Boom Town | |
---|---|
Directed by | Jack Conway |
Written by | John Lee Mahin |
Based on | "A Lady Comes to Burkburnett" 1939 story in Cosmopolitan by James Edward Grant |
Produced by | Sam Zimbalist |
Starring | Clark Gable Spencer Tracy Claudette Colbert Hedy Lamarr |
Cinematography | Harold Rosson Elwood Bredell (uncredited) |
Edited by | Blanche Sewell Paul Landres (uncredited) |
Music by | Franz Waxman |
Production company | |
Distributed by | Loew's Inc. |
Release date |
|
Running time | 119 minutes |
Country | United States |
Language | English |
Budget | $1.6 million [1] |
Box office | $5 million [1] |
Boom Town is a 1940 American Western film starring Clark Gable, Spencer Tracy, Claudette Colbert, and Hedy Lamarr, and directed by Jack Conway. The supporting cast features Frank Morgan, Lionel Atwill, and Chill Wills. A story written by James Edward Grant in Cosmopolitan magazine entitled "A Lady Comes to Burkburnett" provided the inspiration for the film. [2] The film was produced and released by Metro-Goldwyn-Mayer.
"Big John" McMasters and "Square John"/"Shorty" Sand are two down-on-their-luck oil wildcatters who join forces. Without enough money, they steal drilling equipment from a skeptical Luther Aldrich. Their well proves a bust and they have to hastily depart when Aldrich shows up with the sheriff to take back his property. The two oilmen team up and make enough money to partially pay Aldrich. To get him to back them for a second try, they cut him in for a percentage of the well. This time, they strike it rich.
When Elizabeth "Betsy" Bartlett shows up, McMasters sweeps her off her feet (without knowing that Sand considers her his girl) and marries her. Sand accepts the situation, wanting Betsy to be happy. However, on their first anniversary, she catches her husband dancing with a barroom floozy. As a result, Sand quarrels with McMasters and they flip a coin for the entire oilfield. Betsy leaves her husband, but returns when she learns that he has lost almost everything to Sand and needs her.
Each man goes through booms and busts. Building on his renewed success as a wildcatter, McMasters moves to New York to expand into refineries and distribution, competing against former customer Harry Compton. Seeking inside information about his rivals, he hires away Compton's adviser Karen Vanmeer, who uses her social contacts and womanly charms to gather industry information.
Meanwhile, Sand loses everything he has built up in South America to a revolution. When he meets McMasters at an oilmen's convention, the two finally reconcile, and Sand goes to work for his old friend. When he suspects that McMasters is carrying on an affair with Karen, he tries to save Betsy's marriage by offering to marry Karen. However, she deduces his motives and declines. When a miserable Betsy tries to commit suicide by taking sleeping pills, Sand decides that the only way to help her is to bankrupt McMasters. Sand loses his costly battle with his former friend and goes broke. It is only when he asks McMasters to give his wife a divorce that the married man finally comes to his senses. Later, McMasters is prosecuted by the government for violating the Sherman Antitrust Act and loses his business. In the end, poor, but happier, Sand and McMasters team up again, with the blissful Betsy looking on. Aldrich supplies them with equipment and the whole cycle begins again.
Cast notes:
MGM had been looking for a project set in the oil fields as a vehicle for Clark Gable for some time. They optioned the short story "The Lady Comes to Burkburnett" in November 1938. [4] [5]
The actress originally considered for the female lead role was Myrna Loy, for whom the part was written. [6] [7] Instead, this became the second, and last, pairing of Colbert and Gable, who had starred together in It Happened One Night . [6] Gable and Spencer Tracy had also worked together before, in two other films, San Francisco and Test Pilot . [6] Eventually Tracy insisted on the same top billing clause in his MGM contract that Gable enjoyed, effectively ending the pairing, though Tracy and Gable liked each other personally and enjoyed working together.
The movie was the first Gable made under a new seven-year contract with MGM. [8] [9] Tracy, in fact, brooded over his second-billing status during the filming of Boom Town and was reportedly unpleasant to deal with. He especially did not get along with either of the female leads. [3]
Some of the location shooting for the film took place in South Belridge, California. [6]
Bosley Crowther of The New York Times praised the scenes involving the oil wells as exciting but found the human part of the story "peters out into repetitious wrangling along monotonous lines." [10] Variety's review was positive, writing: "Unlike many large-budgeted productions carrying multistar setups that tend either to costume background or sophistication for limited appeal, this one breaks out with a dashing, rough-and-tumble yarn of modern adventure that carries all elements for widest audience appeal ... story is repetitious in its cutbacks to new oil fields and gushers, but this fact will be considered unimportant by the customers." [11] Harrison's Reports accurately predicted that the film's star power would make it a big hit, but said the story was "only fairly good" and the plot "somewhat thin." [12]
Film Daily called the screenplay "excellent" and wrote that Conway "has furnished an outstanding job of directing, blending the action, love interest and comedy so that interest is held to the end." [13] John Mosher wrote a mixed review for The New Yorker , stating that "when the plot leaves the West and comes East, it grows rather feeble. Western bars, these boom towns and their peculiar architecture and their customs, and the spectacle of the great oil gushers themselves form a substantial background of interest, I should say, which a commonplace plot merely frames." [14]
It ranked seventh on Film Daily's year-end nationwide poll of 546 critics of the 10 Best Films of 1940. [15]
Boom Town was a box office success upon its release, becoming the highest-grossing film of 1940. According to MGM records the film earned $3,664,000 in the US and Canada and $1,365,000 elsewhere, resulting in a profit of $1,892,000. [1]
Harold Rosson was nominated for the Academy Award for Best Cinematography (Black-and-White), and A. Arnold Gillespie (photographic effects) and Douglas Shearer (sound effects) were nominated for Best Special Effects. [16]
William Clark Gable was an American film actor. Often referred to as the "King of Hollywood", he had roles in more than 60 films in a variety of genres during a career that lasted 37 years, three decades of which was as a leading man. He was named the seventh greatest male movie star of classic American cinema by the American Film Institute.
Spencer Bonaventure Tracy was an American actor. He was known for his natural performing style and versatility. One of the major stars of Hollywood's Golden Age, Tracy was the first actor to win two consecutive Academy Awards for Best Actor, from nine nominations. During his career, he appeared in 75 films and developed a reputation among his peers as one of the screen's greatest actors. In 1999, the American Film Institute ranked Tracy as the 9th greatest male star of Classic Hollywood Cinema.
Émilie Chauchoin, professionally known as Claudette Colbert, was an American actress. Colbert began her career in Broadway productions during the late 1920s and progressed to films with the advent of talking pictures. Initially contracted to Paramount Pictures, Colbert became one of the few major actresses of the period who worked freelance, independent of the studio system.
Burkburnett is a city in Wichita County, Texas, United States. It is part of the Wichita Falls, Texas metropolitan statistical area. Its population was 10,939 at the 2020 census.
Francis Phillip Wuppermann, known professionally as Frank Morgan, was an American character actor. He was best known for his appearances in films starting in the silent era in 1916, and then numerous sound films throughout the 1930s and 1940s, with a career spanning 35 years mostly as a contract player at Metro-Goldwyn-Mayer, with his most celebrated performance playing the title role of The Wizard in the MGM movie The Wizard of Oz (1939). He was also briefly billed early in his career as Frank Wupperman and Francis Morgan.
Victor Lonzo Fleming was an American film director, cinematographer, and producer. His most popular films were Gone with the Wind, for which he won an Academy Award for Best Director, and The Wizard of Oz. Fleming has those same two films listed in the top 10 of the American Film Institute's 2007 AFI's 100 Years...100 Movies list.
Hedy Lamarr was an Austrian-born American actress and inventor. After a brief early film career in Czechoslovakia, including the controversial erotic romantic drama Ecstasy (1933), she fled from her first husband, Friedrich Mandl, and secretly moved to Paris. Traveling to London, she met Louis B. Mayer, who offered her a film contract in Hollywood. Lamarr became a film star with her performance in the romantic drama Algiers (1938). She achieved further success with the Western Boom Town (1940) and the drama White Cargo (1942). Lamarr's most successful film was the religious epic Samson and Delilah (1949). She also acted on television before the release of her final film in 1958. She was honored with a star on the Hollywood Walk of Fame in 1960.
The year 1940 in film involved some significant events, including the premieres of the Walt Disney films Pinocchio and Fantasia.
John Hodiak was an American actor who worked in radio, stage and film.
Hullabaloo is a 1940 American musical comedy film directed by Edwin L. Marin and written by Nat Perrin. It stars Frank Morgan, Virginia Grey, Dan Dailey, Billie Burke, Donald Meek, Reginald Owen, and Connie Gilchrist. Jack Albertson, Leo Gorcey, and Arthur O'Connell appear in bit roles.
Tortilla Flat is a 1942 American romantic comedy film directed by Victor Fleming and starring Spencer Tracy, Hedy Lamarr, John Garfield, Frank Morgan, Akim Tamiroff and Sheldon Leonard, based on the 1935 novel of the same name by John Steinbeck. Frank Morgan received an Academy Award nomination for Best Supporting Actor for his poignant portrayal of The Pirate.
James Stewart was a prolific American actor who appeared in a variety of film roles in Hollywood, primarily of the Golden Age of Hollywood. From the beginning of his film career in 1934 through his final theatrical project in 1991, Stewart appeared in more than 92 films, television programs, and short subjects.
That's Entertainment, Part II is a 1976 American compilation film released by Metro-Goldwyn-Mayer and a sequel to That's Entertainment! (1974). Like the previous film, That's Entertainment, Part II was a retrospective of famous films released by MGM from the 1930s to the 1950s. Some posters for the film use Part 2 rather than Part II in the title.
State of the Union is a 1948 American drama film directed by Frank Capra about a man's desire to run for the nomination as the Republican candidate for President, and the machinations of those around him. The New York Times described it as "a slick piece of screen satire...sharper in its knife-edged slicing at the hides of pachyderm schemers and connivers than was the original." The film was written by Myles Connolly and Anthony Veiller and was based on the 1945 Russel Crouse, Howard Lindsay Pulitzer Prize-winning play of the same name.
Comrade X is a 1940 American comedy spy film directed by King Vidor and starring Clark Gable and Hedy Lamarr. The supporting cast features Oskar Homolka, Felix Bressart, Sig Rumann and Eve Arden. In February 2020, the film was shown at the 70th Berlin International Film Festival, as part of a retrospective dedicated to King Vidor's career.
Hugh Ryan "Jack" Conway was an American film director and film producer, as well as an actor of many films in the first half of the 20th century.
The comedy of remarriage is a subgenre of American comedy films of the 1930s and 1940s. At the time, the Production Code, also known as the Hays Code, banned any explicit references to or attempts to justify adultery and illicit sex. The comedy of remarriage with the same spouse enabled filmmakers to evade this provision of the Code. The protagonists divorced, flirted, or even had relationships, with strangers without risking the wrath of censorship, and then got back together.
Roy Paul Harvey was an American character actor who appeared in at least 177 films.
I Take This Woman is a 1940 American drama film directed by W. S. Van Dyke and starring Spencer Tracy and Hedy Lamarr. Based on the short story "A New York Cinderella" by Charles MacArthur, the film is about a young woman who attempted suicide in reaction to a failed love affair. The doctor who marries her attempts to get her to love him by abandoning his clinic services to the poor to become a physician to the rich so he can pay for her expensive lifestyle.
Sydney Guilaroff was a British-American hair stylist during Hollywood's Golden Age, and the first to receive on-screen credit in films. He worked for more than 40 years at Metro Goldwyn Mayer studios, on more than 1,000 films. He was instrumental in creating many of the hairstyles that became signature looks for film stars.