Blue Blood | ||||
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Studio album by | ||||
Released | April 21, 1989 | |||
Recorded | January 6–March 12, 1989 at CBS Sony Roppongi Studio, CBS Sony Shinanomachi Studio, Sound City Studio [1] | |||
Genre | ||||
Length | 65:18 | |||
Language | ||||
Label | ||||
Producer | ||||
X chronology | ||||
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Singles from Blue Blood | ||||
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Blue Blood is the second studio album by Japanese heavy metal band X Japan, then known as simply X. It was released on April 21, 1989, by CBS/Sony as the band's major label debut. Blue Blood sold more than 700,000 copies, reached number 6 on the Oricon chart and stayed on the chart for more than 100 weeks. The album's singles would also reach the top five on the chart. In 2007, Rolling Stone Japan ranked Blue Blood number 15 on their list of the "100 Greatest Japanese Rock Albums of All Time".
On December 26, 1987, X participated in an audition held by CBS/Sony, which led to a recording contract in August of the following year. In the meantime, the band released their first album, Vanishing Vision, through Extasy Records owned by Yoshiki, on April 14, 1988 and toured extensively in support of the record.
Recording for their major label debut album, Blue Blood, began in January 1989. [2] It was released on April 21, 1989, during the band's tour of the same name, which began on March 13. Two of the concerts sold out in advance, including the March 16 show at Shibuya Public Hall, which was later released on home video as Blue Blood Tour Bakuhatsu Sunzen Gig . [2] X went on the Rose & Blood Tour in September, which was temporarily suspended when Yoshiki collapsed after a November 22 concert, but then continued into May 1990. [3] Their success earned the band the "Grand Prix New Artist of the Year" award at the 4th annual Japan Gold Disc Awards in 1990. [4]
A special edition of Blue Blood, which included a second disc of instrumental versions of some songs, was released on February 14, 2007, and reached number 23 on the Oricon chart. [5] A remastered version which reached number 165 was released on March 19, 2008. [5]
Blue Blood contains re-recordings of their second single "Orgasm" and its b-side "X", as well as "Kurenai" and "Unfinished" from their debut album Vanishing Vision, all with alternate/expanded lyrics. "Easy Fight Rambling" is a glam metal song, while "Kurenai" exemplifies the band's trademark mix of speed metal, ballad and symphonic elements. The intro track "Prologue (~ World Anthem)" is a re-working of the 1977 Mahogany Rush song "The World Anthem" originally written by Frank Marino, hence its title and Marino being credited as composer.
Blue Blood leans more towards symphonic metal than its predecessor, with "Rose of Pain" including portions from Johann Sebastian Bach's "Fugue in G Minor". "Endless Rain", a power ballad, also features classical piano and strings in the background.
The songs "X" and "Orgasm" have many of X's friends, fellow musicians and members of bands on Extasy Records providing backing vocals, namely Baki from Gastunk, Tusk, Ken and Seiichi from Zi:Kill, Haruhiko Ash (The Zolge, Eve of Destiny), and members of Ladies Room. [6]
The album was released on April 21, 1989, by major label CBS/Sony. In the initial counting week of May it reached number six on the Oricon chart, with sales of 28,160 copies. [7] By the end of the year it had sold 188,940 copies, was the 63rd best-selling album of the year, and in 1990 with 378,910 copies, was the 28th best-selling album. In December 1989, it was certified gold by RIAJ. [8] As it charted for 108 weeks, in 2007 Oricon counted 712,000 sold copies. [9] Originally released simultaneously on double LP and single CD (with different track orders), a remastered edition was released on February 14, 2007, and included a bonus CD with instrumental versions of some songs. This edition reached number twenty-three on the chart. [5]
All of the singles were certified Gold, meaning at least two hundred thousand copies sold, by the RIAJ. "Kurenai" became the band's first single to reach the top five on the charts. [10] The song reached number five on the second counting week of September 1989, with sales of 20,930 copies. [11] It charted for 39 weeks, the longest of any other band's singles. [10] In 1989, with sales of 133,090 copies, it was the 74th best-selling single of the year, and in 1990, with 176,450 copies was the 67th best-selling single.
The second single, the ballad "Endless Rain" became X's first to reach the top three on the charts. [10] It reached number three on the second counting week of December 1989, with sales of 40,690 copies. [12] It is the second longest charting single with 31 weeks. [10] In 1990, with 357,680 copies sold was the 21st best-selling single of the year.
The third single, "Week End", became the band's first to reach the top two on the charts. [10] It reached number two in the fifth counting week of April 1990, with sales of 85,060 copies. [13] In the upcoming weeks, it was at number three and five respectively, with sales of 51,490, [14] and 39,590 copies. [15] In 1990, with 291,440 copies sold, it was the 32nd best-selling single of the year.
Review scores | |
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Source | Rating |
Allmusic | [16] |
RockGarage | 8.5/10 [17] |
Blue Blood is generally positively received. Alexey Eremenko, of Allmusic, said "staying on the coordinate grid set by Iron Maiden, Guns N' Roses, Queensrÿche and perhaps updated Thin Lizzy, with the results being not too far from what Helloween were doing at the time", also argues that "whether or not the Germans influenced X Japan is up for debate, but the similarities are obvious, as the Japanese exhibit the same aptness for combining menacing guitar work with anthemic... cinematic... melodies". Eremenko, who gave the album a three and a half out of five stars rating, concluded that the album "generally packs enough skill and enthusiasm to deliver the goods on par with its best genre associates, even if clearly following in their footsteps."
Carl Begai said that "Blue Blood is and will remain one of the few damn near perfect albums in my eyes for the simple fact it never lets up and never gets lazy, even when things slow down for a cheeseball ballad or two." [18] He wrote that with it X "created some of the boldest music I’d ever heard, daring to thrash through tracks like ‘X’, and ‘Orgasm’, serve up epics like ‘Rose Of Pain’ and ‘Kurenai’ (one of my Top 3 metal songs of all time), [and] deliver a song like ‘Endless Rain’ that Elton John would be happy to call his own, and all on the same album." Something unheard of by Western metal standards. [19] He also called Pata and hide two of the most underrated/undiscovered guitarists around. [18]
Rolling Stone referred to "Endless Rain" as "November Rain, minus the bullshit." [20]
On their 2007 list of the "100 Greatest Japanese Rock Albums of All Time", Rolling Stone Japan ranked Blue Blood number 15. [21] It was named one of the top albums from 1989–1998 in a 2004 issue of the music magazine Band Yarouze. [22] In 2021, Kerrang! included Blue Blood on a list of 13 essential Japanese rock and metal albums. [23]
The term visual kei was derived from the slogan "Psychedelic Violence Crime of Visual Shock" seen on cover of the album and used to describe the music scene which X Japan pioneered. [24] [25]
Several songs from the record remain mainstays in X Japan's live sets. Such as "Kurenai", which is one of their signature songs, being played at most of their concerts, often accompanied by the stage being lit in red light (Kurenai translates as "crimson") and the band pausing during the last third in order to let the audience sing the chorus on their own. Other popular songs from the album are "X", "Endless Rain", and "Week End".
"Celebration" was covered by I.N.A., Pata and Heath, with vocals by hide, on the 1999 hide tribute album Tribute Spirits . hide also performed the song live during some of his solo concerts, and a studio version was completed after his death and put on the 2002 Singles ~ Junk Story compilation. Argentinian metal band Auvernia covered "Blue Blood" on their 2008 album Towards Eternity. [26] "Kurenai" was covered by Matenrou Opera for Crush! -90's V-Rock Best Hit Cover Songs-, a compilation album released on January 26, 2011 that features current visual kei bands covering songs from bands that were important to the '90s visual kei movement. [27] Inzargi, vocalist of Megamasso, covered "X" for his 2012 cover album. [28]
No. | Title | Lyrics | Music | Length |
---|---|---|---|---|
1. | "Prologue (~ World Anthem)" | Yoshiki | F. Marino [1] | 2:38 |
2. | "Blue Blood" | Yoshiki | Yoshiki | 5:03 |
3. | "Week End" | Yoshiki | Yoshiki | 6:02 |
4. | "Easy Fight Rambling" | Toshi, Hitomi Shiratori [1] | X | 4:43 |
5. | "X" | Hitomi Shiratori [1] | Yoshiki | 6:00 |
No. | Title | Lyrics | Music | Length |
---|---|---|---|---|
1. | "Xclamation" | hide, Taiji [lower-alpha 1] | 3:52 | |
2. | "Orgasm" (オルガスム) | Hitomi Shiratori [1] | Yoshiki | 2:42 |
3. | "Celebration" | hide | hide | 4:51 |
4. | "Endless Rain" | Yoshiki | Yoshiki | 6:30 |
No. | Title | Lyrics | Music | Length |
---|---|---|---|---|
1. | "Kurenai" (紅) | Yoshiki | Yoshiki | 6:09 |
2. | "Rose of Pain" | Yoshiki | Yoshiki | 11:47 |
3. | "Unfinished" | Yoshiki | Yoshiki | 4:24 |
No. | Title | Length |
---|---|---|
1. | "Prologue (~ World Anthem)" | 2:38 |
2. | "Blue Blood" | 5:03 |
3. | "Week End" | 6:02 |
4. | "Easy Fight Rambling" | 4:43 |
5. | "X" | 6:00 |
6. | "Endless Rain" | 6:30 |
7. | "Kurenai" (紅) | 6:09 |
8. | "Xclamation" | 3:52 |
9. | "Orgasm" (オルガスム) | 2:42 |
10. | "Celebration" | 4:51 |
11. | "Rose of Pain" | 11:47 |
12. | "Unfinished" | 4:24 |
No. | Title | Length |
---|---|---|
1. | "Blue Blood (Instrumental)" | 5:04 |
2. | "Week End (Instrumental)" | 6:05 |
3. | "X (Instrumental)" | 6:02 |
4. | "Endless Rain (Instrumental)" | 6:37 |
5. | "Kurenai (Instrumental)" | 6:60 |
6. | "Celebration (Instrumental)" | 4:52 |
7. | "Rose of Pain (Instrumental)" | 11:50 |
8. | "Unfinished (Instrumental)" | 4:28 |
X Japan is a Japanese rock band from Chiba, formed in 1982 by drummer and pianist Yoshiki and lead vocalist Toshi. Starting as a predominantly power/speed metal band with heavy symphonic elements, they later gravitated towards a progressive sound with an emphasis on ballads. Besides being one of the first Japanese acts to achieve mainstream success while on an independent label, the group is widely credited as one of the pioneers of visual kei, a movement among Japanese musicians comparable to Western glam.
Visual kei, abbreviated v-kei, is a category of Japanese musicians that have a strong focus on extravagant stage costumes that originated in Japan during the early 1980s. Koji Dejima of Bounce wrote that visual kei is not a specific sound, but rather it "revolves around the creation of a band's unique worldview and/or stylistic beauty through visual expressions in the form of makeup and fashion". While visual kei acts can be of any music genre, it originated with bands influenced by glam rock, heavy metal, punk rock and gothic rock.
Hideto Matsumoto, known professionally as hide, was a Japanese musician, singer, songwriter, and record producer. He achieved international fame as the lead guitarist of the rock band X Japan from 1987 to 1997 and a solo artist from 1993 onward. He also formed the United States-based rock supergroup Zilch in 1996.
Extasy Records is a Japanese record label founded in April 1986 by Yoshiki Hayashi, co-founder of the heavy metal band X Japan. The label's first release was X's 1986 single "Orgasm".
Penicillin is a Japanese visual kei alternative rock band, formed in Tokyo in 1992.
Art of Life is the fourth studio album by Japanese heavy metal band X Japan, released on August 25, 1993, by Atlantic Records. The album consists solely of the 29-minute-long orchestrated title track, which was written and composed by Yoshiki entirely in English and recorded with the Royal Philharmonic Orchestra. It topped the Oricon chart and has sold over 600,000 copies. The album is the band's first after changing their name from simply "X" and the first to feature bassist Heath.
Vanishing Vision is the debut studio album by Japanese heavy metal band X Japan, then known as simply X. It was released on April 14, 1988 by Extasy Records, topped the Oricon indies chart and reached number 19 on the main chart.
Dahlia is the fifth studio album by Japanese rock band X Japan, released on November 4, 1996, by Atlantic Records. It is the band's last album before breaking up the following year, and the last to feature new work by guitarist hide, due to his death two years later. The album is composed largely of ballads, with only a few tracks retaining the band's heavier musical traits seen on previous releases. It topped the Oricon chart and stayed on the chart for only 15 weeks, but managed to sell over half a million copies. Seven, nearly all, of the album's songs were released as singles, most of which also topped the singles chart and sold well.
Jealousy is the third studio album by Japanese heavy metal band X Japan, then known as simply X. The album was released on July 1, 1991, by Sony, as the band's second major label release. Jealousy is the band's best-selling album, having sold more than one million copies, it topped the Oricon chart and stayed on the chart for 50 weeks. The album's singles would also reach the top three on the chart. It is their last album under the name "X", before changing to "X Japan", and the last to feature Taiji on bass, who would be replaced by Heath.
"Silent Jealousy" is a single released by X Japan on September 11, 1991.
"Forever Love" is the fourteenth single by Japanese heavy metal band X Japan, released on July 8, 1996.
"Kurenai" is a song by Japanese heavy metal band X Japan, written by Yoshiki. One of the band's oldest songs, they have been performing "Kurenai" since 1985, and several versions have been released, most significantly as their major-label debut single on September 1, 1989.
The discography of the Japanese heavy metal band X Japan consists of five studio albums, six live albums, one remix album, eleven compilations, one soundtrack album, 23 singles, and around 22 live video recordings.
"Endless Rain" is the fourth single released by Japanese heavy metal band X Japan on December 1, 1989. It is their second single on a major record label and reached number 3 on the Oricon chart.
"Orgasm" is the second single by Japanese heavy metal band X Japan, then named X, released on April 10, 1986.
Star Box is a compilation album by X Japan, released on January 30, 1999. This compilation is very similar to B.O.X ~Best of X~, the only difference is that some tracks were replaced with others, partly due to the death of Hideto Matsumoto a year back. In 2004 it was released in the United States, but this time included the video X Clips. The album reached number 4 on the Oricon chart.
Perfect Best is a compilation album by Japanese heavy metal band X Japan, released on February 24, 1999. It includes songs that go from their debut album Vanishing Vision to Dahlia, and also an interview with Yoshiki. Some tracks are taken from Live Live Live Tokyo Dome 1993-1996. The album reached number 4 on the Oricon chart. It was certified gold by RIAJ.
On the Verge of Destruction 1992.1.7 Tokyo Dome Live is a live album released by X Japan on January 1, 1995. It contains the band's performance at the Tokyo Dome on January 7, 1992, which was the last with Taiji Sawada on bass. It is their only live album to feature Sawada. The album reached number 3 on the Oricon chart. There is also a VHS version with the same name.
Japanese metal is heavy metal music from Japan. The country's first metal bands formed in the mid-to-late 1970s. The number of acts increased significantly in the next decade, but only a few saw their material released internationally, including Europe and North America with their pre-established metal bases. Domestic metal saw its commercial peak in Japan in the late 1980s and early 1990s, with the top acts selling millions of records. Many metal bands from the visual kei scene toured and gained recognition in the West in the 2000s. The 2010s saw a boom of all-female metal bands form and gain mainstream attention.
Jiluka is a Japanese visual kei metal band initially formed in May 2013 but restarted in February 2015. The group are an independent band on the label DPR Japan, consisting of members Ricko, Sena, the main songwriter of the songs, Boogie and Zyean. They have released 7 albums and 6 singles so far. It was ranked at the 12 position on the JRock News's top 15 visual kei and Japanese rock artists of 2019. Jiluka is described as "Modern metal visual kei".