"Couldn't Get It Right" | |
---|---|
Single by Climax Blues Band | |
from the album Gold Plated | |
B-side | "Fat Maybellene" (most countries)
|
Released | October 1976 (UK) February 1977 (USA) |
Recorded | August 1976 |
Genre | Blues rock, soft rock, funk rock [1] |
Length | 3:18 |
Label | BTM (UK), Sire (US) |
Songwriter(s) | Pete Haycock, Colin Cooper, Richard Jones, Derek Holt, John Cuffley |
Producer(s) | Climax Blues Band [2] Mike Vernon (B-sides) [3] |
Official audio | |
"Couldn't Get It Right" on YouTube |
"Couldn't Get It Right" is a 1976 song by the Climax Blues Band. The song was written after the band's label told them that their 1976 album Gold Plated lacked a standout track and asked them to "try and write a hit". [3] They then wrote it, in the words of its bassist Derek Holt, "from absolutely nowhere", [3] and it hit #10 on the UK Singles Chart. [4]
The song was recorded for their eighth studio album, Gold Plated , which was named after Pete Haycock's Veleno guitar and produced by Mike Vernon. The song was specifically written and produced after the manager of the band, Miles Copeland III, demanded that the band append a radio-friendly song to the track listing. The band at the time had released eight albums and although that had translated into fame, they did not have a great impact on the charts. [5] Copeland suggested a cover version of an Elvis Presley song; this suggestion was ignored, and instead the band came up with an original composition [6] "from absolutely nowhere". It was simply a case of sitting in the studio, conjuring up a rhythm, appending the traditional dual vocals for which Climax Blues Band were known, and coming up with a couple of hooks. The sudden emergence of the song irritated the producer, as he thought the band had been withholding a hit from him. [3]
In an interview with Songfacts, Derek Holt explained that the song was "just a lucky moment in time", and that it is about being on the road in America. The chorus "kept on looking for a sign in the middle of the night" referred to searches for Holiday Inn signs, the sight of which meant that beds had been found for the night. When the band's career first started in America, they used to fly everywhere, in some cases involving up to three flights just to get to one place. Their itineraries meant that getting to any one place was difficult and involved arriving in a town, getting into a car, getting to the gig just in time to perform the sound check, performing the gig, re-entering the car and then looking for a bed. The final few years of the band's life were easier as they switched to using tour buses. This enabled them to leave the gig, enter the bus, get a bed, drive extended distances (in Holt's words, "1,000 miles or whatever") and turn up at the next gig refreshed. [3] The saxophonist Colin Cooper sang the baritone lead on this song, with the bassist Derek Holt, guitarist Pete Haycock and drummer John Cuffley singing harmony. [3]
While in most markets "Couldn't Get It Right" was released with "Fat Maybellene" as the B-side (although it did not appear on the album), [7] in the United States and Canada the song was backed with album track "Sav'ry Gravy". [8] Both tracks were produced by album producer Mike Vernon. [3]
In an obituary for band member Pete Haycock, The Independent said that the song "transcended the clichés of the road-song genre and incorporated several of their trademarks, including the vocal harmonies of Haycock and Holt behind Cooper's lead, and Haycocks guitar being played in unison with Cooper’s saxophone, to create a concise gem of a single equal to the best work of the Doobie Brothers or Ace." [6]
The song was originally released by RCA Records in early 1976. Although the song did not make the UK Singles Chart until October 1976 it did manage to crack the top ten, entering at #47 and departing from #18 in early December 1976, having been at positions #10 and #11 the weeks before. [4] It reached #8 in Canada [9] and #29 in New Zealand. [10]
Later on that year, the song was picked up by Sire Records and the following year it made #3 on the US Billboard Hot 100. [11] Later that year, the song was ranked #32 on Billboard Year-End Hot 100 singles of 1977. [12]
Weekly charts
| Year-end charts
|
Climax Blues Band performed the song live twice for Top of the Pops . [22] [23] In addition, the song was used as background music in the TV series Fringe , episode "Subject 9". [24]
Brad Jones' 2010 online film The Hooker with a Heart of Gold used the song as background music. [25]
Episode 7 of Top Gear series 10, in which the presenters put three 1970s British cars through their paces to commemorate British Leyland's 40th anniversary, used the song when James May played it on the radio of his 1978 Leyland Princess while on his way to Cowley. [26]
The song was featured in the opening credits to Bob the Butler , [27] as well as appearing in Blow Dry . [28]
The song was featured on Alan Partridge: Alpha Papa , and was used on the Xbox and PlayStation game Sleeping Dogs . [5]
In 1987, the song gave its name to a hits package. Whilst commended for being "near-definitive", it was blasted by reviewer Stephen Thomas Erlewine as it omitted everything earlier than 1974, which he described as being "the closest they ever got to the blues". [29]
The adultery website Ashley Madison did a parody of the song for one of their commercials in 2014. It was the most complained about commercial that year with the Advertising Standards Bureau of Australia. [30]
"Ain't Nothing Like the Real Thing" is a 1968 single released by American R&B/soul duo Marvin Gaye and Tammi Terrell, on the Tamla label in 1968. The B-side of the single is "Little Ole Boy, Little Ole Girl" from the duo's United LP. The first release off the duo's second album: You're All I Need, the song—written and produced by regular Gaye/Terrell collaborators Ashford & Simpson—became a hit within weeks of release eventually peaking at number eight on the US Billboard Hot 100 and number one on the Hot Soul Singles chart, the first of the duo's two number-one R&B hits. In the UK "Ain't Nothing Like the Real Thing" reached number 34.
"Angel of the Morning" is a popular song written by Chip Taylor, originally recorded by Evie Sands but which first charted with a version by Merrilee Rush. The song has been covered by many artists including Chrissie Hynde, Dusty Springfield, P. P. Arnold, Connie Eaton, Mary Mason, Guys 'n' Dolls, Melba Montgomery, Olivia Newton-John and Juice Newton.
Climax Blues Band are a British blues rock & pop band that has released 22 albums. "Couldn't Get It Right" reached No. 10 on the UK Singles Chart and No. 3 on the Billboard Hot 100 in 1977. "I Love You" peaked on the Billboard chart at No. 12 in 1981.
"Deacon Blues" is a song written by Walter Becker and Donald Fagen in 1976 and recorded by their group Steely Dan on their 1977 album Aja. It peaked at number 19 on the Billboard charts and number 17 on the U.S. Cash Box Top 100 in June 1978. It also reached number 40 on the Easy Listening chart. In Canada, it peaked at number 14, a position it occupied for two weeks, and number 20 Adult Contemporary. In 2021, it was listed at No. 214 on Rolling Stone's "Top 500 Greatest Songs of All Time".
"How Long" is the debut single by the English band Ace, from their 1974 debut album, Five-A-Side. It reached No. 3 on both the US and Canadian charts, and No. 20 on the UK Singles Chart.
"Walk Right In" is a country blues song written by musician Gus Cannon and originally recorded by Cannon's Jug Stompers in 1929 by RCA Victor. In 1959, it was included on the compilation album The Country Blues. Another version of the song by the Rooftop Singers, with the writing credits allocated to group members Erik Darling and Bill Svanoe, became an international hit in 1963.
Tarney/Spencer Band were a rock band formed in London in 1975 with Trevor Spencer on drums and Alan Tarney on lead guitar, bass guitar and lead vocals. Both had been in Australian bands, including James Taylor Move, prior to relocating to the United Kingdom, where they formed the duo. The group issued three albums, Tarney and Spencer (1976), Three's a Crowd (1978) and Run for Your Life (1979). Their single, "No Time to Lose" (1979), received airplay in the United States on album-oriented rock radio stations. It charted on the Billboard Hot 100 in both 1979 and again in 1981 upon re-issue. By the end of 1979, Tarney/Spencer Band had broken up and both founders undertook careers as songwriters, session musicians and record producers.
"Soul Man" is a 1967 song written and composed by Isaac Hayes and David Porter, first successful as a number 2 hit single by Atlantic Records soul duo Sam & Dave, which consisted of Samuel "Sam" Moore and David "Dave" Prater. In 2019, "Soul Man" was selected for preservation in the National Recording Registry as "culturally, historically, and aesthetically significant" by the Library of Congress. It was No. 463 in "Top 500 Greatest Songs of All Time" by Rolling Stone in 2010 and No. 458 in 2004.
"Ride Captain Ride" is a song recorded by the American rock band Blues Image. It was co-written by the band's singer-guitarist Mike Pinera and keyboardist Frank "Skip" Konte and was included on the group's 1970 album, Open. Released as a slightly shortened single in the spring of 1970, it shot up the charts, eventually reaching No. 4 in the US and Canadian charts, making it Blues Image's only Top 40 chart hit. It reached No. 23 in Australia.
"Never My Love" is a pop standard written by American siblings Don and Dick Addrisi, and best known from a hit 1967 recording by the Association. The Addrisi Brothers had two Top 40 hits as recording artists, but their biggest success as songwriters was "Never My Love". Recorded by dozens of notable artists in the decades since, in 1999 the music publishing rights organization Broadcast Music, Inc. (BMI) announced it was the second most-played song on radio and television of the 20th century in the U.S.
Peter John Haycock was an English musician and film score composer. He began his career as lead guitarist, vocalist, and founding member of the Climax Blues Band.
"Fooled Around and Fell in Love" is a song written and performed by blues guitarist Elvin Bishop with Mickey Thomas on lead vocals. It appeared on Bishop's 1975 album Struttin' My Stuff, and was released as a single the following year.
"Always and Forever" is an R&B song written by Rod Temperton and produced by Barry Blue. It was first recorded by the British-based multinational funk-disco band Heatwave in 1976. Released as a single on 3 December 1977, the song is included on Heatwave's debut album Too Hot to Handle (1976) and has been covered by numerous artists, becoming something of a standard.
"Moonlight Feels Right" is the debut single recorded by the American band Starbuck. Written and produced by Bruce Blackman, the song was released in December 1975 but did not chart until April 1976.
Gold Plated is a 1976 album by the Climax Blues Band. It made No. 56 on the UK Albums Chart and No. 27 on the Billboard Album Chart, becoming their highest-selling album in either region. It also featured their hit "Couldn't Get It Right".
"2-4-6-8 Motorway" is a song by Tom Robinson. It was released as a single in 1977 by British punk rock/new wave group the Tom Robinson Band, and reached No. 5 in the UK Singles Chart.
"I Love You" is a song by the Climax Blues Band, released as a single in 1981, from the album Flying the Flag.
"The Things We Do for Love" is a song by British band 10cc, released as a single in 1976. It later featured on the album Deceptive Bends released in 1977 and was the group's first release after the departure of band members Kevin Godley and Lol Creme.
"We're in This Love Together" is a 1981 hit song by Al Jarreau. It was the first of three single releases from his fifth studio album, Breakin' Away. The song was his first and biggest chart hit.
"Falling" is a 1977 song by Lenny LeBlanc and Pete Carr. It was their highest-charting single, peaking at number 13 in the United States during the winter of 1978. It was the first of two charting singles from their Midnight Light LP.