Beatles '65 | ||||
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Studio album by | ||||
Released | 15 December 1964 | |||
Recorded |
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Studio | EMI, London | |||
Genre | Pop [1] | |||
Length | 26:10 | |||
Label | Capitol | |||
Producer | George Martin | |||
The Beatles North American chronology | ||||
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Singles from Beatles '65 | ||||
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Review scores | |
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Source | Rating |
AllMusic | [2] |
The Encyclopedia of Popular Music | [3] |
The Rolling Stone Record Guide | [4] |
Beatles '65 is an album by the English rock band the Beatles that was issued in the United States and Canada in December 1964. Released as the North American alternative to Beatles for Sale , it was the band's fifth studio album culled by Capitol Records in the US from the Beatles' EMI releases. The LP was also issued in West Germany on the Odeon label.
In 2004, Beatles '65 was released on CD for the first time as part of The Capitol Albums, Volume 1 box set. In 2014, the album was reissued on CD, both individually and as part of the box set The U.S. Albums , using the UK mixes as remastered in 2009.
Beatles '65 includes eight of the fourteen songs from Beatles for Sale . It also includes "I'll Be Back", which was cut from the US version of the Hard Day's Night album, and both sides of the single "I Feel Fine" / "She's a Woman". The latter two songs were issued in "duophonic" stereo and included added reverb by Capitol Records' executive Dave Dexter, Jr. to cover up the use of the mono mixes sent from the UK. [5] Other than "I'll Be Back", which was recorded on 1 June 1964, the Beatles recorded all of its songs between 11 August and 26 October 1964 at EMI Studios (now Abbey Road Studios) in London. [6]
Two of the three songs written by Carl Perkins and recorded by the Beatles appear on this album. The six Beatles for Sale tracks omitted from the album were issued by Capitol on Beatles VI in June 1965.
In the United States, Beatles '65 jumped from number 98 straight to number 1, making the biggest jump to the top position in the history of the Billboard album charts up to that time. It remained at number 1 for nine straight weeks from 9 January 1965. The album was the top selling non-soundtrack LP based on Billboard's year-end chart for 1965. [7] By 31 December 1964, the album had sold 1,967,261 copies in the US; by the end of the 1960s, sales there were up to 2,327,186. [8]
Writing in The Rolling Stone Record Guide (1983), John Swenson described Beatles '65 as the first of the band's "classic 'concept' albums". He said that the LP "worked as a musical whole" rather than merely serving as a collection of "the latest bunch of songs that could be assembled into a record in any order". [9] Several albums were released and promoted in America during 1965 sporting a similar title to Beatles '65. These included Sinatra '65 by Frank Sinatra and Ellington '65 by Duke Ellington on Reprise Records, and Brasil '65 by Sérgio Mendes on the Beatles' own Capitol label. [10]
All tracks written by John Lennon and Paul McCartney, except where noted.
No. | Title | Lead vocals | Length |
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1. | "No Reply" | Lennon with McCartney | 2:15 |
2. | "I'm a Loser" | Lennon | 2:31 |
3. | "Baby's in Black" | Lennon and McCartney | 2:02 |
4. | "Rock and Roll Music" (Chuck Berry) | Lennon | 2:32 |
5. | "I'll Follow the Sun" | McCartney | 1:46 |
6. | "Mr. Moonlight" (Roy Lee Johnson) | Lennon | 2:35 |
Total length: | 13:41 |
No. | Title | Lead vocals | Length |
---|---|---|---|
1. | "Honey Don't" (Carl Perkins) | Starr | 2:56 |
2. | "I'll Be Back" | Lennon | 2:22 |
3. | "She's a Woman" | McCartney | 2:57 |
4. | "I Feel Fine" | Lennon | 2:20 |
5. | "Everybody's Trying to Be My Baby" (Carl Perkins) | Harrison | 2:24 |
Total length: | 12:59 |
The Beatles
Production
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Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [17] | Platinum | 100,000^ |
United States (RIAA) [18] | 3× Platinum | 3,000,000^ |
^ Shipments figures based on certification alone. |
Please Please Me is the debut studio album by the English rock band the Beatles. Produced by George Martin, it was released in the UK on EMI's Parlophone label on 22 March 1963. The album's 14 tracks include cover songs and original material written by the partnership of band members John Lennon and Paul McCartney.
A Hard Day's Night is the third studio album by the English rock band the Beatles, released on 10 July 1964 by Parlophone, with side one containing songs from the soundtrack to their film of the same name. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing including some from George Martin's film score. Unlike their first two albums, all 13 tracks on A Hard Day's Night were written by John Lennon and Paul McCartney.
Help! is the fifth studio album by the English rock band the Beatles and the soundtrack to their film of the same name. It was released on 6 August 1965 by Parlophone. Seven of the fourteen songs, including the singles "Help!" and "Ticket to Ride", appeared in the film and take up the first side of the vinyl album. The second side includes "Yesterday", the most-covered song ever written. The album was met with favourable critical reviews and topped the Australian, German, British and American charts.
"I Want to Hold Your Hand" is a song by the English rock band the Beatles, written by John Lennon and Paul McCartney. Recorded on 17 October 1963 and released on 29 November 1963 in the United Kingdom, it was the first Beatles record to be made using four-track recording equipment.
Hey Jude is a 1970 collection of non-album singles and B-sides by the Beatles. Originally released in the United States and various other markets, but not in the United Kingdom, it consists of non-album singles and B-sides not previously issued on an American Beatles LP; this includes "I Should Have Known Better" and "Can't Buy Me Love", two singles released by Capitol Records whose only previous American album appearance had been on the A Hard Day's Night soundtrack album, which had been released by United Artists Records. The Hey Jude LP has been out of print since the late 1980s, although it remained available on cassette during the 1990s. The album was issued on CD for the first time in 2014, as an individual release and in a box set titled The U.S. Albums. It is named after the Beatles' longest-running No. 1 single "Hey Jude", itself the seventh track of the compilation.
Meet the Beatles! is a studio album by the English rock band the Beatles, released as their second album in the United States. It was the group's first American album to be issued by Capitol Records, on 20 January 1964 in both mono and stereo formats. It topped the popular album chart on 15 February 1964 and remained at number one for eleven weeks before being replaced by The Beatles' Second Album. The cover featured Robert Freeman's iconic portrait of the Beatles used in the United Kingdom for With the Beatles, with a blue tint added to the original stark black-and-white photograph.
The Beatles' Second Album is the second Capitol Records album by the English rock band the Beatles, and their third album released in the United States including Introducing... The Beatles, which was issued three months earlier by Vee-Jay Records. Following its release in April 1964, The Beatles' Second Album replaced Meet the Beatles! at number 1 on the Billboard Top LPs chart in the US. The album was compiled mostly from leftover tracks from the UK album With the Beatles and the forthcoming UK Long Tall Sally EP, which are predominantly rock and roll and R&B covers, and rounded out with several Lennon-McCartney-penned non-album b-sides and the hit single "She Loves You". Among critics, it is considered the band's purest rock and roll album and praised for its soulful takes on both contemporary black music hits and original material.
Something New is an album by English rock band the Beatles, released in 1964 for the North American market only.
The Early Beatles is the Beatles' sixth album released on Capitol Records, and their eighth album overall for the American market. All eleven tracks on this album were previously issued on the Vee-Jay Records release Introducing... The Beatles, released in January, 1964. The front cover photo for this album features the same back cover photo for the British LP Beatles for Sale.
Beatles VI is the seventh Capitol Records studio album by the English rock band the Beatles in the United States and Canada. It was the ninth album released into that market in less than one and a half years. The LP was released in both mono and stereo versions.
The Beatles' Story is the sixth album by the English rock band the Beatles in the United States, issued on 23 November 1964 by Capitol Records. It is a documentary double album featuring interviews, press conferences, and snippets of original or orchestral versions of Beatles songs, with voice-over narration. The album's original liner notes described it as a "narrative and musical biography" of Beatlemania. It was produced by Los Angeles–based songwriter and producer Gary Usher and disc jockey and lyricist Roger Christian, and narrated by John Babcock, Al Wiman and Christian.
"What Goes On" is a song by the English rock band the Beatles, featured as the eighth track on their 1965 album Rubber Soul. The song was later released as the B-side of the US single "Nowhere Man", and then as the tenth track on the North America-only album Yesterday and Today. It is the only song by the band credited to Lennon–McCartney–Starkey and the only song on Rubber Soul that features Ringo Starr on lead vocals. The song reached number 81 on the US Billboard Hot 100 in 1966.
"And Your Bird Can Sing" is a song by the English rock band the Beatles. It was released on their 1966 album Revolver, apart from in the United States and Canada, where it instead appeared on Yesterday and Today. The song was written mainly by John Lennon and credited to Lennon–McCartney. The recording features an extended dual-guitar melody, played by George Harrison and Paul McCartney, which anticipated the harmonised guitar arrangements commonly used by Southern rock, hard rock and heavy metal bands.
"Rock and Roll Music" is a song by American musician and songwriter Chuck Berry, written and recorded by Berry in May 1957. It has been widely covered and is one of Berry's most popular and enduring compositions.
"Mr. Moonlight" is a song written by Roy Lee Johnson and recorded by Dr. Feelgood and the Interns in 1962. The song was covered by the Beatles on their 1964 albums Beatles for Sale and Beatles '65.
"I Should Have Known Better" is a song by English rock band the Beatles composed by John Lennon and originally issued on A Hard Day's Night, their soundtrack for the film of the same name released on 10 July 1964. "I Should Have Known Better" was also issued as the B-side of the US single "A Hard Day's Night" released on 13 July.
"And I Love Her" is a song recorded by English rock band the Beatles, written primarily by Paul McCartney and credited to the Lennon–McCartney partnership. It is the fifth track of their third UK album A Hard Day's Night and was released 20 July 1964, along with "If I Fell", as a single release by Capitol Records in the United States, reaching No. 12 on the Billboard Hot 100.
"All My Loving" is a song by the English rock band the Beatles, from their second UK album With the Beatles (1963). It was written by Paul McCartney, and produced by George Martin. Though not officially released as a single in the United Kingdom or the United States, the song drew considerable radio airplay, prompting EMI to issue it as the title track of an EP. The song was released as a single in Canada, where it became a number one hit. The Canadian single was imported into the US in enough quantities to peak at number 45 on the US Billboard Hot 100 in April 1964.
"She's a Woman" is a song by the English rock band the Beatles, written primarily by Paul McCartney and credited to Lennon–McCartney. It was released on a non-album single in November 1964 as the B-side to "I Feel Fine", except in North America, where it also appeared on the album Beatles '65, released in December 1964. Though it was the B-side, it charted in the US, reaching number four on the Billboard Hot 100 and number eight on the Cash Box Top 100. The song originated in McCartney's attempt to write a song in the style of Little Richard. The lyrics include the first reference to drugs in a Beatles song, with the line "turn(s) me on" referring to marijuana.
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