Blowing in the Wind | ||||
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Studio album by Lou Donaldson | ||||
Released | 1967 | |||
Recorded | August 30, 1966 | |||
Genre | Jazz | |||
Label | Cadet LPS-789 | |||
Producer | Esmond Edwards | |||
Lou Donaldson chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic |
Blowing in the Wind is an album by jazz saxophonist Lou Donaldson recorded for the Cadet label in 1966 and performed by Donaldson with Herman Foster, Sam Jones, Leo Morris and Richard Landrum. [2]
Jazz is a music genre that originated in the African-American communities of New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in blues and ragtime. Jazz is seen by many as "America's classical music". Since the 1920s Jazz Age, jazz has become recognized as a major form of musical expression. It then emerged in the form of independent traditional and popular musical styles, all linked by the common bonds of African-American and European-American musical parentage with a performance orientation. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms and improvisation. Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Intellectuals around the world have hailed jazz as "one of America's original art forms".
Lou Donaldson is a jazz alto saxophonist. He is best known for his soulful, bluesy approach to playing the alto saxophone, although in his formative years he was, as many were of the bebop era, heavily influenced by Charlie Parker.
Cadet Records was an American record label that began as Argo Records in 1955 as the jazz subsidiary of Chess Records. Argo changed its name in 1965 to Cadet to avoid confusion with the similarly named label in the UK. Cadet stopped releasing records around 1974, when its artists were moved to Chess.
The album was awarded 3 stars in an Allmusic review by Jason Ankeny who states "Blowing in the Wind is perhaps the most curious and oddly compelling of the dates Lou Donaldson cut for Cadet during his mid-'60s exile from the Blue Note stable — a mish-mash of contemporary pop hits, stage favorites, and standards all packaged in a bizarrely Picasso-like cover, the record's inconsistencies and contradictions make for an experience that's unique even in the context of Donaldson's erratic and eclectic oeuvre". [3]
The alto saxophone, also referred to as the alto sax, is a member of the saxophone family of woodwind instruments invented by Belgian instrument designer Adolphe Sax in the 1840s, and patented in 1846. It is pitched in E♭, and is smaller than the tenor, but larger than the soprano. The alto sax is the most common saxophone and is commonly used in concert bands, chamber music, solo repertoire, military bands, marching bands, and jazz. The fingerings of the different saxophones are all the same so a saxophone player can play any type of saxophone.
Herman Foster was an American bebop jazz pianist.
The piano is an acoustic, stringed musical instrument invented in Italy by Bartolomeo Cristofori around the year 1700, in which the strings are struck by hammers. It is played using a keyboard, which is a row of keys that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings.
Idris Muhammad was an American jazz drummer who recorded extensively with many musicians, including Ahmad Jamal, Lou Donaldson, Pharoah Sanders, and Tete Montoliu.
Wailing With Lou is an album by jazz saxophonist Lou Donaldson released on the Blue Note label in 1957 featuring performances by Donaldson's Quintet with Donald Byrd, Herman Foster, Peck Morrison and Art Taylor.
Swing and Soul is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson's Quintet with Herman Foster, Peck Morrison, Dave Bailey, and Ray Barretto. The album was awarded 3 stars by Allmusic reviewers.
Light-Foot is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson's Quintet with Herman Foster, Peck Morrison, Jimmy Wormsworth, and Ray Barretto. The album was awarded 3 stars by Stephen Thomas Erlewine in an Allmusic review which stated "With Light Foot, Donaldson still was pretty firmly grounded in bop, but the tempos began to slow down, and his blues influence came to the forefront; furthermore, the bop tracks are hard bop, not straight bop, which tended to dominate his previous recordings. That diversity makes Light Foot an interesting listen, but the record suffers from slightly uneven material and performances."
The Time Is Right is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson with Blue Mitchell, Horace Parlan, Laymon Jackson, Dave Bailey, and Ray Barretto with Sam Jones and Al Harewood replacing Jackson and Bailey on one track. The album was awarded 3 stars in an Allmusic review. It was released on CD only in Japan.
Sunny Side Up is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson with Bill Hardman, Horace Parlan, Sam Jones, Al Harewood, with Laymon Jackson replacing Jones on four tracks.
Gravy Train is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1961 and performed by Donaldson with Herman Foster, Ben Tucker, Dave Bailey, and Alec Dorsey.
Cole Slaw is an album by jazz saxophonist Lou Donaldson recorded for the Argo label in 1964 and performed by Donaldson with Herman Foster, Earl May, Bruno Carr, and Ray Barretto.
Possum Head is an album by jazz saxophonist Lou Donaldson recorded for the Argo label in 1964 and performed by Donaldson with Bill Hardman, Big John Patton, Ray Crawford, Ben Dixon, and Cleopas Morris.
Musty Rusty is an album by jazz saxophonist Lou Donaldson recorded for the Cadet label in 1965 and performed by Donaldson with Bill Hardman, Billy Gardner, Grant Green, and Ben Dixon.
Fried Buzzard is a live album by jazz saxophonist Lou Donaldson recorded at the Bon Ton Club in Buffalo, NY for the Cadet label in 1965 but not released until 1970.
Lou Donaldson at His Best is an album by jazz saxophonist Lou Donaldson recorded for the Cadet label in 1966 and performed by Donaldson with Bill Hardman, Billy Gardner, Calvin Newborn and Grady Tate. Day by Day and Be Anything But Be Mine are rarely played but immediately likable standards.
Mr. Shing-A-Ling is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1967 and featuring Donaldson with Blue Mitchell, Lonnie Smith, Jimmy Ponder, and Leo Morris.
Say It Loud! is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1968 and featuring Donaldson with Blue Mitchell, Charles Earland, Jimmy Ponder, and Leo Morris.
Sassy Soul Strut is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label featuring Donaldson with Thad Jones, Garnett Brown, Seldon Powell, Buddy Lucas, Paul Griffin, Horace Ott, Hugh McCracken, David Spinozza, John Tropea, Wilbur Bascomb, Bernard Purdie, Omar Clay, and Jack Jennings, with arrangements by George Butler.
Sweet Poppa Lou is a 1981 album by jazz saxophonist Lou Donaldson, his first recording for the Muse label, featuring Donaldson's quartet with Herman Foster, Calvin Hill, Idris Muhammad, and additional percussion on three tracks by Ralph Dorsey.
Forgotten Man is an album by jazz saxophonist Lou Donaldson, his first recording for the Timeless label, featuring Donaldson's quartet with Herman Foster, Geoff Fuller, and Victor Jones.
Back Street is an album by jazz saxophonist Lou Donaldson, his second recording for the Muse label, featuring Donaldson's quartet with Herman Foster, Jeff Fuller, and Victor Jones.
Live in Bologna is a live album by jazz saxophonist Lou Donaldson, his second recording for the Timeless label, featuring Donaldson's quartet with Herman Foster, Jeff Fuller, and Victor Jones.