Brian Dougans | |
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Background information | |
Birth name | Brian Robert Dougans [1] |
Born | 1965 (age 58–59) Glasgow, Scotland |
Genres | Electronic, IDM, ambient, techno, experimental |
Occupation(s) | Musician, composer, producer |
Instrument(s) | Keyboards, sampler, synthesizer, drums, laptop, computer, music technology |
Years active | 1984–present |
Labels | Jumpin' & Pumpin', Virgin, Rephlex |
Website | futuresoundoflondon |
Brian Robert Dougans (born 1965) is a Scottish musician and composer who is a member of the British electronic duo the Future Sound of London (FSOL).
Dougans is the more technical member of FSOL, doing most of the programming, circuit bending et cetera and creating electronic instruments at his home studio in Glastonbury, Somerset. He is currently head of FSOLdigital (FSOL's record label) and co designer of the FSOL:Digitana SX-1 Synthesiser.
Dougans' first releases were as "Humanoid", releasing the acid house single "Stakker Humanoid", which reached number 17 in the UK Singles Chart in 1988, and also charted in 1992 and 2001. "Stakker Humanoid" was No.1 for five weeks in the UK Dance Chart (December 1988) and has been cited as a major influence on early Aphex Twin releases. Dougans’ music as Humanoid is also part of the MOMA NY collection via Stakker Eurotechno. Dougans has always been the quiet, technical workhorse of FSOL whilst Garry Cobain brings in his melody and softness to balance Dougans' technical wizardry.
Dougans first releases were as "Humanoid", releasing the acid house single "Stakker Humanoid". The track was a hit not just at influential clubs like Shoom in London, but was championed by mainstream stalwarts like Radio DJ Bruno Brookes and Kylie and Jason producer Pete Waterman. After the single reached No. 17 in the UK Singles Chart in November 1988, leading to Dougans' appearance on Top of the Pops on 1 December 1988. [2] Subsequent re-issues also charted in 1992 and 2001.
Stakker Humanoid was No.1 for five weeks in the UK Dance Chart (December 1988) and has been cited as a major influence on early Aphex Twin releases. Dougans music as Humanoid is also part of the MOMA NY collection via Stakker Eurotechno.
Stakker was also used as the name of the collaboration between Dougans and video artists Colin Scott and Mark McLean. Eurotechno , the soundtrack to a visual installation by the group, was originally released in 1989.
Dougans met Garry Cobain in 1985 when he was at Salford College of Technology in Manchester studying Music Recording Technology. After Dougans left college he set up his own studio in London where Cobain joined him and they began to release a plethora of singles under various aliases, some of which would end up on their first compilation album (as FSOL) Earthbeat in 1992.
Whereas the sound of Amorphous Androgynous is Cobain's vehicle, FSOL's more "mechanical" sound is Dougan's. [3] [4]
Dougans has co-designed two synthesizers with English electronics company Digitana; the SX-1 analogue synthesizer and the Halia (stand alone digital sampler synth). The SX-1 has been received with critical acclaim and has been used in Spider-Man: Into the Spider-Verse , The Innocents and One Strange Rock . [5]
Dougans received (along with his musical partner Cobain) one retrospective award from the Guinness World Records as the first internet music download on 22 June 1994, distributed via the New York based internet bulletin board Sonicnet. [6]
All as Humanoid unless indicated (please see also The Future Sound of London).
Release Date | Title | Label | Notes |
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27 January 2003 | Eurotechno | Rephlex CAT129CD | An early project, released on Aphex Twin's label Rephlex, a soundtrack of sorts to a visual installation artist Mark McLean both of which was a major inspiration to the Rephlex collective and as such was re-released on the label in 2003. |
19 November 2007 | Your Body Sub Atomic | FSOLDigital.com Digital download | 20th anniversary remix album of the Stakker Humanoid release and other tracks by Brian Dougans; the remixes are by both new and established artist's and DJ's, download also included an Adobe Flash "booklet" and high quality video of the "Feadz 2007 Mix". |
19 March 2007 | 4 Forests | FSOLDigital.com Digital download | As Part-Sub-Merged, an experimental project released on FSOL's website; a dark soundtrack to a short film by him under the same alias. |
6 July 2023 | Sweet Acid Sound | CD TOT 88 | Released initially on bandcamp. |
Release Date | Title | Label | Notes |
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1989 | Global | Westside Records CDHUM 1989 | Early compilation of the singles he released in 88/89. |
10 February 2003 | Sessions 84-88 | Rephlex CAT130CD | An experimental compilation full of acid house tracks and a remix of Stakker Humanoid. |
1 March 2007 | Zeebox 1984-1987 Vol. 1 | FSOLDigital.com Digital download | As Zeebox; the first part of a digital download compilation set of Zeebox albums, experiments from his time in Glasgow and Manchester. |
4 March 2007 | Zeebox 1984-1987 Vol. 2 | FSOLDigital.com Digital download | As Zeebox; the second part of a digital download compilation set of Zeebox albums, experiments from his time in Glasgow and Manchester. |
Release Date | Title | Label | Notes |
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1992 | Braindamage | Bit Bites Brain BIT 9215-12 | A release on a small German indie label featuring b-sides by another artist called Phase IV. |
Release Date | Title | Label | Notes |
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1988 | "Stakker Humanoid" | Westside Records WSRT 12 | As Humanoid, first single, hit No. 17 in the UK singles chart, No. 1 in the UK dance chart for five weeks |
1989 | "Slam" | Westside Records CDWSR14 | As Humanoid, featured on "Global" compilation. |
1989 | "The Deep" | Westside Records HUMT2 | As Humanoid, featured on "Global" compilation. |
1989 | "Tonight" | Westside Records HUMT1 | As Humanoid, featured on "Global" compilation. |
1989 | "Crystals (Back Together)" | Chicago Trax PROMO HUMT3 | As Humanoid, featured on "Global" compilation. |
1989 | "R.A.V.E" | Dangerous M-4001 | As Humanoid, released on the obscure American Dangerous Records. |
The Future Sound of London is a British electronic music duo composed of Garry Cobain and Brian Dougans. They have been described as a "boundary-pushing" electronic act, covering techno, ambient, house music, trip hop, psychedelia, and dub.
Accelerator is the debut studio album by British electronic group the Future Sound of London. It was released in April 1992 by the record label Jumpin' & Pumpin'. It includes the hit single "Papua New Guinea".
"Papua New Guinea" is a 1991 song by the electronic music group Future Sound of London. It was the group's debut single and later appeared on their full-length album Accelerator. The single reached #22 on the UK singles chart.
Teachings from the Electronic Brain is a compilation of songs from throughout the career of British band The Future Sound of London, and was released in 2006. The diversity of their wide range of work is even more apparent on a compilation such as this.
The Isness is a 2002 album by experimental electronica group The Future Sound of London, released under the alias Amorphous Androgynous. An expanded version was released called The Isness and the Otherness, a two disc special edition containing The Isness on disc one and The Otherness, featuring additional tracks and recordings, on disc two.
Garry John Cobain is an English electronic musician and composer who forms one half of the Future Sound of London.
Alice in Ultraland is a 2005 album by experimental electronica group Amorphous Androgynous, which is a side project of The Future Sound of London.
"Stakker Humanoid" is a 1988 track by Humanoid released in 1988 on the London-based label Westside Records. It is described by The Guardian as "the first truly credible UK acid techno record to break into the mainstream."
"We Call It Acieed" is the debut single by British musician D Mob. An acid house-influenced song from the debut album A Little Bit of This, a Little Bit of That, it features vocals by Gary Haisman. The song reached No. 1 on Billboard's Dance Music/Club Play Singles chart and No. 25 on the Hot Dance Music/Maxi-Singles Sales chart in 1989. It also reached number 3 on the UK Singles Chart.
Graham Vernon Massey is a British record producer, musician, and remixer.
The San Monta Tapes is a side-project of The Future Sound of London, under the pseudonym Heads of Agreement, described by them as "Experiments in polyrhythmic". It is described as very unmelodic with sparse percussion loops, thus an unusual experiment and departure from the "usual" FSOL sound. In the Freeze magazine interview Cobain suggests that the project is more Brian's work than his.
Global is the debut album by Brian Dougans, most famous for being part of the British electronica group The Future Sound of London. Unlike FSOL's ambient, breakbeat and trip hop styles, it is composed largely of US style vocal house, including Ben Ofoedu, most famous for his work with duo Phats & Small in the 1990s. Also contained is the breakthrough acid house single, "Stakker Humanoid", and industrial track "Sunshine & Brick", featuring FSOL's Gaz Cobain on vocals.
Eurotechno refers to the musical soundtrack by English group Stakker for their 1989 experimental short film of the same name. The original film was an avant-garde experiment and features rapidly shifting colourful computer graphics, reflecting the influence of rave culture. Although the visuals of the film were primarily the work of Stakker members Marek Pytel, Mark McClean and Colin Scott, the musical soundtrack was largely the work of Brian Dougans, later of The Future Sound of London. The 25-minute soundtrack was recorded using a Roland TB-303, and reflects the fast-shifting momentum of the film by incorporating fragmented elements of acid house, Chicago house and Detroit techno that shift after their brief appearances, thus contributing to an intricately layered style.
Sessions 84–88 is a compilation album released in 2003 alongside Eurotechno on the Rephlex label. Brian Dougans, under the alias Humanoid; it is mostly experimental in nature and similar to the Stakker Humanoid release from Dougans also; Sessions also includes a remix of that track.
So This Is Love is a soulful house track by FSOL under the moniker Mental Cube. Recorded in 1991, it was also featured on the Earthbeat compilation album of the following year.
You Took My Love is a house track released by FSOL under the alias Candese in 1991, it features a female vocalist singing very spiritedly over a funky acid house beat.
Pulse 2 EP is an EP released by The Future Sound of London partly under the alias' Indo Tribe, Smart Systems and FSOL. The FSOL tracks "Stolen Documents" and "In 8" would later be put on the Accelerator album with "In 8" becoming "1 in 8".
Environments II is the second release in The Future Sound of London's Environments series. It was released on 29 August 2008, and a CD version of the album was released on 5 January 2009.
Acid house is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style is defined primarily by the squelching sounds and basslines of the Roland TB-303 electronic bass synthesizer-sequencer, an innovation attributed to Chicago artists Phuture and Sleezy D circa 1986.
This is the discography page for ambient electronic group The Future Sound of London. All works released as The Future Sound of London unless otherwise noted.