Chant II

Last updated
Chant II
Chant II cover.jpg
Studio album by
Benedictine monks of Santo Domingo de Silos
ReleasedOctober 17, 1995 (1995-10-17)
RecordedJune 21, 1972 [1]
Genre Gregorian chant
Label Angel
Producer Maria Francisca Bonmati
Benedictine monks of Santo Domingo de Silos chronology
Chant Noël: Chants for the Holiday Season
(1994)
Chant II
(1995)
Chant III
(1996)

Chant II is a 1995 album of Gregorian chant, performed by the Benedictine monks of Santo Domingo de Silos in Burgos, Spain. It is a follow-up to the 1994 release Chant, the best-selling album of Gregorian chant. Like the first album, it included material which had been recorded by the monks some years previously.

Contents

Performers

The monks of Santo Domingo de Silos have been singing Gregorian chant since the 11th century (before that, they used Mozarabic chant). In the nineteenth century the French monks of Solesmes Abbey played a part in the reestablishment of Santo Domingo de Silos after the Ecclesiastical Confiscations of Mendizábal. The Solesmes style of singing plainsong has influenced the Spanish monks. [2]

Reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [1]

Reviewers had expressed surprise at the success of the first album. Not only had Gregorian chant been a specialist market for record companies before the 1980s but also other choirs were probably technically better in this repertoire (for example the monks of Solesmes issued some notable recordings in the 1960s). [2] However, by the time Chant II was released the monks of Silos had eclipsed their rivals in terms of sales.

AllMusic gave Chant II a poorer rating than the first album, because of inferior sound quality. [1]

Chant II was not the first follow-up to Chant, as Chant Noël: Chants For The Holiday Season was released 1 November 1994. [3] Chant II was followed by Chant III on 17 September 1996, [4] which itself was followed by Chant IV - The Millenium in 1997 as performed by Schola Cantorum of Cologne. [5]

In 2004, Chant was re-issued along with Chant II as Chant: The Anniversary Edition by Angel/EMI Classics.

Track listing

  1. "Da Pacem, Domine": Introit
  2. "Haec Dies Quam Fecit Dominus": Gradual
  3. "Victimae Paschali Laudes": Sequence
  4. "Alleluia. Vir Dei Benedictus": Alleluia
  5. "Kyrie, Fons Bonitatis": Trope
  6. "Quam Magnificata Sunt Opera Tua Domine": Responsory
  7. "Ut Queant Laxis Resonare Fibris": Hymn in honour of St John the Baptist
  8. "Cibavit Eos Ex Adipe Furmenti: Introit"
  9. "Oculi Omnium In Te Sperant: Gradual"
  10. "Spirtus Domini Replevit Orbem Terrarum: Introit"
  11. "Alleluia. Veni Sancte Spiritus: Alleluia"
  12. "Os Justi Meditabitur Sapientiam: Gradual"
  13. Kyrie "Lux Et Origo"
  14. "Gloria In Excelsis Deo"
  15. "Sanctus Dominus Deus Sabaoth"
  16. "Agnus Dei, Qui Tollis Peccata Mundi"
  17. "Ave Mundi Spes Maria: Sequence"
  18. "Media Vita In Morte Sumus": Responsory
  19. "Salve, Regina, Mater Misericordiae: Antiphon"

Personnel

Related Research Articles

Plainsong or plainchant is a body of chants used in the liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. Plainsong was the exclusive form of Christian church music until the ninth century, and the introduction of polyphony.

<span class="mw-page-title-main">Gregorian chant</span> Form of song

Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of the Old Roman chant and Gallican chant.

<span class="mw-page-title-main">Antiphonary of St. Benigne</span> Manuscript of Gregorian musical notation

The Antiphonary tonary missal of St. Benigne was written in the last years of the 10th century, when the Abbot William of Volpiano at St. Benignus of Dijon reformed the liturgy of several monasteries in Burgundy. The chant manuscript records mainly Western plainchant of the Roman-Frankish proper Mass and part of the chant sung during the matins, but unlike the common form of the Gradual and of the Antiphonary, William organized his manuscript according to the chant genre, and these sections were subdivided into eight parts according to the octoechos. This disposition followed the order of a tonary, but William of Volpiano wrote not only the incipits of the classified chant, he wrote the complete chant text with the music in central French neumes which were still written in campo aperto, and added a second alphabetic notation of his own invention for the melodic structure of the codified chant.

<span class="mw-page-title-main">Gradual</span> Christian liturgical chant

The gradual is a certain chant or hymn in liturgical Christian worship. It is practiced in the Catholic Mass, Lutheran Divine Service, Anglican service and other traditions. It gets its name from the Latin gradus because it was once chanted on the step of the ambo or altar. It is customarily placed after a reading of scripture.

<span class="mw-page-title-main">Abbey of Santo Domingo de Silos</span> Benedictine monastery in Santo Domingo village, northern Spain

Santo Domingo de Silos Abbey is a Benedictine monastery in the village of Santo Domingo de Silos in the southern part of Burgos Province in northern Spain. The monastery is named after the eleventh-century saint Dominic of Silos.

Ambrosian chant is the liturgical plainchant repertory of the Ambrosian rite of the Roman Catholic Church, related to but distinct from Gregorian chant. It is primarily associated with the Archdiocese of Milan, and named after St. Ambrose much as Gregorian chant is named after Gregory the Great. It is the only surviving plainchant tradition besides the Gregorian to maintain the official sanction of the Roman Catholic Church.

Mozarabic chant is the liturgical plainchant repertory of the Visigothic/Mozarabic rite of the Catholic Church, related to the Gregorian chant. It is primarily associated with Hispania under Visigothic rule and later with the Mozarabs and was replaced by the chant of the Roman rite following the Christian Reconquest of the Iberian Peninsula. Although its original medieval form is largely lost, a few chants have survived with readable musical notation, and the chanted rite was later revived in altered form and continues to be used in a few isolated locations in Spain, primarily in Toledo.

<span class="mw-page-title-main">Beneventan chant</span>

Beneventan chant is a liturgical plainchant repertory of the Roman Catholic Church, used primarily in the orbit of the southern Italian ecclesiastical centers of Benevento and Monte Cassino distinct from Gregorian chant and related to Ambrosian chant. It was officially supplanted by the Gregorian chant of the Roman rite in the 11th century, although a few Beneventan chants of local interest remained in use.

Old Roman chant is the liturgical plainchant repertory of the Roman rite of the early Christian Church. It was formerly performed in Rome, and, although it is closely related to Gregorian chant, the two are distinct. Gregorian Chant gradually supplanted Old Roman Chant between the 11th century and the 13th century AD. Unlike other chant traditions, Old Roman chant and Gregorian chant share essentially the same liturgy and the same texts. Many of their melodies are also closely related. Although primarily associated with the churches of Rome, the Old Roman chant was also performed in parts of central Italy, and it was possibly performed much more widely.

<span class="mw-page-title-main">Kyriale</span> Collection of Gregorian chant settings

The Kyriale is a collection of Gregorian chant settings for the Ordinary of the Mass. It contains eighteen Masses, six Credos, and several ad libitum chants. This collection is included in liturgical books such as the Graduale Romanum and Liber Usualis, and it is also published as a separate book by the monks of Solesmes Abbey.

<i>Chant</i> (Benedictine Monks of Santo Domingo de Silos album) 1994 compilation album by Benedictine monks of Santo Domingo de Silos

Chant is a compilation album of Gregorian chant, performed by the Benedictine monks of Santo Domingo de Silos in Spain.

The Church of the Ascension is an Anglo-Catholic parish in the Episcopal Diocese of Chicago. Founded in 1857 as a mission of St. James Church, it is now located on North La Salle Drive on Chicago's Near North Side. The church became a part of the Anglo-Catholic movement in 1869. The principal service on Sunday is the Solemn High Mass celebrated at 11 a.m., according to Rite II in the Episcopal Church's Book of Common Prayer (1979). This Mass is celebrated at the High Altar, and includes three sacred ministers, many acolytes, incense, and music provided by a professional choir. The mass includes processions and other devotions on certain feasts and holy days.

<span class="mw-page-title-main">Solesmes Congregation</span> Association of Benedictine monasteries

The Solesmes Congregation is an association of monasteries within the Benedictine Confederation headed by the Abbey of Solesmes.

Paschale Mysterium is Latin for "The mystery of Easter". The words have been used as the title of albums of Gregorian chant for Easter.

<span class="mw-page-title-main">Rorate caeli</span> Antiphon sung during Christian liturgy

"Rorate caeli" or "Rorate coeli" are the opening words of Isaiah 45:8 in the Vulgate. The text appears at several points in the Christian liturgy of the Western Church during Advent.

<i>Roman Gradual</i> Liturgical book of the Roman Catholic Church

The Roman Gradual is an official liturgical book of the Roman Rite of the Roman Catholic Church containing chants, including the proper and many more, for use in Mass.

The Celtic mass is the liturgy of the Christian office of the Mass as it was celebrated within Celtic Rite of Celtic Christianity in the Early Middle Ages.

<i>Chant Noël: Chants for the Holiday Season</i> 1994 compilation album by Benedictine monks of Santo Domingo De Silos

Chant Noël: Chants for the Holiday Season is a compilation album of plainsong sung in Latin by the Benedictine monks of Santo Domingo De Silos under the direction of Francisco Lara. It was released in November 1994 by Angel Records, following the success of Chant which had been released earlier the same year. As well as a number of items sung at Christmas, the album features Ubi Caritas, which is associated with Easter.

The Liber Brevior is a book of commonly used Gregorian chants in the Catholic tradition. It is an abbreviation of the Liber Usualis and differs from that compendium of chant music in that it contains only the chants required for use at sung Mass, omitting the chants used in the chanting of the Divine Office. It could be said that the Liber Brevior is “the layman’s Liber,” designed and intended to be used in parish settings by small Catholic choirs, rather than for use by clergy and religious bound to chant the Office in choir or in common.

References

  1. 1 2 3 Sanderson, Blair. "Chant II". www.allmusic.com. Retrieved 24 August 2018.
  2. 1 2 "Selective Chant Discography". The Gregorian Association. London. Retrieved 18 May 2015.
  3. Chant Noël at Amazon.com
  4. Chant III at Amazon.com
  5. "The Chant 4: Millenium - Schola Cantorum of Cologne". AllMusic .