Blues for the Modern Daze | ||||
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Studio album by | ||||
Released | April 23, 2012 | |||
Recorded | October 2011 | |||
Studio | Entourage Studios (North Hollywood, Los Angeles) | |||
Genre | ||||
Length | 77:52 | |||
Label | Provogue | |||
Producer |
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Walter Trout chronology | ||||
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Blues for the Modern Daze is the 12th studio album by American blues rock musician Walter Trout. Recorded in October 2011 at Entourage Studios in North Hollywood, Los Angeles, it was produced by Trout with engineer Eric Corne, and released on April 23, 2012, by Provogue Records. The album features a core lineup of Rick Knapp on bass, Michael Leasure on drums, and Sammy Avila on keyboards, alongside returning guests Skip Edwards, Rob Rio and Melvyn "Deacon" Jones.
Unlike the majority of his solo albums up to that point, which incorporated elements of both blues and rock styles, on Blues for the Modern Daze Trout attempted to focus solely on "traditional" blues, taking a more straightforward approach to songwriting whilst trying to draw on various sub-genres. The album was a commercial success, giving Trout his first UK Jazz & Blues Albums Chart number one and charting in several European territories for the first time in his career.
Walter Trout and his band recorded Blues for the Modern Daze at Entourage Studios in North Hollywood, Los Angeles in October 2011. [1] The album was first revealed in January 2012 as part of an announcement on Trout's official website of the final leg of the tour in promotion of 2010's Common Ground , in which it was teased that attendees at upcoming shows would be treated to a "Preview of the new songs". [2] The album was officially announced the following month, with an official press release suggesting that "The new album showcases the contemporary guitar legend's return to his hardcore blues roots, with songwriting at a creative and personal zenith." [3]
After most of his previous albums were categorised as some level of fusion between blues and rock music, on Blues for the Modern Daze Trout sought to produce "his first full-fledged blues album". [3] He identified early gospel blues musician Blind Willie Johnson as the "main inspiration" for the record, reflecting that "I wanted to feel [his music] at my back when we were cutting these songs." [3] In an interview with Jeb Wright of Classic Rock Revisited, Trout explained that "When I decided to write this album I wanted to be diverse", adding that "There are many ways you can do the genre of the Blues. There are many subcategories that you can explore". [4]
Speaking about the lyrical themes of the album, Trout has suggested that "It sums up the thoughts and attitudes of somebody who is getting a little older and is feeling like he's a part of another era, with different values and a different perspective on life that's prevalent today." [3] In the Classic Rock Revisited interview, he explained the meaning of the album's title: "Technology is exploding at an incredible pace ... I do not see where the technology is doing anything to increase our understanding, or our tolerance, of each other. I don't see it doing anything to increase our humanity." [4] Describing the writing of the album, he reflected that "I really almost set out to be an observer of what is going on in the world, almost like a reporter. I just sang about what I see going on in the world through my own eyes." [4]
Blues for the Modern Daze debuted at number 4 on the US Billboard Blues Albums chart – Trout's fourth release to reach the top five of the chart. [5] It was also his first to register on the Heatseekers Albums chart, peaking at number 12. [6] In the UK, the album was Trout's first since Tellin' Stories in 1994 to register on the UK Albums Chart, reaching number 61; it was also his first to top the UK Jazz & Blues Albums Chart and the UK Independent Album Breakers Chart, his first to reach the top ten of the UK Independent Albums Chart (number 9), and his first to register on the Scottish Albums Chart (number 61). [7] In mainland Europe, the album reached number 33 in Germany, [8] number 62 in the Netherlands, [9] and was Trout's first album to chart in Sweden (number 59), [10] Austria (number 63), [11] and Switzerland (number 96). [12]
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
Classic Rock | [13] |
Media response to Blues for the Modern Daze was positive. Reviewing the album for Classic Rock magazine, Charles Shaar Murray praised the quality of Trout's songwriting, highlighting "Recovery" and "Brother's Keeper" as "genuinely moving slow-blues vehicles ... evidence of how a composer with something urgent to say can utilise traditional forms for genuine emotional impact". [13] Also focusing on the album's songwriting, Larry Toering of the Music Street Journal wrote that "Some deep and very personal issues are covered [on Blues for the Modern Daze], and it makes things all the more intense and interesting". [14]
Other commentators focused on Trout's guitar-playing in their reviews of Blues for the Modern Daze. Writing for Blues Rock Review, Pete Francis first praised the musician's vocal performances, before concluding his review with: "While Trout's vocals are solid throughout, the biggest story of the album is his guitar work. Based on this album, it is clear why Trout was a highly sought after sideman for many years". [15] For Classic Rock Revisited, Jeb Wright also praised the musical elements of the album, stating that "this one doesn't just succeed lyrically, musically it is a dynamo. Trout is playing with a cutting conviction". [16]
All tracks are written by Walter Trout
No. | Title | Length |
---|---|---|
1. | "Saw My Mama Cryin'" | 5:52 |
2. | "Lonely" | 4:52 |
3. | "The Sky Is Fallin' Down" | 3:42 |
4. | "Blues for My Baby" | 7:57 |
5. | "You Can't Go Home Again" | 5:49 |
6. | "Recovery" | 6:24 |
7. | "Turn Off Your TV" | 3:30 |
8. | "Lifestyle of the Rich and Famous" | 6:16 |
9. | "Never Knew You Well" | 6:14 |
10. | "Puppet Master" | 0:45 |
11. | "Money Rules the World" | 4:37 |
12. | "All I Want Is You" | 5:21 |
13. | "Brother's Keeper" | 7:01 |
14. | "Blues for the Modern Daze" | 6:18 |
15. | "Pray for Rain" | 3:14 |
Total length: | 77:52 |
Musicians
Additional personnel
Notes
Chart (2012) | Peak position |
---|---|
Austrian Albums (Ö3 Austria Top 40) [11] | 63 |
Dutch Albums (MegaCharts) [9] | 62 |
German Albums (Offizielle Top 100) [8] | 33 |
Scottish Albums (OCC) [7] | 61 |
Swedish Albums (Sverigetopplistan) [10] | 59 |
Swiss Albums (Schweizer Hitparade) [12] | 96 |
UK Albums (OCC) [7] | 61 |
UK Independent Albums (OCC) [7] | 9 |
UK Independent Album Breakers (OCC) [7] | 1 |
UK Jazz & Blues Albums (OCC) [7] | 1 |
UK Physical Albums (OCC) [7] | 52 |
UK Record Store Chart (OCC) [7] | 31 |
US Blues Albums ( Billboard ) [5] | 4 |
US Heatseekers Albums ( Billboard ) [6] | 12 |
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Life in the Jungle is the first solo album by American blues rock musician Walter Trout, credited to the Walter Trout Band. Recorded in the summer of 1989 following Trout's departure from John Mayall & the Bluesbreakers after four years, it was originally released that year in Scandinavia by Bozz, a sub-division of Swedish record label Electra. A full release across wider Europe and the UK followed in 1990, after Trout signed with Dutch record label Provogue Records.
Prisoner of a Dream is the second solo studio album by American blues rock musician Walter Trout, credited to the Walter Trout Band. Recorded at Sun Studio in Copenhagen, Denmark with producer Dave Anderson, it was released in 1990 by Provogue Records. The album reached the top 20 of the Dutch Albums Chart and was supported by the release of two singles: "Say Goodbye to the Blues" and "The Love That We Once Knew".
Transition is the third solo studio album by American blues rock musician Walter Trout, credited to the Walter Trout Band. Recorded between May and June 1992 at Front Page Recorders in Costa Mesa, California, it was produced by Kevin Beamish and released on October 9, 1992, by Provogue Records. The album reached number 46 on the Dutch Albums Chart and was supported by the release of two singles: "Running in Place" and "Motivation of Love".
Live: No More Fish Jokes is the first solo live album by American blues rock musician Walter Trout, credited to the Walter Trout Band. Released on May 17, 1993, by Provogue Records, it features nine tracks recorded in 1991 at the Skanderborg Festival in Denmark and three recorded in 1992 at De Hanehof in Geleen, Netherlands.
Tellin' Stories is the fourth solo studio album by American blues rock musician Walter Trout, credited to the Walter Trout Band. Recorded between August and September 1993 at Battery Studios in London, England, it was produced by Tony Platt and released on June 28, 1994, as Trout's only album for Silvertone Records. The album reached number 66 on the Dutch Albums Chart, number 84 on the UK Albums Chart and number 4 on the UK Jazz & Blues Albums Chart.
Breaking the Rules is the fifth solo studio album by American blues rock musician Walter Trout, credited to the Walter Trout Band. Recorded from January 15 to February 28, 1995, at Soundcastle in Los Angeles, California, it was Trout's first album to be self-produced, and was released on June 6, 1995, by Provogue Records. The album reached number 58 on the Dutch Albums Chart and number 4 on the UK Jazz & Blues Albums Chart.
Positively Beale St. is the sixth solo studio album by American blues rock musician Walter Trout, the last to be credited to the Walter Trout Band. Recorded between February and March 1997 at 315 Beale St. Recording in Memphis, Tennessee, it was produced by Jim Gaines and released on May 19, 1997, by Provogue Records. The album charted at number 65 on the Dutch Albums Chart and number 9 on the UK Jazz & Blues Albums Chart. Following its initial release in Europe, Positively Beale St. was issued in North America by Ruf Records under the title Walter Trout, credited to Trout as a solo artist.
Livin' Every Day is the seventh solo studio album by American blues rock musician Walter Trout, credited to Walter Trout and the Free Radicals. Recorded at Ardent Studios in Memphis, Tennessee, it was produced by Jim Gaines and released on May 1, 1999, by Ruf Records. The album features returning Walter Trout Band members Jimmy Trapp and Bernard Pershey, alongside keyboardist Paul Kallestad who had replaced Martin Gerschwitz in 1998.
Deep Trout: The Early Years of Walter Trout is the first compilation album by American blues rock musician Walter Trout. Initially released in Europe by Provogue Records on January 31, 2005, it features tracks from several of Trout's early solo albums, in addition to three previously unreleased recordings. The album was later issued in North America by Ruf Records with an amended track listing, when it reached number 13 on the US Billboard Blues Albums chart.
Walter Trout is an American blues rock musician from Ocean City, New Jersey. After spells in Canned Heat and John Mayall & the Bluesbreakers in the 1980s, he started a solo career in 1989 and signed to Dutch label Provogue Records. His first three albums – Life in the Jungle, Prisoner of a Dream and Transition – all charted in the Netherlands, reaching numbers 51, 20 and 46, respectively, on the Dutch Albums Chart. Tellin' Stories was issued worldwide by Silvertone Records in 1994, registering at number 84 on the UK Albums Chart. Trout subsequently returned to Provogue and his albums continued to chart in the Netherlands.
Full Circle is the ninth studio album by American blues rock musician Walter Trout, credited to Walter Trout and Friends. Recorded between January and March 2006 in Canada and California, it was self-produced by Trout and released on June 20, 2006, by Ruf Records and Provogue Records. Alongside the main lineup of Trout, bassist Rick Knapp and drummer Richie Hayward, the album features guest performers on every track, including Trout's former bandmates John Mayall and Coco Montoya. Full Circle reached number 2 on the US Billboard Blues Albums chart and number 16 on the UK Jazz & Blues Albums Chart.
The Outsider is the tenth studio album by American blues rock musician Walter Trout. Recorded in February 2008 at Mad Dog Studios in Burbank, California, it was produced by John Porter and released on May 26, 2008, by Provogue Records. Credited solely to Walter Trout, The Outsider features a range of performers alongside the eponymous vocalist and guitarist, including his bandmates Sammy Avila and Rick Knapp, as well as session contributors Kenny Aronoff and James "Hutch" Hutchinson. The album reached number 3 on the US Billboard Blues Albums chart, number 6 on the UK Jazz & Blues Albums Chart and number 24 on the UK Independent Albums Chart.
Unspoiled by Progress: 20 Years of Hardcore Blues is the second compilation album by American blues rock musician Walter Trout. Released on June 23, 2009, by Provogue Records, it features previously unreleased recordings from across Trout's solo career, including live tracks and radio recordings, as well as three new studio tracks. The album reached number 5 on the US Billboard Blues Albums chart and number 10 on the UK Jazz & Blues Albums Chart.
Common Ground is the 11th studio album by American blues rock musician Walter Trout. Recorded in March 2010 at House of Blues Studios in Encino, Los Angeles, it was produced by John Porter and released on July 6, 2010, by Provogue Records. Like Trout's previous album The Outsider, which was also produced by Porter, Common Ground features session musicians James "Hutch" Hutchinson, Kenny Aronoff and Jon Cleary – his regular band members are not featured. The album reached number 6 on the US Billboard Blues Albums chart and number 13 on the UK Jazz & Blues Albums Chart.
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