Come Saturday Morning (released in the UK as Introducing Liza Minnelli) is the fifth studio album by Americansinger and actressLiza Minnelli. It was released in 1969 by A&M Records, and marked her second project with the label. The record continued the stylistic shift she had begun on her previous album, moving away from Broadway standards toward contemporary pop, soft rock, and singer-songwriter material.
Although Come Saturday Morning did not chart, Cash Box reported that it was receiving excellent advance orders. The album was well received by critics, who praised Minnelli’s interpretations of both contemporary material and older standards.
The album has not been issued individually on compact disc, but its complete tracklist was later included in the 2008 compilation The Complete A&M Recordings.
Background
Around 1969, the music industry was undergoing changes in public taste regarding music. The Broadway songs for which Liza Minnelli was known were usually overshadowed by popular artists' productions by record labels, prioritizing music genres like rock and artists like John Lennon, Paul McCartney, Burt Bacharach, and Hal David. In this changing context, Liza Minnelli began to change her repertoire. In her self-titled previous release, she recorded songs by artists like Randy Newman and Sonny Bono. Despite this, Liza Minnelli album did not achieve commercial success, making the record label hesitant to release albums by the singer.[1]
With the success of songs from the rock musical Hair in 1969 (such as "Aquarius/Let the Sunshine In" by 5th Dimension),[2] A&M decided to have Minnelli record the song "Frank Mills" from the soundtrack and released it as a standalone single, but it also did not achieve success.[1] Subsequently, Minnelli landed the lead role in the film The Sterile Cuckoo, which premiered in October 1969.[3] The theme song, "Come Saturday Morning," was performed on the soundtrack by the group Sandpipers.[4] When the nominations for the 1970 Oscars were announced in early 1970, Minnelli received a nomination for Best Actress, and "Come Saturday Morning" was nominated for Best Original Song,[5] leading the record label to believe that it was finally the right time to release an album by the singer.[1]
Production and recording
The recordings took place during three sessions in August 1969 (on the 8th, 29th, and 30th), with the first at Western Records and the last two at Columbia Records Studios. There was also a session at A&R, in Manhattan. The album was produced by Larry Marks and arranged by Dick Hazard, Michael Colombier, Bob Thompson, and Peter Matz. Ray Gerhardt handled the audio engineering. The album's design is by Corporate Head, art direction by Tom Wilkes, and photography by Guy Webster.[6]
Musically, it resembles its predecessor, combining popular music genres of the time, such as soft rock. The tracklist includes songs that were popular at that moment, such as "MacArthur Park" by Richard Harris, "Didn't We" by Jimmy Webb, the recent hit by Peter, Paul & Mary, "Leavin' on a Jet Plane," and songs by Newman, Gordon Lightfoot, Aretha Franklin, and Harry Nilsson. The rest of the compositions are the same mix of mainly then-current pop/rock and singer/songwriters songs with a couple of Broadway/Vaudevillian songs that made up the previous album.
Release details
On December 20, 1969, Record World reported that on the occasion of Minnelli's show at the Olympia, Polydor was issuing the LP in France.[7] The follow month, on January 31, 1970, Billboard featured an advertisement for the album in its issue, which would be released in February.[8]
Similar to her previous albums released by A&M Records, this album was never issued alone on compact disc (CD), but all tracks in their original order are included in the 2008 compilation album The Complete A&M Recordings.[9] The cover photo was used in the 2001 compilation 20th Century Masters: The Millennium Collection: Best of Liza Minnelli.[10]
Promotion
As part of the promotion, Minnelli performed songs from the album on television shows such as The Ed Sullivan Show.[11][12]
Billboard wrote that the album demonstrated Minnelli's talent as a recording artist in addition to her success as a film actress and nightclub performer. The review described her performance of the title track as "beautiful" and highlighted her versions of "Leavin' on a Jet Plane", "Love Story", and "Wherefore and Why" as excellent treatments.[14]Cashbox considered the album excellent and highlighted tracks "Leavin' on a Jet Plane" and "On a Slow Boat to China". The magazine's critic concluded by saying, "an excellent showcase for this talented young vocalist. Could be a substantial item".[15]Record World noted that the album showcased Minnelli's continued affinity for the work of contemporary songwriters.[16]
Morgan Ames from High Fidelity magazine wrote that she initially considered Minnelli a singer without previous technique, but her opinion changed over the years. She noted that the album's producer, Larry Marks, "made the artist express herself in the most perfect way possible". Ames stated that 'Come Saturday Morning' is elegant, current, suitable for the singer, featuring superb arrangements and a vocalist who "found out who she is as a singer" and whose vocals are more restrained, beautiful, and powerful than before. She selected the songs "Don't Let Me Lose This Dream", "Simon," and "Slow Boat to China" as the album's highlights.[17]RPM called it a "long awaited set" that "won’t disappoint". The publication noted the title track as a natural highlight while also praising Minnelli's renditions of "Wailing of the Willow" and the medley "MacArthur Park/Didn’t We". It further observed that the exposure from her film The Sterile Cuckoo would bring additional attention to the album.[18]
In a retrospective review, William Ruhlmann of AllMusic wrote that "Minnelli handles the newer songs bravely (...), but typically comes to life only when singing the old song 'Nevertheless (I'm in Love with You),' which is more her style".[1]
Commercial performance
In May 2, 1970, Cash Box reported that "Minnelli's new set Come Saturday Morning was already receiving excellent advanced orders in Canada.[19]
↑ Schechter, Scott (2008) The Complete A&M Recordings. Collectors' Choice Music – CCM-976, Universal Music Special Markets. November 25, 2008.
↑ Gilles, Petard (December 20, 1969). "Paris Promenade"(PDF). Record World. 24 (1175): 51. Archived(PDF) from the original on September 29, 2025. Retrieved September 29, 2025.
↑ "Album Reviews"(PDF). Billboard. 82 (6): 62. February 27, 1970. Archived(PDF) from the original on September 29, 2025. Retrieved September 29, 2025.
↑ "Album Reviews"(PDF). Cashbox. Vol.XXXI, no.28. February 7, 1970. p.40. Archived from the original(PDF) on August 11, 2020. Retrieved August 22, 2023.
↑ "Album Reviews"(PDF). Record World. 24 (1131): 10. January 31, 1970. Archived(PDF) from the original on September 29, 2025. Retrieved September 29, 2025.
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