Chicago '94 | ||||
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Live album by | ||||
Released | July 31, 2012 | |||
Recorded | June 18, 1994, November 25, 1994 | |||
Genre | Rock | |||
Label | JEMP | |||
Producer | Phish | |||
Phish chronology | ||||
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Chicago '94 is a live album by the rock band Phish. It contains two complete concerts on six CDs, and was recorded at the UIC Pavilion in Chicago, Illinois on June 18 and November 25, 1994. It was released by JEMP Records on July 31, 2012. [1] [2] [3]
Review scores | |
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Source | Rating |
Allmusic | [1] |
On Allmusic, Fred Thomas wrote, "These two-track soundboard recordings (remastered for this release) find Phish in one of their more playful and energetic times, rising to the height of their popularity and playing together with almost telepathic synchronicity. They were also at some of their most athletic levels of playing, with set lists full of their most frenetic tunes and most epic jams.... These shows are absolutely on fire, and a clear choice for the kind of expansive retroactive issue that warrants a six-disc box set.... [T]he level of energy put forth over the course of Chicago '94 is undeniable, and the high points are some of the most brilliant in the band's catalog." [1]
On All About Jazz, Doug Collette said, "[T]his six-CD set — like the similarly conceived Hampton/Winston-Salem '97 (JEMP, 2011) — makes its statement through the largely brilliant musicianship contained therein, with virtually no accompanying content to place it in a historical perspective. Chicago '94 evinces a continuity in the content with its sound check filler (a misnomer when workouts on Led Zeppelin's "How Many More Times" become functional in recurring teases), thus fully presenting a broad view of this band's evolution at approximately ten years past its original formation." [4]
In The Maine Edge , Mike Dow wrote, "The stage offered complete freedom and an audience willing to go wherever the band felt like taking them. The two shows featured on Chicago '94, recorded on June 18 and November 25 of 1994 at the UIC Pavilion, reveal a band in peak form — completely in sync, in good humor and confident that, if one of them fell, the other three would be there to catch them. If the entire band fell, they knew the audience would forgive them.... Keith Richards once said, 'On any given night it's a different band that's the greatest rock and roll band in the world.' Chicago '94 is evidence that, for those two nights, Phish could have claimed the title." [5]
Phish
Production
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