"Bitchin' Camaro" | |
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Song by the Dead Milkmen | |
from the album Big Lizard in My Backyard | |
Released | June 1985 |
Studio | Third Story Recording (Philadelphia, Pennsylvania) |
Genre | |
Length | 3:01 |
Label | Restless |
Songwriter(s) | |
Producer(s) |
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"Bitchin' Camaro" is a song by American rock band the Dead Milkmen, released on their debut album Big Lizard in My Backyard (1985). The song was written by vocalist Rodney Linderman, guitarist and vocalist Joseph Genaro, bassist Dave Schulthise, and drummer Dean Sabatino. The track contains an extended, nonsensical intro of two characters having a conversation, after which the song shifts into a hardcore punk song about the bitchin' Chevrolet Camaro.
Though not a single, the song was the band's first to achieve popularity and airplay on college radio stations in the U.S. It is considered one of the band's best-known songs, alongside their later 1988 hit "Punk Rock Girl". [1]
The song features a rambling, extended introduction over a bluesy bassline of two characters speaking to one another. [2] It parodies partying, rich kids, and surfer culture. [3] Linderman got the idea for the tune after overhearing a conversation. He and Genaro told the band at rehearsal they would be improvising an intro to the song, and Schulthise began playing the bassline. After that, the song was completed. [4] Linderman portrays the "talking-too-fast jokester" while Genaro acts as a "clueless airhead". [3] The two individuals discuss going to the shore and Doors cover bands before arriving at the point of the song: the titular vehicle. [5] From there, the song shifts into a hardcore punk song. The song's hardcore segment was inspired by the Suicidal Tendencies song "Institutionalized". [4] Daniel Brockman, in a review for the website Vanyaland, says that in its quiet-loud dynamic, the track is not far removed musically from the band's forebears, comparing its style to the Dead Kennedys and Circle Jerks. [3]
WXPN in Philadelphia was an "early champion" of the tune, according to Sabatino; they played the homemade demo frequently which led to audience attendees knowing the song in full before its proper album release. [6] Though not a single, the song achieved airplay on college radio stations across the U.S. [7] The song was later featured in the Orange Is the New Black episode "Appropriately Sized Pots". [8]
A 1985 review by Spin underground columnist Andrea 'Enthal calls it "an '80s answer to the Beach Boys car-and-surf songs, [which] blisters with high-speed drum bash and the ranted [lyrics]." [9] Jason Heller of The A.V. Club considers the song a sendup of "white-trash culture", and describes the song as "a hyperactive, stream-of-consciousness splatter of snotty vocals, jangling guitars, and wiry irreverence that was as much a comedy skit as it was a punk parody." He considered it the quartet's "first enduring classic." [10] AllMusic reviewer Ned Raggett says, "As left-field a fluke hit single as it gets, its mix of bad taste, rock star mockery, and stoner humor still works well." [5] Daniel Brockman praises the song in a review for the website Vanyaland, dubbing it the "quintessential viral-before-there-was-such-a-thing underground of hit of its time." He places it in the context of its importance to teenagers of the decade:
Initially a slow-burning hit on college radio, it eventually found its way outside of collegiate ivory towers, becoming a shared secret for clued-in high schoolers and middle schoolers all over the country. [...] It was mean, it was pointless, it was mercifully short, and endlessly repeatable—for a certain segment of the population, quoting Dead Milkmen lyrics briefly supplanted quoting Monty Python sketches as a way to while away free periods during drudgerous school days." [3]
Adapted from Big Lizard in My Backyard's liner notes. [11]
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The Dead Milkmen is an American punk rock band formed in 1983 in Philadelphia. Their original lineup consisted of vocalist and keyboardist Rodney Linderman, guitarist and vocalist Joe Genaro, bassist Dave Schulthise and drummer Dean Sabatino.
The F.U.'s are a hardcore punk band from Boston, Massachusetts. They formed in 1981 as a three-piece band, released three records and appeared on the compilation This Is Boston, Not L.A. before changing their name to Straw Dogs in 1986 to market themselves as a heavy metal act. In 2010 The F.U.'s reformed under their original moniker.
Milo Goes to College is the debut studio album by the American punk rock band Descendents, released on September 4, 1982 through New Alliance Records. Its title refers to singer Milo Aukerman's decision to leave the band to attend college, and its cover illustration introduced a caricature of him that would go on to become the band's mascot. Milo Goes To College was Descendents' last record with founding guitarist Frank Navetta, who quit the band during the hiatus that followed its release.
Rodney Linderman, also known by his stage name Rodney Anonymous, is an American musician, journalist, and humorist currently based in Philadelphia. He is best known as the lead vocalist, keyboardist and co-songwriter of the satirical punk rock band The Dead Milkmen.
Anthony Joseph Genaro is an American musician, best known as the guitarist and co-lead vocalist for the punk rock group The Dead Milkmen. Residing in Philadelphia, Genaro has performed with a number of punk and indie rock groups, most recently including The Low Budgets, and is also a solo artist.
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Big Lizard in My Backyard is the debut album by the Dead Milkmen, released by Restless Records in 1985.
Bucky Fellini is the third studio album by The Dead Milkmen. It was released in 1987 by Enigma. The album peaked at No. 163 on the Billboard 200.
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Soul Rotation is the sixth studio album by the Dead Milkmen, released in 1992. It was their first album to be released on Hollywood Records. The album was digitally re-released in 2013, after being out of print for many years.
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Metaphysical Graffiti is the fifth studio album by the Dead Milkmen, released by Enigma Records in 1990. The album title and cover art, the latter designed by the band's drummer Dean Clean, parody the 1975 album Physical Graffiti by Led Zeppelin. Two tracks appear on Death Rides a Pale Cow.
Dean Sabatino is an American musician, best known as Dean Clean, the drummer of the satirical punk rock group the Dead Milkmen. Sabatino lives with his family in Media, Pennsylvania, a suburb of Philadelphia. Having earned a degree in commercial art, Clean designed the album covers for the band's releases, including the cover art for their 1985 debut album Big Lizard in My Backyard.
Death Rides a Pale Cow is a greatest hits album by the punk rock band the Dead Milkmen, released in 1997.
Burn Witch Burn were an American Celtic rock/goth/Appalachian/Gypsy/folk/punk rock band based in Philadelphia, Pennsylvania and active between 1994-2001. The band was a side project of Dead Milkmen singer and keyboardist Rodney Linderman.
The Low Budgets was an American punk/garage rock band based in Philadelphia. They were a project of Dead Milkmen guitarist Joe Genaro, and current bassist Dan Stevens. Vocalist and guitarist Chris Seegel and drummer Steve Levandoski completed the band's lineup. The Low Budgets released three albums and toured throughout North America and Europe.
Daniel Keith "Dandrew" Stevens is an American musician and songwriter.
The King in Yellow is the ninth studio album by the Dead Milkmen. It was their first studio album in 16 years. It was released digitally on the band's website in 2011; a CD release followed shortly thereafter.
Pretty Music for Pretty People is the tenth studio album by the Dead Milkmen, released in 2014. It is their second studio album since reuniting in 2008.
Chaos Rules: Live at the Trocadero is a live album by the punk band The Dead Milkmen. It was released by Restless Records on November 8, 1994.
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