distinct goddess are known, though all of them are written in Emesal, a dialect of Sumerian, which makes them difficult to translate and interpret. [26] Two come from Larsa, three or four from Kish, examples are known from Nippur as well. [27] One of them revolves around Ninmah unsuccessfully trying to calm Aruru. [28] A further composition states that she had a garden, and refers to her as the "mother of dates" (ama zu2-lum-ma-ke4) and "mother of apples" (ama ĝišḫašḫur-ra-ke4). [10] Yet another portrays her as a powerful, violent deity and apparently states that she killed an anonymous shepherd, and destroyed a sheepfold and a cattle pen. [11]
Aruru is also present in the myth Enlil and Sud. [29] When Nisaba agrees to let Enlil marry her daughter Sud, she declares that his sister Aruru should take her to his household. [30] Her role is described by Nisaba with the Sumerian term e-ri-ib, which according to Miguel Civil refers to the sister of a son-in-law, who apparently played a role in marriage rites of her brother. [31] Aruru subsequently helps Sud prepare for her wedding, and takes her to the Ekur, where Enlil waits for her. [32]
A fragmentary Middle Assyrian myth which has been compared to the Labbu narrative involves Aruru being summoned to reveal which of the gods is the most suitable for the task of defeating a monstrous serpent, with Nergal eventually nominated for the task. [33]
One of the two known hymns to Ninimma mentions Aruru, according to Christopher Metcalf in this context described as a birth goddess, and portrays the deity it was dedicated to as her assistant. [34]
In the standard version of the Epic of Gilgamesh , Aruru is responsible for the creation of the wild man Enkidu from a lump of clay. [35] Nathan Wasserman notes that the account of his creation is "impersonal," and there is no indication she was viewed as his mother. [36] According to Jeremy Black, this composition postdates the texts portraying Aruru as a distinct deity by around a thousand years, and in this context she is only a "generic mother goddess." [6]
Ninḫursaĝ, sometimes transcribed Ninursag, Ninḫarsag, or Ninḫursaĝa, also known as Damgalnuna or Ninmah, was the ancient Sumerian mother goddess of the mountains, and one of the seven great deities of Sumer. She is known earliest as a nurturing or fertility goddess. Temple hymn sources identify her as the "true and great lady of heaven" and kings of Lagash were "nourished by Ninhursag's milk". She is the tutelary deity to several Sumerian leaders.
Ninšar was a Mesopotamian goddess commonly associated with the preparation of meat. The reading of her name remains uncertain, and its possible etymology appears to be unrelated to her role in the Mesopotamian pantheon. She was chiefly worshiped in Nippur, though her original cult center was the settlement AB.NAGAR.
Ashnan or Ezina was a Mesopotamian goddess considered to be the personification of grain. She could also be called Ezina-Kusu, which lead to the proposal that the goddess Kusu was initially her epithet which only developed into a distinct figure later on. She was already worshiped in the Uruk period, and appears in documents from many Mesopotamian cities from the third millennium BCE. She is also known from various works of Mesopotamian literature, such as the debate poem Debate between Sheep and Grain.
Ninlil was a Mesopotamian goddess regarded as the wife of Enlil. She shared many of his functions, especially the responsibility for declaring destinies, and like him was regarded as a senior deity and head of the pantheon. She is also well attested as the mother of his children, such as the underworld god Nergal, the moon god Nanna or the warrior god Ninurta. She was chiefly worshiped in Nippur and nearby Tummal alongside Enlil, and multiple temples and shrines dedicated to her are attested in textual sources from these cities. In the first millennium BCE she was also introduced to Ḫursaĝkalamma near Kish, where she was worshiped alongside the goddess Bizilla, who was likely her sukkal.
Ninkasi was the Mesopotamian goddess of beer and brewing. It is possible that in the first millennium BC she was known under the variant name Kurunnītu, derived from a term referring to a type of high quality beer. She was associated with both positive and negative consequences of the consumption of beer. In god lists, such as the An = Anum list and the Weidner god list, she usually appears among the courtiers of the god Enlil, alongside deities such as Ninimma and Ninmada. She could also be paired with Siraš, a goddess of similar character, who sometimes was regarded as her sister. A possible association between her and the underworld deities Nungal and Laṣ is also attested, possibly in reference to the possible negative effects of alcohol consumption.
Damgalnuna, also known as Damkina, was a Mesopotamian goddess regarded as the wife of the god Enki. Her character is poorly defined in known sources, though it is known that like her husband she was associated with ritual purification and that she was believed to intercede with him on behalf of supplicants. Among the deities regarded as their children were Nanshe and Asalluhi. While the myth Enki and Ninhursag treats her as interchangeable with the goddess mentioned in its title, they were usually separate from each other. The cities of Eridu and Malgium were regarded as Damgalnuna's cult centers. She was also worshiped in other settlements, such as Nippur, Sippar and Kalhu, and possibly as early as in the third millennium BCE was incorporated into the Hurrian pantheon. She appears in a number of myths, including the Enūma Eliš, though only a single composition, Damkina's Bond, is focused on her.
Nanshe was a Mesopotamian goddess in various contexts associated with the sea, marshlands, the animals inhabiting these biomes, namely bird and fish, as well as divination, dream interpretation, justice, social welfare, and certain administrative tasks. She was regarded as a daughter of Enki and sister of Ningirsu, while her husband was Nindara, who is otherwise little known. Other deities who belonged to her circle included her daughter Nin-MAR.KI, as well as Hendursaga, Dumuzi-abzu and Shul-utula. In Ur she was incorporated into the circle of Ningal, while in incantations she appears alongside Ningirima or Nammu.
Nisaba was the Mesopotamian goddess of writing and grain. She is one of the oldest Sumerian deities attested in writing, and remained prominent through many periods of Mesopotamian history. She was commonly worshiped by scribes, and numerous Sumerian texts end with the doxology "praise to Nisaba" as a result. She declined after the Old Babylonian period due to the rise of the new scribe god, Nabu, though she did not fully vanish from Mesopotamian religion and attestations from as late as the neo-Babylonian period are known.
Uraš, or Urash, was a Mesopotamian goddess regarded as the personification of the earth. She should not be confused with a male deity sharing the same name, who had agricultural character and was worshiped in Dilbat. She is well attested in association with Anu, most commonly as his spouse, though traditions according to which she was one of his ancestors or even his alternate name are also known. She could be equated with other goddesses who could be considered his wives, namely Ki and Antu, though they were not always regarded as identical. Numerous deities were regarded as children of Urash and Anu, for example Ninisina and Ishkur. However, in some cases multiple genealogies existed, for example Enki was usually regarded as the son of Nammu and Geshtinanna of Duttur, even though texts describing them as children of Urash exist. Not much evidence for the worship of Urash is available, though offerings to her are mentioned in documents from the Ur III period and it is possible she had a temple in Nippur.
Lisin was a Mesopotamian deity initially regarded as a goddess and addressed as ama, "mother," who later came to be regarded as a god and developed an association with fire. The name was also applied to a star associated with Nabu, presumed to correspond to Antares. Lisin's spouse was Ninsikila, whose gender also changed between periods. It was believed that they had eight children. The initial cult center of Lisin is uncertain, with locations such as Abu Salabikh, Adab and Kesh being often proposed. She is attested in texts from various cities, including Umma, Lagash, Nippur and Meturan. Only a single literary text focused on Lisin is known, a lament in which she mourns the death of one of her sons, for which she blames her mother Ninhursag. Both female and male version of Lisin also appears in other similar texts.
Ninmena was a Mesopotamian goddess who represented the deified crown. She was closely associated with the deified scepter, Ninĝidru, and with various goddesses of birth, such as Ninhursag.
Ninimma was a Mesopotamian goddess best known as a courtier of Enlil. She is well attested as a deity associated with scribal arts, and is variously described as a divine scholar, scribe or librarian by modern Assyriologists. She could also serve as an assistant of the birth goddess Ninmah, and a hymn describes her partaking in cutting of umbilical cords and determination of fates. It has also been suggested that she was associated with vegetation. In the Middle Babylonian period she additionally came to be viewed as a healing deity.
Šulpae was a Mesopotamian god. Much about his role in Mesopotamian religion remains uncertain, though it is agreed he was an astral deity associated with the planet Jupiter and that he could be linked to specific diseases, especially bennu. He was regarded as the husband of Ninhursag. Among the deities considered to be their children were Ashgi, Panigingarra and Lisin. The oldest texts which mention him come from the Early Dynastic period, when he was worshiped in Kesh. He is also attested in documents from other cities, for example Nippur, Adab and Girsu. Multiple temples dedicated to him are mentioned in known sources, but their respective locations are unknown.
Ninisina was a Mesopotamian goddess who served as the tutelary deity of the city of Isin. She was considered a healing deity. She was believed to be skilled in the medical arts, and could be described as a divine physician or midwife. As an extension of her medical role, she was also believed to be capable of expelling various demons. Her symbols included dogs, commonly associated with healing goddesses in Mesopotamia, as well as tools and garments associated with practitioners of medicine.
Ashgi was a Mesopotamian god associated with Adab and Kesh. While he was originally the tutelary deity of the former of these two cities, he was eventually replaced in this role by his mother Ninhursag, locally known under the name Digirmah. He is mostly attested in sources from before the Old Babylonian period.
Gula was a Mesopotamian goddess of medicine, portrayed as a divine physician and midwife. Over the course of the second and first millennia BCE, she became one of the main deities of the Mesopotamian pantheon, and eventually started to be viewed as the second highest ranked goddess after Ishtar. She was associated with dogs, and could be depicted alongside these animals, for example on kudurru, and receive figurines representing them as votive offerings.
Ningirima was a Mesopotamian goddess associated with incantations, attested already in the Early Dynastic period. She was also associated with snakes, fish and water. According to the god list An = Anum and other sources, she was regarded as a sister of Enlil. While suggestions that she was conflated with the mongoose deity Ninkilim can be found in modern literature, this theory finds no direct support in primary sources.
Ninmug or Ninmuga was a Mesopotamian goddess. She was associated with artisanship, especially with metalworking, as evidenced by her epithet tibira kalamma, "metalworker of the land." She could also be regarded as a goddess of birth and assistant of Ninmah, most likely because the fashioning of statues of deities and the birth of children could be described with the same terms in Sumerian texts. Her main cult centers were Kisiga, whose location remains uncertain, and Adab.
Šassūrātu were a group of Mesopotamian goddesses regarded as the assistants of Ninmah. Their name can be translated as "midwives" and they were considered to be tutelary goddesses of pregnant women. They appear in the myth Enki and Ninmah, where they receive individual names, as well as in a late version of Atrahasis.
Zame Hymns or Zami Hymns are a sequence of 70 Sumerian hymns from the Early Dynastic period discovered in Abu Salabikh. Their conventional title is modern, and reflects the recurring use of the formula zame, "praise". They are the oldest known Mesopotamian collection of hymns, and some of the oldest literary cuneiform texts overall. No copies have been discovered outside Abu Salabikh, and it is possible that they reflect a local tradition. However, partial parallels have been identified in texts associated with other sites such as Fara and Kesh.