At San Quentin | ||||
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Live album by | ||||
Released | June 16, 1969 | |||
Recorded | February 24, 1969 | |||
Venue | San Quentin State Prison, California | |||
Genre | ||||
Length | 34:04 | |||
Label | Columbia | |||
Producer | Bob Johnston (original) Bob Irwin (re-release) | |||
Johnny Cash chronology | ||||
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Singles from At San Quentin | ||||
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Johnny Cash at San Quentin is the 31st overall album and second live album by American singer-songwriter Johnny Cash, recorded live at San Quentin State Prison on February 24, 1969, and released on June 16 of that same year. The concert was filmed by Granada Television, produced and directed by Michael Darlow. [3] The album was the second in Cash's conceptual series of live prison albums that also included At Folsom Prison (1968), På Österåker (1973), and A Concert Behind Prison Walls (1976).
The album was certified gold on August 12, 1969, platinum and double platinum on November 21, 1986, and triple platinum on March 27, 2003, by the RIAA. The album was nominated for a number of Grammy Awards, including Album of the Year and won Best Male Country Vocal Performance for "A Boy Named Sue."
There have been several releases with different songs and set order. The album cover photo by Jim Marshall is considered to be an iconic image of Cash, with Marshall Grant's Epiphone Newport bass guitar famously silhouetted in the foreground.
Johnny Cash had previously recorded a concert at a prison in 1968 at Folsom State Prison. This concert was recorded for a live LP and a television documentary for the UK. On the original LP release, the song order was changed and several songs were cut, presumably for space reasons. Despite the timing limitations of the vinyl LP format, however, both performances of the song "San Quentin" (Cash agreed to perform an encore at the audience's request) are included on the original album. Early CDs that feature this and At Folsom Prison on the same disc, however, contain only the second version due to time constraints. Some of the songs were censored. Despite the title of the version released on CD in 2000 – At San Quentin (The Complete 1969 Concert) – the CD does not contain the entire concert uncut, but does feature additional tracks and running order that parallels the actual setlist. Performed but not included were the songs "Jackson" and "Orange Blossom Special", which are included in the video release of the show (both songs had been included in At Folsom Prison ). Two songs were somehow slowed down by half a step ("Starkville City Jail" and "Blistered"), possibly due to using another tape machine while the tape on the original machine was changed.
This was Cash's first album recorded without his longtime lead guitar player and Tennessee Two founder Luther Perkins, who had died several months earlier. On the album, Cash is heard paying tribute to Perkins (who was not related to Carl Perkins, who appears on the recording as lead guitarist on several tracks).
Two songs are performed live on stage for the first time during the show: "San Quentin" and "A Boy Named Sue". According to biographer Robert Hilburn, the decision had already been made for Cash to perform "San Quentin" twice as it was considered the major new song of the set, though on record Cash makes it appear as if the encore is due to audience demand; producer Bob Johnson ultimately chose to include both versions of the song on the album. According to Hilburn, Cash spontaneously decided to perform "A Boy Named Sue" during the show and neither the TV crew nor his band knew he planned to do it (though he gave them advance warning by announcing early in the show his intent to play it); he used a lyric sheet on stage while the band improvised the backing. [4]
A crew from Granada Television in the UK filmed the concert for broadcast on television. In the extended version of the concert released by Columbia/Legacy in 2000, Cash is heard expressing frustration at being told what to sing and where to stand prior to his performance of "I Walk the Line". The famous image of an angry-looking Cash giving the middle finger gesture to a camera originates from the performance; in his liner notes for the 2000 reissue, Cash explains that he was frustrated at having Granada's film crew blocking his view of the audience. When the crew ignored his request to "clear the stage", he made the gesture. [5]
Review scores | |
---|---|
Source | Rating |
AllMusic | [6] |
Blender (2000 edition) | [7] |
Encyclopedia of Popular Music | [8] |
The Great Rock Discography | 7/10 [9] |
Music Story | [ citation needed ] |
MusicHound Country | 4.5/5 [10] |
PopMatters (2006 edition) | 10/10 [1] |
Q | [11] |
Reviewing for The Village Voice in 1969, Robert Christgau said of the album, "Much inferior to Folsom Prison and Greatest Hits , which is where to start if you're just getting into Cash. Contains only nine songs, one of which is performed twice. Another was written by Bob Dylan." [12] Rolling Stone magazine's Phil Marsh wrote, "Cash sounds very tired on this record ('ol' Johnny does best under pressure,' he says), his voice on some songs just straying off pitch. But the feeling that actual human communication is taking place more than compensates for this. Communicating to an audience at the time is becoming a lost art because of the ascension of recorded music as the music of this culture." [13]
The album was nominated for a number of Grammy Awards, including Album of the Year and won Best Male Country Vocal Performance for "A Boy Named Sue".
Reviewing the 2000 Columbia/Legacy reissue, Blender magazine's Phil Sutcliffe said, "Cash, just 25 [ sic ], sings as old as the hills — and looks oddly Volcanic. Prisoners 'have their hearts torn out,' Cash reckoned. It sounds as if he did too, wild-eyed and shuddering at the oppression of the walls. The crowd is a 1,000-strong caged animal. The reissue, with nine extra tracks, surpasses the vinyl original." [7]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Wanted Man" | Bob Dylan | 3:24 |
2. | "Wreck of the Old 97" | arranged by Cash, Bob Johnston, Norman Blake | 2:17 |
3. | "I Walk the Line" | Johnny Cash | 3:13 |
4. | "Darling Companion" | John Sebastian | 6:10 |
5. | "Starkville City Jail" | Johnny Cash | 2:01 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "San Quentin" | Johnny Cash | 4:07 |
2. | "San Quentin" (performed a second time at the audience's request) | Johnny Cash | 3:13 |
3. | "A Boy Named Sue" | Shel Silverstein | 3:53 |
4. | "(There'll Be) Peace in the Valley" | Thomas A. Dorsey | 2:37 |
5. | "Folsom Prison Blues" | Johnny Cash | 1:29 |
All tracks are written by Johnny Cash except where noted
No. | Title | Length |
---|---|---|
1. | "Big River" | 1:56 |
2. | "I Still Miss Someone" (J. Cash, Roy Cash) | 1:52 |
3. | "Wreck of the Old 97" (*arranged by Cash, Johnston, Blake) | 2:05 |
4. | "I Walk the Line" | 3:29 |
5. | "Darlin' Companion" (Sebastian) | 3:21 |
6. | "I Don't Know Where I'm Bound" (Terry Cuddy) | 2:24 |
7. | "Starkville City Jail" | 6:15 |
8. | "San Quentin" | 4:07 |
9. | "San Quentin" | 3:13 |
10. | "Wanted Man" (Dylan) | 3:24 |
11. | "A Boy Named Sue" (Silverstein) | 3:59 |
12. | "(There'll Be) Peace in the Valley" (Dorsey) | 2:30 |
13. | "Folsom Prison Blues" | 4:24 |
14. | "Ring of Fire" (June Carter, Merle Kilgore) | 2:07 |
15. | "He Turned the Water Into Wine" | 4:01 |
16. | "Daddy Sang Bass" (Carl Perkins) | 2:43 |
17. | "The Old Account Was Settled Long Ago" (L.R. Dalton) | 2:16 |
18. | "Closing Medley: Folsom Prison Blues/I Walk the Line/Ring of Fire/The Rebel-Johnny Yuma" (Cash/Cash/Carter, Kilgore/R. Markowitz, A. Fenady) | 5:08 |
Notes
Has no author-credit. Apparently David G. George did not win a lawsuit against RCA-Victor in 1933 over the copyrights for this song.
It is worth noting, however, that it seems to be widely accepted that Henry Whitter wrote the music, as "The Ship That Never Returned"; Fred Lewey wrote the original words, and Charles Noell wrote the original two additional verses. [14]
No. | Title | Writer(s) | Performer | Length |
---|---|---|---|---|
1. | "Blue Suede Shoes" | Carl Perkins | Carl Perkins | 3:52 |
2. | "Flowers on the Wall" | Lew DeWitt | The Statler Brothers | 3:27 |
3. | "The Last Thing on My Mind" | Tom Paxton | The Carter Family | 3:34 |
4. | "June Carter Talks to The Audience" | June Carter | June Carter | 3:27 |
5. | "Wildwood Flower" | Maud Irving, Joseph Philbrick Webster | The Carter Family | 3:49 |
6. | "Big River" | Johnny Cash | Johnny Cash | 1:43 |
7. | "I Still Miss Someone" | Johnny Cash, Roy Cash | Johnny Cash | 1:50 |
8. | "Wreck of the Old '97" | Johnny Cash, Johnston, Blake | Johnny Cash | 3:24 |
9. | "I Walk The Line" | Johnny Cash | Johnny Cash | 2:28 |
10. | "Medley: Long Black Veil/Give My Love to Rose" | Danny Dill, Marijohn Wilkin | Johnny Cash | 4:06 |
11. | "Folsom Prison Blues" | Johnny Cash | Johnny Cash | 3:00 |
12. | "Orange Blossom Special" | Ervin T. Rouse | Johnny Cash | 3:03 |
13. | "Jackson" | Jerry Leiber, Billy Edd Wheeler | Johnny Cash, June Carter and Carl Perkins | 3:23 |
14. | "Darlin' Companion" | John B. Sebastian | Johnny Cash, June Carter, Carl Perkins | 2:24 |
15. | "Break My Mind" | John Loudermilk | The Carter Family, Carl Perkins | 2:56 |
16. | "I Don't Know Where I'm Bound" | Terry Cuddy | Johnny Cash, Carl Perkins | 5:14 |
17. | "Starkville City Jail" | Johnny Cash | Johnny Cash, Carl Perkins | 3:32 |
No. | Title | Writer(s) | Performer | Length |
---|---|---|---|---|
1. | "San Quentin" | Johnny Cash | Johnny Cash | 4.09 |
2. | "San Quentin" | Johnny Cash | Johnny Cash | 3:13 |
3. | "Wanted Man" | Bob Dylan | Johnny Cash | 3:29 |
4. | "Restless" | Carl Perkins | Carl Perkins | 3:54 |
5. | "A Boy Named Sue" | Shel Silverstein | Johnny Cash, Carl Perkins | 3:45 |
6. | "Blistered" | Billy Edd Wheeler | Johnny Cash, Carl Perkins | 1:46 |
7. | "(There'll Be) Peace in the Valley" | Thomas A. Dorsey | Johnny Cash, The Carter Family, Carl Perkins | 3:13 |
8. | "The Outside Looking In" | Carl Perkins | Carl Perkins | 3:00 |
9. | "Less of Me" | Glen Campbell | The Statler Brothers, Carl Perkins | 2:45 |
10. | "Ring of Fire" | June Carter, Merle Kilgore | Johnny Cash, The Carter Family, Carl Perkins | 2:07 |
11. | "He Turned The Water Into Wine" | Johnny Cash | Johnny Cash, The Carter Family, Carl Perkins | 4:01 |
12. | "Daddy Sang Bass" | Carl Perkins | Johnny Cash, The Carter Family, Carl Perkins | 2:43 |
13. | "The Old Account Was Settled Long Ago" | Larry Dalton | Johnny Cash, The Carter Family, Carl Perkins | 2:16 |
14. | "Closing Medley: Folsom Prison Blues/I Walk The Line/Ring of Fire/Folsom Prison Blues/The Rebel – Johnny Yuma/Folsom Prison Blues" | Johnny Cash/June Carter, Merle Kilgore/Andrew Fenady, Richard Markowitz | June Carter/The Carter Family/The Statler Brothers/Carl Perkins/Johnny Cash | 5:08 |
Disc three (DVD)
The original 1969 documentary produced by Granada TV in the U.K. chronicles Cash's historic concert at the maximum security prison. Includes footage of the concert that became the 1969 best-selling LP, and features an edited performance of the number 1 hit "A Boy Named Sue". Also contains one-on-one interviews with several of the prison guards and inmates, talking about their time and experiences behind bars. (Running time: approx. 60 minutes)
No. | Title | Length |
---|---|---|
1. | "Wanted Man" | 4:03 |
2. | "Wreck of the Old 97" | 3:24 |
3. | "I Walk the Line" | 2:15 |
4. | "Darling Companion" | 7:08 |
5. | "Starkville City Jail" | 2:22 |
6. | "San Quentin" | 3:48 |
7. | "San Quentin" | 3:05 |
8. | "A Boy Named Sue" | 3:54 |
9. | "Peace in the Valley" | 2:37 |
10. | "Folsom Prison Blues" | 1:29 |
Several tracks on the original LP are preceded by several minutes of Cash talking to the audience, including a tangent where Cash is recorded trying to get his guitar tuned on stage. The original LP release bleeps profanity, including on "A Boy Named Sue" but later issues including the Legacy edition are uncensored. The original album's closing track "Folsom Prison Blues" is a partial performance of the song edited from a longer medley available in complete form in later reissues.
Chart (1969) | Peak position |
---|---|
US Top LPs (Billboard) | 1 |
US Country LPs (Billboard) | 1 |
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [15] | Platinum | 50,000^ |
Canada (Music Canada) [16] | Platinum | 100,000^ |
Ireland (IRMA) [17] | Gold | 7,500^ |
Sweden (GLF) [18] | Platinum | 130,000 [18] |
United Kingdom (BPI) [19] | Gold | 100,000* |
United States (RIAA) [20] | 3× Platinum | 3,000,000^ |
* Sales figures based on certification alone. |
Carl Lee Perkins was an American guitarist, singer and songwriter. A rockabilly great and pioneer of rock and roll, he began his recording career at the Sun Studio, in Memphis, beginning in 1954. Among his best-known songs are "Blue Suede Shoes", "Honey Don't", "Matchbox" and "Everybody's Trying to Be My Baby".
"A Boy Named Sue" is a song written by Shel Silverstein and made famous by Johnny Cash. Cash recorded the song live in concert on February 24, 1969, at California's San Quentin State Prison for his At San Quentin album. Cash also performed the song in December 1969 at Madison Square Garden. The live San Quentin version of the song became Cash's biggest hit on the Billboard Hot 100 chart and his only top ten single there, spending three weeks at No. 2 in 1969, held out of the top spot by "Honky Tonk Women" by The Rolling Stones. The track also topped the Billboard Hot Country Songs and Easy Listening charts that same year and was certified Gold on August 14, 1969, by the RIAA.
"Folsom Prison Blues" is a song by American singer-songwriter Johnny Cash. Written in 1953, it was first recorded and released as a single in 1955, and later included on his debut studio album Johnny Cash with His Hot and Blue Guitar! (1957), as the album's eleventh track. Borrowing liberally from Gordon Jenkins' 1953 song, "Crescent City Blues", the song combines elements from two popular folk styles, the train song and the prison song, both of which Cash continued to use for the rest of his career. It was one of Cash's signature songs. Additionally, this recording was included on the compilation album All Aboard the Blue Train (1962). In June 2014, Rolling Stone ranked it No. 51 on its list of the 100 greatest country songs of all time.
Johnny Cash at Folsom Prison is the first live album by American singer-songwriter Johnny Cash, released on Columbia Records on May 6, 1968. After his 1955 song "Folsom Prison Blues", Cash had been interested in recording a performance at a prison. His idea was put on hold until 1967, when personnel changes at Columbia Records put Bob Johnston in charge of producing Cash's material. Cash had recently controlled his drug abuse problems, and was looking to turn his career around after several years of limited commercial success. Backed by June Carter, Carl Perkins, and the Tennessee Three, Cash performed two shows at Folsom State Prison in California on January 13, 1968. The initial release of the album consists of fifteen songs from the first show and two from the second.
The Tennessee Three was the backing band for country and rockabilly singer Johnny Cash for nearly 25 years, providing the unique backing that came to be recognized by fans as "the Johnny Cash sound".
This is a list of notable events in country music that took place in 1969.
Johnny Cash with His Hot and Blue Guitar! is the debut studio album by American singer Johnny Cash, released on October 11, 1957. The album contained four of his hit singles: "I Walk the Line," "Cry! Cry! Cry!," "So Doggone Lonesome," and "Folsom Prison Blues." It was re-issued on July 23, 2002, as an expanded edition, under the label Varèse Vintage, containing five bonus tracks, three being alternate versions of tracks already on the original LP. In 2012, Columbia Records reissued the album with 16 additional non-album Sun Records tracks as part of its 63-disc Johnny Cash: The Complete Columbia Album Collection box set. In 2017, 60 years after the original release, the album was remastered under the title Johnny Cash with His Hot and Blue Guitar! . In 2022, Sun released a remastered edition of the original studio album, with only the original track listing. The songs had been remastered as to simulate being in the studio as the tracks were recorded.
Blood, Sweat and Tears is the fifteenth album by singer Johnny Cash, released on January 7, 1963. It is a collection of songs about the American working man. This includes "The Legend of John Henry's Hammer" and "Busted", the latter of which would become a single. Both would also be performed by Cash during his famous 1968 concerts at Folsom Prison and be included in the 1999 extended reissue of the album, At Folsom Prison. The album was included on the Bear Family Records box set Come Along and Ride This Train.
Johnny Cash at Madison Square Garden is a 1969 recording of a Johnny Cash concert at Madison Square Garden. It was released in 2002.
Robert "Bob" Wootton was an American guitarist. He joined Johnny Cash's backing band, the Tennessee Three, after original lead guitarist Luther Perkins died in a house fire. He remained Cash's guitarist for nearly thirty years.
Johnny Cash Sings the Ballads of the True West is a concept double album and the 22nd overall album released by country singer Johnny Cash, released on Columbia Records in 1965. Covering twenty individual songs, the album, as its title suggests, contains various ballads and other songs on topics related to the history of the American Old West. This includes Carl Perkins' "The Ballad of Boot Hill", "Streets of Laredo", and the sole single from the album, "Mr. Garfield", describing the shock of the population after the assassination of President James Garfield. One of the songs, "25 Minutes to Go", would later be performed at Folsom Prison and appear on Cash's famous At Folsom Prison recording in 1968, while the melody of "Streets of Laredo" would be recycled for the song "The Walls of a Prison" featured on Cash's album From Sea to Shining Sea.
Johnny Cash på Österåker is a live album by country singer Johnny Cash released on Columbia Records in 1973, making it his 43rd overall release. The album features Cash's concert at the Österåker Prison in Sweden held on October 3, 1972. Its counterparts in concept are the more notable At Folsom Prison (1968), At San Quentin (1969), and A Concert Behind Prison Walls (1976). Unlike aforementioned, På Österåker does not contain any of Cash's most well-known songs; it does, however, include a version of Kris Kristofferson's "Me and Bobby McGee". "Orleans Parish Prison" was released as a single, faring rather poorly on the charts. Cash had previously recorded "I Saw a Man" for his 1959 album, Hymns by Johnny Cash.
The Johnny Cash Children's Album is the 49th album by country singer Johnny Cash, released on Columbia Records in 1975 featuring recordings made between January 1972 and October 1973. As the title implies, it contains songs written for children. Among others, this includes "Tiger Whitehead", a song later released in an acoustic version on Cash's posthumous Personal File album in 2006. Most of the songs on the album had not been performed by Cash before. "Old Shep" had been performed by Elvis Presley, among others. One track recorded in 1972 was previously released on LP: "I Got a Boy " was first made available on the 1972 album International Superstar. It is a tongue-in-cheek duet between Cash and his wife, June Carter Cash, about their son, John Carter Cash.
John R. Cash was an American country singer-songwriter. Most of Cash's music contains themes of sorrow, moral tribulation, and redemption, especially songs from the later stages of his career. He was known for his deep, calm, bass-baritone voice, the distinctive sound of his backing band, The Tennessee Three, that was characterized by its train-like chugging guitar rhythms, a rebelliousness coupled with an increasingly somber and humble demeanor, and his free prison concerts. Cash wore a trademark all-black stage wardrobe, which earned him the nickname as the "Man in Black".
A Concert: Behind Prison Walls is the fifty-fourth overall album and a live album recorded by Johnny Cash at the Tennessee State Prison in 1974. The album features a total of seven performances by Cash with his backing band the Tennessee Three. It also features a total of nine performances by Linda Ronstadt, Roy Clark, and Foster Brooks.
"Daddy Sang Bass" is a song written by Carl Perkins, with lines from the chorus of "Will the Circle Be Unbroken?", and recorded by American country music singer Johnny Cash. It was released in November 1968 as the first single from the album The Holy Land. The song was Cash's sixty-first release on the country chart, going on to No. 1 on the Billboard country chart for 6 weeks and spending a total of 19 weeks there. The single reached No. 56 on the Cashbox pop singles chart in 1969. "Daddy Sang Bass" was also released on the Columbia Records Hall of Fame Series as a 45, #13-33153, b/w "Folsom Prison Blues". The record was nominated in the CMA awards category of Single of the Year by the Country Music Association (CMA) in 1969.
Ride This Train is the sixth album by American country singer-songwriter Johnny Cash. It was originally released on August 1, 1960 and was re-issued on March 19, 2002, containing four additional bonus tracks.
The Complete Columbia Album Collection is a box set by country singer Johnny Cash, released posthumously in 2012 on Columbia Records and Legacy Recordings.
"Give My Love to Rose" is a country song by Johnny Cash, recorded at Sun Records in 1957. Cash sang and played it with the Tennessee Two, with Sam Phillips producing. It was released in August 1957 as the B-side of the single "Home of the Blues", which reached No. 5 in the Country & Western Chart. "Give My Love To Rose" reached No. 13 in the same chart.