Bed rugs are heavy, embroidered bed covers made primarily in the United States from the mid 1600s through the early 1800s. The earliest were made in eastern Massachusetts, though many have been found in the Connecticut River Valley. They involve wool stitching on either wool or linen backings. They differ from other embroidered coverlets in that bed rugs embroidery covered the background fabric, and in many cases the looped stitches were cut to form pile.
Bed rugs (or "ruggs") were rough handwoven and hand-decorated textiles meant to serve as the topmost layer of bedding, particularly in cold weather. Bed rugs are heavy, feature either pile or a smooth face, and are worked in multicolor wool yarns on a woven foundation. [1] : 10 The tufting process is described in connection with the Rebekah Harris bed rug of 1776 on loan to Colonial Williamsburg:
"The tufted pile was created by using 7-10 strands of wool yarn, pulled through the background material with a large needle, in loose, 1/2"-5/8" running stitches. The stitches are long, loose floats on the surface and short (approximately 3/8") on the backside, which cover the entire background fabric." [2]
Some examples have rounded corners for the bottom of the bed, and a straight edge for the top. [3] They were often signed or initialed and dated, possibly due to the large amount of work required to make them. [4] : 34 [5] : 107 They were produced in the 17th through early 19th centuries. [5] : 105 Bed rugs began as carpet-like textiles, and were more common in 18th century than floor rugs. [4] In his Draper's Dictionary (1882), William Beck noted that the term rug was only used in America to describe the coverings for ordinary beds. [6] : 1
Sources provide conflicting information about bed rugs. Older sources have become dated as bed rugs have been more closely examined, and as additional records and examples have been found. For example, early authors mentioned that these bed rugs were hooked, when in fact they are not. [1] : 8
Two other varieties of bed rugs have been identified, but with very few examples. One rug has been found in which a supplementary weft was used in weaving, which was cut to form small tufts of evenly-cut wool. Six examples have been found that involve Turkish knots worked on a woven background. [6] : 6–8
Beds often held a prominent place in colonial households, and early household inventories show that bed coverings were amongst the few textile decorations in a house. Bed hangings and various types of bed coverings, including bed rugs, were both decorative and practical. [7] : 3
There is difficulty in determining exactly what the earliest bed rugs looked like in America, and how they differed from a coverlet, because no examples have survived from the 1600s, [4] : 25 although there are records of them from this early period. Indeed, when Homer Eaton Keyes, the editor of Antiques magazine, first came upon a bed rug in 1923, he described it as "a wool-on-wool bedcover " and thought that the example he had encountered was one of a kind. [8] Another type of bed covering, quilts, were believed to be popular. However, a historian who examined wills and probate records from Essex County, Massachusetts dated between 1635 and 1674, found that pieced quilts were rare due to their expense. Bed rugs and coverlets were far more likely to be listed in these inventories. There is a difference between embroidered bed rugs and other embroidered covers: bed rugs are entirely covered with embroidery. [9] : 1
A 1656 inventory of Mistress Glover's Cambridge Massachusetts household items listed a number of rugs used as bed furnishings. [9] : 2–3 In an examination of hundreds of early American household inventories, the words "bed" and "rug" had only been found together twice as of 1972, when the source was published. Both inventories were from Roxbury, Massachussets. In 1733, a felt maker had 3 bed rugs and in 1746, a man had one smaller and one larger bed rug. [1] : 10 These early uses were probably to distinguish a rug used on a bed compared to one used on a table. [1] : 10
Many of the surviving bed rugs have been found in the Connecticut River Valley, but others were produced elsewhere in New England, including Vermont, New Hampshire, and beyond. [10] : 36 The reason that bed rugs were meant as the top layer of bedding was due to their weight. They needed to be able to be thrown off when temperatures were more moderate. [1] : 12
Embroidered bed rugs are an original American art form, one that was not commercial, but rather produced entirely in a household, from the woven fabric to the prepared sheep wool, spun and dyed, and then the design and stitching of the rug. [1] : 8–9 They served as a testament to the needlework abilities of the lady of the house. [9] : 149
The maker of each bed rug selected and executed their own design, whether it was original or from a pattern book. An 1803 bed rug owned by the Fairbanks family of New Hampshire features a carnation motif. This same motif is found in approximately a dozen other bed rugs from the Connecticut River Vallely. Pattern books obtained from England included this type of motif, and may have been the source of designs for some of the bed rugs. [10] : 36 The bouquet of flowers growing from a small receptacle can be traced to the Indian Tree of Life pattern: this design has been found on the Metropolitan Museum's 1796 bed rug as well as one of Historic Deerfield's bed rugs. [11] The flame stitch pattern worked in bright wool yarns is another design found in bed rugs, as are hearts and flowers. There were no pattern books specifically for bed rugs. Women used the same pattern books as they did for samplers and crewel embroider y. [9] : 10–11
The wool yarn used was hand-dyed, and when rug backgrounds required a large amount of yarn, variations in color can be observed. This indicates that additional yarn had to be dyed to have enough. [1] : 16 Blue is the most frequent color used, because it was easiest to get. [1] : 16 Brown and undyed yarns were also used. Additional colors used were: green, gray, black, orange, purple, yellow, tan, and red. Natural dyes were oftern used to obtain these colors: indigo for blue, walnut hulls for brown, madder for reds and fustic for tans and yellows. [9] : 63
The needles used to make bed rugs would need to be large in order to handle the wool. Needles were likely it was made of wood or bone. [1] : 14
Extant bed rugs were sewn with a running stitch using using multi-plied yarn on wool or linen woven fabric. [4] : 25 The stitches were formed with loops on the top of the fabric and running stitches on the back. The front loops could be cut to form pile, which caused them to be confused by some with hooked rugs. [5] : 107 Running stitches worked in parallel rows become darning stitches, and bed rugs from Colchester, Connecticut employed darning stitches to work patterns such as diaper stitch (diamond-shaped), stripes, and checks. [9] : 19 These bed rugs did not use the looping running stitch, but rather a flat one. [12] : 221
It is estimated that about 60 bed rugs have survived, though additional bed rugs continue to be found. Several of these rugs are noted below, but the best source for a complete listing with information about the makers of the rugs is Bed Rugs: 18th and Early 19th Century Embroidered Bed Covers by Jessie Armstead Marshall. [9]
A 1786 bed rug made by Lorrain Collins of Connecticut displays a number of the features of bed rug. It has the rounded bottom corners, is extremely densely stitched using homespun wool and a woven wool ground, and uses the Tree of Life pattern. What sets it apart from many bed rugs is that it uses a complex patterned darning stitch throughout rather than the looped running stitch. [13] : 94
The 1796 bed rug from the Metropolitan Museum of Art, pictured at the start of this article, is made of wool yarn on plain weave cloth. The pile has been cut unevenly, and some loops remain uncut. The rug was found in the Jonathan Deming house in Colchester, CT. [14]
Historic Deerfield in Massachusetts includes six examples of bed rugs in their online collection, made in a variety of ways. There is a 1780 bed rug that is embroidered with wool yarn that looks very much like a crewel work of the time. It does not use the pile technique. This rug is attributed to Abigail Foote of Colchester, CT. Another, from Cummington Massachusetts, was made in 1801, and does use the pile technique. The museum entry for this 1801 bed rug includes numerous photographs of details, which clearly show the floral design. There is also a bed rug that was made sometime between 1790-1830, probably in New England. Unlike the others in the museum's online collection, this one does not have rounded edges on one end. The pattern is quite different from the other three noted here. It is striped and features a double-stitched pile of heavy, 6-ply yarn. [15]
Colonial Williamsburg's museums own or have on loan several bed rugs. One of these, which has a combination of cut and uncut pile and rounded bottom edges, was made by Rebekah Harris (b. 1749) of New London, Connecticut in 1776, two years before her marriage to Lieutenant Joseph Hale, the brother of Nathan Hale, Revolutionary War soldier and spy for the US.
The collections of the Museum of Fine Arts, Houston include two bed rugs. One, from 1782, is attributed to Jerusha Foote Johnson of Colchester, CT. She was a member of the family who produced several bed rugs, such as the 1780 rug at Historic Deerfield. This 1782 bed rug is worked in shades of blue wool, and has a pile surface. [16] The second bed rug at the Museum of Fine Arts, Houston is from 1804, made by Lucy Williams Lathrop. The pile-surface rug is from Lebanon, CT, and features the same design as the 1796 bed rug in the collection of the Metropolitan Museum of Art. [17]
Embroidery is the art of decorating fabric or other materials using a needle to stitch thread or yarn. Embroidery may also incorporate other materials such as pearls, beads, quills, and sequins. In modern days, embroidery is usually seen on hats, clothing, blankets, and handbags. Embroidery is available in a wide variety of thread or yarn colour. It is often used to personalize gifts or clothing items.
A rug is a piece of cloth, similar to a carpet, but it does not span the width of a room and is not attached to the floor. It is generally used as a floor covering, or as a decorative feature.
Crewel embroidery, or crewelwork, is a type of surface embroidery using wool. A wide variety of different embroidery stitches are used to follow a design outline applied to the fabric. The technique is at least a thousand years old.
Needlepoint is a type of canvas work, a form of embroidery in which yarn is stitched through a stiff open weave canvas. Traditionally needlepoint designs completely cover the canvas. Although needlepoint may be worked in a variety of stitches, many needlepoint designs use only a simple tent stitch and rely upon color changes in the yarn to construct the pattern. Needlepoint is the oldest form of canvas work.
A carpet is a textile floor covering typically consisting of an upper layer of pile attached to a backing. The pile was traditionally made from wool, but since the 20th century synthetic fibers such as polypropylene, nylon, or polyester have often been used, as these fibers are less expensive than wool. The pile usually consists of twisted tufts that are typically heat-treated to maintain their structure. The term carpet is often used in a similar context to the term rug, but rugs are typically considered to be smaller than a room and not attached to the floor.
A Persian carpet, Persian rug, or Iranian carpet is a heavy textile made for a wide variety of utilitarian and symbolic purposes and produced in Iran, for home use, local sale, and export. Carpet weaving is an essential part of Persian culture and Iranian art. Within the group of Oriental rugs produced by the countries of the "rug belt", the Persian carpet stands out by the variety and elaborateness of its manifold designs.
Double cloth or double weave is a kind of woven textile in which two or more sets of warps and one or more sets of weft or filling yarns are interconnected to form a two-layered cloth. The movement of threads between the layers allows complex patterns and surface textures to be created.
Darning is a sewing technique for repairing holes or worn areas in fabric or knitting using needle and thread alone. It is often done by hand, but using a sewing machine is also possible. Hand darning employs the darning stitch, a simple running stitch in which the thread is "woven" in rows along the grain of the fabric, with the stitcher reversing direction at the end of each row, and then filling in the framework thus created, as if weaving. Darning is a traditional method for repairing fabric damage or holes that do not run along a seam, and where patching is impractical or would create discomfort for the wearer, such as on the heel of a sock.
Rug hooking is both an art and a craft where rugs are made by pulling loops of yarn or fabric through a stiff woven base such as burlap, linen, or rug warp. The loops are pulled through the backing material by using a crochet-type hook mounted in a handle for leverage. In contrast latch-hooking uses a hinged hook to form a knotted pile from short, pre-cut pieces of yarn.
An oriental rug is a heavy textile made for a wide variety of utilitarian and symbolic purposes and produced in "Oriental countries" for home use, local sale, and export.
Pile weave is a form of textile created by weaving. This type of fabric is characterized by a pile—a looped or tufted surface that extends above the initial foundation, or 'ground' weave. The pile is formed by supplemental yarn running in the direction of the length of the fabric or the width of the fabric. Pile weaves include velvet and corduroy fabrics and machine-woven Berber carpets.
Textile design, also known as textile geometry, is the creative and technical process by which thread or yarn fibers are interlaced to form a piece of cloth or fabric, which is subsequently printed upon or otherwise adorned. Textile design is further broken down into three major disciplines: printed textile design, woven textile design, and mixed media textile design. Each uses different methods to produce a fabric for variable uses and markets. Textile design as an industry is involved in other disciplines such as fashion, interior design, and fine arts.
Embroidery in India includes dozens of embroidery styles that vary by region and clothing styles. Designs in Indian embroidery are formed on the basis of the texture and the design of the fabric and the stitch. The dot and the alternate dot, the circle, the square, the triangle, and permutations and combinations of these constitute the design.
The manufacture of textiles is one of the oldest of human technologies. To make textiles, the first requirement is a source of fiber from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving, with color and patterns, which turns it into cloth. The machine used for weaving is the loom. For decoration, the process of coloring yarn or the finished material is dyeing. For more information of the various steps, see textile manufacturing.
Hereke carpets are Turkish handmade carpets produced and sold in Hereke, a coastal town in Turkey. For a long time, they were produced only in Hereke, 60 km from Istanbul. The materials used are silk, a combination of wool and cotton, and sometimes gold or silver threads.
The Hat and Fragrance Textile Gallery is an exhibit space at Shelburne Museum in Shelburne, Vermont which houses quilts, hatboxes, and various other textiles. The name "Hat and Fragrance" refers both to Electra Havemeyer Webb's collection of hatboxes and to the fragrant, herbal sachets used to preserve textiles. In 1954, Shelburne Museum was the first museum to exhibit quilts as works of art; prior to this exhibition quilts were only shown as accessories in historic houses.
Sewing is the craft of fastening or attaching objects using stitches made with needle and thread. Sewing is one of the oldest of the textile arts, arising in the Paleolithic Era. Although usually associated with clothing and household linens, sewing is used in a variety of crafts and industries, including shoemaking, upholstery, sailmaking, bookbinding and the manufacturing of some kinds of sporting goods. Sewing is the fundamental process underlying a variety of textile arts and crafts, including embroidery, tapestry, quilting, appliqué and patchwork.
Carpets and rugs have been handmade in Sweden for centuries, taking on many different forms and functions over the course of time. Rugs woven in the traditional Oriental manner, especially in the Ottoman Empire and points east, were originally brought to Sweden over trade routes as early as the early Middle Ages. In the centuries that followed, Swedish rug-makers often infused their works with themes and motifs traditionally found in Oriental rugs. Eventually, Swedish rug-makers would begin to use Oriental rug-making techniques, but themes and motifs more consistent with the artistic and cultural heritage of Sweden. By the early modern periods, rugs had long been an important avenue of art – especially folk art – in Swedish culture. By the beginning of the twentieth century, the craft was seen as being an important artistic and cultural practice throughout Sweden, and designers began to make rugs that had a broad international appeal. Swedish rugs from the mid-twentieth century remain among the most desirable and sought after in the rug world.
Bed hangings or bed curtains are fabric panels that surround a bed; they were used from medieval times through to the 19th century. Bed hangings provided privacy when the master or great bed was in a public room, such as the parlor, but also showed evidence of wealth when beds were located in areas of the home where. They also kept warmth in, and were a way of showing one's wealth. When bedrooms became more common in the mid-1700s, the use of bed hangings diminished.
Colcha embroidery from the southwest United States is a form of surface embroidery that uses wool threads on cotton or linen fabric. During the Spanish Colonial period, the word colcha referred to a densely embroidered wool coverlet. In time, the word also came to refer to the embroidery stitch that was used for these coverlets, and then began to be used on other surfaces. The colcha stitch is self-couched, with threads applied at a 45-degree angle to tie down the stitch. Originally, the wool threads were dyed naturally, using plants or insects, such as cochineal. Both materials used and design motifs have varied over time.