The Future Sound of London is a British electronic music duo composed of Garry Cobain and Brian Dougans. They have been described as a "boundary-pushing" electronic act, covering techno, ambient, house music, trip hop, psychedelia, and dub.
Robert Don Hunter Dougan is an Australian composer, known for his genre-blending music. Mixing elements of orchestral music, trip hop, and bluesy vocals, his work is tangentially relatable to electronic music. He is known primarily for his breakthrough 1995 single "Clubbed to Death ", further popularised by 1999's The Matrix soundtrack. "Clubbed to Death" was re-released on his debut album Furious Angels in 2002, seven years after its initial release, as well as providing several variations of the song, most notably the Kurayamino variation; he has also provided a variation of the Moby song "Porcelain". In 1995, he teamed up with Rollo Armstrong to remix the U2 song "Numb"; the remix was titled "Numb ".
"Deep Cover", also known as "187", is the debut solo single by American rapper Dr. Dre and his first track released after the breakup of N.W.A. The track was recorded for the soundtrack of the film Deep Cover for Dick Griffey's Solar Records and distributed by Sony Epic. The song features fellow American rapper Snoop Doggy Dogg in his first appearance on a record release. The master recording rights are owned today by Dick Griffey's family company Solar Legacy Entertainment Ltd.
"Papua New Guinea" is a 1991 song by the electronic music group Future Sound of London. It was the group's debut single and later appeared on their full-length album Accelerator. The single reached #22 on the UK singles chart.
"You Don't Fool Me" is a song by Queen, from the 1995 album Made in Heaven. It was released as a single in 1996, containing various remixes of the song. The song is one of the few which were actually written and recorded after the Innuendo sessions, and was written and composed by the band, under David Richards' supervision. It proved to be the band's final European hit.
The Boss is the tenth studio album by American singer Diana Ross, released on May 23, 1979, by Motown Records.
Brian Robert Dougans is a Scottish musician and composer who is a member of the British electronic duo the Future Sound of London (FSOL).
Alice in Ultraland is a 2005 album by experimental electronica group Amorphous Androgynous, which is a side project of The Future Sound of London.
"Round and Round" was the Prince-produced first single from R&B singer Tevin Campbell's debut album T.E.V.I.N. This was Tevin's first solo single, as he was featured in "Tomorrow " alongside music legend Quincy Jones. The song is also featured on the Graffiti Bridge soundtrack. The hit song was a success on both the pop and R&B charts peaking at No. 12 on the Hot 100 and No. 3 on the US R&B chart.
"Stakker Humanoid" is a 1988 track by Humanoid released in 1988 on the London-based label Westside Records. It is described by The Guardian as "the first truly credible UK acid techno record to break into the mainstream."
Global is the debut album by Humanoid. Unlike FSOL's ambient, breakbeat and trip hop styles, it is composed largely of US style vocal house, including Ben Ofoedu, most famous for his work with duo Phats & Small in the 1990s. Also contained is the breakthrough acid house single, "Stakker Humanoid", and industrial track "Sunshine & Brick", featuring FSOL's Gaz Cobain on vocals.
Eurotechno refers to the musical soundtrack by English group Stakker for their 1989 experimental short film of the same name. The original film was an avant-garde experiment and features rapidly shifting colourful computer graphics, reflecting the influence of rave culture. Although the visuals of the film were primarily the work of Stakker members Marek Pytel, Mark McClean and Colin Scott, the musical soundtrack was largely the work of Brian Dougans, later of The Future Sound of London. The 25-minute soundtrack was recorded using a Roland TB-303, and reflects the fast-shifting momentum of the film by incorporating fragmented elements of acid house, Chicago house and Detroit techno that shift after their brief appearances, thus contributing to an intricately layered style.
Sessions 84–88 is a compilation album released in 2003 alongside Eurotechno on the Rephlex label. Brian Dougans, under the alias Humanoid; it is mostly experimental in nature and similar to the Stakker Humanoid release from Dougans also; Sessions also includes a remix of that track.
ck is the seventh studio album by American R&B/funk singer Chaka Khan, released on the Warner Bros. Records label in 1988.
"Showdown" is the fourth single and first track from the album In Silico by Australian electronic rock band Pendulum. It has been remixed by several artists, including DJ Clipz and Excision. It is also the first single taken from In Silico not to use the album logo prominently on its cover.
Deep Heat 2 – The Second Burn, the second album in Telstar Records' hugely successful Deep Heat compilation series, was released in April 1989. Containing 28 full length dance tracks, it continued the series' success, reaching #2 on the Compilations Chart and being awarded a UK Gold Disc for album sales in excess of 100,000 copies. As with the rest of the series, the album features numerous styles of dance music of the time including techno, acid house and hip house.
Keep the Music Playing is a 1991 album by Shirley Bassey. The album was recorded in the UK at the Westgreen Studios and in the Netherlands at Wisseloord Studios, Hilversum. The album is a mixture of contemporary pop ballads, such as "I Want to Know What Love Is" from Foreigner, the Jennifer Rush power ballad "The Power of Love", and the more gentle "Still" from Lionel Richie, combined with standards from the field of jazz and pop, such as "He Was Beautiful", the sweet jazz ballad from Cleo Laine. Several of the song arrangements reflect an operatic pop style influence, which may have roots in her 1984 album I Am What I Am, which she recorded with the London Symphony Orchestra, and the fact that in the latter mid-1980s she started working with a vocal coach, a former opera singer. Bassey returned to the Beatles with "Yesterday", as she had previously covered "Something" and "Fool on the Hill" successfully in the 1970s, and had performed "Hey Jude" frequently live. Another previously successful formula was used for the closing track "Dio, Come Ti Amo " an Italian original in the tradition of "This is My Life" and "Natalie"..
Give the Drummer Some is the debut solo studio album by American drummer Travis Barker. Barker had earlier announced that the album would be slated for a September 14, 2010 release, but was later pushed back, with the album being released on March 15, 2011. The album, released under Interscope Records, was produced by the drummer himself, alongside The Neptunes, RZA, Kool Kojak, Chuck Inglish, Transplants, Kid Cudi, edIT, Corey Taylor and Steve Aoki. The album debuted at number nine on the US Billboard 200 chart, with first-week sales of 28,000 copies in the United States.
The Pinkprint is the third studio album by rapper Nicki Minaj. It was released on December 12, 2014, by Young Money Entertainment, Cash Money Records and Republic Records. Minaj co-executive-produced the album alongside Birdman, Lil Wayne and Ronald Williams, with a variety of producers who produced the album's sound. Looking to depart from the dance-pop elements of her second studio album, Pink Friday: Roman Reloaded (2012), The Pinkprint is a follow-up record influenced by her traditional hip hop beginnings.
"Desperado" is a song recorded by Barbadian singer Rihanna for her eighth studio album, Anti (2016). It was written and produced by Mick Schultz with additional writing by Krystin "Rook Monroe" Watkins, Rihanna, Iman Jordan, James Fauntleroy and Derrus Rachel. During the recording process of Anti, Rihanna rented a house in Malibu over several months and started extensively writing and composing music with her team consisting of various musicians. One of the songwriters in the house was Krystin "Rook Monroe" Watkins. He together with American producer Mick Schultz worked on the song. Their efforts resulted in the mid-tempo indie rock song featuring deep synths and vocal samples.
