Belshazzar (6th century BC), son of the last king of the Neo-Babylonian empire, Nabonidus, has inspired many works of art and cultural allusions, often with a religious motif. While a historical figure, depictions and portrayals of him are most often based on his appearance in the biblical story of Belshazzar's feast in the Book of Daniel. This story is the origin of the idiomatic expression "the writing is on the wall".
In chapter 5 in the Book of Daniel, a hand writes Hebrew letters on a wall, which Daniel interprets as "Mene, mene, tekel, upharsin". These words mean that Belshazzar is doomed. The phrase "The writing is on the wall", or "The writing on the wall", has become a idiomatic expression referring to the foreshadowing of any impending doom, misfortune, or end. If "the writing is on the wall" something bad is about to happen. A person who does not or refuses to see "the writing on the wall" is being described as ignorant to the signs of a cataclysmic event that will likely occur in the near future. [1] [2]
One of the earliest known uses of the phrase in English is in the writings of a Captain L. Brinckmair in 1638, during the Thirty Years' War. Brinckmair writes: "Remarkable Prodigies..are in themselves like the writing on the Wall in Beshazzars Palace, which Sooth-sayers, Astrologians, and Chaldeans could neither understand nor reade’." [3]
Belshazzar had a letter—
He never had but one—
Belshazzar's Correspondent
Concluded and begun
In that immortal Copy
The Conscience of us all
Can read without its Glasses
On revelation's wall—
—Emily Dickinson, 1879
The Book of Daniel is a biblical apocalypse authored during the 2nd century BC, and set during the 6th century BC. The work describes "the activities and visions of Daniel, a noble Jew exiled at Babylon"; in doing so, it interpolates a portrayal of a historical prophecy being fulfilled with a prediction of future cosmic and political upheaval. This eschatology ultimately affirms that the God of Israel's previous deliverance of Daniel from his enemies prefigures his future deliverance of the people of Israel from their present oppression.
Belshazzar was the son and crown prince of Nabonidus, the last king of the Neo-Babylonian Empire. Through his mother, he might have been a grandson of Nebuchadnezzar II, though this is not certain and the claims to kinship with Nebuchadnezzar may have originated from royal propaganda.
Babylon the Great, commonly known as the Whore of Babylon, refers to both a symbolic female figure and a place of evil as mentioned in the Book of Revelation of the New Testament. Her full title is stated in Revelation 17:5 as "Mystery, Babylon the Great, the Mother of Harlots and Abominations of the Earth".
Sic transit gloria mundi is a Latin phrase that means "Thus passes the worldly glory." In idiomatic contexts, the phrase has been used to mean "fame is fleeting".
Peres is a Portuguese, Galician, and Judaeo-Spanish surname. Its Spanish variant is Pérez. It is common in both forms Peres, Perez, and Peretz among descendants of Sephardic Jews in Puerto Rico.
Belshazzar's Feast is a cantata by the English composer William Walton. It was first performed at the Leeds Festival on 8 October 1931, with the baritone Dennis Noble, the London Symphony Orchestra and the Leeds Festival Chorus, conducted by Malcolm Sargent. The work has remained one of Walton's most celebrated compositions. Osbert Sitwell selected the text from the Bible, primarily the Book of Daniel and Psalm 137. The work is dedicated to Walton's friend and benefactor Lord Berners.
Belshazzar's feast, or the story of the writing on the wall, chapter 5 in the Book of Daniel, tells how Belshazzar holds a great feast and drinks from the vessels that had been looted in the destruction of the First Temple. A hand appears and writes on the wall. The terrified Belshazzar calls for his wise men, but they are unable to read the writing. The queen advises him to send for Daniel, renowned for his wisdom. Daniel reminds Belshazzar that his father Nebuchadnezzar, when he became arrogant, was thrown down until he learned that God has sovereignty over the kingdom of men. Belshazzar had likewise blasphemed God, and so God sent this hand. Daniel then reads the message and interprets it: God has numbered Belshazzar's days, he has been weighed and found wanting, and his kingdom will be given to the Medes and the Persians.
That very night Belshazzar, the Chaldean [Babylonian] king, was killed. And Darius the Mede received the kingdom […]
The mina is an ancient Near Eastern unit of weight for silver or gold, equivalent to approximately 1.25 pounds (0.57 kg), which was divided into 60 shekels. The mina, like the shekel, eventually also became a unit of currency.
Darius the Mede is mentioned in the Book of Daniel as King of Babylon between Belshazzar and Cyrus the Great, but he is not known to secular history and there is no space in the historical timeline between those two verified kings.
Belshazzar's Feast is a major painting by Rembrandt now in the National Gallery, London. The painting is Rembrandt's attempt to establish himself as a painter of large, baroque history paintings. The date of the painting is unknown, but most sources give a date between 1635 and 1638.
"Love Minus Zero/No Limit" is a song written by Bob Dylan for his fifth studio album Bringing It All Back Home, released in 1965. Its main musical hook is a series of three descending chords, while its lyrics articulate Dylan's feelings for his lover, and have been interpreted as describing how she brings a needed zen-like calm to his chaotic world. The song uses surreal imagery, which some authors and critics have suggested recalls Edgar Allan Poe's "The Raven" and the biblical Book of Daniel. Critics have also remarked that the style of the lyrics is reminiscent of William Blake's poem "The Sick Rose".
Belshazzar is an oratorio by George Frideric Handel. The libretto was by Charles Jennens, and Handel abridged it considerably. Jennens' libretto was based on the Biblical account of the fall of Babylon at the hands of Cyrus the Great and the subsequent freeing of the Jewish nation, as found in the Book of Daniel.
Daniel is the main character of the Book of Daniel. According to the Hebrew Bible, Daniel was a noble Jewish youth of Jerusalem taken into captivity by Nebuchadnezzar II of Babylon, serving the king and his successors with loyalty and ability until the time of the Persian conqueror Cyrus, all the while remaining true to the God of Israel. While some conservative scholars hold that Daniel existed and his book was written in the 6th century BCE, most scholars agree that Daniel is not a historical figure and that much of the book is a cryptic allusion to the reign of the 2nd century BCE Hellenistic king Antiochus IV Epiphanes.
The fall of Babylon was the decisive event that marked the total defeat of the Neo-Babylonian Empire to the Achaemenid Persian Empire in 539 BCE.
Mene is a genus of fish.
Margaret Maher was an Irish-American long-term domestic worker in the household of American poet Emily Dickinson.
Belshazzar's Feast, JS 48, is incidental music by Jean Sibelius to a play of the same name by the journalist, poet and playwright Hjalmar Fredrik Eugen Procopé (1868−1927).
"Finger of God" is a phrase used in the Torah, translated into the Christian Bible. In Exodus 8:16–20 it is used during the plagues of Egypt by Pharaoh's magicians. In Exodus 31:18 and Deuteronomy 9:10 it refers to the method by which the Ten Commandments were written on tablets of stone that were brought down from Mount Sinai by Moses.
Belshazzar's Feast is an oil painting by British painter John Martin (1789–1854). It was first exhibited at the British Institution in February 1821 and won a prize of £200 for the best picture. It was so popular that it needed to be protected from the crowds by a railing, and established Martin's fame. In the words of Martin's biographer William Feaver, he "turned literary references to visual reality". Martin published mezzotint engravings in 1826 and 1832. The original painting is now held in a private collection; two smaller contemporaneous "sketches" are held by the Yale Center for British Art in New Haven, Connecticut and the Wadsworth Atheneum in Hartford, Connecticut.
"The Writing on the Wall" is a song by the English heavy metal band Iron Maiden. The song was released on 15 July 2021 alongside a music video, and served as the lead single from their seventeenth studio album Senjutsu. It was also the band's first single since 2016's "Empire of the Clouds".
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