Hand-Made Devices | ||||
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Studio album by Polemical | ||||
Released | 19 March 2007 Digital download | |||
Genre | Electronica, ambient, experimental | |||
Length | 42:39 | |||
Label | FSOLdigital.com | |||
Producer | Brian Dougans | |||
The Future Sound of London chronology | ||||
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Hand-Made Devices is an album by The Future Sound of London under the alias Polemical; it is the first album under the pseudonym. The nature of the music is very experimental and is created almost entirely using Brian Dougans' electronic creations, including glitch devices and the like. [1] There are videos on Dougans own YouTube channel ("STAKKERHUMANOID") demonstrating the devices he has made. The website FSOLDigital.com says that all the devices used were modified by the band. The album is available only at their digital download site.
Glitch is a genre of electronic music that emerged in the 1990s. It has been described as having an "aesthetic of failure" distinguished by the deliberate use of glitch-based audio media and other sonic artifacts.
The Future Sound of London is a British electronic music group composed of Garry Cobain and Brian Dougans. Described as a "boundary-pushing" electronic act by AllMusic, their work covers many areas of electronic music, such as techno, ambient, house music, trip hop, psychedelia, and dub.
United States Live is the third album release by avant-garde singer-songwriter Laurie Anderson. Released as a 5-record boxed set, the album was recorded at the Brooklyn Academy of Music in New York City in February 1983.
24: The Soundtrack, released on December 7, 2004 in the US, is based on the Fox television drama series 24, contains nineteen tracks of music composed exclusively for the first three seasons by producer Sean Callery, including the show's full theme song which has never been aired. The music contained in the soundtrack is somewhat of a hybrid mix of electronic pulses and rich orchestral textures that is meant to give each episode its own sound, yet at the same time have a sound that is consistent with the rest of the series in a way that complements the show's "real-time" format. The insert of the album contains various photographs from the three seasons and also includes Callery's comments about how he went about producing each track. The liner notes also list which specific episode each track comes from. The album was released by Varèse Sarabande in the US, Virgin TV in the UK, and EMI in Japan.
Alexander Derek Dougan was a Northern Ireland international footballer, football manager, football chairman, pundit, and writer. He was also known by his nickname, "The Doog". He was capped by Northern Ireland at schoolboy, youth, Amateur, and 'B' team level, before he won 43 caps in a 15-year career for the senior team from 1958 to 1973, scoring eight international goals and featuring in the 1958 FIFA World Cup. He also played in the Shamrock Rovers XI v Brazil exhibition match in July 1973, which he also helped to organise.
Floating World, a CD based upon a Japanese Fairy Tale, is the third album by Anathallo. It was self-released in 2006. "Floating World" is the English translation of the Japanese concept of Ukiyo.
Teachings from the Electronic Brain is a compilation of songs from throughout the career of British band The Future Sound of London, and was released in 2006. The diversity of their wide range of work is even more apparent on a compilation such as this.
The Isness is a 2002 album by experimental electronica group The Future Sound of London, released under the alias Amorphous Androgynous. An expanded version was released called The Isness and the Otherness, a two disc special edition containing The Isness on disc one and The Otherness, featuring additional tracks and recordings, on disc two.
Earthbeat is a compilation album of Future Sound of London's early releases, using several aliases. All of the tracks on this album are by Garry Cobain and Brian Dougans (FSOL) but under pseudonyms such as 'Mental Cube' and 'Yage'. The duo had been releasing songs under these aliases for around two years before they recorded "Accelerator" as FSOL.
Alice in Ultraland is a 2005 album by experimental electronica group Amorphous Androgynous, which is a side project of The Future Sound of London.
The Peel Sessions is an album by Irish band Thin Lizzy, released in 1994. This album consists of a series of recordings made for BBC Radio 1, and originally broadcast on the John Peel show.
From the Archives Vol. 1 is a 2007 release by The Future Sound of London. It is the first part of a series of compilation albums chronicling, for the most part, their 1990s period; the series' album art, in particular, reflects this. It was widely anticipated by FSOL fans and the series as a whole has received a positive reception. Like the rest of the series, it was available for digital download on their site FSOLdigital.com first then was released a month or so later on CD.
From the Archives Vol. 2 is the second part in a series of compilation albums released by The Future Sound of London in 2007 spanning, for the most part, their 1990s work from around the ISDN and Lifeforms period; the series' album art, in particular, reflects this. It, like the rest of the series, was available for digital download on their site FSOLdigital.com first then was released a month or so later on CD.
4 Forests is another experimental album by Brian Dougans under the alias Part-Sub-Merged from 2007 which was released on The Future Sound of London's digital download website. It is the soundtrack to a short film made by the duo called "Part-Sub-Merged" to be released on FSOLdigital.com at some point in the near future. The music is darker than his "Polemical " work with analogue techno beats and synth ambience.
Eurotechno refers to the musical soundtrack by English group Stakker for their 1989 experimental short film of the same name. The original film was an avant-garde experiment in the audiovisual videola genre and features rapidly shifting colourful computer graphics, reflecting the influence of rave culture. Although the visuals of the film were primarily the work of Stakker members Marek Pytel, Mark McClean and Colin Scott, the musical soundtrack was largely the work of Brian Dougans, later of The Future Sound of London. The 25-minute soundtrack was recorded using a Roland TB-303, and reflects the fast-shifting momentum of the film by incorporating fragmented elements of acid house, Chicago house and Detroit techno that shift after their brief appearances, thus contributing to an intricately layered style.
Sessions 84–88 is a compilation album released in 2003 alongside Eurotechno on the Rephlex label. Brian Dougans, under the alias Humanoid; it is mostly experimental in nature and similar to the Stakker Humanoid release from Dougans also; Sessions also includes a remix of that track.
Your Body Sub Atomic is a 20th anniversary remix album of the Stakker Humanoid release and other tracks by Brian Dougans; the remixes are by both new and established artists and DJs. The digital download comes with an Adobe Flash liner "booklet" detailing the title tracks story and the remixers, it also comes with a high quality video of the "Feadz 2007 Mix" in .m4v format.
I hand picked the [...] people because I dig what they do, 20 years has gone by since I first recorded Stakker and I reckoned it was time to celebrate. - Brian Dougans on the remixers.
Environments 3 is the third in The Future Sound of London's "Environments" series of albums, released on 7 June 2010. Unlike previous FSOLDigital releases, the album was not made available as a download several months before the CD release. Because of this, the record was heard several weeks in advance due to early shipping from the website Juno. The record sleeve announced a fourth album in the series.
Cyanotic is a Chicago-based industrial rock collective fronted by Sean Payne that formed in 2002 and released its first full-length album in 2005. Cyanotic is known for its genre-blending work, which fuses traditional industrial beats and vocals with drum n bass, sampling and heavy metal to create a hard, aggressive sound. The band's lyrics contain many tongue-in-cheek references to transhumanism.
"Just Like Fire Would" is a song by Australian alternative rock band, the Saints, which is written by the band's lead singer, Chris Bailey, and was released as a single in March 1986. It was the lead single from their seventh studio album, All Fools Day, and peaked at No. 29 on the Kent Music Report Singles Chart. It was produced by Hugh Jones, who had co-produced the album with Bailey. AllMusic's John Dougan reviewed All Fools Day and opined, "One listen to songs as grabbing as 'Celtic Ballad' or the great 'Just Like Fire Would' will convince you that despite the differences, the new Saints were a good band for completely different reasons than the old Saints."