The Future Sound of London is a British electronic music duo composed of Garry Cobain and Brian Dougans. They have been described as a "boundary-pushing" electronic act, covering techno, ambient, house music, trip hop, psychedelia, and dub.
Virgil Howe was a British musician best known for his work as a member of Little Barrie. He was the son of Steve Howe, guitarist and long-time member of Yes.
Tales of Ephidrina is an ambient/techno album by electronica duo Amorphous Androgynous, better known as The Future Sound of London (FSOL). It was released on 5 July 1993 through Quigley Records, a subsidiary label of Virgin. It was created from material the pair had been working on around the same time as their ambient FSOL title Lifeforms, while still containing some of the techno feel of Accelerator.
Mirror Moves is the fourth studio album by English rock band the Psychedelic Furs, released in May 1984 by Columbia Records, two years after their previous studio album, Forever Now.
Nickolas Laurien, known professionally as Nick Nicely, is an English singer-songwriter who records psychedelic and electronic music. He is best known for his 1982 single "Hilly Fields (1892)". Nicely released only one other record in the early 1980s, the single "D.C.T. Dreams", before retreating from the music industry. The influence of "Hilly Fields" has been noted on Bevis Frond, Robyn Hitchcock, Robert Wyatt, and XTC's psychedelic alter egos the Dukes of Stratosphear, as well as the hypnagogic pop movement of the 2000s.
Teachings from the Electronic Brain is a compilation of songs from throughout the career of British band The Future Sound of London, and was released in 2006. The diversity of their wide range of work is even more apparent on a compilation such as this.
The Isness is a 2002 album by experimental electronica group The Future Sound of London, released under the alias Amorphous Androgynous. An expanded version was released called The Isness and the Otherness, a two disc special edition containing The Isness on disc one and The Otherness, featuring additional tracks and recordings, on disc two.
Alisha Sufit was the English singer-songwriter with the 1970s Magic Carpet, whose eponymous first album was released on the UK Mushroom label in 1972. The Mushroom label is not to be confused with the Australian label of the same name, and was led by Vic Keary from the late 1960s from Chalk Farm Studios in Belmont Street, London.
Richard Norris is a London-based record producer, songwriter, sound engineer, musician, DJ and author. He is best known as a member of electronic dance band The Grid. Richard has also worked as a producer and engineer since the 80s with artists such as: Bryan Ferry, Genesis Breyer P-Orridge, Marc Almond, Joe Strummer and the Pet Shop Boys.
Alice in Ultraland is a 2005 album by experimental electronica group Amorphous Androgynous, which is a side project of The Future Sound of London.
Valério Costa, known by his stage names, Kaiaphas and Lord Kaiaphas, is a black metal vocalist, drummer, lyricist and songwriter. He is mostly known for his works while in the Norwegian black metal band Ancient. His current projects are Thokkian Vortex and Minimal Criminal. His name is taken after Caiaphas, the high priest during the Sanhedrin trial of Jesus.
"Blue Honey" is the first single from debut full-length album by English musician Pop Levi and was released on September 4, 2006. It is also included in the Amorphous Androgynous compilation, A Monstrous Psychedelic Bubble Exploding in Your Mind: Volume 1.
The Peppermint Tree & the Seeds of Superconsciousness is a 2008 album by the Amorphous Androgynous. It was released on the webpage of The Future Sound of London (FSOL) to buy as a digital download and was released on CD in June 2008.
"Falling Down" is a song by English rock band Oasis, from their seventh and final studio album Dig Out Your Soul (2008). Written and sung by lead guitarist Noel Gallagher, it was released on 9 March 2009 as the third single from the album with the digital release occurring a day earlier. It was the final single released by the band before their break-up just over five months later in August 2009. It would remain the last new release from the band for more than eleven years until April 2020 with the release of the promotional single "Don't Stop...".
"The Best Way to Travel" is a 1968 song by the progressive rock band the Moody Blues. Written by keyboardist Mike Pinder, it was released on the album In Search of the Lost Chord. A wide stereo panning effect, made by the pan pots on the Decca Studios custom-built four-track recording console used during 1967–68, is noticeable on this track.
The Yellow Moon Band are an English progressive rock band. They released their debut album, Travels into Several Remote Nations of the World on the Static Caravan label in early 2009, to positive reviews. Their music can be described as a mix of psychedelia, folk, and progressive rock.
Noel Gallagher's High Flying Birds are an English rock band formed in 2010 as the solo moniker of Oasis songwriter, guitarist, and vocalist Noel Gallagher. The touring band consists of former Oasis members Gem Archer (guitar), Mike Rowe (piano), and Chris Sharrock (drums), as well as former Zutons bassist Russell Pritchard. The band has also had a variety of guests contribute to albums such as the Crouch End Festival Chorus, Amorphous Androgynous, Johnny Marr, and Paul Weller.
A Monstrous Psychedelic Bubble Exploding in Your Mind: Volume 3 is a 2010 compilation album with selections by the Amorphous Androgynous; it was released on CD in November 2010.
A Monstrous Psychedelic Bubble Exploding in Your Mind may refer to:
Psychotropia is the debut album by English psychedelic musician Nick Nicely, first released as an LP by Tenth Planet in 2003 and as a CD by Castle Music in 2004. Nicely had started fusing psychedelic and electronic music in the late 1970s, and in the early 1980s he released two singles, "DCT Dreams" and "Hilly Fields (1892)". While the singles were critically acclaimed, they were commercial failures, which partly contributed to Nicely's retirement from the public eye shortly after. While his works were being praised by several of his contemporaries, he continued to record material into the mid-1980s, and then again in the late 1990s.
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