| Cherry | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | September 1972 [1] | |||
| Recorded | May 17–18 & 24, 1972 | |||
| Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
| Genre | Soul-jazz Hard bop | |||
| Length | 37:49original LP | |||
| Label | CTI CTI 6017 | |||
| Producer | Creed Taylor | |||
| Stanley Turrentine chronology | ||||
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| Milt Jackson chronology | ||||
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| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
Cherry is a 1972 album by saxophonist Stanley Turrentine featuring Milt Jackson.
Milton Jackson, nicknamed "Bags", was an American jazz vibraphonist. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with hard bop and post-bop players.
Stanley William Turrentine was an American jazz tenor saxophonist and record producer. He began his career playing R&B for Earl Bostic and later soul jazz recording for the Blue Note label from 1960, touching on jazz fusion during a stint on CTI in the 1970s. He was described by critic Steve Huey as "renowned for his distinctively thick, rippling tone [and] earthy grounding in the blues." In the 1960s Turrentine was married to organist Shirley Scott, with whom he frequently recorded, and he was the younger brother of trumpeter Tommy Turrentine, with whom he also recorded.
Paul Nelson Humphrey was an American jazz and R&B drummer.
Aretha is the debut studio album by American singer-songwriter Aretha Franklin, released on February 27, 1961, by Columbia Records. It features the Ray Bryant Combo. The album is Aretha's first release for Columbia, and is also known under its working title Right Now It's Aretha. Following in the footsteps of her close friend Sam Cooke, Aretha was "discovered" by famed Columbia Records producer John H. Hammond, who on the liner notes of the 1973 edition of "The Great Aretha Franklin: The First 12 Sides" mentions that she was in fact recommended by the composer Curtis Reginald Lewis. With the support of her father, Reverend C.L. Franklin, Aretha traveled to New York City's Columbia Record Studios to record her debut album for the label. Hammond paired Aretha Franklin with Ray Bryant and arranger J. Leslie McFarland, while taking charge of the album's production, which received mixed reviews.
The Sugar Man is an album by Stanley Turrentine. The recording is a compilation of four separate dates, each with different conductors, arrangers and other personnel. The album was recorded in 1971 after his successful debut, Sugar for the CTI label, but not released until 1975 after Turrentine had left for Fantasy Records.
A Tribute to Oscar Peterson – Live at the Town Hall is a 1997 live album by Oscar Peterson, and featuring various artists paying tribute to Peterson.
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Easy Walker is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1966 and performed by Turrentine with McCoy Tyner, Bob Cranshaw and Mickey Roker. One additional track from an unreleased session arranged by Duke Pearson was added to the original CD release and another four bonus tracks recorded in 1969 and originally released on Ain't No Way were added to the 1997 CD reissue.
The Return of the Prodigal Son is an album by jazz saxophonist Stanley Turrentine consisting of two sessions recorded for the Blue Note label in 1967 and arranged by Duke Pearson featuring McCoy Tyner.
The Look of Love is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1968 and arranged by Duke Pearson and Thad Jones.
Wonderland is an album by jazz saxophonist Stanley Turrentine, his second recorded for the Blue Note label following his return to the label in 1984, featuring four performances of tunes associated with Stevie Wonder by Turrentine with Don Grusin, Ronnie Foster, Mike Miller, Abe Laboriel, Harvey Mason, and Paulinho Da Costa with guest appearances by Wonder and Eddie del Barrio.
Salt Song is an album by jazz saxophonist Stanley Turrentine recorded for the CTI Note label featuring performances by Turrentine with an orchestra arranged by Eumir Deodato. The CD rerelease added another track.
Up with Donald Byrd is an album by American trumpeter Donald Byrd featuring performances by Byrd with Jimmy Heath, Stanley Turrentine, Herbie Hancock and Kenny Burrell recorded in 1964. It was released on the Verve label in 1965 as V/V6 8609.
Easy Living is an album by American saxophonist Ike Quebec recorded in 1962, but not released on the Blue Note label until 1987. The album collects all the material recorded in January 1962, five tracks from which were released in 1981 as Congo Lament.
A Tribute to Brother Weldon is a tribute album to jazz musician Weldon Irvine by hip hop producer Madlib's Jazz project under the alias of Monk Hughes. The album features music by Weldon Irvine and was released in 2004 following his death in 2002. It was released on Stones Throw Records in CD format. The track "Time" was previewed by Madlib at Red Bull Music Academy 2002 in São Paulo, Brazil.
Sunflower is an album by vibraphonist Milt Jackson recorded in 1972 and released on the CTI label. Assisting Jackson are trumpeter Freddie Hubbard, a star-studded rhythm section composed chiefly of Miles Davis alumni, and, on the first track, string and woodwind accompaniment, courtesy of Don Sebesky.
Gene Orloff was an American violinist, concertmaster, arranger, contractor and session musician.
The Man with the Sad Face is an album by jazz saxophonist Stanley Turrentine recorded for the Fantasy label in 1976 and featuring performances by Turrentine with an orchestra arranged and conducted by David Van De Pitte. The album consists of Turrentine's versions of many current pop and disco hits.
Everybody Come On Out is an album by jazz saxophonist Stanley Turrentine recorded for the Fantasy label in 1976 and featuring performances by Turrentine with an orchestra arranged and conducted by Wade Marcus. The album consists of Turrentine's versions of many current pop hits.
Hubert Laws is an American flutist and saxophonist with a career spanning over 50 years in jazz, classical, and other music genres. He is one of the most recognized and respected jazz flutists in the history of jazz. Laws is one of the few classical artists who has also mastered jazz, pop, and rhythm-and-blues genres, moving effortlessly from one repertory to another.
