"Every Raindrop Means a Lot" Released: 15 February 1967
"I'm Going Out" Released: 14 April 1967
Contrast is the fourth studio album by Swedish pop band Tages, released on 28 April 1967 through Parlophone Records. Contrast was preceded by a tumultuous period in Tages' career, in which drummer Tommy Tausis left the band for the Spotnicks only days before recording commenced. The album is the first to feature Tausis' replacement Lasse Svensson, who would stay with the group until 1969. It was also Tages' first album to be released through Parlophone, following three albums by independent record labelPlatina. Parlophone guaranteed Tages free studio time, resulting in the sessions for Contrast.
Musically, Contrast features the soul-pop style present on their third album Extra Extra, but also expands on Tages and producer Anders Henriksson's willingness to experiment with psychedelic music, resulting in a variety of studio effects applied onto the tracks, including backmasking and reverberation. Contrast was recorded during the first three months of 1967 at Europafilm Studio, and featured an album cover illustrated by Håkan Gustaf Carlström. The singles "Every Raindrop Means a Lot" and "I'm Going Out" preceded the album release. Contrast received critical acclaim by fans and critics alike upon release.
Background
Drummer Tommy Tausis left Tages only days before the recording of Contrast began.
On 28 November 1966, Tages released their third studio albumExtra Extra through Platina Records; two days later, their single "Miss Mac Baren" was also released.[2] The single became a hit, reaching number 4 on Tio i Topp and reaching number 1 on Kvällstoppen in January 1967.[3][4] Both releases received critical acclaim, with critics deeming Extra Extra to be Tages' best album thus far;[5] according to Tages' biographer Lennart Wrigholm, Extra Extra represented the group's "top of the form" as a pop band.[6] The album mixed influences, ranging from soul-pop to psychedelia;[6] their producer Anders Henriksson had assisted them in the studio and incorporated various unorthodox techniques, such as backmasking and reverberation.[5] Despite these promising conditions, the album wasn't a strong seller compared to their debut Tages (1965) and Tages 2 (1966), both of which had sold gold.[7][8]
January 1967 came to be a tumultuous period for Tages, who began suffering from line-up instabilities. On 13 January, Tages drummer Tommy Tausis received a phone call from the Spotnicks who were in the middle of a tour of Mexico and inquired if Tasusis was willing to replace drummer Jimmie Nicol, who left the Spotnicks.[1] Despite being handed these news on such notice, Tausis accepted and flew to join with the rest of the Spotnicks in Mexico without informing Tages; allegedly, they first knew of Tausis' departure during a vacation to the Canary Islands, where their manager Rolf Hedin sent them a telegram stating that Tages' "should look for a drummer who is good looking and talented".[1] Drummer Lasse Svensson (brother of Lill-Babs) of the Stockholm band Hi-Balls received the phone call, upon which he hastily travelled to Gothenburg to meet up with Tages.[9]
Another incident which occurred during roughly the same time was that Tages' record contract with Platina lapsed on New Year's Eve 1966, upon which the band opted out from extending it further.[10] Platina, an independent record label, had a tight economic budget which meant that they couldn't provide nor present the group with a gold record for the sales of Tages 2.[10] Additionally, the band had seen clashes with label owner Evert Jakobsson over royalties.[11] Instead, Tages were offered a recording contract by EMI Records, who guaranteed Tages' unlimited studio time, which wasn't financially viable under Platina.[12] Tages opted to sign with the label since their releases would be distributed by EMI sublabel Parlophone, effectively making them label-mates with the Beatles.[11]
Recording and composition
Recording of Contrast was sporadic, with the first track being worked upon being the single "Every Raindrop Means a Lot", which was recorded on 15 January 1967.[13] Tages and Anders Henriksson worked in the Europafilm located in Mariehäll, Stockholm throughout the first few months of 1967.[14] Europafilm had been their preferred studio since the 1965 single "The One for You".[15] Henriksson was behind a large portion of Tages' commercial output since the summer of 1965, and on Contrast he further expanded on the studio techniques found on Extra Extra, mostly revolving sound effects, though also applying reverb on several tracks.[13] Guitarist Anders Töpel and vocalist Tommy Blom managed to imitate a thunderstorm by using a piece of sheet metal in the studio's backroom; this sound effect was liked enough by the band to be applied on multiple tracks.[14] For the sessions, Henriksson had gotten ahold of a signal generator that was used in the recording of the Beach Boys 1966 single "Good Vibrations".[16] Due to the fact that EMI had guaranteed Tages' unlimited time in the studio, their work became more "relaxed" as no pressure was put upon them.[14] Tages biographer Kjell Wiremark attributes their changed sound to recently joined drummer Lasse Svensson.[13]
Henkan [Anders Henriksson] found the songs and suggested them to us. We went up a division when we began recording material such as "I'm Going Out" and "House of Soul Hill."
Musically, Contrast is "a mixed bag in genres", containing both elements of the soul-pop present on Extra Extra, but expanding it with contemporary psychedelic rock which Tages' would master on their fifth album Studio (1967).[11] Side one opens with "I'm Going Out", a cover of the Lesley Gore song from the year prior.[17] It was introduced to Tages by Henriksson, who found it as an acetate disc in EMI's Swedish office.[17] "Sister's Got a Boyfriend" which follows, is a soul song sung by bassist Göran Lagerberg and featuring brass by Lars Samuelson's Orchestra.[11] Allegedly, Henriksson forced Lagerberg to eat crayons before "walking him out of the studio to yell his voice coarse".[14] The third track, "Hear My Lamentation", was written by Henriksson and Lagerberg and is "sparsely arranged" and revolves around an organ.[18] "Fuzzy Patterns" was written by Tommy Blom, and is a psychedelic track "typical of the time".[16] It opens with a recording of actress Grynet Molvig laughing and also features an spoken instrumental break.[14] "One Day", composed by Lagerberg and rhythm guitarist Danne Larsson is "another conventional psychedelic song" broken by an "unconventional accordion solo" performed by Henriksson.[18] Side one's closer, "You're Too Incomprehensible" written by Henriksson and troubadour Thorstein Bergman, was considered "one of the first psychedelic Swedish works" by Wiremark.[19] It is one of the more advanced productions on the album, and features backmasked drums and bicycle bells playing in the background.[14]
Side two opens with "Every Raindrop Means a Lot", a group composition.[20] It features rain sound effects during the instrumental breaks connecting the chorus and verses, along with what biographers Brandels and Wrigholm call "nonsensical psychedelic lyrics".[21] "Wanting", which follows, was written by American folk musician Pete Antell and initially released by him that same year.[22] Sparsely arranged and largely driven by Larsson's rhythm guitar, it was introduced to the band through Henriksson, who in addition plays glockenspiel on the song.[17][22] "Prisoner 763" was written by Blom and Larsson, and lyrically tells the tale of man sentenced to death.[22] It revolves around reverberated harpsichord patterns played by Henriksson, and is interchangeably sung by Blom and Lagerberg.[22] The album's tenth track "Why Do You Hide It?" is a baroque pop song largely performed by a string quartet, with Tages only performing during a brief bridge sung by Lagerberg.[22] It features what Wiremark calls the "weirdest lyrics in Tages' career", where Lagerberg sings about how a woman "is the prettiest child a woman has given birth to".[23] "House Of Soul Hill" is an upbeat soul-pop song that is "characterized by" the brass arrangement Lars Samuelson's Orchestra plays on it, along with a guitar solo by Töpel.[14]Contrast's closing track, "Short Song (Steps)", is also the shortest, featuring Blom alone on guitar, with sound effects of him walking "in and out of the studio", which was inspired by the Zombies album track "The Way I Feel Inside" (1965).[24]
The album cover of Contrast was a painting illustrated by Håkan Gustaf Carlström, and features photos of Tages taken by Hans Sidén superimposed on top.[26] Wiremark considers the artwork as much of "an artistic statement as the music inside".[25] Two singles preceded the album's release; the first was "Every Raindrop Means a Lot", backed by the non-album track "Look What You Get", released on 15 February 1967.[27] This release became a considerable success, reaching number 2 on Tio i Topp and number 4 on Kvällstoppen.[3][4] The second single, "I'm Going Out", was issued two weeks before the album, and was backed by "Fuzzy Patterns".[27] It also reached number 2 on Tio i Topp, and reached number 3 on Kvällstoppen.[3][4]Contrast was released as Tages' first album through Parlophone Records and fourth overall release on 28 April 1967, initially in 5000 copies.[20] A release party was held on the same day the album was issued and it quickly began circulating on Sveriges Radio P3, due to disc jockeys being fans of Tages.[25]
The album received critical acclaim upon release in 1967, with many fans and reviewers considering it to be Tages' best album.[14] In a review for Show Business shortly after release, Håkan Sandén was brief, stating that "no prior presentation was needed" and claimed that the album was "well-produced pop that would sell itself".[28] Reviewing for Arbetet, a critic considers Contrast to be Tages' "most ambitious release", praising Anders Henriksson's production and the quality of the material found on the album, stating that "Tages' has a tendency to only improve with every release".[29] In his review of the album for Expressen, Peter Himmelstrand considers Contrast to be a "large step for Swedish pop", writing that the album is "great pop music which is good" yet never "takes itself too seriously", with some "whimsical undertones to it".[30] Himmelstrand also praises the album cover, considering it "an artistic masterpiece" that was "almost as great as the music".[30]
A staff writer for Aftonbladet calls Contrast "first-rate", both musically and production-wise, noting that "Henriksson has never been better".[31] They write that the album is filled with "gimmickal ideas" that never "become cheesy nor dated" and positively notes the album cover, considering it one of the best to originate from Sweden.[31] In Göteborgs-Posten, the staff reviewer notes that a "row of new ideas" are tested on Contrast, something which they claim Tages succeed in.[32] They single out "House Of Soul Hill", "Hear My Lamentation" and "Every Raindrop Means a Lot" as their favourite picks, noting that "they all sound different musically".[32] They praise Carlström for the drawing, calling it "wonderfully beautiful" and considers it a milestone in the development of Swedish pop.[32] The reviewer for Svenska Dagbladet states that Contrast was rightfully promoted by Parlophone, writing that it was one of the better albums to get issued in Sweden, praising Henriksson's production and singles out "Why Do You Hide It?" for the arrangement.[33]
Track listing
Writing credits, track length and vocals adapted from the 1994 box set This One's for You!.[34]
Tages were a Swedish rock band formed in Gothenburg in 1963. The group, whose original line-up consisted of Tommy Blom, Göran Lagerberg, Danne Larsson, Anders Töpel and Freddie Skantze, were one of the most successful Swedish bands of the 1960s. They achieved thirteen top-20 singles on Kvällstoppen, such as "Sleep Little Girl", "I Should Be Glad", "In My Dreams", and "Miss Mac Baren", as well as having two albums certified gold, Tages (1965) and Tages 2 (1966).
"Miss Mac Baren" is a song by the Swedish rock band Tages, released as a single in November 1966. It was written by all five members of the group and was recorded during the sessions for their third studio album, Extra Extra, but was ultimately excluded from it. The B-side, "Get Up An' Get Goin'", was however included as the fourth track on the album. "Miss Mac Baren" got its first album release on Tages Hits Vol. 3, a compilation album released in August 1967.
"Like a Woman" is a song written by Swedish producer Anders Henriksson, bassist Göran Lagerberg and guitarist Danne Larsson, originally recorded by Lagerberg and Larsson's band Tages in 1967. Tages recorded the track at EMI Studios in London. It was initially released on the band's fifth album Studio (1967), before being used as the B-side of their 1968 single "There's a Blind Man Playin' Fiddle in the Street". The title references a girl that Lagerberg knew and musically bases on characteristics of psychedelic pop, including guitars run through leslie speakers
"Bloodhound" is a song, initially written and performed by soul singer Larry Bright in 1961. Initially performed as a rhythm and blues song, it quickly garnered a reputation as a garage rock song following a cover by British rock band Downliners Sect. The most well-known and commercially successful rendition of the song was recorded by Swedish rock band Tages in 1965, who charted on both Tio i Topp and Kvällstoppen with their garage rock version of it.
Tages is the debut studio album by the Swedish rock band Tages, released on 3 November 1965 on Platina Records. Released during a period in which the band had accumulated four top ten singles in Tio i Topp and as many on Kvällstoppen. This led the band to become one of Sweden's first and foremost pop groups, along with Hep Stars.
Tages 2 is the second studio album by the Swedish rock band Tages, released on 4 August 1966 by Platina Records. Often considered their artistic breakthrough, six out of twelve tracks are original compositions.
Extra Extra is the third studio album by the Swedish rock band Tages, released on 28 November 1966 by Platina Records. Their third and final album on Platina, it was issued only four months after their second studio album Tages 2. The album was largely recorded during a period in which the band had started evolving into a psychedelic rock group, something that became evident on their two final efforts, Contrast and Studio. The album was recorded during a period in which Tages underwent several lineup changes. It's their first effort not to feature drummer Freddie Skantze, who left following the recording of Tages 2, and is the second and final album with drummer and vocalist Tommy Tausis, who'd played on several tracks on Tages 2. He left following the recording of Extra Extra, and was replaced by Lasse Svensson
"Crazy 'Bout My Baby" is a song first written and recorded by musician Robert Mosley in 1963. His third solo single, it failed to chart, leading to it becoming his final single released. Initially an obscure single, it was brought to light by mainstream acts such as The Swinging Blue Jeans and Tages, the latter of which charted in Sweden with it.
Tages formed in May 1963 as a duo and quickly expanded into quintet, though no music by them would be released until more than a year later, when their debut single "Sleep Little Girl" was released in October 1964. Up until October 1968, 23 singles by the group were released, though six of those were unauthorized. Out of these singles, 13 managed to reach both Kvällstoppen and Tio i Topp while two further singles only reached Tio I Topp. In 1969, the band changed their name to Blond and three further singles were released between July 1969 and July 1970, out of which one reached Tio i Topp. Combined under both names, the band released in total 27 singles between October 1964 and July 1970.
Tages is the first seven-inch extended play by Swedish rock group Tages, a release which features four songs, two of which showcase the early songwriting talent of the band. It was initially released on 4 June 1965 in 1000 copies on Platina Records.
"Don't Turn Your Back" is a song written by bass guitarist Göran Lagerberg and guitarist Anders Töpel, first recorded by their band Tages in 1965. Produced by the Violents Rune Wallebom, the song would be featured as the lead track from their debut EP Tages released three weeks later
"I Should Be Glad" is a song by the Swedish rock band Tages, written by bassist Göran Lagerberg and rhythm guitarist Danne Larsson in 1964. Following bad press for their debut single "Sleep Little Girl", the group quickly recorded a follow-up which critics would consider good.
Göran Bertil Lagerberg is a Swedish musician and singer-songwriter, best known as the bass guitarist and co-lead vocalist in Swedish rock band Tages and later progressive rock act Kebnekajse. In the 1990s, he was a member of supergroup Grymlings together with Magnus Lindberg, Pugh Rogefeldt and Mikael Rickfors.
Dan "Danne" Tage Bexér is a Swedish singer-songwriter, guitarist and businessman who is best known for being the rhythm guitarist in the Swedish rock band Tages, and subsequently Blond, between 1963 and 1969. Additionally, Larsson briefly played keyboards with the group and gave them their name. Though not a very prolific songwriter for the group, he provided them with some of their more well-known songs and also sang on several tracks. After the group broke up, Larsson left Sweden to become a businessman in various countries across Europe, including Spain and France, where he currently still resides.
Platina Records was a Swedish independent record label founded in 1964 by businessman and songwriter Evert Jakobsson. The label saw great success throughout the mid-1960s with rock acts such as Tages, before turning to dansband music in the 1970s, gaining success with Flamingokvintetten and Thorleifs. After turning to pay to play in 1984, the label shut down in 1989.
"The One for You" is a song written by Swedish guitarist Danne Larsson and recorded by his group Tages in 1965. Following an intensive tour of the Sweden, while also previously having composed songs for the band, Larsson wrote the song inspired by their trip to London, allegedly about a girl he had met there. It was the first recording by Tages produced by Anders Henriksson, who would come to produce the majority of their coming output, along with being their first single recorded at Europafilm Studios in Bromma, Stockholm.
"Balladen om killen" is a song written by bass guitarist Göran Lagerberg, recorded by singer Örjan Ramberg. Inspired by the life of Ramberg, Lagerberg composed the song as a reflection over both their lives inspired by Bob Dylan's "Like a Rolling Stone". The song, which is in the Swedish language, tells the tale of an unnamed narrator, who during a walk along a country road, details incidents that recently occurred in his life, including moving away from home, tongue-in-cheek references to acquaintances and the court proceedings after being caught with cannabis.
Studio is the fifth and final studio album by the Swedish rock band Tages, released on 4 December 1967 on Parlophone in Sweden. Following the success of their album Contrast, Tages began working on their follow-up to it. Hampered by a long summer tour, the album was largely recorded between October and November 1967 with sessions spanning all the way back to April. It was primarily recorded at Europafilm Studios in Bromma, Stockholm with Anders Henriksson producing. The band took a break in recording the album in October for a tour of England organized by Parlophone, which allowed them access to EMI Studios in London, where two of the album's tracks were recorded. One single was released from the album, "She's Having a Baby Now" and the sessions also produced the non-album single "Treat Her Like a Lady".
"There's a Blind Man Playin' Fiddle in the Street" is a song written by Swedish bass guitarist Göran Lagerberg, initially recorded by his band Tages. In December 1967, Tages released their fifth album, Studio, which largely was inspired by and saw influences from Swedish folk music; this had a major impact on Lagerberg. Inspired by the Beatles' single "Strawberry Fields Forever" / "Penny Lane" from a meeting with club owner Styrbjörn Colliander, Lagerberg composed the song in a more commercial tone than Studio, while still retaining the genre's influences. First released as a single on 8 February 1968 in Sweden, the song also received release in Denmark, Finland, Norway and the UK, where it was Tages' fourth single release.
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