Garry Cobain | |
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Background information | |
Birth name | Garry John Cobain |
Also known as | See here. |
Born | Bedford, England | 16 May 1967
Genres | Electronic |
Occupations |
|
Instrument(s) | Keyboards, synthesizer, sampler, music technology, guitar, bass, sitar, drums |
Years active | 1988–present |
Labels |
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Website | futuresoundoflondon |
Garry John Cobain (sometimes styled as Gaz Cobain)[ citation needed ] (born 16 May 1967) is an English electronic musician and composer who forms one half of the Future Sound of London. [1]
Cobain was born on 16 May 1967 in Bedford. He left Bedford for Manchester in his late teens to study at a time when alternative music in that part of Britain was taking off; the dance music scene in particular was becoming more and more popular, not just in Manchester but all over the country and in the States too. Cobain, drawn to the city by bands like the Chameleons and the Smiths, embraced this atmosphere and joined a band he had seen rehearsing in a studio and stayed with them for a year; after his spell with that band he met Brian Dougans. [1]
After meeting Dougans, Cobain and Dougans both started discussing their shared interest in electronic music and began to work together on small projects; Cobain then left the college to build his own studio on an Enterprise Allowance Course and he and Dougans began to release tracks under aliases such as Mental Cube and Art Science Technology, some of these early singles would be compiled onto Earthbeat (1992).
Cobain first big collaboration with Dougans was on "Stakker Humanoid", which went on to be a chart hit at a time when acid house in particular was becoming popular. The pair then released their first single as The Future Sound of London (FSOL) "Papua New Guinea" which also became a hit in clubs across Britain and the States. They signed with Virgin Records but remained independent artistically, something they have always fought for and achieved; Cobain puts this down to them already having a few hits under their belts ("Papua New Guinea" in particular) before they signed with the major label. [2]
Cobain has always been the more vocal member of the band and always speaks for them in interviews with Dougans sometimes interjecting on a certain point; Cobain has said that FSOL is a combination of opposites, the roles of masculine and feminine are central to the FSOL ethos and Cobain has said that in the band he represents the melody and softness as opposed to Dougans representing technology, machines and programming; it is the marriage of these forces, Cobain says, that makes FSOL work the way it does, especially with the Amorphous Androgynous of the new millennium where progressive rock and psychedelica were embraced. The new incarnation of Amorphous Androgynous is very much Cobain's new vehicle for the expression of his energy [2] whilst still releasing their more electronic-based music as FSOL.
Cobain has stated that he is influenced philosophically by Laozi, Buddha and Jiddu Krishnamurti, and that he likes the bands Secret Chiefs 3, Mercury Rev and Simian among many others. [2] [3]
The Future Sound of London is a British electronic music duo composed of Garry Cobain and Brian Dougans. They have been described as a "boundary-pushing" electronic act, covering techno, ambient, house music, trip hop, psychedelia, and dub.
Accelerator is the debut studio album by British electronic group the Future Sound of London. It was released in April 1992 by the record label Jumpin' & Pumpin'. It includes the hit single "Papua New Guinea".
Dead Cities is the third studio album by the British electronic music duo The Future Sound of London. It was released through Virgin Records in October 1996. The record entered the Dance Albums Chart at No. 2 and the Albums Chart at No. 26.
Lifeforms is the second studio album by the British electronic music duo The Future Sound of London. It was released on 23 May 1994 by Virgin Records. It entered the Dance Albums Chart at No. 1 and the Albums Chart at No. 6.
Tales of Ephidrina is an ambient/techno album by electronica duo Amorphous Androgynous, better known as The Future Sound of London (FSOL). It was released on 5 July 1993 through Quigley Records, a subsidiary label of Virgin. It was created from material the pair had been working on around the same time as their ambient FSOL title Lifeforms, while still containing some of the techno feel of Accelerator.
"Papua New Guinea" is a 1991 song by the electronic music group Future Sound of London. It was the group's debut single and later appeared on their full-length album Accelerator. The single reached #22 on the UK singles chart.
Teachings from the Electronic Brain is a compilation of songs from throughout the career of British band The Future Sound of London, and was released in 2006. The diversity of their wide range of work is even more apparent on a compilation such as this.
The Isness is a 2002 album by experimental electronica group The Future Sound of London, released under the alias Amorphous Androgynous. An expanded version was released called The Isness and the Otherness, a two disc special edition containing The Isness on disc one and The Otherness, featuring additional tracks and recordings, on disc two.
Brian Robert Dougans is a Scottish musician and composer who is a member of the British electronic duo the Future Sound of London (FSOL).
Alice in Ultraland is a 2005 album by experimental electronica group Amorphous Androgynous, which is a side project of The Future Sound of London.
"Stakker Humanoid" is a 1988 track by Humanoid released in 1988 on the London-based label Westside Records. It is described by The Guardian as "the first truly credible UK acid techno record to break into the mainstream."
Graham Vernon Massey is a British record producer, musician, and remixer.
Environments is the first part in a series of planned releases by The Future Sound of London over 2007/2008 via digital download and then CD.
The San Monta Tapes is a side-project of The Future Sound of London, under the pseudonym Heads of Agreement, described by them as "Experiments in polyrhythmic". It is described as very unmelodic with sparse percussion loops, thus an unusual experiment and departure from the "usual" FSOL sound. In the Freeze magazine interview Cobain suggests that the project is more Brian's work than his.
You Took My Love is a house track released by FSOL under the alias Candese in 1991, it features a female vocalist singing very spiritedly over a funky acid house beat.
Pulse 2 EP is an EP released by The Future Sound of London partly under the alias' Indo Tribe, Smart Systems and FSOL. The FSOL tracks "Stolen Documents" and "In 8" would later be put on the Accelerator album with "In 8" becoming "1 in 8".
A Monstrous Psychedelic Bubble Exploding in Your Mind: Volume 1 is a 2008 compilation album with selections by Amorphous Androgynous It was released on CD in November 2008. It is an extensive compilation mix album featuring a wide variety of artists, selected and mixed by the duo. Cosmic Space Music is the first in the series, and focuses on the band's psychedelic side, featuring everything from 1960s pop to film scores and modern psychedelia.
Environments 3 is the third in The Future Sound of London's "Environments" series of albums, released on 7 June 2010. Unlike previous FSOLDigital releases, the album was not made available as a download several months before the CD release. Because of this, the record was heard several weeks in advance due to early shipping from the website Juno. The record sleeve announced a fourth album in the series.
This is the discography page for ambient electronic group The Future Sound of London. All works released as The Future Sound of London unless otherwise noted.
"Dream On" is a song by the English rock band Noel Gallagher's High Flying Birds, written by frontman Noel Gallagher from his self-titled debut album Noel Gallagher's High Flying Birds. The single was released on 11 March 2012. The B-side – "Shoot a Hole into the Sun" – is a remix of "If I Had a Gun..." from Noel Gallagher's cancelled collaboration with the Amorphous Androgynous, and as with the other B-sides from the album's singles, it was mixed by Paul "Strangeboy" Stacey.