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The cultural heritage of Peru, officially the Cultural heritage of the Nation, is the name given to the set of goods, both tangible and intangible, accumulated over time. These goods can be paleontological, archaeological, architectural, historical, artistic, military, social, anthropological or intellectual. In Peru, the competence for the protection of cultural heritage is in the hands of the Ministry of Culture.
In August 2000, the National Institute of Culture published a list of temples, convents and cemeteries declared cultural heritage. [1]
In Peru, cultural heritage is regulated by Law No. 28296 (General Law of Cultural Heritage of the Nation), which establishes the national policy for the defense, protection, promotion, ownership and legal regime and the destination of the goods that constitute the Cultural Heritage of the Nation. [2]
An asset that is part of the Cultural Heritage of the Nation is understood to be any manifestation of human activity -material or immaterial- that due to its importance, value and paleontological, archaeological, architectural, historical, artistic, military, social, anthropological or intellectual significance, is expressly declared as such or on which there is a legal presumption of being so. Said assets have the status of public or private property with the limitations established by this Law. [3]
In the broadest sense, cultural resource management (CRM) is the vocation and practice of managing heritage assets, and other cultural resources such as contemporary art. It incorporates Cultural Heritage Management which is concerned with traditional and historic culture. It also delves into the material culture of archaeology. Cultural resource management encompasses current culture, including progressive and innovative culture, such as urban culture, rather than simply preserving and presenting traditional forms of culture.
Cultural heritage is the heritage of tangible and intangible heritage assets of a group or society that is inherited from past generations. Not all heritages of past generations are "heritage"; rather, heritage is a product of selection by society.
An intangible cultural heritage (ICH) is a practice, representation, expression, knowledge, or skill considered by UNESCO to be part of a place's cultural heritage. Buildings, historic places, monuments, and artifacts are cultural property. Intangible heritage consists of nonphysical intellectual wealth, such as folklore, customs, beliefs, traditions, knowledge, and language. Intangible cultural heritage is considered by member states of UNESCO in relation to the tangible World Heritage focusing on intangible aspects of culture. In 2001, UNESCO made a survey among States and NGOs to try to agree on a definition, and the Convention for the Safeguarding of the Intangible Cultural Heritage was drafted in 2003 for its protection and promotion.
Indigenous intellectual property is a term used in national and international forums to describe intellectual property that is "collectively owned" by various Indigenous peoples, and by extension, their legal rights to protect specific such property. This property includes cultural knowledge of their groups and many aspects of their cultural heritage and knowledge, including that held in oral history. In Australia, the term Indigenous cultural and intellectual property, abbreviated as ICIP, is commonly used.
The Ministry of Culture is the ministry of the Government of Italy in charge of national museums and the monuments historiques. MiC's headquarters are located in the historic Collegio Romano Palace and the current Minister of Culture is Gennaro Sangiuliano.
Cultural property, also known as cultural patrimony, comprises the physical items that are part of the cultural heritage of a group or society, as opposed to less tangible cultural expressions. They include such items as cultural landscapes, historic buildings, works of art, archaeological sites, as well as collections of libraries, archives, and museums.
Cultural heritage of Serbia represents the totality of national cultural heritage in Serbia as defined by Serbia's Law on Cultural Goods. Some of national heritage sites in Serbia are also World Heritage Sites.
A Cultural Property is administered by the Japanese government's Agency for Cultural Affairs, and includes tangible properties ; intangible properties ; folk properties both tangible and intangible; monuments historic, scenic and natural; cultural landscapes; and groups of traditional buildings. Buried properties and conservation techniques are also protected. Together these cultural properties are to be preserved and utilized as the heritage of the Japanese people.
A bien de interés cultural is a category of the heritage register in Spain. The term is also used in Colombia and other Spanish-speaking countries.
The Spanish Cultural Heritage Institute (IPCE) is an institution of the Ministry of Culture dedicated to the research, conservation and documentation of Spanish cultural heritage. It is attached to the Directorate-General for Cultural Heritage and Fine Arts.
The National monuments of Colombia are the set of properties, nature reserves, archaeological sites, historic districts, urban areas and property that, for values of authenticity, originality, aesthetics, and artistic techniques, are representative of Colombia and constitute core elements of its history and culture. The cultural heritage of Colombia includes material and immaterial assets "which are an expression of the Colombian nationality", in accordance with Law No. 1185 (2008). As of December 2011, 1079 National Monuments have been declared. A further sixteen candidate sites have been identified for future declaration.
The cultural heritage of Belarus includes both material and immaterial assets (valuables), in accordance with the Law on Protection of Historical and Cultural Heritage of the Republic of Belarus (2006).
The Cultural Properties of Costa Rica refer to those tangible and intangible cultural properties that by decree has been awarded the distinction of being part of the cultural heritage of Costa Rica.
Llaqta Qulluy is an archaeological site in Peru. It is situated in the Huancavelica Region, Huancavelica Province, Vilca District. Llaqta Qulluy was declared a National Cultural Heritage (Patrimonio Cultural).
Bartolomé Ruiz González is a Spanish archaeologist who has been involved in cultural management in Andalucia since the late 1970s. He currently runs the Archaeological Ensemble of the Antequera Dolmens and is the director of the Royal Academy of Fine Arts of Antequera.
The Direção-Geral do Património Cultural (DGPC), formerly the Instituto de Gestão do Património Arquitectónico e Arqueológico (IGESPAR) and Instituto Português do Património Arquitetónico (IPPAR, is a general directorate of the Government of Portugal tasked with the conservation, preservation, and inventory of Portuguese architectural heritage. This includes buildings and sites of historical, architectural, scientific or artistic value. The institute keeps a registry of all the classified sites and issues legally binding opinions regarding any works on them.
The Classification of Built Heritage in Portugal corresponds to a group or independent Portuguese archeological civic, military and religious cultural properties deemed to be of sufficient historical value by the Direção-Geral do Património Cultural for protection and conservation. The precise rules for the classification and protection of cultural properties are defined in a heritage registry, that includes inventories of the natural and man-made, tangible and intangible, movable and immovable properties of a cultural, esthetic, social, technical and scientific nature.
Mónica Aguilar Bonilla is a Costa-Rican archaeologist. She is a Professor of Archaeology and Anthropology in the Faculty of Social Sciences at the University of Costa Rica. Her current works are mainly about Costa Rican heritage. She has worked on documenting archaeological artifacts, artifacts repatriation, and application for World Heritage Status.