Bark | ||||
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Studio album by | ||||
Released | September 1971 | |||
Recorded | October 1970 – July 1971 | |||
Studio | Wally Heider Studios, San Francisco | |||
Length | 44:17 | |||
Label | Grunt/RCA Records | |||
Producer | Jefferson Airplane | |||
Jefferson Airplane chronology | ||||
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Alternative cover | ||||
Bark is the sixth studio album by American rock band Jefferson Airplane. Released in 1971 as Grunt FTR-1001, the album is one of the Airplane's late-period works, notable for the group's first personnel changes since 1966. The album was the first without band founder Marty Balin (who departed the band during the recording process but without featuring in the sessions) and the first with violinist Papa John Creach. Drummer Spencer Dryden had been replaced by Joey Covington in early 1970 after a lengthy transitional period in which both musicians had performed with the band.
Bark was the Airplane's first new album in two years, the previous being 1969's Volunteers . It was the first release on Grunt Records, launched in August 1971 by the band and RCA as an autonomous imprint for Jefferson Airplane-related releases.
Lead guitarist Jorma Kaukonen received four songwriting credits on the album, indicative of his growing importance as a composer and vocalist. At the time, he and bassist Jack Casady had already recorded two albums for their spin-off blues rock group Hot Tuna.
The album reached number 11 on the Billboard albums chart (outperforming both Volunteers and Kantner's Hugo Award-nominated 1970 solo album Blows Against the Empire ) and was certified gold by RIAA. An accompanying single, the Covington-led "Pretty as You Feel", was the band's final top 100 American hit, peaking at number 60 in Billboard and number 35 in Cashbox .
Recording sessions for the album began in 1970 following the commercial failure of Grace Slick's "Mexico", a single that railed against the Nixon administration's anti-marijuana Operation Intercept initiative. Planned tracks included live versions of "Mexico" and its B-side, the Kantner-penned "Have You Seen the Saucers?"); Balin's "Emergency"; Balin-sung covers of Peter Kaukonen's "Up or Down" and Syl Johnson's "Dresses Too Short"; and Covington's "Whatever The Old Man Does (Is Always Right)" and "The Man (The Bludgeon of the Bluecoat)", a 1950s rhythm and blues pastiche inspired by the contemporaneous murder of journalist Rubén Salazar by a Los Angeles County Sheriff's Department deputy. [1] [2] [3]
A tour of the United States in support of the band's first greatest hits album ( The Worst of Jefferson Airplane ) continued through the autumn of 1970, with Creach (a veteran jazz musician who appeared with Nat King Cole in Fritz Lang's The Blue Gardenia before meeting Covington at a hiring hall in the late 1960s) joining the band and Hot Tuna on the day of Janis Joplin's death. Balin did not perform at the band's following concert at Winterland Ballroom on October 5 in remembrance of his close friend but continued with the tour; nevertheless, he was growing increasingly frustrated with the band's drug use and "playing that messed up cocained music." [2]
Jefferson Airplane stopped touring in November 1970 as Grace Slick and Paul Kantner were about to have a child. China Kantner was born on January 25, 1971. "Pretty as You Feel" (culled from a longer jam with members of Santana [N 1] ) was recorded in January 1971, during Slick's convalescence, while Hot Tuna continued touring and recorded the live First Pull Up, Then Pull Down in March. Recording sessions resumed in the spring of 1971, but Balin—who had not spoken with his bandmates since the end of the 1970 tour—formally left the group in April.
Kantner later admitted that the band didn't really know what direction to go without Balin: "Without Marty there was no centrifugal force pulling all the parts together. Without that force it just went ... whew." [4] Slick also commented on the effect of Balin's absence: "Paul's a harmony singer. David Freiberg can sing lead but he is more or less a harmony singer too. So, since there is not a powerful lead male vocal that affects the band." [5] Although "The Man" was recorded with Little Richard on piano (much to the consternation of Casady, who felt that his presence was stylistically inappropriate) during this period, new songs were ultimately composed by Kantner, Slick, Kaukonen and Covington in lieu of retaining the 1970-era material. [2] (Balin's songs were dropped because the band didn't want material that they couldn't perform live. [6] ) The recording sessions finally concluded at the beginning of July 1971, with the resulting album featuring the core five-member band augmented by Creach on three tracks. "Up or Down" and the studio versions of "Mexico" and "Have You Seen the Saucers?" were later released on the Early Flight compilation.
The band played several dates in August in support of the new album (including two concerts in the New York metropolitan area and a show apiece in Detroit and Philadelphia) but no tour was planned. Only one date (a private party for Grunt Records at San Francisco's Friends and Relations Hall) was played after the album's release in September.
As the album climbed the Billboard charts, the band had already moved on to separate albums for Grunt Records: Kantner and Slick recorded Sunfighter , their first joint album; Creach worked on his eponymous debut album; and Kaukonen, Casady and Creach finished the first Hot Tuna studio album, Burgers . With the exception of a couple of dates in early 1972, the band did not play together again until the recording sessions for Long John Silver in March 1972.
The original vinyl LP release featured an outer paper bag with the "JA" logo as though it were bought in a grocery store with the "JA" emblem as an homage to the original A&P supermarket chain logo. The bag was wrapped around the record, which was also inside paper. Inside the bag itself was a cardboard cover for storing the record, that featured a fish with human false teeth wrapped in paper and tied with string. Also inside the bag was a lyrics sheet insert, colored as pink "butcher paper". The paper bag became the cover art for the CD releases, and the fish image appeared on the CD itself.
Review scores | |
---|---|
Source | Rating |
AllMusic | [7] |
Christgau's Record Guide | C+ [8] |
The Encyclopedia of Popular Music | [9] |
Rolling Stone | favorable [10] |
In The Rolling Stone Record Guide (1st edition, 1979), editor John Swenson wrote: "After Balin left, the group literally fell apart. A cursory listen to the wretched Bark … will prove the point."
Lester Bangs' original Rolling Stone review (Nov. 11, 1971) was much more favorable: "If you ask me, Bark is the 'Plane's most magnanimous opus since After Bathing at Baxter's , and even if its woof and whissshh ain't quite as supersonic as some of their other platters, it'll getcha there on time just like an amyl nitrite TV Dinner garnished this time with a little Valium. And the zingy rush that Jorma's and Jack's reps rest on streams as strongly as ever just a bit below the surface of the music with a motion seconded in places by the always judicious application of Papa John's sweet gypsy-blue fiddle." [11]
No. | Title | Writer(s) | Length |
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1. | "When the Earth Moves Again" | Paul Kantner | 3:54 |
2. | "Feel So Good" | Jorma Kaukonen | 4:36 |
3. | "Crazy Miranda" | Grace Slick | 3:23 |
4. | "Pretty as You Feel" | Joey Covington, Jack Casady, Kaukonen, Carlos Santana, [2] [12] Michael Shrieve [2] [12] | 4:29 |
5. | "Wild Turkey" (instrumental) | Kaukonen | 4:45 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Law Man" | Slick | 2:42 |
2. | "Rock and Roll Island" | Kantner | 3:44 |
3. | "Third Week in the Chelsea" | Kaukonen | 4:34 |
4. | "Never Argue with a German If You're Tired or European Song" | Slick | 4:31 |
5. | "Thunk" | Covington | 2:58 |
6. | "War Movie" | Kantner | 4:41 |
Chart (1971–1972) | Peak position |
---|---|
Australian Albums (Kent Music Report) [15] | 39 |
Canada Top Albums/CDs ( RPM ) [16] | 11 |
Japanese Albums (Oricon) [17] | 98 |
UK Albums (OCC) [18] | 42 |
US Billboard 200 [19] | 11 |
Region | Certification | Certified units/sales |
---|---|---|
United States (RIAA) [20] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
Jefferson Airplane was an American rock band based in San Francisco, California, that became one of the pioneering bands of psychedelic rock. Formed in 1965, the group defined the San Francisco Sound and was the first from the Bay Area to achieve international commercial success. They headlined the Monterey Pop Festival (1967), Woodstock (1969), Altamont Free Concert (1969), and the first Isle of Wight Festival (1968) in England. Their 1967 breakout album Surrealistic Pillow was one of the most significant recordings of the Summer of Love. Two songs from that album, "Somebody to Love" and "White Rabbit", are among Rolling Stone's "500 Greatest Songs of All Time".
Jefferson Starship is an American rock band from San Francisco, California, formed in 1974 by a group of musicians including former members of Jefferson Airplane. Between 1974 and 1984, they released eight gold or platinum-selling studio albums, and one gold-selling compilation. The album Red Octopus went double-platinum, reaching No. 1 on the Billboard 200 chart in 1975. The band went through several major changes in personnel and genres through the years while retaining the Jefferson Starship name. The band name was retired in 1984, but it was picked up again in 1992 by a revival of the group led by Paul Kantner, which has continued since his death in 2016.
Hot Tuna is an American blues rock band formed in 1969 by former Jefferson Airplane members Jorma Kaukonen (guitarist/vocals) and Jack Casady (bassist). Although it has always been a fluid aggregation, with musicians coming and going over the years, the band's center has always been Kaukonen and Casady's ongoing collaboration.
John Henry Creach, better known as Papa John Creach, was an American blues violinist who also played classical, jazz, R&B, pop and acid rock music. Early in his career, he performed as a journeyman musician with Louis Armstrong, Fats Waller, Stuff Smith, Charlie Christian, Big Joe Turner, T-Bone Walker, Nat King Cole and Roy Milton.
Jorma Ludwik Kaukonen, Jr. is an American blues, folk, and rock guitarist. Kaukonen performed with Jefferson Airplane and still performs regularly on tour with Hot Tuna, which started as a side project with bassist Jack Casady, and as of early 2019 has continued for 50 years. Rolling Stone magazine ranked him No. 54 on its list of 100 Greatest Guitarists. He was inducted into the Rock and Roll Hall of Fame in 1996 as a member of Jefferson Airplane.
John William Casady is an American bass guitarist, best known as a member of Jefferson Airplane and Hot Tuna. Jefferson Airplane became the first successful exponent of the San Francisco Sound. Singles including "Somebody to Love" and "White Rabbit" charted in 1967 and 1968. Casady, along with the other members of Jefferson Airplane, was inducted into the Rock and Roll Hall of Fame in 1996.
Paul Lorin Kantner was an American rock musician. He is best known as the co-founder, rhythm guitarist, and a secondary vocalist of Jefferson Airplane, a leading psychedelic rock band of the counterculture era. He continued these roles as a member of Jefferson Starship, Jefferson Airplane's successor band.
Long John Silver is the seventh studio album by the American rock band Jefferson Airplane, and their last album of all new material until 1989. It was recorded and released in 1972 as Grunt FTR-1007.
Jefferson Airplane is the eighth and final studio album by San Francisco rock band Jefferson Airplane, released on Epic Records in 1989. Marty Balin, Paul Kantner, Grace Slick, Jorma Kaukonen and Jack Casady all returned for the album and supporting tour, though Spencer Dryden did not participate. The album and accompanying tour would mark the last time Jefferson Airplane would perform together until their 1996 induction to the Rock and Roll Hall of Fame.
The Worst of Jefferson Airplane is the first compilation album from the rock band Jefferson Airplane, released in November 1970 as RCA Victor LSP-4459. The "Worst" in the title is ironic, as the album features all of Jefferson Airplane's hit singles up to that point. It peaked at #12 on the Billboard 200 in 1971 and has since gone platinum.
Early Flight is a 1974 compilation album by the American psychedelic rock band Jefferson Airplane, released as Grunt CYL1-0437. It features previously unreleased material from 1966, 1967, and 1970 as well as both sides of a non-album 1970 single.
Flight Log (1966–1976) is a compilation album by the American rock band Jefferson Airplane. Released in January 1977 as a double-LP as Grunt CYL2-1255, it is a compilation of Jefferson Airplane and Airplane-related tracks, including tracks by Jefferson Starship and Hot Tuna, as well as solo tracks by Paul Kantner, Grace Slick, and Jorma Kaukonen. Although primarily a compilation album, the album includes one previously unreleased song: "Please Come Back" written by Ron Nagle and performed by Jefferson Starship. "Please Come Back" is not available on any other release.
Last Flight is an authorized recording released in the United Kingdom, taken from the last live performance of the San Francisco rock group Jefferson Airplane prior to the band's dissolution in 1972. The concert was held at the Winterland Arena in San Francisco, and selected tracks were released on the 1973 album Thirty Seconds Over Winterland. Last Flight consists of the entire concert with the exception of the encore, Marty Balin's "You Wear Your Dresses Too Short", previously released on the Jefferson Airplane Loves You box-set. Balin sings lead vocals on "Volunteers" much to the surprise of the audience since he left the band in late 1970.
"Mexico" is a single released in May 1970 by San Francisco rock band Jefferson Airplane, produced by the band at Pacific High Recording Studios with Phill Sawyer as the recording engineer. Written and sung by Grace Slick, it is a tuneful rant against then-President Richard Nixon and his anti-drug initiative, Operation Intercept, that he had implemented to curtail the flow of marijuana into the United States from Mexico. The song closes with an exhortation for the young to realize the power of their numbers, as shown by the gathering of "half a million people on the lawn" at Woodstock.
Jefferson Airplane Loves You is a three-CD boxed set of recordings by the San Francisco rock band Jefferson Airplane with extensive liner notes by Jeff Tamarkin, author of the Jefferson Airplane history Got a Revolution: The Turbulent Flight of Jefferson Airplane.
Sunfighter is a 1971 album created by Paul Kantner and Grace Slick from Jefferson Airplane. The album was released shortly after the Airplane album Bark was released, and is the second record released on the Airplane's own Grunt vanity label, distributed by RCA Records. The album features a picture of their baby daughter, China Wing Kantner, on the cover. Many Bay Area musicians perform on the album, including all of the then current lineup of Jefferson Airplane, members of the Grateful Dead, Crosby, Stills, and Nash, and the horn group, Tower of Power. This album is also the first time a 17-year old Craig Chaquico recorded with Paul Kantner and Grace Slick. He would go on to become the lead guitarist for Jefferson Starship.
Grunt Records was a vanity label founded in 1971 by Jefferson Airplane and distributed by RCA Records. Initially created to sign local Bay Area acts, the label later was used only for Jefferson Starship and Hot Tuna releases. The label ended use in 1987 after Grace Slick left Starship.
Live at the Monterey Festival is a live album by the San Francisco rock band Jefferson Airplane, which was released in the United Kingdom and Europe by Thunderbolt Records in 1991. The album was authorized by the band and features the entire set from the group's June 17, 1967, performance at the Monterey Pop Festival. The album marked the first time that Jefferson Airplane's entire Monterey Pop Festival performance had been given a release by a legitimate record company.
Peter Roy Sears is an English rock musician. In a career spanning more than six decades, he has been a member of many bands and has moved through a variety of musical genres, from early R&B, psychedelic improvisational rock of the 1960s, folk, country music, arena rock in the 1970s, and blues. He usually plays bass, keyboards, or both in bands.
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