"Careful with That Axe, Eugene" | ||||
---|---|---|---|---|
Single by Pink Floyd | ||||
A-side | "Point Me at the Sky" | |||
Released | 6 December 1968 | |||
Recorded | 4 November 1968 | |||
Studio | Abbey Road, London | |||
Genre | ||||
Length |
| |||
Label | Columbia (EMI) (UK) | |||
Songwriter(s) | ||||
Producer(s) | Norman Smith | |||
Pink Floyd singles chronology | ||||
|
"Careful with That Axe, Eugene" is an instrumental piece by the English rock band Pink Floyd. [3] It was recorded in November 1968 and released as the B-side to the single "Point Me at the Sky", and featured on the 1971 compilation album Relics . It was re-recorded for the 1970 film Zabriskie Point , retitled as "Come In Number 51, Your Time Is Up".
The song became a live favourite for Pink Floyd. Live versions can be found on various releases, such as the live half of the double album Ummagumma and the film Pink Floyd: Live at Pompeii . It was performed sporadically after 1973, with a final one-off performance in 1977. Various versions, both live and studio recordings, were released as part of the 2016 box set The Early Years 1965–1972 .
Pink Floyd first attempted to record the piece in a Los Angeles studio on 22 August 1968, but this only resulted in a basic instrumental track and the session was abandoned. [4] The second attempt was made at Abbey Road Studios, in a single three-hour session on 4 November and produced by Norman Smith. [5] [4] [6] It was created as part of a desire for Pink Floyd to move on from the early Syd Barrett-written songs and produce new music, adding a more advanced dynamic range compared to a typical pop song, though drummer Nick Mason later admitted this was just "quiet, loud, quiet, loud again". [5] [7] The title has no specific meaning; keyboardist Richard Wright explained "We often pick titles that have nothing really to do with the songs". [8]
The music consists of a light, organ-based jam, with Wright using the Phrygian mode and an accompanying bass guitar playing just one tone (in this case, D) in octaves. It starts off quietly, before settling into a soft backbeat. This leads up to a segue into the only lyrics: the title of the song, whispered; followed by bassist Roger Waters' inhaled-scream. The song becomes much louder and more intense before gradually settling down again. [9] In the heavier parts and later, quieter parts, guitarist David Gilmour sings scat vocals in unison with lead guitar lines. [10] It was one of the first extended instrumentals recorded by the group, which would be a recurring theme over the next five years. [11]
For the soundtrack to the film The Committee , recorded in early 1968, one piece has the band playing a long instrumental featuring a very similar riff. [12] The song was re-recorded in December 1969 for the 1970 film Zabriskie Point , in a different key (E instead of D) and retitled "Come In Number 51, Your Time Is Up". [3] [13] Director Michelangelo Antonioni had been interested in working with Pink Floyd after hearing "Careful with That Axe, Eugene", and the re-recording was placed in the film's climax where the heroine imagines a villa in Arizona is exploding in slow motion. [14] [a] A further remake was attempted during the Zabriskie Point sessions, and was eventually released as "Explosion" on The Early Years 1965–1972 box, as part of the 1970: Devi/ation volume. [15]
Pink Floyd performed the piece frequently in concert from 1968 to 1973, and it became a live favourite. [16] Concert performances gradually became significantly longer than the recorded version, often around ten minutes, and some performances feature different spoken lines by Waters. [17] [5]
An embryonic form was performed on 31 May 1968 at the Paradiso, Amsterdam, under the original title of "Keep Smiling People", which was filmed by NTS and broadcast on 5 July. [18] Another version was recorded on 25 June 1968 at the BBC studio as "Mudererotic Woman", and broadcast on John Peel's Top Gear radio programme on 11 August which Peel introduced as "Muderistic Woman". [19] [20] By November, it had become a regular part of the group's live show. [21]
A version was recorded live on 2 May 1969 at the Manchester College of Commerce for the Ummagumma live album. [17] [20] The Ummagumma version is considerably longer than its studio counterpart, as well as having the organ parts played on Wright's Farfisa Compact Duo rather than a Hammond. [22] A further live version was recorded on 12 May for the BBC. [20] For The Man and The Journey live suite, performed during mid-1969, "Careful with That Axe, Eugene" was played in the second half of the show, under the title "Beset by Creatures of the Deep". [23] For a time, "Careful with That Axe, Eugene" was performed as the second part of a medley with "Green Is the Colour". [24] A performance at Mont-de-l'Enclus, Belgium on 25 October 1969 was filmed and shown at select French cinemas during 1970, but not generally released. [25] The song was played at a BBC Radio 1 concert in the BBC Paris Cinema on 16 July 1970, and at a free concert in Hyde Park two days later. [24]
The band recorded two takes of "Careful with That Axe, Eugene" for the live film Pink Floyd: Live at Pompeii in October 1971. Contrary to the film's title, the song was recorded at Studio Europasinor, Paris. [26] One version was used in the final film and another, titled "Careful with That Axe, Eugene (alternate version)" was released on CD as part of the Early Years box set. Both versions run for under seven minutes. [27]
Footage also exists of the group performing the piece on the Australian TV programme, GTK , filmed on 15 August 1971 at Randwick Racecourse, Sydney. It was broadcast with the live version from Ummagumma dubbed onto the footage. [28] The performance at the Brighton Dome on 29 June 1972 was filmed by Peter Clifton for the film Sounds of the City 1964–1973. [29] It was one of four Pink Floyd songs that the group played while accompanied with ballet choreographed by Roland Petit. [30] The concerts ran in November 1972 at the Salle Valliers, Marseille, followed by a series of concerts at the Palais de Sports, Paris in January and February 1973. [31]
"Careful with That Axe, Eugene" was played as an encore for four shows during the group's French tour in June 1974. [32] It was revived for a single performance as a final encore on 9 May 1977 at the Oakland Coliseum, which was the last time it was ever played. [33]
The original studio release was the B-side to the single "Point Me at the Sky", released on 6 December 1968. [17] [34] [b] It was re-released on the compilation album Relics in July 1971, [35] and on the box set Shine On in 1992 on the additional The Early Singles CD. [36] The track was one of several to be considered for the band's 2001 "best of" album, Echoes: The Best of Pink Floyd , but it was ultimately omitted. [37]
Before the release of The Early Years box set in 2016, only four versions had been officially released. The box set added a further nine live versions. [20] Many other versions were available on bootlegs. [38] [39] [40] The soundtrack to The Committee, featuring a prototypical version of the song, was played to press at the film's reception, but remained unreleased until The Early Years 1965–1972. [41] [12]
Subsequent releases, with a different recording to the studio version include:
Audio:
Video:
Atom Heart Mother is the fifth studio album by the English rock band Pink Floyd. It was released by Harvest on 2 October 1970 in the United Kingdom, and on 10 October 1970 in the United States. It was recorded at EMI Studios in London, and was the band's first album to reach number 1 in the UK, while it reached number 55 in the US, eventually going gold there.
Meddle is the sixth studio album by the English rock band Pink Floyd, released by Harvest Records on 5 November 1971 in the United Kingdom. The album was produced between the band's touring commitments, from January to August 1971 at a series of locations around London, including EMI Studios and Morgan Studios.
Ummagumma is the fourth album by English rock band Pink Floyd. It is a double album and was released on 7 November 1969 by Harvest Records. The first disc consists of live recordings from concerts at Mothers Club in Birmingham and the College of Commerce in Manchester that contained part of their normal set list of the time, while the second contains solo compositions by each member of the band recorded at EMI Studios. The artwork was designed by regular Pink Floyd collaborators Hipgnosis and features a number of pictures of the band combined to give a Droste effect. It was the last album cover to feature the band.
Obscured by Clouds is the seventh studio album by the English progressive rock band Pink Floyd, released on 2 June 1972 by Harvest and Capitol Records. It serves as the soundtrack for the French film La Vallée, by Barbet Schroeder. It was recorded in two sessions in France, while Pink Floyd were in the midst of touring, and produced by the band.
"Echoes" is a song by the English rock band Pink Floyd, and the sixth and last track on their 1971 album Meddle. It is 23+1⁄2 minutes long, the second longest of their discography, eight seconds shorter than Atom Heart Mother Suite, and takes up the entire second side of the original LP. The track evolved from a variety of different musical themes and ideas, including instrumental passages and studio effects, resulting in the side-long piece. The music, credited to all the band, was mainly written by Richard Wright and David Gilmour, while Roger Waters' lyrics addressed themes of human communication and empathy, to which he returned in later work.
More is the third studio album and first soundtrack album by English rock band Pink Floyd. It was released on 13 June 1969 in the United Kingdom by EMI Columbia and on 9 August 1969 in the United States by Tower Records. The soundtrack is for the film of the same name, which was primarily filmed on location on Ibiza and was the directorial debut of Barbet Schroeder. It was the band's first album without former leader Syd Barrett.
"A Saucerful of Secrets" is a multi-part instrumental composition by English rock band Pink Floyd from their 1968 album of the same name. It is nearly 12 minutes long and was composed by Roger Waters, Richard Wright, Nick Mason and David Gilmour. The track features guitar feedback, a percussion solo section and wordless vocals.
"Money" is a song by English rock band Pink Floyd from their 1973 album The Dark Side of the Moon. Written by Roger Waters, it opened side two of the original album. Released as a single, it became the band's first hit in the United States, reaching number 10 in Cash Box magazine and number 13 on the Billboard Hot 100.
Zabriskie Point is a soundtrack album to the Michelangelo Antonioni film of the same name. It was originally released in March 1970 and features songs recorded by contemporary rock acts of Antonioni's choosing, including Pink Floyd, the Grateful Dead, and the Kaleidoscope.
"Several Species of Small Furry Animals Gathered Together in a Cave and Grooving with a Pict" is a track written and performed by Roger Waters from the 1969 Pink Floyd double album, Ummagumma.
The Man and The Journey is a suite of music performed in concert by Pink Floyd during their 1969 tour. It consisted of several of their early songs, some unreleased songs, and material later included on More and Ummagumma. The concerts featured visual performance elements such as the sawing and construction of a table, and consumption of afternoon tea onstage. The themes of insanity and everyday life are similar to what would later be explored in the album The Dark Side of the Moon.
"Set the Controls for the Heart of the Sun" is a song by the English rock band Pink Floyd, appearing on their second album, A Saucerful of Secrets (1968). It was written by Roger Waters, taking lyrics from a Chinese poetry book, and features a drum part by Nick Mason played with timpani mallets. It is the only song recorded by Pink Floyd to feature material from all five band members, as there are several different guitar parts recorded by both David Gilmour and Syd Barrett, although the guitar parts are buried in the mix.
"Astronomy Domine" is a song by the English rock band Pink Floyd. The song, written and composed by the original vocalist/guitarist Syd Barrett, is the opening track on their debut album, The Piper at the Gates of Dawn (1967). The lead vocal was sung by Barrett and the keyboard player Richard Wright. Its working title was "Astronomy Dominé ". Domine is a word frequently used in Gregorian chants.
"Fat Old Sun" is a song by English rock band Pink Floyd, written and sung by David Gilmour. It appears on their 1970 album Atom Heart Mother, and was performed live by the group from 1970-71 in a different arrangement. Gilmour has since played the track on several of his solo tours.
"Embryo" is a song by Pink Floyd. It was recorded in 1968 and regularly performed live in 1970–71, but never released on any regular Pink Floyd studio album.
Richard William Wright was an English keyboardist and songwriter who co-founded the progressive rock band Pink Floyd. He appeared on almost every Pink Floyd album and performed on all their tours. He was inducted into the Rock and Roll Hall of Fame in 1996 as a member of Pink Floyd.
The Dark Side of the Moon Tour was a concert tour by English rock band Pink Floyd in 1972 and 1973 in support of their album The Dark Side of the Moon, covering the UK, US, Europe and Japan. There were two separate legs promoting the album, one in 1972 before the album's release and another in 1973 afterwards, together covering 128 shows.
The Man and The Journey tour was an informal concert tour of a few dates by Pink Floyd during which the conceptual music piece The Man and The Journey was played.
The Early Years 1965–1972 is a box set that compiles the early work of the English rock band Pink Floyd, released on 11 November 2016. It was released by Pink Floyd Records with distribution held by Warner Music for the UK and Europe and Sony Music for the rest of the world.