Album details
Many of the album's songs were written as a direct reaction to the pop success of the band's previous LP East and feature unusual, experimental arrangements. Singer Barnes said, "the whole band, particularly Don, decided to revolt against the pop formula when we made Circus Animals." [7] Walker said, "There was no way of improving what we'd done on East, so we had to think of new things to try." [8] Elsewhere, he added, "If we’d taken those same set of lessons and applied them to the same sort of record it would’ve got more slick and lost the spontaneity. The only way to remain fresh is to smash all those rules, go back and start something else. Maybe bring that to fruition or maybe you’ll fail." [9] Barnes noted, "It's not way out, not ridiculously experimental. It's all been done before, just not by us." [10]
The "new sound" was described as, "made up of greater rhythmic diversity, looser song structures, that [were] less constricting for live performances" [10] Critics noticed that the, "intricate drum patterns imposed a heavy bottom-end groove." [7] Walker said, "Steve and I were doing a lot of experimenting in the studio with rhythms based on toms- just big tom sounds repeated over and over again. So that turned up on "Taipan", "Numbers Fall" and "Wild Colonial Boy"." [11] In the lead up to the recording, the band was playing concerts in pubs and clubs in regional centres such as Wollongong and Newcastle. Band members were encouraged to improvise and change song structures. Barnes said, "It was a really loose free-form thing. We were developing and changing the songs every night to suit the atmosphere we were in." [7] Walker noted, "A song like "Taipan" you can do just about anything you like and it won't fall apart." [12]
Producer Opitz said of the band's reaction to East, "Don came to me six months later and said, “I never want to have another commercial album again.” Which I thought was really funny, because what the fuck? Don said he didn’t want to do another commercial album, but thank God for Steve Prestwich." [13] Walker said, "With Steve demoing such melodic songs - it didn't matter what we did to them, they were going to be extremely melodic, accessible songs - I felt no pressure to write commercial. I didn't try to write singles, tight arrangements or anything. I had a bit of an indulge." [11] Barnes added, "Immediately we had success, Don went dark." [14]
Lyrically, Walker said, "In the space of 18 months with bits of pieces of tape and stray lines there were maybe three or four things I was writing about. Obviously there's something which has been obsessing me about taking chances or not, although I didn't realise it at the time it was worrying me." [12]
The first single "You Got Nothing I Want" was written by singer Jimmy Barnes about the lack of interest shown in them by their American label rep during the band's 1981 US tour. "Bow River" was a song by guitarist Ian Moss, written about a sheep station in the Northern Territory where his brother Peter had once worked. The song was included as the B-side to the Australian version of the single for Forever Now [15] but proved so popular that it was often played on radio in its own right. "When the War Is Over" was written by drummer Steve Prestwich and has been covered numerous times by Little River Band, John Farnham, Uriah Heep, Cosima De Vito and Something for Kate. "Letter to Alan" was dedicated to a former member of the band's road crew, Alan Dallow, who died in a truck accident.
Mark Opitz later said, "We were doing a mountain of coke during the Circus Animals sessions. We would do monster lines of coke and then the band members would go in to do their parts. I remember one time my head turned into a helicopter and I was about to lift off and go through the control room roof." [16]
The album cover was shot by Peter Levy. Barnes said, "This caravan we towed out to Lake Eyre for the photo shoot and when we finished, we left it there. It was about 40 degrees, it was brutal." [17] Don Walker said of the location, "I wanted something that was Australian and couldn't be mistaken for anywhere else. A wide flat space with a caravan on it." [10]
Five of the album's ten songs were later covered for the 2007 tribute album Standing on the Outside : "You Got Nothing I Want" (Alex Lloyd), "Bow River" (Troy Cassar-Daley), "Forever Now" (Pete Murray), "Houndog" (You Am I) and "When the War is Over" (Something for Kate).
On Friday 22 July 2011, all of Cold Chisel's albums were re-released as remastered 'Collector's Editions'. They became available for iTunes download for the very first time. The album re-entered the Australian charts for one week, at number 46. [3]
Reception
Circus Animals was listed at No. 4 in the book, 100 Best Australian Albums , in October 2010. [7] In 2011, it was voted the 75th greatest Australian album by industry pundits at Triple J. [19] Juice magazine rated it the 17th greatest album of all time. [20]
Adrian Zupp gave the album a rating of four and a half out of five at allmusic. He described it as, "A ten-song stew of the band's signature guitar-and-piano-driven ballads and rockers [that] further confirmed Chisel's depth and breadth as a creative unit." He went on to describe the highlights as, ""Houndog", a gripping, grueling riff-fest road song; the strip-club, tom-tom beat of the slinky "Numbers Fall"; the bent-halo ballad "When the War Is Over"; and the coup de grâce, the coke-frenzy-rock of the mini-epic "Letter To Alan"." [18]
Critic Toby Creswell described Circus Animals as, "a really extraordinary piece of work, as though John Steinbeck, Henry Lawson, Manning Clarke and Jerry Lee Lewis formed a band." He went on to single out "Wild Colonial Boy", "because it so brilliantly encapsulated the Australian experience," and "Houndog", "because it has a completely mad structure but it too goes to the heart of the Australian wanderlust." [21] Roadrunner claimed the band, "revel in their Australianness, and seem to capture a lot of the hard edge of this country." [22]
The Age also gave a positive review, saying, "I regarded Cold Chisel as over-rated when they first hit the scene with a splash, but they have established themselves as a consistent, powerful outfit, with strong instrumentals, vocals and writing. All these qualities have come together on Circus Animals, for the first time." [23]
Given an "A" rating in Canada's Windsor Star, the reviewer noted, "This is heavy metal at its painful best. Jim Barnes screams like other hard rockers, but never for shallow effect, he has real emotive strength. Guitarist Ian Moss shifts into overdrive with the grace of an Indy professional and Walker's insightful lyrics give the music weight." [24] New Zealand magazine Rip It Up said, "Barnes has no peers in the shouting stakes, yet tempers this with delicacy when required. On any assessment, Circus Animals is a triumph." [25]
Reviewed in Rolling Stone Australia at the time of its release, Circus Animals was described as, "a deeply flawed masterpiece, brilliant not so much in spite of the flaws but because of them." The reviewer went on to say, "from the hot, barren coastal highway to the sloping indifference of Kings Cross, these are Australian blues." Particular mention was made of the song "Wild Colonial Boy", which is said to be, "the most overtly political statement from an Australian rock artist in years." [26]
Cold Chisel are an Australian pub rock band, which formed in Adelaide in 1973 by mainstay members Ian Moss on guitar and vocals, Steve Prestwich on drums and Don Walker on piano and keyboards. They were soon joined by Jimmy Barnes on lead vocals and, in 1975, Phil Small became their bass guitarist. The group disbanded in late 1983 but subsequently reformed several times. Musicologist Ian McFarlane wrote that they became "one of Australia's best-loved groups" as well as "one of the best live bands", fusing "a combination of rockabilly, hard rock and rough-house soul'n'blues that was defiantly Australian in outlook."
Ian Richard Moss is an Australian rock musician from Alice Springs. He is the founding mainstay guitarist and occasional singer of Cold Chisel. In that group's initial eleven year phase from 1973 to 1984, Moss was recorded on all five studio albums, three of which reached number one on the national Kent Music Report Albums Chart. In August 1989 he released his debut solo album, Matchbook, which peaked at number one on the ARIA Albums Chart. It was preceded by his debut single, "Tucker's Daughter", which reached number two on the related ARIA Singles Chart in March. The track was co-written by Moss with Don Walker, also from Cold Chisel. Moss had another top ten hit with "Telephone Booth" in June 1989.
"Khe Sanh" is the debut single by Australian rock band Cold Chisel, released in May 1978 as a 45 rpm single, and named after the district capital of Hướng Hóa District, Quảng Trị Province, Vietnam. Written by pianist Don Walker, "Khe Sanh" concerns an Australian Vietnam veteran dealing with his return to civilian life. According to Toby Creswell's liner notes for the band's 1991 compilation album Chisel, the song is also a story of restless youth.
"Flame Trees" is a song by Australian pub rock band Cold Chisel from their 1984 album Twentieth Century. One of their best known songs, it was written by drummer Steve Prestwich and keyboardist Don Walker. On its release it reached No. 26 on the Kent Music Report Singles Chart. It resurfaced in August 2011 due to download sales, peaking at No. 54 on the ARIA chart.
The Last Wave of Summer is the sixth studio album by Australian pub rock band, Cold Chisel. It was released in October 1998 and reached number-one on The Australian ARIA Charts. It was the band's first studio album in 14 years.
Cold Chisel is the debut album of Australian pub rock band Cold Chisel. Released in April 1978, it spent 23 weeks in the Australian charts, peaking at number 38.
"When the War Is Over" is a power ballad of Australian band Cold Chisel from their 1982 album Circus Animals. The song was written by drummer Steve Prestwich and issued as the third single from the album, peaking at number 25 on the national singles chart, and also resurfaced in August 2011 due to download sales.
You're Thirteen, You're Beautiful, and You're Mine is a live EP by Australian pub rock band Cold Chisel, recorded at the Regent Theatre in Sydney in October 1978, and released in November. After a long period of unavailability, the EP was re-released as a bonus disc with the second pressing of the compilation album Chisel (1991). The EP was later made available digitally, as well as reissued on disc in 2011.
East is the third studio album by Australian pub rock band Cold Chisel, released in June 1980. The album peaked at No. 2 and spent 63 weeks on the national chart. It was the biggest-selling Australian album release of the year. It was the only Cold Chisel album to chart in America, reaching 171 on the Billboard 200. It also reached number 32 on the New Zealand charts.
Swingshift is a live album released by Australian band Cold Chisel in 1981. It was their first album to reach No. 1 on the Australian chart, debuting there in its first week. It peaked at number 9 in New Zealand. A press release said the title referred to, "the midnight to dawn shift that the staff in asylums dread: the hours when the crazies go crazy."
Twentieth Century is the fifth and final studio album by Australian band Cold Chisel until the group reformed in 1998. The album was written and recorded over various sessions during the period of the band's break-up and during breaks in their final tour. It was released in early 1984 and peaked at No. 1 on the Australian albums chart, their third consecutive album to do so. It charted for a total of 46 weeks.
The Barking Spiders Live: 1983 is a live album by Australian rock band Cold Chisel. It was recorded during the final performances of their Last Stand tour in 1983, at the Sydney Entertainment Centre. The name of the album derives from a name the band used occasionally when playing warm-up shows before tours. Don Walker states a "barking spider" is "Scottish slang for a fart."
"My Baby" is a 1980 single from Australian rock band Cold Chisel, the third released from the album East and the first of the band's singles not to be written by pianist Don Walker. This was the only track credited solely to bass player Phil Small on any of the band's albums apart from "Notion For You" on the 1994 rarities album Teenage Love.
"You Got Nothing I Want" is a 1981 single from Australian rock band Cold Chisel, the first released from the album Circus Animals. One of the band's heaviest and most aggressive songs, it was written by singer Jimmy Barnes in response to the treatment they received at the hands of a record company executive during a U.S. tour earlier in the year. Don Walker said, "After we came back, Jim wrote 'You Got Nothing I Want' more or less as a personal tribute to Marty Schwartz." "You Got Nothing I Want" was also the first song on the album and representative of the different sound Cold Chisel was attempting on Circus Animals in a conscious effort to move away from the slick commercial pop rock of East. It spent 19 weeks in the national charts, peaking at number 12.
"Choirgirl" is a song by Australian rock band Cold Chisel, released as the lead single from their third studio album East (1980) in November 1979. A ballad written by Don Walker with an R&B influenced melody, the song marked the first time the band had recorded with producer Mark Opitz. It peaked at No. 14 in Australia on the Kent Music Report.
"Forever Now" is a song by Australian rock band Cold Chisel. The second single from the album Circus Animals, it was the first Cold Chisel single to be written by Steve Prestwich. The song reached number two in New Zealand and number four in Australia, becoming the band's highest chart placement. In the United States, the song was titled "Forever Now ".
No Plans is the seventh studio album by Australian rock band Cold Chisel. It was released on 6 April 2012 and was the band's first studio album in 14 years. It features the final recorded performances by drummer Steve Prestwich, who died of a brain tumour in January 2011. The album peaked at number 2 on the Australian charts.
"Cheap Wine" is a 1980 single from Australian rock band Cold Chisel. The second single from the album East, it was released in May, a month before the album. It reached number 8 on the Australian charts, the band's first top-ten single, and would eventually remain the band's second highest chart performance. It has been described as, "one of Don's finest commercial songs."
"Goodbye " is a 1978 single from Australian rock band Cold Chisel. Written by keyboardist Don Walker and vocalist Jimmy Barnes, it was released as a single in 1978, peaking at number 65 on the Australian charts. It appeared as a track on the 1979 album Breakfast at Sweethearts.
The Perfect Crime is the eighth studio album by Australian rock band Cold Chisel. It was released on 2 October 2015. It was the first album not to feature a contribution from drummer Steve Prestwich, who died of a brain tumour in January 2011. The album peaked at number 2 on the Australian charts and number 7 in New Zealand.
