- Italian thunderbox c. 1750
- 19th Century thunderbox
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A close stool was an early type of portable toilet, made in the shape of a cabinet or box at sitting height with an opening in the top. The external structure contained a pewter or earthenware chamberpot to receive the user's excrement and urine when they sat on it; this was normally covered (closed) by a folding lid. "Stool" has two relevant meanings: as a type of seat and as human feces. Close stools were used from the Middle Ages (the Oxford English Dictionary gives the first citation as 1410) until the introduction of the indoor flush toilet.
Records of the English court mention the "close stool" and detail its construction. [1] As an example, the furniture maker and upholsterer William Green made a "close stool" in August 1537 for the Lady Mary. The stool was upholstered with crimson velvet and a silkwoman, Mistress Margery Vaughan, provided crimson silk fringes and ribbons for its decoration. Green made a leather carrying case for the stool. [2] Close stools belonging to Cardinal Wolsey were covered with scarlet cloth and black velvet. [3] Lady Jane Grey ordered crimson velvet to cover two close stools in July 1553. [4]
In Scotland, equivalent close stools appear in inventories and were sometimes called "dry stools" or "stools of ease". James V of Scotland and his daughter Mary, Queen of Scots, both owned silk canopies which were suspended from the ceiling over the stool. [5]
The close stool was sometimes called a necessary stool or a night stool. The eighteenth-century euphemism was convenience; the term was further euphemised in the nineteenth century with the term night commode, which John Gloag suggested [6] may have derived its significance from a "balance night stool" described in Thomas Sheraton's Cabinet Dictionary (London, 1803). Sheraton's design was "made to have the appearance of a small commode standing upon legs; when it is used the seat part presses down to a proper height by the hand, and afterwards it rises by means of lead weights, hung to the seat, by lines passing over pulleys at each end, all which are enclosed in a case." This appears to be the link between "commode" as an elegant article of French furniture, and "commode" as a prosaic invalid toilet. "Close stool", in turn, is itself a euphemism for toilet chair.[ citation needed ] One meaning of commode survived into the twentieth century to refer to the flush toilet; "toilet" itself originally euphemistic.
The French term for this item of furniture is a chaise percée ("pierced chair"), as it often takes the form of a chair with a seat which raises to show the opening to the pot; similar items were made specifically as a moveable bidet .
The French secretary of Mary, Queen of Scots, Claude Nau described her talking to the Countess of Huntly about their plans to escape from Holyroodhouse after the murder of David Rizzio, while she was sitting on her chaise percée. [7]
A nineteenth century development is the thunderbox.
The Groom of the Stool was a high-ranking courtier who assisted the monarch with the close stool.
Furniture refers to objects intended to support various human activities such as seating, eating (tables), storing items, working, and sleeping. Furniture is also used to hold objects at a convenient height for work, or to store things. Furniture can be a product of design and can be considered a form of decorative art. In addition to furniture's functional role, it can serve a symbolic or religious purpose. It can be made from a vast multitude of materials, including metal, plastic, and wood. Furniture can be made using a variety of woodworking joints which often reflects the local culture.
Metamorphic library steps are a type of archaic dual-use furniture, consisting of a small folding staircase that can be transformed into chair or desk form. In desk form, it can also be considered a mechanical desk.
The original Knole Settee is a couch chair that was made in the 17th century, probably around 1640. It is housed at Knole in Kent, a house owned by the Sackville-West family since 1605 but now in the care of the National Trust.
A chamber pot is a portable toilet, meant for nocturnal use in the bedroom. It was common in many cultures before the advent of indoor plumbing and flushing toilets.
A portable or mobile toilet is any type of toilet that can be moved around, some by one person, some by mechanical equipment such as a truck and crane. Most types do not require any pre-existing services or infrastructure, such as sewerage, but are completely self-contained. The portable toilet is used in a variety of situations, for example in urban slums of developing countries, at festivals, for camping, on boats, on construction sites, and at film locations and large outdoor gatherings where there are no other facilities. Most portable toilets are unisex single units with privacy ensured by a simple lock on the door. Some portable toilets are small molded plastic or fiberglass portable rooms with a lockable door and a receptacle to catch the human excreta in a container.
A commode is any of many pieces of furniture. The Oxford English Dictionary has multiple meanings of "commode". The first relevant definition reads: "A piece of furniture with drawers and shelves; in the bedroom, a sort of elaborate chest of drawers ; in the drawing room, a large kind of chiffonier." The drawing room is itself a term for a formal reception room, and a chiffonier is, in this sense, a small sideboard dating from the early 19th century.
A toilet is a piece of sanitary hardware that collects human urine and feces, and sometimes toilet paper, usually for disposal. Flush toilets use water, while dry or non-flush toilets do not. They can be designed for a sitting position popular in Europe and North America with a toilet seat, with additional considerations for those with disabilities, or for a squatting posture more popular in Asia, known as a squat toilet. In urban areas, flush toilets are usually connected to a sewer system; in isolated areas, to a septic tank. The waste is known as blackwater and the combined effluent, including other sources, is sewage. Dry toilets are connected to a pit, removable container, composting chamber, or other storage and treatment device, including urine diversion with a urine-diverting toilet.
Benjamin Goodison, of London, was a royal cabinetmaker to George II of Great Britain, supplying furnishings to the royal palaces from 1727 to the time of his death. He served his apprenticeship with James Moore, who died accidentally in October 1726; Moore was the pre-eminent London cabinetmaker during the reign of George I. Goodison's classicizing case furniture owes much of its inspiration to the neo-Palladian designs of William Kent; outstanding documented examples are the pair of part-gilded mahogany commodes and library writing-tables Goodison made for Sir Thomas Robinson of Rokeby Hall, Yorkshire, now in the Royal Collection; they have boldly-scaled Greek key fret in their friezes and lion masks gripping brass rings heading scrolling consoles at their corners.
Jean-Joseph Chapuis was a French cabinetmaker of the 18th and 19th centuries.
Since the mid-17th century, a chair-maker or chairbler is a craftsperson in the furniture trades specializing in chairs. Before that time seats were made by joiners, turners, and coffermakers, and woven seats were made by basketmakers. In 18th-century London, chair-makers might work on their own account, or within the workshop of upholders, as members of the upholstery trade were called.
Andrew Mansioun, or Mentioun or Manschone or Manson, was a French artist who worked at the court of James V, King of Scots. He was the master carpenter of the Scottish artillery for Mary, Queen of Scots and James VI of Scotland.
A commode chair, known in British English simply as a commode, is a type of chair used by someone who needs help going to the toilet due to illness, injury or disability. A commode chair sometimes has wheels to allow easy transport to the bathroom or shower. Most commode chairs have a removable pail and flip-back armrests.
The furniture of the Louis XV period (1715–1774) is characterized by curved forms, lightness, comfort and asymmetry; it replaced the more formal, boxlike and massive furniture of the Louis XIV style. It employed marquetry, using inlays of exotic woods of different colors, as well as ivory and mother of pearl.
Louis XVI furniture is characterized by elegance and neoclassicism, a return to ancient Greek and Roman models. Much of it was designed and made for Queen Marie Antoinette for the new apartments she created in the Palace of Versailles, Palace of Fontainebleau, the Tuileries Palace, and other royal residences. The finest craftsmen of the time, including Jean-Henri Riesener, Georges Jacob, Martin Carlin, and Jean-François Leleu, were engaged to design and make her furniture.
The wardrobe of Mary, Queen of Scots, was described in several contemporary documents, and many records of her costume have been published.
Caffoy was a cut pile woolen velvet material popular for upholstery. It was a decorative textile characterized by its wool pile designs, which were designed to imitate the appearance of silk velvets and damasks. It was originally made from wool and was used to imitate silk furnishing damasks. However, in the 16th century, it may have also been made from silk. Norwich, a major center for worsted weaving, was a major producer of caffoy. In 1579, it was featured alongside other contemporary fabrics such as Darnex, Mockado, and figure-sized Russel in a pageant commemorating the queen's visit to Norwich. Caffoy was` popular during the 17th and early 18th centuries.
Furniture and furnishings in early modern and late medieval Scotland were made locally or imported, mostly from Flanders and France. Although few pieces of furniture survive from the early part of the period, a rich vocabulary and typology is preserved in inventories and wills. This documentary evidence in the Scots language details the homes of the wealthy and aristocratic. Textiles and beds belonging to Mary, Queen of Scots are very well documented. Scottish wooden furniture was often carved with the initials of married couples.
A corner chair is a chair design with a four-corner seat arranged in a way that one corner, sometimes rounded, frequently with a cabriole leg, is positioned in front while the rounded or angled backrest is aligned with the two back sides of the seat.
A silkwoman was a woman in medieval, Tudor, and Stuart England who traded in silks and other fine fabrics. London silkwomen held some trading rights independently from their husbands and were exempted from some of the usual customs and laws of coverture. The trade and craft of the silkwoman was encouraged by a statute of Henry VI of England as a countermeasure to imports of silk thread, and a suitable occupation for "young gentlewomen and other apprentices".
The dressing table is a table specifically designed for performing one's toilette, intended for a bedroom or a boudoir.