Cold Fear | |
---|---|
Developer(s) | Darkworks |
Publisher(s) | Ubisoft |
Director(s) | Antoine Villette |
Producer(s) | Florian Desforges |
Designer(s) | Nicholas Castaing |
Programmer(s) |
|
Artist(s) |
|
Writer(s) |
|
Composer(s) | Tom Salta |
Engine | RenderWare [1] |
Platform(s) | PlayStation 2, Xbox, Microsoft Windows |
Release | PS2 [2] & Xbox [3] Windows [4] |
Genre(s) | Survival horror, third-person shooter |
Mode(s) | Single-player |
Cold Fear is a 2005 survival horror third-person shooter video game developed by Darkworks and published by Ubisoft for PlayStation 2, Xbox and Microsoft Windows. It was Darkworks' second game, after Alone in the Dark: The New Nightmare in 2001. The game is centered on Tom Hansen, a member of the United States Coast Guard, who comes to the aid of a Russian whaler in the Bering Strait and finds a mysterious parasite has turned the crew into zombie-like creatures. Discovering the involvement of both the Russian mafia and the CIA, Hansen sets out to ensure the parasites don't reach land.
The game was first announced at Electronic Entertainment Expo (E3) in 2004. To make the ship roll realistically, the developers had to write a completely new program (dubbed the "Darkwave editor") to allow them to control movement on both the vertical and the horizontal axes. They also used real physics to simulate the movement patterns of inanimate objects on the ship. Due to the random nature created by this, the player character required nine times the number of animations usually seen in third-person games. Ultimately, the game contained more than nine hundred separate animations for all characters, allowing for over five thousand possible character movements. The game's soundtrack was composed by Tom Salta, with Marilyn Manson contributing a song from his 2003 album The Golden Age of Grotesque .
Cold Fear was met with mixed reviews, with many critics comparing it unfavorably to Resident Evil 4 . [5] [6] Although critics were generally impressed with the environments and the opening scenes, they found the game too short and felt it failed to live up to its promising beginning. The game was a commercial failure; by February 2006, it had sold only 70,000 units across all three platforms in the United States.
Cold Fear is a survival horror third-person shooter played from either a third-person fixed camera perspective or an over-the-shoulder camera, depending on the player's preferences. [7]
The main enemies in the game are Russian mercenaries and various types of zombie-like creatures known as "Exos" (creatures infected by a parasitic organism known as an "Exocel"). Exos include "Exomutants" (mercenaries infected with Exocels), "Exoshades" (creatures which can see perfectly in the dark), "Exospectres" (which can turn transparent for brief periods of time) and "Exomasses" (a hugely strong but deformed creature created as a result of a failed experiment). [8] Most infected enemies can be knocked down with two or three shots, but unless the brain is destroyed, they will not die, and will eventually attack Hansen again. Players can destroy the brain either by shooting enemy in the head, or knocking them down and stomping on their head. [9] If an enemy gets close to Hansen, the player can perform a critical hit by pressing a combination of buttons. [6] [10] All exos carry at least one exocel within them. When the exo is killed, the exocel may emerge and attack Hansen, or, if there are any other dead bodies in the area, infect and re-animate that body. Exocels are fast, but very weak and can be killed with one gunshot. [11]
The first half of the game is set on a whaler in the middle of a storm, and the conditions on the deck affect the degree of control the player has over Hansen. As the ship sways continuously from side to side, aiming is made more difficult, although Hansen can grab onto a ledge to steady himself, if one is available. [12] In some instances, the ship can sway to such a degree that Hansen will slide towards the edge and potentially fall overboard. There are also numerous environmental hazards on the deck which react to the motion of the ship, such as swinging electrical wires and crates hooked up to ropes. If any of these items hit Hansen, he will lose health. Waves crashing on to the ship's deck can also cause Hansen damage. [13]
The game also features a Resistance gauge, which decreases as the player performs certain actions, such as running, although running is not possible when in over-the-shoulder mode. [14] If Hansen falls off the edge of the ship, he can hang onto the side as long as he has resistance left, but if he doesn't climb back aboard quickly enough, he will fall into the ocean. [5]
The game does not feature an inventory, and neither health packs nor ammo can be stockpiled. Health packs are used immediately upon collection, and no more ammo can be collected than the capacity of the specific weapon. Players can find ammo and health packs distributed throughout the game at certain predetermined locations and also by looting the bodies of fallen enemies. [15]
The game begins with a Navy SEAL team deploying on a Russian whaler, the Eastern Spirit, in the Bering Strait. As the team explore the deck, they are attacked and killed by unseen beings that literally rips them apart. Seeing his team is gone, CIA Special Agent Jason Bennett, who is supervising the mission from another location, orders any other government vessel in the vicinity to investigate. His call is picked up by the US Coast Guard ship, the USCGC Ravenswood, which heads to the Eastern Spirit. The crew of the Ravenswood split into teams, but within moments of boarding, only one remains; Tom Hansen, a former U.S. Army Special Forces soldier, currently serving in the United States Coast Guard, who hears his shipmates being killed over the radio. He sets out to explore the ship and determine what is happening.
As soon as he enters the interior of the Spirit, however, he is attacked by two frightened Russians, who he is forced to kill. As he continues to explore, he encounters a multitude of panicking Russians, all of whom attack him. He also finds several horrifically mutilated bodies, including that of the Ravenswood's captain, Lt. Lansing. Hansen soon learns of a creature known as an "exocel", which was accidentally discovered by the crew of a Russian oil rig, the Star of Sakhalin, owned by Colonel Dmitriy Yusupov, a member of the Russian mafia, and staffed by Major Yuri Anischenko and his team of mercenaries. [16] Yusupov came to realize the exocels were parasitic organisms, which used other living organisms as hosts, and as such, he brought Dr. Viktor Kamsky to the Sakhalin to begin experimenting with infecting various species with exocel serum. These experiments led to the discovery that exocels could re-animate recently deceased humans, and the creation of an antidote to counter infection. [17] Hansen heads to the radio room to request help, but instead he is answered by Bennett, who tells him that Yusupov is on board and must be captured for questioning. Bennett tells Hansen that if he finds Yusupov, the CIA will get him off the ship.
Hansen locates Yusupov, who tells him that Anna Kamsky, Viktor's daughter, is onboard and must be saved. Yusupov had brought her to Sakhalin to blackmail Viktor into turning the exocels into biological weapons. Eventually, Viktor and his colleague, Dr. Pavel Bakharev, began to experiment on live human infection, and the Eastern Spirit was on its way from the Sakhalin to collect the next batch of human specimens supplied by the Mafia when the exocel outbreak occurred. [18] An exocel then bursts out of Yusupov's chest, killing him. Hansen finds Anna, who tells them they must go to the radio room and contact her father. They contact the rig, but Bakharev tells Anna that Kamsky is missing and pleads with her not to return. She says no, telling Bakharev she will see him soon. They turn the ship back towards the Sakhalin but because the seas are so rough, they are unable to dock with the platform. As such, they head to the crow's nest and jump from the ship when it collides with the rig. Hansen makes the jump, but Anna falls into the sea.
Hansen soon finds Bakharev, who tells him that to disable the radio jammer around the rig so he can contact Bennett, he will need Anischenko to get him past a retinal scanner. Bakharev is then dragged into an air duct and killed. Hansen learns that Kamsky and Bakharev were under orders to make the exocels as dangerous as possible, which they had succeeded in doing, but without any way to control the resulting creatures. [19] Hansen finds and kills Anischenko, removing his eye and using it to deactivate the radio jammer. Once back in touch with Bennett, Hansen is told he must find Kamsky's laptop and transmit the exocel research. Meanwhile, Anna is rescued from the sea by a large creature and left in a lab, where she is infected by an exocel. Seeing this take place on a security monitor, Hansen races to the lab to give Anna the antidote.
He makes it to her in time and administers the antidote before the infection can take hold. Bennett then contacts him and Hansen makes him promise that if he gives Bennett the research, Bennett will save Anna. He soon discovers that Kamsky infected himself with a strain of exocel DNA, and now wishes to do the same to Anna. [20] Hansen finds Kamsky's laptop and transmits the antidote data to Bennett, but nothing else. As a furious Bennett berates Hansen, he and Anna agree to blow up the rig using C4. As Hansen plants the charges, he learns Kamsky had gone completely insane; after infecting himself with exocel serum, he released the imprisoned exos on the rig and planted a group of exocels on the Eastern Spirit. He then went into hiding to await his metamorphosis. [21] When Hansen has planted all of the charges, he heads to the heliport to meet Anna. Before they can take off however, they are attacked by a mutated Kamsky; the same creature who rescued Anna from the sea. Kamsky is desperate for Anna to remain with him on the rig, but Hansen is able to fight him off and kill him. He and Anna then escape in a helicopter as the rig explodes below them.
Cold Fear was first announced at E3 in 2004 when the title was included on a list of upcoming games. According to Sony, the game was set to be published by Namco. [22] On October 6, however, Ubisoft announced they would be publishing the Darkworks developed game in March 2005 for PlayStation 2, Xbox and PC. [23] The game would be Ubisoft's first horror game, and Darkworks' second game, after Alone in the Dark: The New Nightmare in 2001. [24] A playable demo version was released in December. [25] [26]
To make the Eastern Spirit roll realistically in the storm, the developers had to write a completely new program. They found that making the ship move was easy, but getting it to respond to storm conditions was much more complex. As such, they created a complete roll editor, called the Darkwave editor, which allowed them to control the pitch (when the ship moves on the horizontal axis) and the roll (when it moves on the vertical axis) separately. The combination of moving the ship on both axes allowed the developers to create realistic ship movements. [13] This in turn allowed them to time the exact movement of the ship to coincide with what was happening in the game without having to use a cutscene. However, creating such a realistic movement system led to camera problems. According to programmer, Claude Levastre, early in development, "the camera was constantly going through the walls because of the roll movement. So we had to develop an inertia-control system for the camera, just as if a cameraman is using a steadicam behind the hero". [13] Another change brought about by the ship's motion was that initially, the movement patterns of inanimate objects on the ship were scripted, but this was later replaced with real physics. [27]
"Cold Fear is a visually spectacular, action horror game. It blends some of what you'd expect from the genre with a unique camera system and a world that pitches and rolls with the waves. The result is a game which is set to change the genre".
— Criterion Software; makers of RenderWare [28]
The ship's constant movement also impacted character animation. Once the ship's movement reached a certain angle, Hansen and any other characters on deck start to slide, and have to compensate in whatever direction was necessary relative to their position. According to Levastre, this meant Hansen required nine times the animations usually seen in third-person games (center, front, back, left, right and four intermediary positions). Ultimately, Hansen had two hundred and fifty separate animations, and most of the non-player characters had one hundred and fifty. [13] According to Antonin Delboy, lead animator on the game, "all the technical decisions were taken in favor of animation, both in terms of quality and quantity, which is very rare on this kind of project". [29] Basic animation was produced with 3D Studio Max software. Inverse kinematics were then used to create the nine directional animations, with the engine calculating the level of character compensation depending on the angle of the ship. Each character movement is composed of basic animation and compensation animation, and Delboy says that in total, the game contains more than nine hundred animations, allowing for over five thousand possible movements. [29] Levastre stated that "the interaction between the storm and the characters that are on the deck sometimes creates some really breathtaking moments. And on top of that, we managed to offer some really intense action sequences featuring far more enemies than in most horror games". [13]
Marilyn Manson contributed to a song to the game; "Use Your Fist and Not Your Mouth", from his 2003 album The Golden Age of Grotesque . [30] [31]
The soundtrack was composed by Tom Salta. [32] Salta had been hired in November 2004, with his first finished track submitted on November 16. The completed score was handed in on December 23. According to Salta, he had to compose over twenty different individual pieces as well as music for nine cutscenes. [33]
Aggregator | Score | ||
---|---|---|---|
PC | PS2 | Xbox | |
Metacritic | 66/100 [34] | 68/100 [35] | 71/100 [36] |
Publication | Score | ||
---|---|---|---|
PC | PS2 | Xbox | |
Eurogamer | 5/10 [37] | ||
GameRevolution | B− [15] | B− [15] | |
GameSpot | 6.9/10 [11] | 7.2/10 [24] | |
GameSpy | [38] | [9] | |
IGN | 7.2/10 [39] | 7.6/10 [10] | |
Official U.S. PlayStation Magazine | [40] | ||
Official Xbox Magazine (US) | 8.1/10 [41] | ||
PC Gamer (US) | 81% [42] |
Cold Fear received "mixed or average reviews" on all three platforms; the PlayStation 2 version holds an aggregate score of 68 out of 100 on Metacritic, based on thirty-nine reviews, [35] the Xbox version 71 out of 100, based on forty-one reviews, [36] and the PC version 66 out of 100, based on thirteen reviews. [34]
Eurogamer's Kristan Reed was unimpressed with the game, calling it "a bit half-baked". He praised the opening of the game, arguing that, like Hansen himself, the player feels a strong sense of disorientation as they get used to being on the ship in the middle of a storm. However, he felt the strong opening soon gives way to clichés. He was highly critical of the absence of a map, arguing that because the environments all look similar, getting lost is a regular occurrence. [37] GameSpot's Carrie Gouskos scored the PlayStation 2 version 6.9 out of 10 and the Xbox version 7.2 out of 10. She argued: "Atmospherically, Cold Fear is derivative and predictable, which is a shame considering that it is, at times, an enjoyable action game". Although she praised the outdoor scenes on the boat, she felt there were not enough of them, with too many "generic indoor locations". She was also highly critical of the lack of a map and the autosave feature, feeling the save points were unevenly distributed. [11] [24]
GameSpy's Will Tuttle scored the PlayStation 2 version 3 out of 5 and the Xbox version 3.5 out of 5. He praised the setting, atmosphere and over-the-shoulder camera, but was critical of the lack of a map. He called the game as a solid little thriller. [38] [9] Game Revolution's JP Hurh gave the game a B−. He too criticized the length of the game, the lack of a map and the autosave feature, which he found too random. He praised the graphics and sound, but concluded: "With so much attention paid to the environments, Darkworks almost made a great game. Unfortunately, it's only half a great game [...] The ending as well as many portions along the way feel rushed". [15] IGN's Ed Lewis scored the PlayStation 2 version 7.2 out of 10 [39] and the Xbox version 7.6 out of 10. He praised the over-the-shoulder camera and the setting, but also criticized the lack of a map. [10]
The game was met with extremely poor sales figures. By February 2006, it had sold only 70,000 units across all three platforms in the US. [43]
In April 2006, Variety reported that Avatar Films and Sekretagent Productions had co-purchased the rights for a feature film adaptation of the game. [43] However, there have since been no further developments, with the project presumably cancelled.
Tom Clancy's Splinter Cell is a series of stealth action-adventure video games, the first of which was released in 2002, and their tie-in novels that were endorsed by Tom Clancy. The series follows Sam Fisher, a highly trained agent of a fictional black-ops sub-division within the NSA, dubbed "Third Echelon", as he overcomes his adversaries. Levels are created using Unreal Engine and emphasize light and darkness as gameplay elements. The series has been positively received, and was once considered to be one of Ubisoft's flagship franchises. The series had sold 19 million units by 2008. No further installments have been released since 2013. A remake of the first game was announced in December 2021. Characters inspired by the game's "Third Ecehlon" faction are featured in XDefiant.
Prince of Persia: The Sands of Time is a 2003 action-adventure game developed by Ubisoft Montreal and published by Ubisoft. The game was released on the Game Boy Advance, PlayStation 2, GameCube, Xbox and Windows in November 2003. The Sands of Time is a reboot of the Prince of Persia series created by Jordan Mechner. Mechner served as creative consultant, designer, and scenario writer for The Sands of Time.
Beyond Good & Evil is a 2003 action-adventure game developed and published by Ubisoft for PlayStation 2, Windows, Xbox, and GameCube. The story follows the adventures of Jade, an investigative reporter, martial artist, and spy hitwoman working with a resistance movement to reveal a sinister alien conspiracy. Players control Jade and other allies, solving puzzles, fighting enemies, obtaining photographic evidence and, later in the game, travelling to space.
Myst IV: Revelation is a 2004 adventure video game, the fourth installment in the Myst series, developed and published by Ubisoft. Like Myst III: Exile, Revelation combines pre-rendered graphics with digital video, but also features real-time 3D effects for added realism. The plot of Revelation follows up on plot details from the original Myst. The player is summoned by Atrus, a man who creates links to other worlds known as Ages by writing special linking books. Almost twenty years earlier, Atrus' two sons nearly destroyed all of his books and were imprisoned; Atrus now wishes to see if his sons' imprisonment has reformed them. The player travels to each brother's prison, in an attempt to recover Atrus' daughter Yeesha from the brothers' plot.
Far Cry is a 2004 first-person shooter game developed by Crytek and published by Ubisoft. It is the first installment in the Far Cry franchise. Set on a mysterious tropical archipelago, the game follows Jack Carver, a former American special operations forces operative, as he searches for journalist Valerie Constantine, who accompanied him to the islands but went missing after their boat was destroyed by mercenaries. As Jack explores the islands, he begins to discover the horrific genetic experiments being conducted on the local wildlife and must confront the mad scientist behind them.
Prince of Persia: Warrior Within is a 2004 action-adventure game developed and published by Ubisoft for GameCube, Microsoft Windows, PlayStation 2, and Xbox. Released on November 30, 2004, it is the fifth main installment in the Prince of Persia series and the sequel to 2003's Prince of Persia: The Sands of Time. A port for the PlayStation Portable developed by Pipeworks Software, titled Prince of Persia: Revelations, was released on December 6, 2005. Two mobile versions of Warrior Within were published by Gameloft for the cell phone and iOS in 2004 and 2010, respectively. Due to issues with the in-game menu, the iOS version was pulled from the App Store for two weeks, re-releasing on June 18, 2010.
Tom Clancy's Splinter Cell: Chaos Theory is a stealth game developed by Ubisoft Montreal and Ubisoft Milan. The game was released for GameCube, PlayStation 2, Windows and Xbox in March 2005. Handheld versions for the Nintendo DS, mobile, and N-Gage were also released.
Prince of Persia: The Two Thrones is a 2005 action-adventure game developed by Ubisoft Montreal and Ubisoft Casablanca, and published by Ubisoft for the PlayStation 2, GameCube, Microsoft Windows, Xbox and Java. It was later ported to the PlayStation Portable and Wii in 2007 under the title Prince of Persia: Rival Swords. The Wii version utilizes the motion-sensing functionality of its controller, while the PSP version added exclusive content and local multiplayer.
Batman: Vengeance is a 2001 action-adventure video game based on the fictional superhero of the same name. It was released for PlayStation 2, Game Boy Advance, GameCube, Xbox and Microsoft Windows. The game was developed and published by Ubi Soft in conjunction with Warner Bros. and DC Comics.
The Thing is a 2002 squad-based third-person shooter survival horror video game developed by Computer Artworks and co-published by Vivendi Universal Games under the Black Label Games label and Konami. It was released for Microsoft Windows, PlayStation 2, and Xbox. Game Boy Color and Game Boy Advance versions were also planned, but both were cancelled early in development. A remastered version will be released in late 2024.
I Am Alive is a 2012 action-adventure survival game set in a post-apocalyptic world. Developed by Ubisoft Shanghai and published by Ubisoft, it was released for Xbox 360 in March 2012, for PlayStation 3 in April, and for Windows in September.
Tom Clancy's Splinter Cell: Conviction is a 2010 stealth action-adventure video game developed by Ubisoft Montreal and published by Microsoft Game Studios and Ubisoft. The game is a sequel to Splinter Cell: Double Agent and part of the Splinter Cell series. Key members of the Tom Clancy's Rainbow Six: Vegas team, such as creative director Maxime Béland worked on the game. It released for Windows and Xbox 360 in April 2010. Gameloft released a handheld version for Apple's iOS in May/July 2010. There are also versions available for Android, Windows Phone and Bada, as well as a side-scrolling 2D version for mobile phones.
Prince of Persia is a video game franchise created by Jordan Mechner. It is centered around a series of action-adventure games focused on various incarnations of the eponymous Prince, set in ancient and medieval Persia.
Avatar: The Game is a 2009 third-person shooter action-adventure game based on the 2009 film Avatar. The game was developed by Ubisoft Montreal and published by Ubisoft. It was released on the PlayStation 3, Xbox 360, Microsoft Windows, Wii, and Nintendo DS on December 1, 2009, with a PlayStation Portable version later released on December 7. It uses the same technology as the film to be displayed in stereoscopic 3D. As of May 19, 2010, the game has sold nearly 2.7 million copies.
Dead Island is a 2011 action role-playing game developed by Techland and published by Deep Silver. Released for Linux, Microsoft Windows, OS X, PlayStation 3 and Xbox 360, the game is centered on the challenge of surviving a zombie-infested open world with an important emphasis on melee combat. The plot focuses on four playable survivors trying to survive and escape off the fictional island of Banoi.
The Open Seasonfilm series from Sony Pictures Animation consists of the animated film Open Season (2006) and its three direct-to-video sequels Open Season 2 (2008), Open Season 3 (2010), and Open Season: Scared Silly (2015), the short film Boog and Elliot's Midnight Bun Run (2007), the television series Open Season: Call of Nature (2024–present) and a video game based on the first film.
South Park: The Stick of Truth is a 2014 role-playing video game developed by Obsidian Entertainment in collaboration with South Park Digital Studios and published by Ubisoft. Based on the American animated television series South Park, the game follows the New Kid, who has moved to the eponymous town and becomes involved in an epic role-play fantasy war involving humans, wizards, and elves, who are fighting for control of the all-powerful Stick of Truth. Their game quickly escalates out of control, bringing them into conflict with aliens, Nazi zombies, and gnomes, threatening the entire town with destruction.
Assassin's Creed IV: Black Flag is a 2013 action-adventure game developed by Ubisoft Montreal and published by Ubisoft. It is the sixth major installment in the Assassin's Creed series. Its historical timeframe precedes that of Assassin's Creed III (2012), but its modern-day sequences succeed III's own. Black Flag was originally released for PlayStation 3, Xbox 360, and Wii U in October 2013 and a month later for PlayStation 4, Windows, and Xbox One. It was later ported to the Nintendo Switch as part of The Rebel Collection alongside Assassin's Creed Rogue in December 2019. The game was released for Google Stadia in September 2021.
Valiant Hearts: The Great War is a 2014 puzzle adventure game developed by Ubisoft Montpellier and published by Ubisoft. The game was released for Microsoft Windows, PlayStation 3, PlayStation 4, Xbox 360, and Xbox One in June 2014. Set during World War I, the game follows four characters who help a young German soldier find his love in a story about survival, sacrifice, and friendship. Players solve puzzles by interacting with various objects and people. The characters are accompanied by a dog named Walt who helps players solve puzzles. Collectible items hidden in each chapter reveal facts about the war.
Yusupov's Diary: Our first encounters with the creatures we now call the exocels came roughly two months after drilling commenced on the Star of Sakhalin platform [...] For the first 25 days, drilling was successful, as expected. And then, even though our sonars confirmed the presence of a huge oil reserve, the pressure started to drop...Suddenly the drill brought up several exocels that Anischenko and his men had great difficulty in overcoming. Two days later, we noticed more specimens crawling up the platform's columns. I immediately gave Anischenko orders to capture some of them. That's when I saw my first contamination.
Kamsky's Diary: We have deliberately infected and observed over 300 subjects, including dogs, apes, orcas and human beings. Those subjects have been placed under permanent biometric surveillance and dissected to accurately chart the growth of the exocel organism and help us learn how to control the process. The time it takes an infected individual to mutate depends on two factors: how long it takes the exocel to get a tendril into the victim's brain, and the infected body's natural resistance [...] Any individual infected by an exocel should be given the antidote as quickly as possible. If no antidote is available, the host's brain must be destroyed, and I mean destroyed, to prevent the subject from becoming an active, and potentially contaminating host. Indeed, the exocel seems to be able to re-animate a brain that has been clinically dead for several days.
Yusupov's Diary: I often wondered what really convinced Kamsky to work for me: the well-being of his beloved daughter, or the first poor-quality shots of the exocel I showed him [...] When I added that his daughter was already on her way to join him on the Star of Sakhalin, that was the end of it! He immediately agreed to stay on the platform and supervise the installation and research. As I had expected, Kamsky quickly assured me that the exocel had military potential, but he feared it was uncontrollable [...] I hope that, unlike the last consignment, the "specimens" will be ready and in good condition. Kamsky has been insistent about this.
Yusupov's Letter: The first phase of the operation has been partially successful. Dr. Kamsky and his associates have succeeded in producing powerful, efficacious and dangerous beings that can only be considered monsters. The injection of a partial antidote prior to forced contamination has given excellent results. Many of these things die quickly, but we have managed to produce creatures that are impervious to bullets, immeasurably stronger than our finest soldiers, and even partly invisible. The possibilities are endless. Sadly, we have not yet perfected a process by which these monsters can be controlled. This is now our key priority.
Letter from Kamsky to Anna: The power within me is greater than what I imagined in my wildest dreams. Still, I have the impression that my metamorphosis is not yet complete. My arms are continuing to develop. Soon, whoever approaches me will have to suffer the consequences of my furious anger. Anna, at last I have found what I've been looking for: an appointment with immortality. Come with me Anna, it's the most beautiful of all Kingdoms. I have built it for you...Anna, my dear daughter...I feel so strong...I must destroy the antidote...I don't want to go back to where I came from.
Pages from Bakharev's diary: November 16: Yusupov left today aboard the whaling ship. He claimed he was going with Lubenski to make sure they get some good specimens for the lab. I think he just wants to get away from Viktor. At first, Yusupov had to use Anna as a hostage to get Viktor to work for him. But now, Kamsky is more enthusiastic about it than Yusupov. It is a strange reversal of roles. Anna also went along, of course. I find myself fearing for her safety. But perhaps she is safer with Colonel Dmitri Yusupov than she is here. December 4: Viktor has vanished! His notebooks are missing, as is his laptop. The samples of serum and antidote we were working on? Gone too! Perhaps he has gone mad and thrown himself into the sea, unable to bear the things he has done. Personally, I don't think so. I am convinced he has decided to experiment upon himself, and that he is hiding somewhere, awaiting metamorphosis. He often said that his ultimate objective was to arrest the "exocel" process. He said it would be a tremendous feat to harness the creature's power, mutations and subsequent changes of personality. If I ever set eyes on him again, I do not think I will recognize him. Hopefully, all this is a bad dream. God help us all if he has succeeded.