Bolognese Swordsmanship, also sometimes known as the Dardi school, is a tradition within the Italian school of swordsmanship which is based on the surviving fencing treatises published by several 16th century fencing masters of Bologna, [1] As early as the 14th century several fencing masters were living and teaching in the city: a maestro Rosolino in 1338, a maestro Nerio in 1354, and a maestro Francesco in 1385. [2] [3]
The term Italian school of swordsmanship is used to describe the Italian style of fencing and edged-weapon combat from the time of the first extant Italian swordsmanship treatise (1409) to the days of Classical Fencing.
Bologna is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy, at the heart of a metropolitan area of about one million people.
The Dardi school is named after Lippo Bartolomeo Dardi, a professor of mathematics and astronomy at the University of Bologna, who was licensed as a fencing master and founded a fencing school in Bologna in 1415, just a few years after Fiore dei Liberi had completed his Fior di Battaglia. The Dardi School constituted both the last great medieval Western martial arts tradition as well as the first great Renaissance tradition, embracing both armed and unarmed combat. No manuscript ascribed to Dardi himself survives, although his tradition became the foundation for the work of Antonio Manciolino and Achille Marozzo, both possibly students of famed Bolognese master Guido Antonio de Luca. [4] [5]
The University of Bologna is a research university in Bologna, Italy. Founded in 1088 by an organised guild of students, it is the oldest university in the world, as well as one of the leading academic institutions in Italy and Europe. It is one of the most prestigious Italian universities, commonly ranking in the first places of national rankings.
Fiore Furlano de Cividale d'Austria, delli Liberi da Premariacco (Fiore dei Liberi, Fiore Furlano, Fiore de Cividale d'Austria; born ca. 1350; died after 1409, was a late 14th century knight, diplomat, and itinerant fencing master.
Achille Marozzo (1484–1553) was an Italian fencing master teaching in the Dardi or Bolognese tradition.
The Bolognese masters whose treatises have survived shared a greater consistency of style, terminology and pedagogy with each other than with fencing masters of the period from other parts of Italy, thus justifying their treatment as a single school. The Dardi school focused primarily the single-handed spada da lato (side-sword) still used for both cutting and thrusting. The side-sword was used in combination with various defensive weapons, including a shield (brocchiero, rotella or targa), a dagger, a gauntlet or a cape. The two-handed sword or spadone was also still taught, although losing its prominence. In addition, instruction on fighting with the poleaxe and other polearms was given. [6] [7] [8]
A longsword is a type of European sword characterized as having a cruciform hilt with a grip for two-handed use, a straight double-edged blade of around 85 to 110 cm, and weighing approximately 1 to 1.5 kg.
A treatise on the gintilissima arte del schirmire ("most noble art of fencing") by a "Bolognese anonymus" (Anonimo Bolognese) was edited by Rubboli and Cesari (2005). It is dated to the "very first years of the 1500s" by the editors, but others have placed it closer to 1550. [9] It is a compilation preserved in a single manuscript version (in two parts), mss. 345/6 of the Biblioteca Classense in Ravenna. [10]
The Biblioteca Classense is the public library of Ravenna, Italy.
Ravenna is the capital city of the Province of Ravenna, in the Emilia-Romagna region of Northern Italy. It was the capital city of the Western Roman Empire from 402 until that empire collapsed in 476. It then served as the capital of the Ostrogothic Kingdom until it was re-conquered in 540 by the Byzantine Empire. Afterwards, the city formed the centre of the Byzantine Exarchate of Ravenna until the invasion of the Lombards in 751, after which it became the seat of the Kingdom of the Lombards.
The Opera Nova of Antonio Manciolino was apparently first published in the early 1520s, but only a copy of the likely second edition, "newly revised and printed" in 1531, has survived. It was dedicated to Luis Fernández de Córdoba, Duke of Sessa (d. 1526), mentioned as imperial ambassador to Pope Adrian VI (r. 1522/23). [11]
Luis Fernández de Córdoba was a Spanish nobleman, count of Cabra and viscount of Iznájar, lord of the house of Baena, Duke of Sessa, of Terranova and of Santángelo by his marriage to his cousin, Elvira Fernández de Córdoba y Manrique . Luis was the son of Diego Fernández de Córdoba y Mendoza, third count of Cabra and Francisca de Zúñiga y de la Cerda.
Charles V was Holy Roman Emperor from 1519, King of Spain from 1516, and ruling prince of the Habsburg Netherlands from 1506. Head of the rising House of Habsburg during the first half of the 16th century, his dominions in Europe included the Holy Roman Empire extending from Germany to northern Italy with direct rule over Austria and the Low Countries, and a unified Spain with its southern Italian kingdoms of Naples, Sicily, and Sardinia. Furthermore, his reign encompassed both the long-lasting Spanish and short-lived German colonizations of the Americas. The personal union of the European and American territories of Charles V was the first collection of realms labelled "the empire on which the sun never sets".
Pope Adrian VI, born Adriaan Florensz Boeyens, was head of the Catholic Church and ruler of the Papal States from 9 January 1522 until his death on 14 September 1523. The only Dutchman so far to become pope, he was the last non-Italian pope until John Paul II, 455 years later.
Opera Nova dell'arte delle armi ("New Treatise on the Art of Arms") by Achille Marozzo was published in 1536 in Modena, dedicated to Count Rangoni. Considered the most important work on Italian fencing of the 16th century, it exemplifies techniques about fighting in a judicial duel with all the major weapons of the times and includes a large section on the conventions and rules of the duel. [12] [13]
Modena is a city and comune (municipality) on the south side of the Po Valley, in the Province of Modena in the Emilia-Romagna region of northern Italy.
Angelo Viggiani's Lo Schermo was written around 1550 and published posthumously, ca. 1575. [14] [15]
Giovanni dall'Agocchie, Dell'Arte di Scrimia, 1572. This work is unusually clear, a significant amount of material on the theory of swordsmanship along with many specific descriptions of the fundamentals. [16] [17]
Girolamo Cavalcabo (Hieronyme Calvacabo, Hieronimo Cavalcabo) was trained in the Bolognese school of fencing, possibly under Angelo Viggiani dal Montone, and seems to have traveled to London, England in the 1580s or 1590s. While in London, he wrote a treatise on the use of the rapier entitled Nobilissimo discorso intorno il schermo ("Most Noble Discourse on Defense"), published in 1597. In the early 17th century, he served as fencing master at the court of Henry IV of France to prince Louis (the future Louis XIII). [18]
Rapier, or espada ropera, is a loose term for a type of large, slender, sharply pointed sword. With such design features, the rapier is optimized to be a thrusting weapon, but cutting or slashing attacks were also recorded in some historical treatises like Capo Ferro's Gran Simulacro in 1610. This weapon was mainly used in Early Modern Europe during the 16th and 17th centuries.
Swordsmanship or sword fighting refers to the skills of a swordsman, a person versed in the art of the sword. The term is modern, and as such was mainly used to refer to smallsword fencing, but by extension it can also be applied to any martial art involving the use of a sword. The formation of the English word "swordsman" is parallel to the Latin word gladiator, a term for the professional fighters who fought against each other and a variety of other foes for the entertainment of spectators in the Roman Empire. The word gladiator itself comes from the Latin word gladius, meaning "sword".
Johannes Liechtenauer was a German fencing master who had a great level of influence on the German fencing tradition in the 14th century.
Historical European martial arts (HEMA) refers to martial arts of European origin, particularly using arts formerly practised, but having since died out or evolved into very different forms.
Paulus Kal was a 15th-century German fencing master. According to his own testimony, he was the student of one Hans Stettner, who was in turn an initiate of the tradition of Johannes Liechtenauer. He served as fencing master at three different courts in his career, serving in various military capacities including commanding men in at least three campaigns. Perhaps his most significant legacy is an honor role of deceased masters included in the Bologna and Munich versions of his treatise, which he styled the Society of Liechtenauer. While several of these masters remain unknown, the majority wrote treatises of their own and Kal's list stands as an independent confirmation of their connection to the grand master. Kal's treatise is also interesting in that it represents the first attempt to give pictorial illustrations for parts of Liechtenauer's tradition of fencing.
Pietro Monte was a master of arms who lived in Milan in the late 15th century. He may have been either Spanish or Italian by birth. He was acquainted with Leonardo da Vinci.
Ridolfo Capoferro or Capo Ferro of Cagli was a fencing master in the city of Siena best known for his rapier fencing manual published in 1610.
Waki-gamae (脇構), sometimes shortened to waki, is one of the five stances in kendo: jōdan, chūdan, gedan, hassō and waki, as well as other related and older martial arts involving Japanese sword. Waki-gamae is a stance involving the swordsman hiding the length of one's own blade behind their body, only exposing the pommel to the opponent. This stance was common when there was no standard length of sword and was often used as a deterrent to any opponents who did not know the range of the sword being hidden and could be used as a sort of bluff technique. It also serves to conceal the orientation of the blade to one's opponent, as to give him no hint about your own intention for the next attack.
Ott Jud was a 15th-century Austrian martial arts master, specialized on grappling (Ringen).
Alfred Hutton FSA was a Victorian officer of the King's Dragoon Guards, writer, antiquarian and swordsman. He originated the first English revival of historical fencing, together with his colleagues Egerton Castle, Captain Carl Thimm, Colonel Cyril Matthey, Captain Percy Rolt, Captain Ernest George Stenson Cooke, Captain Frank Herbert Whittow, Sir Frederick and Walter Herries Pollock.
The oldest surviving manual on western swordsmanship dates to around 1300, although historical references date fencing schools back to the 12th century.
The Chicago Swordplay Guild is a modern school of swordsmanship and Western martial arts, and non-profit organization based in Chicago, Illinois, United States. It provides organized instruction in the study and practice of historical European swordplay, with a principal focus on the Italian school of swordsmanship and other martial arts of the 14th–17th centuries. Co-founded in 1999 by Gregory Mele and Mark Rector, the Chicago Swordplay Guild seeks to be consistent with the methodology of the ancient European fencing schools by combining scholarship and research into the teachings of the historical Masters, with the practical knowledge gained through solo and partnered drilling and fencing. Since techniques are taught in reference to how effective they would be in a real encounter, the Guild practices with an absolute emphasis on safety, control, competence, and skill at arms.
Brian R. Price is an American university professor, author, editor, publisher, martial arts instructor of the Italian school of swordsmanship, reconstructive armorer, and member of the Society for Creative Anachronism. He is Associate Professor of History at Hawai'i Pacific University, where he offers courses in the history of warfare, in counterinsurgency, and in strategy at the graduate and undergraduate levels. He speaks regularly at conferences both for his current field on counterinsurgency and in his earlier, and now secondary field, on chivalric topics. His page at https://hpu.academia.edu/BrianRPrice lists his current and recent research projects. He began his studies of medieval history in 1990, but began to shift his interests as the Afghan and Iraq wars progressed, increasingly emphasizing aspects of modern military theory, especially ways through which culture, doctrine and military practice interweave. These modern topics have been a prominent part of his work since his graduation from the University of North Texas and deployment to Afghanistan as part of the Human Terrain System in 2011-2012. He has spoken at the UK Ministry of Defence, at the Society for Military History, the World History Conference, several academic martial arts symosia, and appeared on television to discuss the situation in Ukraine.
Nova Scrimia is an Italian organisation which promotes the teaching of the Italian school of swordsmanship, of stick fencing, of short range fencing (dagger) and of unarmed fencing from the documented period that goes from the 15th century to the 20th century. Nova Scrimia is currently represented in Italy and other European countries, in USA and in Mexico.
Italian martial arts is the use of weapons. Each weapon is the product of a specific historical era. The swords used in Italian martial arts range from the gladius of the Roman legionaries to swords which were developed during the renaissance, the baroque era and later. Short blades range from medieval daggers to the liccasapuni Sicilian duelling knife.
Sakakibara Kenkichi, was a Japanese samurai and martial artist. He was the fourteenth headmaster of the Jikishinkage school of sword fighting. Through his Jikishinkage contacts he rose to a position of some political influence; he taught swordsmanship at a government military academy and also served in the personal guard of Japan's last two shōguns.
The practice of Historical European Martial Arts (HEMA) first started in Australia in the late 19th century before largely dying out. There was then a revival of interest in the late 20th century to the current day. The practice of HEMA in Australia has grown to be a popular activity, with clubs all in capital cities, and the larger cities in Australia, Sydney and Melbourne, each have a number of clubs teaching various styles.
Within the Italian school of swordsmanship of the Renaissance, a specifically Bolognese tradition is sometimes postulated for the 16th century. In the early 17th century, there appears to have been a special local emphasis on rapier fencing in Venice, specifically associated with Nicoletto Giganti. and Giacomo di Grassi. As elsewhere in Europe, the tradition of classical fencing persisted in Venice until the beginning of the 19th century.