Carefree | |
---|---|
Directed by | Mark Sandrich |
Written by | Original idea: Marian Ainslee Guy Endore Story & adaptation: Dudley Nichols Hagar Wilde Screenplay: Allan Scott Ernest Pagano |
Produced by | Pandro S. Berman |
Starring | Fred Astaire Ginger Rogers Ralph Bellamy |
Cinematography | Robert De Grasse |
Edited by | William Hamilton |
Music by | Irving Berlin (songs) Victor Baravalle (score) |
Production company | |
Distributed by | RKO Radio Pictures |
Release date |
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Running time | 83 minutes |
Country | United States |
Language | English |
Budget | $1,253,000 [1] |
Box office | $1,731,000 [1] |
Carefree is a 1938 American musical comedy film directed by Mark Sandrich and starring Fred Astaire, Ginger Rogers and Ralph Bellamy. With a plot similar to screwball comedies of the period, Carefree is the shortest of the Astaire-Rogers films, featuring only four musical numbers. Carefree is often remembered as the film in which Astaire and Rogers shared a long on-screen kiss at the conclusion of their dance to "I Used to Be Color Blind," all previous kisses having been either quick pecks or simply implied.
Carefree was a reunion for the team of Astaire and Rogers after a brief hiatus following Shall We Dance and six other previous RKO pictures. The next film in the series, The Story of Vernon and Irene Castle (1939), would be their final RKO film together, although they would reunite in 1949 for MGM's The Barkleys of Broadway .
Psychiatrist Dr. Tony Flagg does a favor for his friend, Stephen Arden, by taking on his fiancée, Amanda Cooper, as a patient. Amanda, a radio singer, can't seem to make a decision about Stephen's many proposals of marriage, so Tony probes her subconscious mind to interpret her dreams. When Amanda dreams of dancing with her doctor, she is convinced that she is in love and to avoid telling Tony about the dream, makes up a wild dream. This leads Tony to believe that Amanda has serious psychiatric problems and he anesthetizes her to act on her subconscious impulses.
By chance, Stephen comes by, not knowing that she's under the influence of the anesthetic and Amanda is crazy in public, destroying property and kicking a cop. The next day, there is a party and Amanda gets Tony to dance (the Yam) with her and in the process of trying to tell Stephen that she's in love with her doctor, Stephen thinks that she's saying that she's in love with him. Amanda then dances with Tony, telling him that "something terrible has happened, and you're mixed up in it".
Tony hypnotizes Amanda, saying that Tony does not love her and that "men like him should be shot down like dogs". Tony, while Amanda is still in a trance, realizes that he's in love with her, but while he is talking to himself in another room, Amanda has gotten out again. She finds Stephen at the country club, using a shotgun at targets. She takes one and starts shooting at Tony, who arrived desperately trying to undo what he has done. Stephen accuses him of trying to take his fiancée away. On Amanda and Stephen's wedding day, Tony sneaks in and wants to punch Amanda so that she is unconscious and he can hypnotize her, but cannot bring himself to do it. Stephen barges in, aims a punch at Tony but smacks Amanda unconscious instead. Tony tells Amanda that he loves her, and they get married.
Carefree was in production from 14 to 15 April 1938 (Astaire's golfing dance) and from 9 May to 21 July. [2] Location filming was done at Busch Gardens in Pasadena, California, [3] and at the Columbia Ranch. [2]
The "I Used to Be Color Blind" number was planned to be a Technicolor sequence in an otherwise black-and-white film. [4] The film as released is entirely black-and-white.
Astaire didn't like "mushy love scenes," and preferred that lovemaking between him and Rogers be confined to their dances. Because rumors sprang up that Astaire's wife wouldn't let him kiss onscreen, or that Rogers and Astaire didn't like each other, Astaire agreed to the long kiss at the end of "I Used to Be Color Blind", "to make up for all the kisses I had not given Ginger for all those years." [5]
Besides the number "Let's Make the Most of Our Dream," another scene that was dropped from the released film was one where Astaire tries to analyze a scatter-brained patient, played by Grace Hayle. [6]
The film was released on 2 September 1938. [7] The previous Astaire-Rogers film, Shall We Dance , had been released in May 1937, [8] and the 16-month gap between the films was the longest between Astaire-Rogers films to that date. [2]
The songs in Carefree were all written by Irving Berlin, [9] and except for "Change Partners," which he had written for Astaire and Rogers years before, he wrote them all over the course of a few days, while on vacation in Phoenix, Arizona. [2] An army of uncredited orchestrators contributed to the catchy settings of the tunes, principally among them Broadway's Robert Russell Bennett and future MGM stalwart Conrad Salinger.
As usual, Astaire created the choreography, with the help of his principal collaborator Hermes Pan. [10] : 140 In preparation for The Story of Vernon and Irene Castle , the Astaire-Rogers film which was already scheduled to follow Carefree, the choreography for this film contains more lifts than usual. [2]
Carefree received generally mixed reviews when it was released, although the critic for the Motion Picture Herald , William R. Weaver, called it "the greatest Astaire-Rogers picture." [13]
The film earned $1,113,000 in the U.S. and Canada and $618,000 elsewhere, but according to RKO records still lost the studio $68,000. [1] [2] It was the first Astaire and Rogers films not to show a profit upon its original release.
Carefree was nominated for three Academy Awards: Best Art Direction (Van Nest Polglase), Best Musical Scoring (Victor Baravalle) and Best Song "Change Partners", written by Irving Berlin. [14]
The Gay Divorcee is a 1934 American musical romantic comedy film directed by Mark Sandrich and starring Fred Astaire and Ginger Rogers. It also features Alice Brady, Edward Everett Horton, Erik Rhodes, and Eric Blore. The screenplay was written by George Marion Jr., Dorothy Yost, and Edward Kaufman. It is based on the Broadway musical Gay Divorce, written by Dwight Taylor, with Kenneth Webb and Samuel Hoffenstein adapting an unproduced play by J. Hartley Manners.
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Ginger Rogers was an American actress, dancer and singer during the Golden Age of Hollywood. She won an Academy Award for Best Actress for her starring role in Kitty Foyle (1940), and performed during the 1930s in RKO's musical films with Fred Astaire. Her career continued on stage, radio and television throughout much of the 20th century.
Fred Astaire was an American dancer, actor, singer, musician, choreographer, and presenter, whose career in stage, film, and television spanned 76 years. He is widely regarded as the "greatest popular-music dancer of all time" He received an Honorary Academy Award, a BAFTA Award, three Emmy Awards, two Golden Globe Awards, and a Grammy Award.
Ann Miller was an American actress and dancer. She is best remembered for her work in the classical Hollywood cinema musicals of the 1940s and 1950s. Her early film work included roles in Room Service with the Marx Brothers and Frank Capra's You Can't Take It with You, both released in 1938. She later starred in the musical classics Easter Parade (1948), On the Town (1949) and Kiss Me Kate (1953). Her final film role was in Mulholland Drive (2001).
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Hermes Pan was an American dancer and choreographer, principally remembered as Fred Astaire's choreographic collaborator on the famous 1930s movie musicals starring Astaire and Ginger Rogers. He worked on nearly two dozen films and TV shows with Astaire. He won both an Oscar and an Emmy for his dance direction.
A Damsel in Distress is a 1937 American English-themed Hollywood musical comedy film starring Fred Astaire, George Burns, Gracie Allen and Joan Fontaine. Loosely based upon P.G. Wodehouse's 1919 novel of the same name and the 1928 stage play written by Wodehouse and Ian Hay, it has music and lyrics by George and Ira Gershwin. The film was directed by George Stevens, who had also directed Astaire in Swing Time (1936).
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This is a comprehensive guide to over one hundred and fifty of Fred Astaire's solo and partnered dances compiled from his thirty-one Hollywood musical comedy films produced between 1933 and 1968, his four television specials and his television appearances on The Hollywood Palace and Bob Hope Presents the Chrysler Theatre which cover the period from 1958 to 1968. Further information on the dance routines may be obtained, where available, by clicking on the film links.
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Mark Sandrich was an American film director, writer, and producer.
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