| Accelerator | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 5 April 1992 [1] | |||
| Genre | Ambient techno, IDM | |||
| Length | 52:20 | |||
| Label | Jumpin' & Pumpin' | |||
| Producer | The Future Sound of London | |||
| The Future Sound of London chronology | ||||
| ||||
Accelerator is the debut studio album by British electronic group the Future Sound of London. It was released in April 1992 by the record label Jumpin' & Pumpin'. It includes the hit single "Papua New Guinea". [2]
Accelerator was released in the United Kingdom in 1992 by Jumpin' & Pumpin'. Following the commercial success of the single "Papua New Guinea", the album was re-released a year later with two additional remixes. Due to record label difficulties, it could not be released in the United States until 1996, where it contained a further remix. It was re-released, enhanced, in 2001 worldwide, with a bonus CD entitled Papua New Guinea Remix Anthology, which contained both old and new remixes of "Papua New Guinea", several of which had already been released on previous singles by the group. [3]
Accelerator marked the first time that The Future Sound of London worked with artist and frequent collaborator Buggy G. Riphead, who created the album's cover art. [3]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |    [4] |
| Q | [5] |
At the end of 1992, British music magazine Melody Maker included Accelerator at number 21 in its list of the year's best albums, while "Papua New Guinea" was included in the magazine's list of the year's best singles. [6]
Reviewing the 1996 re-release, Option described Accelerator as "a weirdo futurist dreamland that's serene, exciting and even funny". [7] Clash wrote that the album "pushed techno into new spheres of consciousness, one populated by pulsing rave waves, flickering ambient moods and giant dub squalls." [8] Ned Raggett of AllMusic called it "the most explicitly commercial-minded the duo ever was, slotting in well with many other early-'90s U.K. dance/techno outfits. As such it's also arguably the least cryptic and most approachable release for newcomers, holding up well a decade after its original appearance." [9]
All tracks are written by The Future Sound of London (Garry Cobain and Brian Dougans)
| No. | Title | Length |
|---|---|---|
| 1. | "Expander" | 5:40 |
| 2. | "Stolen Documents" | 5:12 |
| 3. | "While Others Cry" | 5:27 |
| 4. | "Calcium" | 5:22 |
| 5. | "It's Not My Problem" | 4:02 |
| 6. | "Papua New Guinea" | 6:45 |
| 7. | "Moscow" | 3:35 |
| 8. | "1 in 8" | 4:36 |
| 9. | "Pulse State" | 7:14 |
| 10. | "Central Industrial" | 4:27 |
| Total length: | 52:20 | |
| No. | Title | Length |
|---|---|---|
| 11. | "Expander" (Remix) | 4:51 |
| 12. | "Moscow" (Remix) | 4:53 |
| No. | Title | Length |
|---|---|---|
| 11. | "Expander" (Remix) | 4:51 |
| 12. | "Moscow" (Remix) | 4:53 |
| 13. | "Papua New Guinea" (Graham Massey Mix) | 3:45 |
| No. | Title | Length |
|---|---|---|
| 1. | "Papua New Guinea" (Blue States Full Length Mix) | 5:46 |
| 2. | "Papua New Guinea" (Mellow Magic Maze Mix) | 5:28 |
| 3. | "Papua New Guinea" (Simian Mix) | 3:43 |
| 4. | "Papua New Guinea" (Oil Funk Dub Mix) | 5:08 |
| 5. | "Papua New Guinea" (Dub Child of Q Mix) | 4:22 |
| 6. | "Papua New Guinea" (Hybrid Full Length Mix) | 8:31 |
| 7. | "Papua New Guinea" (Satoshi Tomiie Main-Path) | 10:42 |
| 8. | "Papua New Guinea" (Monsoon Mix) | 4:49 |
| 9. | "Papua New Guinea" (Andrew Weatherall Full Length Mix) | 11:37 |
| 10. | "Papua New Guinea" (Dub Mix) | 1:20 |
| Chart (1994) | Peak position |
|---|---|
| UK Albums (OCC) [10] | 75 |
The Future Sound of London is a British electronic music duo composed of Garry Cobain and Brian Dougans. They have been described as a "boundary-pushing" electronic act, covering techno, ambient, house music, trip hop, psychedelia, and dub.
Slavestate is the second EP by English industrial metal band Godflesh. It was released in July 1991 through Earache Records. The EP saw the band experimenting with more samples and electronic sounds than their predominantly industrial metal prior releases.
Dead Cities is the third studio album by the British electronic music duo The Future Sound of London. It was released through Virgin Records in October 1996. The record entered the Dance Albums Chart at No. 2 and the Albums Chart at No. 26.
Lifeforms is the second studio album by the British electronic music duo The Future Sound of London. It was released on 23 May 1994 by Virgin Records. It entered the Dance Albums Chart at No. 1 and the Albums Chart at No. 6.
Tales of Ephidrina is an ambient/techno album by electronica duo Amorphous Androgynous, better known as The Future Sound of London (FSOL). It was released on 5 July 1993 through Quigley Records, a subsidiary label of Virgin. It was created from material the pair had been working on around the same time as their ambient FSOL title Lifeforms, while still containing some of the techno feel of Accelerator.
"Papua New Guinea" is a 1991 song by the electronic music group Future Sound of London. It was the group's debut single and later appeared on their full-length album Accelerator. The single reached #22 on the UK singles chart.
"Cascade" is the first single from British electronic music duo Future Sound of London's second album, Lifeforms (1994). The record entered the Dance Singles Chart at number 6 on 6 November 1993. Garry Cobain said that the band "saw it as a great opportunity to write another album, but based around one song."
Teachings from the Electronic Brain is a compilation of songs from throughout the career of British band The Future Sound of London, and was released in 2006. The diversity of their wide range of work is even more apparent on a compilation such as this.
"We Have Explosive" is a song by The Future Sound of London, released in 1997. It was the band's most successful single, getting to number 12 in the UK Singles Chart in 1997. It features prominent sampling of the Run-DMC album Tougher Than Leather. Part three also samples "Rockchester" by Fats Comet.
Brian Robert Dougans is a Scottish musician and composer who is a member of the British electronic duo the Future Sound of London (FSOL).
Garry John Cobain is an English electronic musician and composer who forms one half of the Future Sound of London.
"Stakker Humanoid" is a 1988 track by Humanoid released in 1988 on the London-based label Westside Records. It is described by The Guardian as "the first truly credible UK acid techno record to break into the mainstream."
The Best Mixes from the Album-Debut for All the People Who Don't Buy White-Labels is the first EP and remix compilation by Björk, originally released through Polydor Records in September 1994. The collection contains six remixes of four tracks from Björk's 1993 album Debut. All of the songs were written solely by Björk except "Human Behaviour", which was co-written by Nellee Hooper. Björk and Hooper were also co-producers of the EP. "Human Behaviour" was remixed by the English electronic group Underworld; the remaining five tracks are remixes by The Sabres of Paradise and Black Dog. The compilation has been re-issued through the record labels One Little Indian, PolyGram and PO Records.
Environments is the first part in a series of planned releases by The Future Sound of London over 2007/2008 via digital download and then CD.
Eurotechno refers to the musical soundtrack by English group Stakker for their 1989 experimental short film of the same name. The original film was an avant-garde experiment and features rapidly shifting colourful computer graphics, reflecting the influence of rave culture. Although the visuals of the film were primarily the work of Stakker members Marek Pytel, Mark McClean and Colin Scott, the musical soundtrack was largely the work of Brian Dougans, later of The Future Sound of London. The 25-minute soundtrack was recorded using a Roland TB-303, and reflects the fast-shifting momentum of the film by incorporating fragmented elements of acid house, Chicago house and Detroit techno that shift after their brief appearances, thus contributing to an intricately layered style.
So This Is Love by Mental Cube is a soulful house track produced by FSOL. Recorded in 1991, it was also featured on the Earthbeat compilation album of the following year.
Pulse 2 EP is an EP released by The Future Sound of London partly under the alias' Indo Tribe, Smart Systems and FSOL. The FSOL tracks "Stolen Documents" and "In 8" would later be put on the Accelerator album with "In 8" becoming "1 in 8".
Environments 3 is the third in The Future Sound of London's "Environments" series of albums, released on 7 June 2010. Unlike previous FSOLDigital releases, the album was not made available as a download several months before the CD release. Because of this, the record was heard several weeks in advance due to early shipping from the website Juno. The record sleeve announced a fourth album in the series.
JK Flesh is a moniker of English musician Justin Broadrick employed for his solo work within electronic music. Broadrick's usage of the title spans back to his work in the 1990s with Kevin Martin in Techno Animal, but he first released a solo studio album as JK Flesh in 2012. Unlike Broadrick's most well-known projects, Godflesh and Jesu, his work as JK Flesh is electronic and lacks metal riffs. Over the years, the project has shifted into a more minimal and dub sound while retaining its industrial influences.
Matt Quinn, known by his stage name Optical, is a British musician, producer and DJ. He is co-founder and owner of Virus Recordings, a widely regarded drum and bass record label. He is best known as one half of drum and bass duo Ed Rush and Optical, whose debut album Wormhole has been described as one of the most significant LPs of the drum and bass genre. He is also the brother of Jamie Quinn also known as Matrix.
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