"Cloud 9" | |
---|---|
Song by George Harrison | |
from the album Cloud Nine | |
Released | 2 November 1987 |
Recorded | 1987 |
Genre | Rock |
Length | 3:15 |
Label | Dark Horse |
Songwriter(s) | George Harrison |
Producer(s) | Jeff Lynne, George Harrison |
"Cloud 9" is a song by English rock musician George Harrison that was released as the opening track of his 1987 album Cloud Nine . It was also issued as a promotional single in the United States, where it peaked at number 9 on Billboard 's Album Rock Tracks chart. Co-produced by Jeff Lynne, the recording features guitar interplay between Harrison, on slide guitar, and Eric Clapton. Harrison performed the song in concert throughout his 1991 Japanese tour with Clapton and in 1992. A live version appears on Harrison's Live in Japan album, while the original studio recording was included on his 1989 compilation Best of Dark Horse .
Disillusioned by the music industry and contemporary musical trends, George Harrison spent the four years following the release of his 1982 album Gone Troppo engaged in film production with his company HandMade and enjoying leisure pursuits such as travel. [1] [2] After completing the soundtrack to the HandMade production Shanghai Surprise , he started work on a new album, with co-producer Jeff Lynne, [3] in January 1987. [4] "Cloud 9" was the first song Harrison wrote for the album, originating as far back as the winter of 1983–84. [5] Although the album was titled Cloud Nine, Harrison decided to use the numeric "9" in the song's title to avoid confusion with the Tempations' 1968 hit song "Cloud Nine". [6]
Music lecturer Ian Inglis described the theme of the song as "a declaration of altruistic love and a promise of a blissful future". [6] Harrison offers his love, time, heart and more to the listener, but allowing her to leave at any time. [6] The singer acknowledges that the listener may "make it all on your own". [6] In Harrison's description, the song "is about everybody looking for something good", and he added: "If there's any love around, you can have it, but if there's any bad about, well, I'll keep that bit from you …" [7]
The music of "Cloud 9" is similar to the blues. [5] [6] Harrison biographer Elliot J. Huntley describes it as having a "J. J. Cale meets the East" atmosphere. [8] Simon Leng, writing in his book While My Guitar Gently Weeps, describes the music as "harmonically simple" and propelled by a "pounding rock beat". [9] Leng identifies the song's raison d'être as the interaction between Harrison's slide guitar and Eric Clapton's "thick-toned Stratocaster". [9] He describes this interplay as representing a "mature conclusion" in the guitarists' long musical relationship, and a performance that "speaks of empathy, not gun-slinging competitiveness". [9] Inglis also praised the interaction between the two guitarists, as well as Jim Horn's saxophone playing. [6] Leng described the saxophone parts on "Cloud 9" as reminiscent of that on Harrison's Beatles song "Savoy Truffle". [9] Both Inglis and Leng noted that Harrison's voice is deeper on "Cloud 9" than it had been in the past, and Inglis credited this for enhancing the maturity of the song's message. [6] [9]
Inglis credited Lynne for not embellishing the song with extravagant overdubs as he used for his ELO songs. [6] Leng noted that Lynne emphasised the basic rock rhythm by incorporating the bass drum and bass guitar high in the mix. [9]
Cloud Nine was released on Harrison's Dark Horse record label on 2 November 1987, with the title song sequenced as the opening track. [10] "Cloud 9" was issued as a promotional single in the United States in early 1988. [5] It reached number 9 on the Billboard Album Rock Tracks chart. [11] In a contemporary review for Rolling Stone , David Wild described the album as an "expertly crafted, endlessly infectious record" and said that the title track was "a surprisingly hard-edged midtempo rocker that features some tastily restrained riffing from Harrison and Eric Clapton". [12] David Wagner of the Santa Cruz Sentinel paired it with "Devil's Radio" from the same album as perhaps "some of the best two-guitar rock ever recorded". [13] AllMusic critic Stephen Thomas Erlewine views it as one of the "best moments" on Cloud Nine. [14]
Harrison described "Cloud 9" as a "good opener" and "the kind of song that is not expected of me". [8] According to Huntley, Harrison underestimated the track; Huntley calls it a "great opener". [8] In Leng's opinion, the song is an "exercise in blandness", containing many "hallmarks of stadium rock nothingness" and lyrics that are "nonthreatening" and "meaningless". [9] While admiring the guitar work, however, he remarks that Harrison's "personality" is still evident, despite the generic 1980s production, and acknowledges that, after his five-year absence, "'Cloud 9' gave notice that George Harrison was back as a force to be reckoned with." [9] Harrison biographer Graeme Thomson was also unimpressed, stating that it sounded like Harrison's personality had been "surgically removed", calling the song "a generic piece of throbbing minor-key blues-rock which would have sounded equally at home on an album by Eric Clapton … or Gary Moore". [15]
"Cloud 9" was included on Harrison's 1989 compilation album Best of Dark Horse 1976–1989 . [16] Harrison played it in live performances in 1991 and 1992, including his final full live concert at Royal Albert Hall in England on 6 April 1992. [17] A live performance recorded during Harrison's 1991 Japanese tour with Clapton was included on the live album Live in Japan . [18] According to Inglis, the call and response vocals between Harrison and backing vocalists give this version a "more soulful feel" than the version on Cloud Nine. [6]
"While My Guitar Gently Weeps" is a song by the English rock band the Beatles from their 1968 double album The Beatles. It was written by George Harrison, the band's lead guitarist, as an exercise in randomness inspired by the Chinese I Ching. The song conveys his dismay at the world's unrealised potential for universal love, which he refers to as "the love there that's sleeping".
Cloud Nine is the eleventh studio album by the English rock musician George Harrison. The album was recorded and released in 1987 after Harrison had taken a five-year hiatus from his career as a solo artist. The hit single "Got My Mind Set on You" from this album re-established Harrison as a critically acclaimed and commercially significant recording artist. Cloud Nine was Harrison's final solo studio album to be released during his lifetime; his next album Brainwashed was released in 2002, almost a year after his death.
"All Things Must Pass" is a song by English rock musician George Harrison, issued in November 1970 as the title track to his triple album of the same name. Billy Preston released the song originally – as "All Things (Must) Pass" – on his Apple Records album Encouraging Words (1970) after the Beatles had rehearsed the song in January 1969 but did not include it on their Let It Be album. The composition reflects the influence of the Band's sound and communal music-making on Harrison, after he had spent time with the group in Woodstock, New York, in late 1968. In his lyrics, Harrison drew inspiration from Timothy Leary's poem "All Things Pass", a psychedelic adaptation of the Tao Te Ching.
Best of Dark Horse 1976–1989 is a compilation album by the English musician George Harrison, released in October 1989. His second compilation, after the Capitol/EMI collection The Best of George Harrison (1976), it contains songs from Harrison's releases on his Dark Horse record label between 1976 and 1987. The album also includes a 1989 single, "Cheer Down", which was Harrison's contribution to the soundtrack of the film Lethal Weapon 2, and two tracks recorded specifically for the collection: "Poor Little Girl" and "Cockamamie Business". Despite the popularity of Harrison's work over this period – both as a solo artist with his Cloud Nine album (1987), and as a member of the Traveling Wilburys – the compilation failed to achieve commercial success.
"This Guitar (Can't Keep from Crying)" is a song by English rock musician George Harrison, released on his 1975 studio album Extra Texture (Read All About It). Harrison wrote the song as a sequel to his popular Beatles composition "While My Guitar Gently Weeps", in response to the personal criticism he had received during and after his 1974 North American tour with Ravi Shankar, particularly from Rolling Stone magazine. An edit of "This Guitar" was issued as a single in December 1975, as the final release by Apple Records in its original incarnation. The single failed to chart in either the United States or Britain.
"Love Comes to Everyone" is a song by English rock musician George Harrison from his 1979 album George Harrison. It is the opening track on the album and was also issued as the second single, after "Blow Away". The song reflects Harrison's contentment in his personal life as he was soon to become a father for the first time and married his second wife, Olivia Arias. Despite its commercial qualities, and contrary to some reviewers' predictions at the time of release, the song failed to become a hit.
"Cheer Down" is a song by English musician George Harrison that was first released in 1989. The track was his contribution to the soundtrack of the film Lethal Weapon 2 and was also issued as a single. Harrison wrote the song with Tom Petty and co-produced the recording with Jeff Lynne.
"That's the Way It Goes" is a song by English musician George Harrison from his 1982 album Gone Troppo. Harrison wrote the song during a period when he had become uninterested in contemporary music and was enjoying success as a film producer with his company HandMade Films. Partly influenced by his extended holidays in Hawaii and Australia, the lyrics convey his dismay at the world's preoccupation with money and status, although, unlike several of Harrison's previous musical statements on the subject, he expresses resignation and acceptance.
"Let It Down" is a song by English musician George Harrison, released on his 1970 triple album All Things Must Pass. The recording was co-produced by Phil Spector and employs the latter's Wall of Sound production technique to lavish effect. Its brash opening and choruses contrast with the ethereal quality of the verses – a loud/soft approach that has been credited with influencing indie bands during the 1980s and 1990s.
"I Dig Love" is a song by English rock musician George Harrison from his 1970 triple album All Things Must Pass. A paean to free love, it marks a departure from the more profound, spiritually oriented subject matter of much of that album. Musically, the song reflects Harrison's early experimentation with slide guitar, a technique that he was introduced to while touring with Delaney & Bonnie and Friends in December 1969.
"Hear Me Lord" is a song by English rock musician George Harrison from his 1970 triple album All Things Must Pass. It was the last track on side four of the original LP format and is generally viewed as the closing song on the album, disc three being the largely instrumental Apple Jam. Harrison wrote "Hear Me Lord" in January 1969 while still a member of the Beatles, who rehearsed it briefly at Twickenham Film Studios that month, but passed it over for inclusion on what became their final album, Let It Be.
"Māya Love" is a song by English musician George Harrison, released on his 1974 album Dark Horse. The song originated as a slide guitar tune, to which Harrison later added lyrics relating to the illusory nature of love – maya being a Sanskrit term for "illusion", or "that which is not". Harrison's biographers consider the lyrical theme to be reflective of his failed marriage to Pattie Boyd, who left him for his friend Eric Clapton shortly before the words were written. Harrison recorded the song at his home, Friar Park, on the eve of his North American tour with Ravi Shankar, which took place in November and December 1974. The recording features Harrison's slide guitar extensively and contributions from four musicians who formed the nucleus of his tour band: Billy Preston, Tom Scott, Willie Weeks and Andy Newmark. Reviewers note the track as an example of its parent album's more diverse musical genres, namely funk and rhythm and blues, compared with the more traditional rock orientation of Harrison's earlier solo work.
"Soft Touch" is a song by English rock musician George Harrison from his 1979 album George Harrison. It was also issued as the B-side of the album's lead single, "Blow Away", in Britain and some other countries, while in markets such as North America, it was the B-side of the second single, "Love Comes to Everyone". Harrison wrote the song while in the Virgin Islands with his future wife, Olivia Arias, shortly before recording his 1976 album Thirty Three & ⅓. The song is a love song in which Harrison also conveys his wonder at the idyllic island setting.
"Devil's Radio" is a song written by George Harrison that was first released on Harrison's 1987 album Cloud Nine. It was not released commercially as a single, but a promotional single was released and the song reached #4 on the Billboard Album Rock Tracks chart.
"Heading for the Light" is a song by the British–American supergroup the Traveling Wilburys from their 1988 album Traveling Wilburys Vol. 1. It was written primarily by George Harrison but credited to all five members of the band. Harrison sings the song with Jeff Lynne, who also co-produced the track and, with Harrison, formulated the idea for starting the Wilburys. The song was issued as a promotional single in the United States, where it peaked at number 7 on Billboard's Album Rock Tracks chart. The song received a commercial release in Australia in 1989, where it peaked at number 88 on the ARIA singles chart.
"I Don't Care Anymore" is a song by English musician George Harrison, released as the B-side of the lead single from his 1974 album Dark Horse. The A-side was "Dark Horse" in the majority of countries internationally and "Ding Dong, Ding Dong" elsewhere, including the United Kingdom. It is one of Harrison's relatively rare compositions in the country music genre and, equally unusual among his 1970s releases, the recording is a solo performance.
"Ride Rajbun" is a song by English musician George Harrison. It was released in 1992 on the multi-artist charity album The Bunbury Tails, which was the soundtrack to the British animated television series of the same name. Harrison co-wrote the song's lyrics with Bunbury Tails creator David English. The eponymous Rajbun was a character in the series based on English's friend and cricketer Rajendrasinh Jadeja, one of a team of cricket-playing rabbits – in this case, from Bangalore in India. The composition is in the style of a nursery rhyme or children's song, while the all-Indian instrumentation on the recording recalls some of Harrison's compositions for the Beatles during 1966–68.
Songs by George Harrison is a book of song lyrics and commentary by English musician George Harrison, with illustrations by New Zealand artist Keith West. It was published in February 1988, in a limited run of 2500 copies, by Genesis Publications, and included an EP of rare or previously unreleased Harrison recordings. Intended as a luxury item, each copy was hand-bound and boxed, and available only by direct order through Genesis in England. The book contains the lyrics to 60 Harrison compositions, the themes of which West represents visually with watercolour paintings. Starting in 1985, Harrison and West worked on the project for two years, during which Harrison returned to music-making with his album Cloud Nine, after focusing on film production for much of the early 1980s. The book includes a foreword by his Cloud Nine co-producer, Jeff Lynne, and a written contribution from Elton John.
Songs by George Harrison 2 is a book of song lyrics and commentary by English musician George Harrison, with illustrations by Keith West and an accompanying EP of previously unreleased Harrison recordings. It was published in June 1992, in a limited run of 2500 copies, by Genesis Publications. As with Harrison and West's first volume, published in 1988, each copy was hand-bound and available only by direct order through Genesis in England.