A brayer is a hand-tool used historically in printing and printmaking to break up and "rub out" (spread) ink, before it was "beaten" using inking balls or composition rollers. A brayer consists of a short wooden cylinder with a handle fitted to one end; the other, flat end is used to rub the ink. [1]
The word is derived from the verb to "bray", meaning "to break, pound, or grind small, as in a mortar". [2]
In the late nineteenth century the term was applied in the United States to a small hand-roller, "used for spreading ink on the inking table, and for applying it to the distributing plates or rollers connected with presses". [3] Such small rollers were sold as "brayers" from at least 1912 [4] and later in the century the term was applied in the U.S. to hand-rollers of all sorts and sizes. It retains its original meaning in Europe.
Brayers in the original sense were generally made of wood (though Southward refers to their being made of "wood or glass"). [5] Later, rollers could be made of composition, vulcanized rubber, sponge, acrylic, polyurethane or leather. They are formed around a shaft or core and often attached to a wooden handle. Some rollers have an all-metal support, while larger examples may have two handles to allow for two-handed use (to allow the heavy roller to be controlled and in some cases to apply additional pressure).
The printer uses an ink knife to lay out a "pad", mound or streak of ink on a smooth inking plate, originally made of polished metal or stone. The ink is then rubbed with the brayer until an area is smooth enough to beat with the ink balls or roller. In contemporary printmaking, commercially-available inks are often smooth and soft enough that they do not require braying before they can be rolled (and thus a more-fragile glass sheet may be used as an inking plate). The roller is passed systematically across the surface to produce an even layer of ink. The roller is then applied to the forme, block, stone or plate so that the ink is evenly transferred to the raised or receptive areas before the next stage of transferring the ink, by moderate pressure, to the printing surface or offset substrate.
Brayers are rarely used in contemporary printing and printmaking to break up and spread ink, except in cases of historical reconstruction or when a printer has made his own ink and it is too thick to spread without the use of a brayer. Rollers are primarily used for relief printing, leather rollers almost exclusively in lithography and sponge rollers are used only for paint, scrapbooking and other craft applications.
Lithography is a planographic method of printing originally based on the immiscibility of oil and water. The printing is from a stone or a metal plate with a smooth surface. It was invented in 1796 by the German author and actor Alois Senefelder and was initially used mostly for musical scores and maps. Lithography can be used to print text or images onto paper or other suitable material. A lithograph is something printed by lithography, but this term is only used for fine art prints and some other, mostly older, types of printed matter, not for those made by modern commercial lithography.
Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types of material. As a method of printmaking, it is, along with engraving, the most important technique for old master prints, and remains in wide use today. In a number of modern variants such as microfabrication etching and photochemical milling, it is a crucial technique in modern technology, including circuit boards.
Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine ; however, there is some cross-over between traditional and digital printmaking, including risograph.
Mezzotint is a monochrome printmaking process of the intaglio family. It was the first printing process that yielded half-tones without using line- or dot-based techniques like hatching, cross-hatching or stipple. Mezzotint achieves tonality by roughening a metal plate with thousands of little dots made by a metal tool with small teeth, called a "rocker". In printing, the tiny pits in the plate retain the ink when the face of the plate is wiped clean. This technique can achieve a high level of quality and richness in the print, and produce a furniture print which is large and bold enough to be framed and hung effectively in a room.
Drypoint is a printmaking technique of the intaglio family, in which an image is incised into a plate with a hard-pointed "needle" of sharp metal or diamond point. In principle, the method is practically identical to engraving. The difference is in the use of tools, and that the raised ridge along the furrow is not scraped or filed away as in engraving. Traditionally the plate was copper, but now acetate, zinc, or plexiglas are also commonly used. Like etching, drypoint is easier to master than engraving for an artist trained in drawing because the technique of using the needle is closer to using a pencil than the engraver's burin.
Relief printing is a family of printing methods where a printing block, plate or matrix, which has had ink applied to its non-recessed surface, is brought into contact with paper. The non-recessed surface will leave ink on the paper, whereas the recessed areas will not. A printing press may not be needed, as the back of the paper can be rubbed or pressed by hand with a simple tool such as a brayer or roller. In contrast, in intaglio printing, the recessed areas are printed.
Letterpress printing is a technique of relief printing for producing many copies by repeated direct impression of an inked, raised surface against individual sheets of paper or a continuous roll of paper. A worker composes and locks movable type into the "bed" or "chase" of a press, inks it, and presses paper against it to transfer the ink from the type, which creates an impression on the paper.
Photogravure is a process for printing photographs, also sometimes used for reproductive intaglio printmaking. It is a photo-mechanical process whereby a copper plate is grained and then coated with a light-sensitive gelatin tissue which had been exposed to a film positive, and then etched, resulting in a high quality intaglio plate that can reproduce detailed continuous tones of a photograph.
Intaglio is the family of printing and printmaking techniques in which the image is incised into a surface and the incised line or sunken area holds the ink. It is the direct opposite of a relief print where the parts of the matrix that make the image stand above the main surface.
Gyotaku is the traditional Japanese method of printing fish, a practice which dates back to the mid-1800s. This form of nature printing, where ink is applied to a fish which is then pressed onto paper, was used by fishermen to record their catches, but has also become an art form of its own.
Baren (馬連、馬楝) is a disk-like hand tool with a flat bottom and a knotted handle used in Japanese woodblock printing. It is used to burnish the back of a sheet of paper, lifting ink from the block.
Line engraving is a term for engraved images printed on paper to be used as prints or illustrations. The term is mainly used in connection with 18th- or 19th-century commercial illustrations for magazines and books or reproductions of paintings. It is not a technical term in printmaking, and can cover a variety of techniques, giving similar results.
Viscosity printing is a multi-color printmaking technique that incorporates principles of relief printing and intaglio printing. It was pioneered by Stanley William Hayter.
Collotype is a gelatin-based photographic printing process invented by Alphonse Poitevin in 1855 to print images in a wide variety of tones without the need for halftone screens. The majority of collotypes were produced between the 1870s and 1920s. It was the first form of photolithography.
Vitreography is a fine art printmaking technique that uses a 3⁄8-inch-thick (9.5 mm) float glass matrix instead of the traditional matrices of metal, wood or stone. A print created using the technique is called a vitreograph. Unlike a monotype, in which ink is painted onto a smooth glass plate and transferred to paper to produce a unique work, the vitreograph technique involves fixing the imagery in, or on, the glass plate. This allows the production of an edition of prints.
An ink ball, inking ball, or dabber was a tool used in printmaking and letterpress printing to apply ink to the plate or type to be printed.
A composition roller is a tool used in letterpress printing to apply ink to a bed of type in a printing press. It consists of a cylinder made of a substance known as "roller composition" or simply "composition", a mixture of hide glue and sugar, with various additives such as glycerin depending on the particular recipe. Early recipes also included gypsum plaster and tar, though these were eventually found unnecessary.
Edward Shickle Cowper (1790–1852) was an English printing engineer, inventor, and academic.
À la poupée is a largely historic intaglio printmaking technique for making colour prints by applying different ink colours to a single printing plate using ball-shaped wads of cloth, one for each colour. The paper has just one run through the press, but the inking needs to be carefully re-done after each impression is printed. Each impression usually varies at least slightly, sometimes very significantly.
Harrild & Sons Limited is a defunct British manufacturer of printing machinery and supplies. The company was founded in 1809 by Robert Harrild at Norwich Street, London, and closed down in 1949. The company helped to establish the use in London of composition rollers instead of ink balls to ink the printing plates.
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