[[Chicago, Illinois]]
United States"},"type":{"wt":"open-air gallery"},"visitors":{"wt":""},"director":{"wt":""},"curator":{"wt":""},"publictransit":{"wt":"[[Millennium Station]] - [[Metra]]
[[Monroe/State (CTA)]] - [[Red Line (Chicago Transit Authority)|Red Line]]
[[Randolph/Wabash (CTA)]] -[[Brown Line (Chicago Transit Authority)|Brown]], [[Purple Line (Chicago Transit Authority)|Purple]], [[Green Line (Chicago Transit Authority)|Green]], [[Orange Line (Chicago Transit Authority)|Orange]], and [[Pink Line (Chicago Transit Authority)|Pink]]
[[Monroe/Dearborn (CTA)]] - [[Blue Line (Chicago Transit Authority)|Blue Line]]"},"website":{"wt":""}},"i":0}}]}" id="mwBQ">Open-air gallery in Illinois, United States
Entrance to Chase Promenade | |
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Former name | Bank One Promenade |
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Established | 2004 |
Location | Millennium Park Chicago, Illinois United States |
Type | open-air gallery |
Public transit access | Millennium Station - Metra Monroe/State (CTA) - Red Line Randolph/Wabash (CTA) -Brown, Purple, Green, Orange, and Pink Monroe/Dearborn (CTA) - Blue Line |
Chase Promenade (formerly Bank One Promenade) [1] is an open-air, tree-lined, pedestrian walkway that opened July 16, 2004. It is part of Millennium Park, which is located in the Loop community area of Chicago, Illinois in the United States. The promenade was made possible by a gift from the Bank One Foundation. [2] It is 8 acres (3.2 ha) and used for exhibitions, festivals and other family events as well as private rentals. [2] [3]
The Chase Promenade has hosted the 2005 Revealing Chicago: An Aerial Portrait photo exhibition, the 2008 Paintings Below Zero exhibition and the 2009 Burnham Pavilions. The Burnham Pavilions were the cornerstone of the citywide Burnham Plan centennial celebration.
Lying between Lake Michigan to the east and the Loop to the west, Grant Park has been Chicago's front yard since the mid-19th century. Its northwest corner, north of Monroe Street and the Art Institute, east of Michigan Avenue, south of Randolph Street, and west of Columbus Drive, had been Illinois Central rail yards and parking lots until 1997, when it was made available for development by the city as Millennium Park. [4] Today, Millennium Park trails only Navy Pier as a Chicago tourist attraction. [5]
The Promenade, which spans the park from Randolph Street on the north to Monroe Street on the south, has three sections: North Promenade, Central Promenade, and South Promenade. [3] Throughout the year it is available for private rental, and it has permanent tent anchors that make it accommodating year-round. [3]
The city has used the Promenade to host several festivals and exhibitions.
Revealing Chicago: An Aerial Portrait was displayed on the Central Chase Promenade and South Boeing Gallery from June 10 to October 10, 2005. [6] [7] The exhibit featured 100 images from Chicago metropolitan area taken on 50 flights that occurred between March 2003 and August 2004 at various seasons of the year. [7] Photographer Terry Evans, a Chicagoan, says that although 90% of the photographs were taken while in a helicopter, her preferred method of travel is hot air balloon, but Chicago was usually too windy to shoot by balloon. [8]
In 2007–2008, the promenade hosted five sculptures made by Mark di Suvero, hosted at the smaller Boeing Galleries. Chicago Tribune art critic, Alan G. Artner, noted that di Suvero was limited to his midsize pieces because of the size of the gallery, and even these were a bit tightly bunched. He felt the Chase Promenade might have served as a better forum and would have left the artist unfettered to choose from a wider range of pieces. [9]
From February 1 through February 29, 2008, Millennium Park hosted a winter celebration called the Museum of Modern Ice. [10] This event featured an exhibition located on the Central Promenade by artist Gordon Halloran entitled Paintings Below Zero. [11] [12] The exhibition's centerpiece was an abstract artwork on the surface of four ice panels that measured 95 by 12 feet (29.0 by 3.7 m). [11] In addition to the ice wall painting, Halloran painted the surface of the McCormick Tribune Ice Rink. [13]
In 2009, the celebration of the fifth anniversary Millennium Park and the 100th anniversary of the Burnham Plan will include two temporary the privately funded pavilions located on the South end of the Chase Promenade. The pavilions by Zaha Hadid and Ben van Berkel will feature information highlighting the Burnham Plan and its implications for Chicago's present and future. They will be on display from June 19 – October 31, 2009. [14]
Wrigley Square is a public square located in the northwest section of Millennium Park in the Historic Michigan Boulevard District of the Loop area of Chicago in Cook County, Illinois, United States. The square is located at the southeast corner of the intersection of East Randolph Street and North Michigan Avenue. It contains the Millennium Monument, a nearly full-sized replica of the semicircle of paired Roman Doric-style columns that originally sat in this area of Grant Park, near Michigan Avenue and Randolph Street, between 1917 and 1953. The square also contains a large lawn and a public fountain.
Millennium Park is a public park located in the Loop community area of Chicago, operated by the Chicago Department of Cultural Affairs. The park, opened in 2004 and intended to celebrate the third millennium, is a prominent civic center near the city's Lake Michigan shoreline that covers a 24.5-acre (9.9 ha) section of northwestern Grant Park. Featuring a variety of public art, outdoor spaces and venues, the park is bounded by Michigan Avenue, Randolph Street, Columbus Drive and East Monroe Drive. In 2017, Millennium Park was the top tourist destination in Chicago and in the Midwest, and placed among the top ten in the United States with 25 million annual visitors.
Jay Pritzker Pavilion, also known as Pritzker Pavilion or Pritzker Music Pavilion, is a bandshell in Millennium Park in the Loop community area of Chicago in Cook County, Illinois, United States. It is located on the south side of Randolph Street and east of the Chicago Landmark Historic Michigan Boulevard District. The pavilion was named after Jay Pritzker, whose family is known for owning Hyatt Hotels. The building was designed by architect Frank Gehry, who accepted the design commission in April 1999; the pavilion was constructed between June 1999 and July 2004, opening officially on July 16, 2004.
Cloud Gate is a public sculpture by Indian-born British artist Anish Kapoor, that is the centerpiece of AT&T Plaza at Millennium Park in the Loop community area of Chicago, Illinois. The sculpture and AT&T Plaza are located on top of Park Grill, between the Chase Promenade and McCormick Tribune Plaza & Ice Rink. Constructed between 2004 and 2006, the sculpture is nicknamed "The Bean" because of its shape, a name Kapoor initially disliked, but later grew fond of. Kapoor himself even uses this title when referring to his work. Made up of 168 stainless steel plates welded together, its highly polished exterior has no visible seams. It measures 33 by 66 by 42 feet, and weighs 110 short tons.
The Art Institute of Chicago, founded in 1879, is one of the oldest and largest art museums in the United States. It is based in the Art Institute of Chicago Building in Chicago's Grant Park. Its collection, stewarded by 11 curatorial departments, includes works such as Georges Seurat's A Sunday on La Grande Jatte, Pablo Picasso's The Old Guitarist, Edward Hopper's Nighthawks, and Grant Wood's American Gothic. Its permanent collection of nearly 300,000 works of art is augmented by more than 30 special exhibitions mounted yearly that illuminate aspects of the collection and present curatorial and scientific research.
Crown Fountain is an interactive work of public art and video sculpture featured in Chicago's Millennium Park, which is located in the Loop community area. Designed by Spanish artist Jaume Plensa and executed by Krueck and Sexton Architects, it opened in July 2004. The fountain is composed of a black granite reflecting pool placed between a pair of glass brick towers. The towers are 50 feet (15.2 m) tall, and they use light-emitting diodes (LEDs) to display digital videos on their inward faces. Construction and design of the Crown Fountain cost $17 million. The water operates from May to October, intermittently cascading down the two towers and spouting through a nozzle on each tower's front face.
The BP Pedestrian Bridge, or simply BP Bridge, is a girder footbridge in the Loop community area of Chicago, United States. It spans Columbus Drive to connect Maggie Daley Park with Millennium Park, both parts of the larger Grant Park. Designed by Pritzker Prize-winning architect Frank Gehry and structurally engineered by Skidmore, Owings and Merrill, it opened along with the rest of Millennium Park on July 16, 2004. Gehry had been courted by the city to design the bridge and the neighboring Jay Pritzker Pavilion, and eventually agreed to do so after the Pritzker family funded the Pavilion.
Lurie Garden is a 2.5-acre (10,000 m2) garden located at the southern end of Millennium Park in the Loop area of Chicago in Cook County, Illinois, United States. Designed by GGN, Piet Oudolf, and Robert Israel, it opened on July 16, 2004. The garden is a combination of perennials, bulbs, grasses, shrubs and trees. It is the featured nature component of the world's largest green roof. The garden cost $13.2 million and has a $10 million endowment for maintenance and upkeep. It was named after Ann Lurie, who donated the $10 million endowment. For visitors, the garden features guided walks, lectures, interactive demonstrations, family festivals and picnics.
McCormick Tribune Plaza & Ice Rink or McCormick Tribune Plaza is a multi-purpose venue within Millennium Park in the Loop community area of Chicago, Illinois, in the United States. On December 20, 2001, it became the first attraction in Millennium Park to open. The $3.2 million plaza was funded by a donation from the McCormick Tribune Foundation. It has served as an ice skating rink, a dining facility and briefly as an open-air exhibition space.
Grainger Plaza is a public space that hosts the Cloud Gate sculpture. It is located in Millennium Park, which is a park built to celebrate the third millennium and which is located within the Loop community area of Chicago, Illinois in the United States. The sculpture and the plaza are sometimes jointly referred to as Cloud Gate on the AT&T Plaza.
The Exelon Pavilions are four buildings that generate electricity from solar energy and provide access to underground parking in Millennium Park in the Loop community area of Chicago in Cook County, Illinois, United States. The Northeast Exelon Pavilion and Northwest Exelon Pavilion are located on the northern edge of the park along Randolph Street, and flank the Harris Theater. The Southeast Exelon Pavilion and Southwest Exelon Pavilion are located on the southern edge of the park along Monroe Street, and flank the Lurie Garden. Together the pavilions generate 19,840 kilowatt-hours (71,400 MJ) of electricity annually, worth about $2,350 per year.
Boeing Galleries are a pair of outdoor exhibition spaces within Millennium Park in the Loop community area of Chicago in Cook County, Illinois, United States. The spaces are located along the south and north mid-level terraces, above and east of Wrigley Square and the Crown Fountain. In a conference at the Chicago Cultural Center, Boeing President and Chief Executive Officer James Bell to Chicago Mayor Richard M. Daley announced Boeing would make a $5 million grant to fund both the construction of and an endowment for the space.
Visual arts of Chicago refers to paintings, prints, illustrations, textile art, sculpture, ceramics and other visual artworks produced in Chicago or by people with a connection to Chicago. Since World War II, Chicago visual art has had a strong individualistic streak, little influenced by outside fashions. "One of the unique characteristics of Chicago," said Pennsylvania Academy of Fine Arts curator Bob Cozzolino, "is there's always been a very pronounced effort to not be derivative, to not follow the status quo." The Chicago art world has been described as having "a stubborn sense ... of tolerant pluralism." However, Chicago's art scene is "critically neglected." Critic Andrew Patner has said, "Chicago's commitment to figurative painting, dating back to the post-War period, has often put it at odds with New York critics and dealers." It is argued that Chicago art is rarely found in Chicago museums; some of the most remarkable Chicago artworks are found in other cities.
Rashid Johnson is an American artist who produces conceptual post-black art. Johnson first received critical attention in 2001 at the age of 24, when his work was included in Freestyle (2001) curated by Thelma Golden at the Studio Museum in Harlem. He studied at Columbia College Chicago and the School of the Art Institute of Chicago and his work has been exhibited around the world.
The Burnham Pavilions were public sculptures by Zaha Hadid and Ben van Berkel in Millennium Park, which were located in the Loop community area of Chicago, Illinois. Both pavilions were located in the Chase Promenade South. Their purpose was to commemorate the 100th anniversary of Daniel Burnham's Plan of Chicago, and symbolize the city's continued pursuit of the Plan's architectural vision with contemporary architecture and planning. The sculptures were privately funded and reside in Millennium Park. The pavilions were designed to be temporary structures.
Corey Postiglione is an American artist, art critic and educator. He is a member of the American Abstract Artists in New York, and known for precise, often minimalist work that "both spans and explores the collective passage from modernism to postmodernism" in contemporary art practice and theory. New Art Examiner co-founder Jane Allen, writing in 1976, described him as "an important influence on the development of contemporary Chicago abstraction." In 2008, Chicago Tribuneart critic Alan G. Artner wrote "Postiglione has created a strong, consistent body of work that developed in cycles, now edging closer to representation, now moving further away, but remaining rigorous in approach to form as well as seductive in markmaking and color."
Arthur Lerner is an American artist, known for his atmospheric figurative paintings and drawings, landscapes, and still lifes. He is sometimes described as a realist, but most critics observe that his work is more subjective than descriptive or literal. Associated with Chicago's influential "Monster Roster" artists early in his career, he shared their enthusiasm for expressive figuration, fantasy and mythology, and their existential outlook, but diverged increasingly in his classical formal concerns and more detached temperament. Critics frequently note in Lerner's art a sense of light that evokes Impressionism, delicate color and modelling that "flirts with dematerialization," and the draftsmanship that serves as a foundation for all of his work. The Chicago Tribune's Alan Artner lamented Lerner's comparative lack of recognition in relation to the Chicago Imagists as the fate of "an aesthete in a town dominated by tenpenny fantasts." Lerner's work has been extensively covered in publications, featured in books such as Monster Roster: Existential Art in Postwar Chicago, and acquired by public and private collections, including those of the Smithsonian Institution, Art Institute of Chicago, Smart Museum of Art, and Mary and Leigh Block Museum of Art, among many.
Leopold Segedin is an American artist and educator based in Chicago. He is best known as an urban figurative painter, who portrays humanist scenes of life in mid-20th century Chicago. He has exhibited for over 70 years, including retrospectives at the Chicago Cultural Center, University Club of Chicago, University of Illinois, and Northeastern Illinois University, and major group shows at the Art Institute of Chicago, Milwaukee Institute of Art & Design, Illinois State Museum and Des Moines Art Center, among others. His art has received awards from the Art Institute of Chicago, Terry Art Institute, Corcoran Gallery of Art, and American Jewish Arts Club. Segedin was one of Art in America’s 1956 "New Talent in the U.S.A." artists and has been featured in The Washington Post, Chicago Tribune, The Philadelphia Inquirer, Chicago Daily News and Chicago Sun-Times, among many publications. Chicago Tribune critic Alan Artner characterized Segedin's work as a "distinguished example" of magic realism; in visual terms, critics have often noted his vivid color, dynamic illusionist space, and rendering of light and surfaces that betray the passage of time.
Sue Hettmansperger is an American artist known for paintings and collages that work across the spectrum of modernist abstraction and representational imagery. Her work explores the interconnectedness of human, botanical and inorganic systems, scientific concepts and ecological concerns. She has been awarded Guggenheim and National Endowment for the Arts fellowships and her work belongs to the public collections of the Metropolitan Museum of Art, Art Institute of Chicago and Des Moines Art Center, among other institutions. She lives and works in Iowa City and is Professor Emerita of Art at the University of Iowa.
Richard Loving (1924–2021) was an American artist and educator, primarily based in Chicago, Illinois. He gained recognition in the 1980s as a member of the "Allusive Abstractionists," an informal group of Chicago painters, whose individual forms of organic abstraction embraced evocative imagery and metaphor, counter to the dominant minimalist mode. He is most known for paintings that critics describe as metaphysical and visionary, which move fluidly between abstraction and representation, personalized symbolism taking organic and geometric forms, and chaos and order. They are often characterized by bright patterns of dotted lines and dashes, enigmatic spatial fields, and an illuminated quality. In 2010, critic James Yood wrote that Loving's work "mull[ed] over the possibilities of pattern and representation, of narrative and allegory" to attain a kind of wisdom, transcendence and acknowledgement of universals, "seeking understanding of self within the poetics of the physical world."