"Charmless Man" | ||||
---|---|---|---|---|
![]() | ||||
Single by Blur | ||||
from the album The Great Escape | ||||
B-side |
| |||
Released | 29 April 1996 (UK) | |||
Genre | ||||
Length | 3:34 | |||
Label | ||||
Songwriter(s) | ||||
Producer(s) | Stephen Street | |||
Blur singles chronology | ||||
| ||||
Music video | ||||
"Charmless Man" on YouTube |
"Charmless Man" is a song by English alternative rock band Blur and is the fourth track on their fourth studio album, The Great Escape (1995). It was produced by Stephen Street and released by Food Records and Parlophone on 29 April 1996 in the United Kingdom as the fourth and final single from that album. The single reached number five on the UK Singles Chart and also charted in Australia, France, Iceland, and Ireland. The accompanying music video was directed by Jamie Thraves and features Jean-Marc Barr.
The accompanying UK B-sides, "The Horrors", "A Song" and "St. Louis", continued the dramatic change in style for Blur first evidenced on the "Stereotypes" single, being stark and raw, foreshadowing the stylistic shift that would realize itself on their eponymous follow-up album.
The inspiration for the song was a visit by Damon Albarn to his grandmother in Lincolnshire. He stopped off at Grantham railway station and when inside the gentlemen's toilet, he noticed a piece of graffiti on a similar theme to the song's title. [3] [4]
British magazine Music Week gave the song five out of five and named it Single of the Week, writing, "The fourth and final single from The Great Escape is probably its best track. This should restore Blur's status as a more-than-convincing chart band." [5] Smash Hits gave it four out of five, adding, "A tale of a bloke no-one likes. A wonderful, instant sing-a-long tune." [6]
Morrissey stated that he liked the song in an interview at the time. [7]
The music video for "Charmless Man" was directed by British film writer and director Jamie Thraves. It starts with a man (the Charmless Man, played by Jean-Marc Barr) running down a dark street with a makeshift bandage or wrapping on his right hand, while cross cut edits show Blur playing in a music hall. After the verse which is accompanied by piano, the band are playing in the man's apartment in his bathroom, whilst the man uses an electric toothbrush and uses some red wine as mouthwash. After becoming fully dressed, the man goes out into the corridor, where the band are again. After pushing Damon Albarn out of the way, he enters a lift. The band once again are there. They are also there in the foyer when the man leaves the lift. The members of the band hang around outside, when the man, frustrated at the band following him anywhere he goes, pushes Albarn over and kicks him.
After collecting his car from the valet, the man drives off, hoping to be free from the band. They appear at the roadside twice as the man drives down the street. At the third time, the band are standing in the middle of the road and the man drives straight into them, knocking them all over. Following this latest appearance by the band, he smashes the car windows with his fists in anger. He is then seen again running on the dark street, with his badly cut hand wrapped, at which point it becomes clear that the earlier scene of him running was out of time sequence. He staggers into the hall, once again finding it his fate to see the band performing in front of him. He can escape neither the band nor his own nature. In the final shot, the camera zooms in onto Albarn's face as the final notes are sung and played and he has a contemptuous smile on his face.
All music was composed by Albarn, Coxon, James and Rowntree. All lyrics were composed by Albarn.
|
|
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [22] | Silver | 200,000‡ |
‡ Sales+streaming figures based on certification alone. |
Region | Date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
Australia | 1996 | CD | ||
France | EMI Music France | |||
United Kingdom | 29 April 1996 |
|
| [23] |
Such self-explanatory titles as 'Charmless Man' are supported by serrated, droll lyrics and irony-filled baroque-pop music...
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)