Mark Opitz | |
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Born | 1952 (age 70–71) Melbourne, Victoria, Australia |
Origin | Sydney, New South Wales, Australia |
Genres | Rock |
Occupation(s) | Record producer, audio engineer |
Years active | 1971–present |
Website | markopitz |
Mark Opitz AM (born 1952) is an Australian record producer and audio engineer. He started his career with Australian Broadcasting Corporation (ABC) in 1971. He has produced AC/DC, the Angels, Australian Crawl, Cold Chisel, Divinyls and INXS. He has won the ARIA Award for Producer of the Year in 1987 and 1988. He had previously won Best Australian Producer at the Countdown Awards for his work in 1980, 1982, 1985 and 1986. On 8 June 2020 he was appointed a Member of the Order of Australia (AM) for "significant service to the performing arts, particularly to music production." [1] In August of that year he was listed as one of The 7 Most Influential Music Producers of All Time by Mixdown Magazine's David Tomisch and Will Brewster.
Mark Opitz was born in Melbourne in 1952. [2] [3] His mother Shirley, his father and an older sibling had moved from Darwin in the early 1950s to suburban Upwey and then Croydon. [2] During childhood his parents separated, he remained with his mother, living in Burwood. She worked as a nurse. [2] His neighbour and best friend was Kym Gyngell. [2] The family relocated to Brisbane when his parents were briefly reconciled. [2] [3] After the couple separated again Opitz and his sibling were cared for by various people before being placed in the Margaret Marr Memorial Home for Boys in Wynnum – run by the Methodists. [2] While there he was subjected to emotional and physical abuse by the staff and bullying by fellow boarders. [2] After leaving the boys home he relocated to Sydney in the early 1970s. He has four children from his two marriages. [2] As from 2012 Opitz was married to Natalie (his second wife): they met in November 1998 at the Mushroom 25 Concert. [4]
Opitz started his career at the Australian Broadcasting Corporation's ABC TV in Sydney in 1971 as a studio trainee working on children's TV show Mr. Squiggle and rock music series GTK . [3] Initially he aspired to be a programme director, "I started as a cameraman. I worked on music shows." [4] He became an audio engineer. [5] In order to become a record producer he transferred to EMI in 1974 working in the mastering department. [4] By 1976 he was label manager for EMI's Australian division of Capitol Records. [4] [6] He worked as assistant producer for EMI's in-house productions. [4]
Opitz took a position as Vanda & Young's apprentice producer at EMI Studios 301 in Sydney in 1977. Under their tutelage he worked with Albert Productions artists AC/DC, Rose Tattoo, John Paul Young and Flash and the Pan. He developed his production skills as an audio engineer, mixing engineer and record producer. His early producing jobs were on the Angels' albums Face to Face (1978) and No Exit (1979). [7] [8] [9] He assisted the Angels to develop their signature sound with thick guitars, which dominated Australia's 1980s airwaves. [9] [10]
Warner Music's management offered Opitz the position as Head of A&R during 1980, while he was producing the East album for Cold Chisel. As A&R he signed Billy Field and Divinyls to the label. He also produced further albums for Cold Chisel, Richard Clapton, Swanee and the Hitmen. [7] He left Warner in 1982 to buy Rhinoceros Studios in Sydney, with a commercial partner, and set up his own production company. Over the next five years he produced albums for Jimmy Barnes, INXS, Models, Hoodoo Gurus, Australian Crawl, Noiseworks and the Reels. [7] [8] During the 1980s Opitz won Australian music industry awards for his production work on six occasions: Best Australian Producer at the Countdown Awards for 1980, 1982, 1985 and 1986; [11] as well as Producer of the Year at the ARIA Music Awards of 1987 and the following year. [12] [13]
Opitz was based primarily in the United States and Europe during the 1990s while working with international artists. However, he produced more INXS studio albums Welcome to Wherever You Are (1992) and Full Moon, Dirty Hearts (1993). [7] He had accompanied the group on their international tour, which resulted in the live album, Live Baby Live (1991), as well as Live at Wembley Stadium 1991 from their performance at Wembley Stadium. In the late 1990s Michael Gudinski of Mushroom Records invited Opitz to join his executive team and oversee Australian music recording projects in readiness for the sale of Gudinski's label to News Limited. Opitz worked in various facets of Mushroom Records' business interests and produced the Mushroom 25th Anniversary series of concerts, albums and TV/VHS specials in 1998.
Opitz is included in Billboard's All Time Top "Producer Encyclopaedia", which covers all genres of music. He worked with Bob Dylan on latter's Academy Award ceremony performance of "Things Have Changed" from the movie The Wonder Boys and on Kiss and Melbourne Symphony Orchestra's recording Kiss Symphony: Alive IV (2003). He has also worked with Lenny Kravitz, Ray Charles and the Beach Boys. Opitz' company The Best Seat in the House produced the INXS DVD/TV special I'm Only Looking for international release through Warner Music in the US and Universal Music for the rest of the world. This project included many interviews, mini-documentaries as well as music videos and live performance footage. He also produced the music for Kiss' US TV special/DVD release Rock the Nation in 2006 and Paul Stanley's solo project in 2007. He produced albums for Rose Tattoo, Jeff Lang, and Monique Brumby.
As of 2011 Opitz was a full voting member in all categories of both ARIA Awards in Australia and Grammy Awards in the US. He developed music programmes by merging various music genres for rock group Bad//Dreems from Adelaide. [14] In 2016, the Australian National University (ANU) spent $12 million to establish their School of Music with Opitz as a Visiting Fellow of that department. [15] In August 2017 he was listed as one of The 7 Most Influential Music Producers of All Time by Mixdown Magazine's David Tomisch and Will Brewster. [10]
Year | Artist(s) | Work | Role(s) | Ref. |
---|---|---|---|---|
1977 | John St Peeters | "Summer of Love" (single) | Producer | [16] |
Reg Lindsay | Silence on the Line | Engineer | [17] | |
AC/DC | Let There Be Rock | Engineer | [8] | |
1978 | The Angels | Face to Face | Engineer, producer | [7] [8] |
The Angels | After the Rain – The Tour (EP) | Producer | [7] | |
AC/DC | Powerage | Engineer | [8] | |
1979 | The Angels | No Exit | Engineer, producer | [7] [8] |
The Reels | The Reels | Engineer, producer | [7] [8] | |
The Angels | Out of the Blue (EP) | Producer | [7] | |
1980 | Cold Chisel | East | Engineer, producer | [7] [8] |
Swanee | Into the Night | Producer | [7] | |
1981 | The Hitmen | The Hitmen | Producer | [7] |
Cold Chisel | Swingshift | Mixer, producer | [7] [8] | |
1982 | Richard Clapton | The Great Escape | Producer | [7] |
Divinyls | Monkey Grip EP | Producer | [7] [8] | |
Cold Chisel | Circus Animals | Engineer, producer | [7] [8] | |
INXS | Shabooh Shoobah | Engineer, producer | [7] [8] | |
Swanee | This Time Its Different | Producer | [7] | |
1983 | Australian Crawl | Semantics (EP) | Producer | [7] [8] |
Divinyls | Desperate | Producer | [7] [8] | |
INXS | Dekadance | Engineer, mixer, producer | [8] [18] | |
1984 | Cold Chisel | Twentieth Century | Engineer, mixer | [8] |
Eurogliders | This Island | Producer | [7] [8] | |
Richard Clapton | Solidarity | Producer | [7] | |
Jimmy Barnes | Bodyswerve | Engineer, mixer, producer | [7] [8] | |
Mental As Anything | "Apocalypso (Wiping the Smile Off Santa's Face)" (single) | Producer | [7] | |
Cold Chisel | Barking Spiders Live: 1983 | Producer | [7] [8] | |
Deckchairs Overboard | "Walking in the Dark" (single) | Producer | [7] | |
1985 | Divinyls | What a Life! | Producer | [7] [8] |
Flame Fortune | Flame Fortune (12" EP) | Producer | [7] [18] | |
The Venetians | Step off the Edge | Producer | [7] | |
Models | Out of Mind, Out of Sight | Mixer, producer | [7] [8] | |
Deckchairs Overboard | Deckchairs Overboard | Producer | [7] | |
Jimmy Barnes | For the Working Class Man | Producer | [7] [8] | |
1986 | INXS and Jimmy Barnes | "Good Times" (single) | Producer | [7] |
Spaniards | Locked in a Dance | Producer | [7] | |
Models | Models' Media | Producer | [7] | |
1987 | Hoodoo Gurus | Blow Your Cool! | Producer | [7] [8] |
Noiseworks | Noiseworks | Producer | [7] [8] | |
INXS | Kick | Mixer, remaster | [8] | |
Jimmy Barnes | Freight Train Heart | Producer | [7] [8] | |
Mental As Anything | Mouth to Mouth | Mixer | [8] | |
1988 | The Saints | Prodigal Son | Mixer | [8] |
The Venetians | Amazing World | Producer | [7] | |
1989 | The Ocean Blue | The Ocean Blue | Producer | [8] |
Mental As Anything | Cyclone Raymond | Producer | [7] [8] | |
Cats in Boots | Kicked & Klawed | Producer | [8] | |
Scary Bill | Scary Bill | Producer | [7] | |
1990 | Steelheart | Steelheart | Producer | [7] |
Red House | Red House | Producer | [8] | |
INXS | X | Remaster, remixer | [8] | |
1991 | INXS | Live Baby Live | Mixer, producer | [8] |
Roxus | Nightstreet | Producer | [7] | |
1992 | 1927 | 1927 | Producer | [7] |
INXS | Welcome to Wherever You Are | Producer, remaster, remixer | [7] [8] | |
Ghost of an American Airman | Life Under Giants | Mixer, producer | [8] | |
1993 | INXS | Full Moon, Dirty Hearts | Mixer, producer | [7] [8] |
1994 | INXS | "The Strangest Party (These Are the Times)" (single) | Producer | [8] |
1997 | Inqbator | Hatched | Mixer, producer | [8] |
1998 | Hunters & Collectors | Juggernaut | Mixer, producer | [7] [8] |
Paul Kelly | Words and Music | Producer, remixer | [7] [8] | |
1999 | Deadstar | Somewhere Over the Radio | Producer | [7] |
Jimmy Barnes | Love and Fear | Engineer, mixer, producer | [7] [8] | |
Little Angels | Little of the Past | Producer | [8] | |
2002 | Broklyn Run | Brooklyn Run | Producer | [8] |
Jimmy Barnes | Raw | Mastering, mixer | [8] | |
2003 | Kiss | Kiss Symphony: Alive IV | Mixer, producer | [8] |
2007 | Rose Tattoo | Blood Brothers | Photographer, producer | [8] |
Billy Thorpe | Solo – The Last Recordings | Producer | [8] | |
2008 | Paul Stanley | One Live Kiss | Mixer | [8] |
2009 | Jeff Lang | Chimeradour | Producer | |
2012 | Sunset Riot | Uprising | Producer | |
2013 | Owen Campbell | The Pilgrim | Producer | [19] |
2017 | Black Aces | Anywhere But Here | Producer | [20] [21] |
2020 | Rose Tattoo | Outlaws | Engineer, mixer, producer | [8] [22] |
The ARIA Music Awards is an annual awards ceremony that recognises excellence, innovation, and achievement across all genres of Australian music. They commenced in 1987.
Year | Nominee / work | Award | Result |
---|---|---|---|
1987 | himself [23] | Producer of the Year | Won |
1988 | himself [24] | Producer of the Year | Won |
Countdown was an Australian pop music TV series on national broadcaster ABC-TV from 1974–1987, it presented music awards from 1979–1987, initially in conjunction with magazine TV Week . The TV Week / Countdown Awards were a combination of popular-voted and peer-voted awards. [11]
Year | Nominee / work | Award | Result |
---|---|---|---|
1980 | himself for East by Cold Chisel | Best Australian Producer | Won |
1982 | himself | Best Australian Producer | Won |
1984 | himself for work with Australian Crawl, INXS & Divinyls | Best Australian Producer | Nominated |
1985 | himself | Best Australian Producer | Won |
1986 | himself | Best Australian Producer | Won |
Cold Chisel are an Australian pub rock band, which formed in Adelaide in 1973 by mainstay members Ian Moss on guitar and vocals, Steve Prestwich on drums and Don Walker on piano and keyboards. They were soon joined by Jimmy Barnes on lead vocals and, in 1975, Phil Small became their bass guitarist. The group disbanded in late 1983 but subsequently reformed several times. Musicologist Ian McFarlane wrote that they became "one of Australia's best-loved groups" as well as "one of the best live bands", fusing "a combination of rockabilly, hard rock and rough-house soul'n'blues that was defiantly Australian in outlook."
Michael Kelland John Hutchence was an Australian musician, singer-songwriter and actor. Hutchence co-founded the rock band INXS, which sold over 75 million records worldwide and was inducted into the ARIA Hall of Fame in 2001. He was the lead singer and lyricist of INXS from 1977 until his death.
INXS were an Australian rock band, formed as The Farriss Brothers in 1977 in Sydney, New South Wales. The band's founding members were bassist Garry Gary Beers, main composer and keyboardist Andrew Farriss, drummer Jon Farriss, guitarist Tim Farriss, lead singer and main lyricist Michael Hutchence, and guitarist and saxophonist Kirk Pengilly. For 20 years, INXS was fronted by Hutchence, whose magnetic stage presence made him the focal point of the band. Initially known for their new wave/pop style, the band later developed a harder pub rock style that included funk and dance elements.
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licences and royalties.
Jennifer Patricia Morris is a New Zealand-Australian singer-songwriter. Her first success came with New Zealand band The Crocodiles, who had a top 20 hit single with "Tears". Re-locating to Sydney in February 1981, she was a backing vocalist for various groups and formed a trio, QED, in 1983.
Ian Richard Moss is an Australian rock musician from Alice Springs. He is the founding mainstay guitarist and occasional singer of Cold Chisel. In that group's initial eleven year phase from 1973 to 1984, Moss was recorded on all five studio albums, three of which reached number one on the national Kent Music Report Albums Chart. In August 1989 he released his debut solo album, Matchbook, which peaked at number one on the ARIA Albums Chart. It was preceded by his debut single, "Tucker's Daughter", which reached number two on the related ARIA Singles Chart in March. The track was co-written by Moss with Don Walker, also from Cold Chisel. Moss had another top ten hit with "Telephone Booth" in June 1989.
Richard Lowenstein is an Australian filmmaker. He has written, produced and directed: feature films, including Strikebound (1984), Dogs in Space (1986) and He Died with a Felafel in His Hand (2001); music videos for bands such as INXS and U2; concert performance films, Australian Made: The Movie (1987) and U2: LoveTown (1989); and TV adverts.
James Dixon "Jimmy" Barnes is a Scottish-born Australian rock singer. His career, both as a solo performer and as the lead vocalist with the rock band Cold Chisel, has made him one of the most popular and best-selling Australian music artists of all time.
Shabooh Shoobah is the third studio album by Australian rock band INXS. It was released on 13 October 1982. It peaked at No. 5 on the ARIA Albums Chart and remained on the chart for 94 weeks. It was the band's first album to be released worldwide and appeared on the United States Billboard 200 and on the Hot Pop Albums Chart. The album spawned four singles, "The One Thing", "Don't Change", "To Look at You" and "Black and White". It was produced by Mark Opitz for WEA Australia with most tracks written by band members Andrew Farriss and Michael Hutchence.
Andrew Charles Farriss is an Australian rock musician and multi-instrumentalist best known as the keyboardist, backing vocalist, and main composer for rock band INXS. Farriss released his debut studio album in 2021.
Richard Clapton is an Australian singer-songwriter-guitarist and producer. His solo top 20 hits on the Kent Music Report Singles Chart are "Girls on the Avenue" (1975) and "I Am an Island" (1982). He reached the top 20 on the related albums chart with Goodbye Tiger (1977), Hearts on the Nightline (1979), The Great Escape (1982) and The Very Best of Richard Clapton (1982). Clapton's highest-charting album, Music Is Love (1966–1970), peaked at number 3 on the ARIA Chart.
Charles Fisher is an Australian record producer, often referred to as "The Song Doctor." He is widely known as the producer of Savage Garden's eponymous album which yielded 10 ARIAs in 1997. "I Want You", a single from the aforementioned album also won a Channel V award in India. He has also worked with Radio Birdman, Air Supply, Hoodoo Gurus, Olivia Newton-John, Gyan, Moving Pictures, 1927, Electric Pandas, Detective Red, Soul Decision, The Radiators, The Seekers, Deep Blue Something and Ace of Base.
Circus Animals is the fourth studio album by Australian band Cold Chisel, released on 8 March 1982. It was recorded and mixed at Paradise Studios and EMI Studios 301, Sydney. It reached number one on the Australian charts, remaining in the charts for 40 weeks, and also topped the New Zealand charts. The working title for the album was "Tunnel Cunts".
"Saturday Night" is a 1984 single from Australian rock band Cold Chisel, the second released from the album Twentieth Century and the first to be issued after the band's official break-up. The vocals are shared between Ian Moss and Jimmy Barnes. It just missed out on becoming the band's third Top 10 single, stalling at number 11 on the Australian chart for two weeks, but it remains one of Cold Chisel's highest charting songs.
The First Australian Recording Industry Association Music Awards was held on 2 March 1987 at the Sheraton Wentworth Hotel in Sydney with Elton John as the host. The awards were introduced by ARIA Chairman, Paul Turner, who explained the nomination and voting procedures. Presenters of the 20 awards included Slim Dusty, Basia Bonkowski and Donnie Sutherland. The ceremony was not televised. The most successful artist was John Farnham with his album and its associated single, "You're the Voice" helping him win six awards.
"The One Thing" is a song by Australian rock group INXS, released in July 1982 as the first single ahead of their third studio album, Shabooh Shoobah, which appeared in October that year.
Vanda & Young were an Australian songwriting and producing duo composed of Harry Vanda and George Young. They performed as members of 1960s Australian rock group the Easybeats where Vanda was their lead guitarist and backing singer and Young was their rhythm guitarist and backing singer. Vanda & Young co-wrote most of the Easybeats' later hits including their international hit "Friday on My Mind" and they were the record producers for the group from 1967. Young was the older brother of Malcolm and Angus Young of the hard rock band AC/DC and also the record producer behind several of the band's biggest albums. The "Guitar George" and "Harry" who are mentioned in the Dire Straits hit song "Sultans of Swing" are George Young and Harry Vanda.
Australian pop music awards are a series of inter-related national awards that gave recognition to popular musical artists and have included the Go-Set pop poll (1966–1972); TV Week King of Pop Awards (1967–1978); TV Week and Countdown Music Awards (1979–1980); the Countdown Awards (1981–1982) and Countdown Music and Video Awards (1983–1987).
Australian Made was a festival concert series held during 1986–1987 in the six state capitals of Australia and featured local rock acts Mental as Anything, I'm Talking, The Triffids, The Saints, Divinyls, Models, INXS and even Jimmy Barnes. The series started in Hobart on 26 December 1986 and concluded in Sydney on 26 January 1987. Rock journalist Jeff Jenkins rated it as one of his 50 most significant events in Australian music history, "It wasn't a huge success, but it showed that an all-Australian festival could work." Australian Made was conceived to counter tours of international acts, like Dire Straits' 1985–1986 world tour, which were drying up funds for Australian groups. As from October 2010, the following artists have been inducted into the ARIA Hall of Fame: INXS and The Saints, Barnes, Divinyls (2006), The Triffids (2008), Mental As Anything (2009), and Models (2010).
"Choirgirl" is a song by Australian rock band Cold Chisel, released as the lead single from their third studio album East (1980) in November 1979. A ballad written by Don Walker with an R&B influenced melody, the song marked the first time the band had recorded with producer Mark Opitz. It peaked at No. 14 in Australia on the Kent Music Report.
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