Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It may lack net composition, beat, or structured melody. It uses textural layers of sound that can reward both passive and active listening and encourage a sense of calm or contemplation. The genre is said to evoke an "atmospheric", "visual", or "unobtrusive" quality. Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer.
The Future Sound of London is a British electronic music duo composed of Garry Cobain and Brian Dougans. They have been described as a "boundary-pushing" electronic act, covering techno, ambient, house music, trip hop, psychedelia, and dub.
Ambient 4: On Land is the eighth solo studio album by Brian Eno, released in March 1982 by EG Records. It was the final edition in Eno's ambient series, which began in 1978 with the release of Ambient 1: Music for Airports. The album was released to critical acclaim, and is, along with the rest of the ambient series, recognised as a landmark album in the history of the ambient music genre.
Accelerator is the debut studio album by British electronic group the Future Sound of London. It was released in April 1992 by the record label Jumpin' & Pumpin'. It includes the hit single "Papua New Guinea".
Lifeforms is the second studio album by British electronica group The Future Sound of London. The album was released on 23 May 1994 by Virgin Records and later by Astralwerks.
"Papua New Guinea" is a 1991 song by the electronic music group Future Sound of London. It was the group's debut single and later appeared on their full-length album Accelerator. The single reached #22 on the UK singles chart.
Teachings from the Electronic Brain is a compilation of songs from throughout the career of British band The Future Sound of London, and was released in 2006. The diversity of their wide range of work is even more apparent on a compilation such as this.
The Isness is a 2002 album by experimental electronica group The Future Sound of London, released under the alias Amorphous Androgynous. An expanded version was released called The Isness and the Otherness, a two disc special edition containing The Isness on disc one and The Otherness, featuring additional tracks and recordings, on disc two.
Brian Robert Dougans is a Scottish musician and composer, who is a member of the British electronic duo, the Future Sound of London (FSOL).
Garry John Cobain is a British electronic musician and composer, and one half of the Future Sound of London.
Alice in Ultraland is a 2005 album by experimental electronica group Amorphous Androgynous, which is a side project of The Future Sound of London.
"Stakker Humanoid" is an 1988 track by Humanoid released in 1988 on the London-based label Westside Records. It is described by The Guardian as "the first truly credible UK acid techno record to break into the mainstream."
Environments is the first part in a series of planned releases by The Future Sound of London over 2007/2008 via digital download and then CD.
The San Monta Tapes is a side-project of The Future Sound of London, under the pseudonym Heads of Agreement, described by them as "Experiments in polyrhythmic". It is described as very unmelodic with sparse percussion loops, thus an unusual experiment and departure from the "usual" FSOL sound. In the Freeze magazine interview Cobain suggests that the project is more Brian's work than his.
Global is the debut album by Brian Dougans, most famous for being part of the British electronica group The Future Sound of London. Unlike FSOL's ambient, breakbeat and trip hop styles, it is composed largely of US style vocal house, including Ben Ofoedu, most famous for his work with duo Phats & Small in the 1990s. Also contained is the breakthrough acid house single, "Stakker Humanoid", and industrial track "Sunshine & Brick", featuring FSOL's Gaz Cobain on vocals.
Eurotechno refers to the musical soundtrack by English group Stakker for their 1989 experimental short film of the same name. The original film was an avant-garde experiment and features rapidly shifting colourful computer graphics, reflecting the influence of rave culture. Although the visuals of the film were primarily the work of Stakker members Marek Pytel, Mark McClean and Colin Scott, the musical soundtrack was largely the work of Brian Dougans, later of The Future Sound of London. The 25-minute soundtrack was recorded using a Roland TB-303, and reflects the fast-shifting momentum of the film by incorporating fragmented elements of acid house, Chicago house and Detroit techno that shift after their brief appearances, thus contributing to an intricately layered style.
You Took My Love is a house track released by FSOL under the alias Candese in 1991, it features a female vocalist singing very spiritedly over a funky acid house beat.
The Pulse EP is an EP released by The Future Sound of London partly under the alias Indo Tribe, two tracks under that name, and the other two are FSOL tracks. One FSOL track is from their first album Accelerator and one of the Indo Tribe tracks is from the 1992 compilation album Earthbeat.
Pulse 2 EP is an EP released by The Future Sound of London partly under the alias' Indo Tribe, Smart Systems and FSOL. The FSOL tracks "Stolen Documents" and "In 8" would later be put on the Accelerator album with "In 8" becoming "1 in 8".
Environments II is the second release in The Future Sound of London's Environments series. It was released on 29 August 2008, and a CD version of the album was released on 5 January 2009.
