INXS's third album, Shabooh Shoobah, developed after they decided in early 1982 to record a new song, "The One Thing", at their own expense, with Mark Opitz at Paradise Studios.[1] The song turned out so well that band hired Opitz to produce three more songs.[2]WEA Australia were approached with copies, leading to INXS signing a recording deal in July 1982 with WEA for releases in Australia, South East Asia, Japan and New Zealand; with sister label Atco Records (a subsidiary of Atlantic Records) for North America and with PolyGram for United Kingdom and the rest of Europe.[1][3][4][5]
Initially, INXS were not convinced that Opitz could produce an entire album that would attract international interest. Prior to recording the rest of Shabooh Shoobah, three band members, Kirk Pengilly, Michael Hutchence, and Andrew Farriss, visited the UK and United States, to select another producer. However, they found that no one they wanted was available and that most people advised them that Opitz's work on their single was as good as they could wish for.[6][1] So in mid-1982, they commenced recording at Rhinoceros Studios, with Opitz.[5] Tim Farriss felt "Mark was the first producer that was able to capture some glimmer of what the band felt it was like live. Prior to us, Mark had done bands like AC/DC, Cold Chisel, The Angels. Big guitar sounds, mighty drum beats".[1]
The name "Shabooh Shoobah", an onomatopoeia of a rhythm in the song "Spy of Love",[6][7] was coined by Tim Farriss.[8] The album's cover, featuring a naked male torso and a whippet, was the work of Michael Hutchence and photographer Grant Matthews.[8]
In October, Shabooh Shoobah was released internationally on Atlantic/Atco Records and Mercury Records, peaking at No.52 on the US Billboard 200 and No.46 on the Hot Pop Albums chart.[10][11] In Australia it peaked at No.5 on the ARIA Albums Chart and remained on the chart for 94 weeks.[12] The lead single, "The One Thing", brought their first US Top30 hit on 28 May 1983,[13] it was a Top20 hit in Canada,[14] and peaked at No.14 in Australia on 23 August 1982.[12] "One Thing" was their first video to air on the fledgling MTV and added to the chart success of the single.[2] INXS undertook their first US performance in San Diego in March 1983, to a crowd of 24 patrons.[1] The tour was as support for Adam and the Ants, then support for Stray Cats, The Kinks,[3]Hall & Oates followed by The Go-Go's.[1][2] INXS played alongside many of their contemporaries on New Wave Day in May 1983, at the US Festival in Devore, California.[15] It was during this time that Gary Grant, their co-manager, relocated permanently to New York to ensure a continual presence in the northern hemisphere.[1] The band remained on the road in the US for most of the year, including support for Men at Work and by mid-1983 were headlining venues such as The Ritz in New York.[1] In 2022, the 40th anniversary of the release of the album was marked with a digital-only Deluxe Edition with 15 bonus tracks, a clear vinyl reissue of the LP, plus the album Recorded Live at the US Festival 1983 on CD and LP, featuring performances of nine of its 10 songs ("Golden Playpen" was the only one left out). Four songs from that show were included in the Deluxe Edition.
Reviewed at the time of release, Rolling Stone Australia wrote "After the funk and ska of their last two albums, this one is sort of expensive tribal - a touch of the furry animal, a hint of the pagan and some gilt edging. Perhaps it's too glib to dismiss INXS as the next Duran Duran, but undeniably Shabooh Shoobah has all the hallmarks of current British pop."[19]
Rip It Up wrote "From the opening "The One Thing", it sways and swaggers through two sides of sheer musical bliss. Very ably led by vocalist Michael Hutchence, who handles all songs with an almost arrogant ease."[20]
It peaked at No.5 on the ARIA Albums Chart and remained on the chart for 94weeks. It was the band's first album to be released worldwide and appeared on the United States Billboard 200 and on the Hot Pop Albums Chart.[citation needed]
Michael Kelland John Hutchence was an Australian singer and songwriter. He was the co-founder, lead singer, and lyricist of the rock band INXS from 1977 until his death in 1997. The band sold over 50 million records worldwide, making them one of Australia's highest-selling music acts of all time. They were also inducted into the ARIA Hall of Fame in 2001.
INXS were an Australian rock band, formed as the Farriss Brothers in 1977 in Sydney. The founding members were bassist Garry Gary Beers, main composer and keyboardist Andrew Farriss, drummer Jon Farriss, guitarist Tim Farriss, lead singer and main lyricist Michael Hutchence, and guitarist and saxophonist Kirk Pengilly. For 20 years, INXS was fronted by Hutchence, whose magnetic stage presence made him the focal point of the band. Initially known for their new wave/pop style, the band later developed a harder pub rock style that included funk and dance elements.
Full Moon, Dirty Hearts is the ninth studio album by Australian rock band INXS. It was released on 1 November 1993, through East West Records in Australia and in the United Kingdom by Phonogram's Mercury Records label. and by Atlantic Records in the United States. It was followed by the Dirty Honeymoon world tour of 1993–1994.
Kick is the sixth studio album by Australian rock band INXS, released on 19 October 1987 through WEA in Australia, Mercury Records in Europe, and Atlantic Records in the United States and Canada. The album was produced by British producer Chris Thomas, recorded by David Nicholas in Sydney and Paris and mixed by Bob Clearmountain at AIR Studios in London.
Listen Like Thieves is the fifth studio album by Australian rock band INXS. It was released on 14 October 1985. It spent two weeks at number one on the Australian Kent Music Report Albums Chart. Considered an international breakthrough album for the band, it peaked at No. 11 on the United States Billboard 200, No. 24 on the Canadian RPM 100 Albums and in the top 50 in the United Kingdom.
Welcome to Wherever You Are is the eighth studio album by Australian rock band INXS, which was released on 3 August 1992. With grunge and alternative music breaking into the mainstream, INXS tried to establish a new direction for itself, incorporating sitars, a 60-piece orchestra, and a much more "raw" sound to their music. In its four-star review of the album, Q called it "... a far more engaging and heartfelt collection than anything the group has put out in recent memory ... It rocks," and listed it as one of the 50 Best Albums of 1992. It was the first album by an Australian artist to debut on the UK Albums Chart at number one since AC/DC's Back in Black, released in 1980.
The Swing is the fourth studio album by Australian rock band INXS, released on 21 March 1984. It peaked at number one on the Kent Music Report Albums Chart for five non-consecutive weeks from early April to mid-May 1984. The lead single "Original Sin" was recorded in New York City with Nile Rodgers and featured Daryl Hall on backing vocals. Overall, the album featured a slightly harder-edged sound than their previous releases.
X is the seventh studio album by Australian rock band INXS, released on 25 September 1990 through WEA in Australia, Mercury Records in Europe, and Atlantic Records in the United States and Canada. The follow-up to the massive seller Kick, X scored hits with "Suicide Blonde" and "Disappear". Both singles were later used in the soundtrack to the 1991 American teen comedy Mystery Date. Two other singles from X were "Bitter Tears" and "By My Side" but they had less chart success. A fifth single, "The Stairs", was only issued in the Netherlands to coincide with the release of the Live Baby Live album.
Live Baby Live is the first live album by Australian rock band INXS. It was released on 4 November 1991 and features tracks recorded during their Summer XS Tour in Paris, New York, Chicago, London, Dublin, Glasgow, Rio de Janeiro, Montreal, Spain, Switzerland, Melbourne, Sydney, Philadelphia, and Las Vegas. The album peaked in the top 10 on both the Australian and United Kingdom albums charts. It has sold over one million copies in the United States, earning a platinum certification by the RIAA. A single, "Shining Star", was released from and ahead of the album on 21 October. It became the group's ninth Top 40 single on the UK Singles Chart, but failed to appear on the Billboard Hot 100 in the US, despite reaching the top 20 of the rock charts.
INXS is the debut studio album by Australian rock band INXS. It was released on Deluxe Records in Australia on 13 October 1980. The band recorded the album in midnight to dawn sessions during 1979 to 1980 after performing, on average, two gigs a day at local pubs around Sydney. All tracks were credited to band members, Garry Gary Beers ; brothers Andrew, Jon (drums) and Tim Farriss ; Michael Hutchence ; and Kirk Pengilly. The album was co-produced by the band and Duncan McGuire. It spawned the single, "Just Keep Walking", which became their first Australian Top 40 hit. INXS peaked in the Top 30 of the related Kent Music Report Albums Chart. The album did not appear internationally until 1984.
Underneath the Colours is the second studio album by Australian rock band INXS. It was released in Australia in 19 October 1981 on the Deluxe Records label and reached No 15 on the Australian album charts.
Dekadance is the title of two different collections of remixes by Australian rock band INXS: a 1983 four-track 12" and cassette EP released in the United States of songs from Shabooh Shoobah; and a 1985 seven-track cassette released in Australia of songs from The Swing. The latter included a cover version of "Jackson" as a duet by INXS' Michael Hutchence with Jenny Morris, their backing singer. This compilation peaked at No. 2 on the Australian Kent Music Report Albums Chart in April 1985.
The Years 1979–1997 is a greatest hits compilation released by Australian rock band INXS on 10 December 2002. It is roughly the Australian equivalent of the American double-disc retrospective, Shine Like It Does: The Anthology (1979–1997), although it substitutes out several tracks that appeared on the American compilation in favor of later tracks like "By My Side" and "Baby Don't Cry" and full-length versions of many songs that only appeared in their single versions on the American release. This album also includes two previously unreleased tracks, which were not featured on Shine Like It Does.
Switch is the eleventh studio album by the Australian rock band INXS, and their last to be composed of entirely new material. It was released on 29 November 2005 and produced by Guy Chambers. It was their first full-length studio album since the 1997 death of vocalist Michael Hutchence, and the only album to feature singer J.D. Fortune.
Andrew Charles Farriss is an Australian rock musician and multi-instrumentalist best known as the keyboardist, backing vocalist, and main composer for rock band INXS. Farriss released his debut studio album in 2021.
"God's Top Ten" is a song by Australian band INXS, which was released as the fifth single from their eleventh studio album, Switch. The album was the first with new lead singer, J.D. Fortune, winner of the Rock Star: INXS competition. The single was released in 2006, but only in Poland and Canada as an airplay single, where it peaked at No. 18 and No. 88 respectively.
"Don't Change" is a song by Australian rock band INXS. It was released as a single from the album Shabooh Shoobah in October 1982. It has been described as the song that made the band internationally famous.
"The One Thing" is a song by Australian rock group INXS, released in July 1982 as the first single ahead of their third studio album, Shabooh Shoobah, which appeared in October that year.
INXS: Never Tear Us Apart is a two-part Australian miniseries about the rock band INXS and was originally telecast on 9 February 2014, and concluded on 16 February 2014, produced by Shine Australia and airing on the Seven Network.
"Black and White" is the tenth single by Australian rock group INXS, and the fourth and final one issued from their third studio album Shabooh Shoobah. The single was released in June 1983 by WEA. The song is a throwback to INXS's quicker-tempo new wave style; "Black and White" peaked at the 24th place in the ARIA Charts.
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