Erica Schmidt,Dinklage's wife,directed the theatrical adaptation of 1897 Edmond Rostand play Cyrano de Bergerac in 2018. When plans for a film adaptation happened with Metro-Goldwyn-Mayer acquiring the play's rights in August 2020,Schmidt wanted to collaborate with The National's Aaron and Bryce Dessner for the score as she had been a big fan of the band and while stating it her in a letter to songwriter Matt Berninger,Bryce happened to read the play earlier at her house upstate in New York,where he had given few sketches of the band's unfinished music and Schmidt sent her a playlist of the songs used in the background.[1][2] In an interview to Billboard in 2021,Bryce described about the contemporary adaptation where the songs "replace the letters and long monologues of 19th century poetry,which are so classic but for a modern audience it makes a lot of sense". Though they were not anticipated on writing musicals,and having no idea about it,both had an interest on how musicals are being adapted,hence they also took positions as songwriters with Berninger and Carin Besser.[3][4]
The recording process fragmented due to the COVID-19 pandemic,where both the brothers (living in France and New York separately) had to virtually communicate through Zoom to supervise the score (also for C'mon C'mon). Bryce joined with Robert Ames to conduct the sessions performed by London Contemporary Orchestra at Abbey Road Studios,and Víkingur Ólafsson recorded piano solos in Iceland. With COVID-19 restrictions eased at parts of Europe in September,Bryce went to Sicily (where the film was shot) to supervise the cast rehearsals onset for three weeks and recorded most of the score there. Bryce described the musical process as "Before they shot every scene the music was discussed,and they shot around the music –it’s woven in at a much,much deeper level than we’re used to".[1][5]
For the songs originally written for the stage play,Beringer and Besser reworked the tunes around four years,with Aaron claiming that the music evolved within the stage productions and the film version was elevated with Joe's work on developing further with Erica and focusing what he wanted to achieve. All the vocals and instrumentation were recorded live.[1][6] Schmidt felt the song lyrics were not intended to be propulsive,rather than being intimate and reflective,saying "It was actually what poetry is,that kind of window into the soul. As opposed to composing for the audience,or showing off,[the music was] much more soulful."[3]
Release
Cyrano's soundtrack was announced on October 6,2021,which had 27 tracks (including both the original music and score).[7] It was set for release on December 10,2021 by Decca Records,three weeks before the originally slated release date at United Kingdom.[8][9] The first single from the album,"Someone To Say" released on October 8,[10] and the second track,"Somebody Desparade" released on December 3.[11][12] The soundtrack was released exclusively at 180-gram double vinyl,through Target Corporation on April 1,2022.[13]
Justin Velucci of Spectrum Culture wrote "As composers, the Dessners make beautiful and romantic music, but it’s really on Berninger and Erica Schmidt, who wrote the book for the stage production, to steal the day and carry the weight of making this thing sing."[15] Peter Debruge of Variety opined that the "lovely, wistful pop ballads restores the show’s sense of poetry".[16] Tim Grierson of Screen International complimented that the film "is especially aided by the original musical’s songs [...] For fans of the group’s guarded romanticism, Cyrano gives their music a bolder canvas".[17] Stephen Farber of The Hollywood Reporter felt that the music "never overwhelm the humor or the drama" with some of the songs were "likeable" and some being "forgettable".[18] Pete Hammond of Deadline Hollywood wrote "The score beautifully complements the story without ever overpowering it, and there are several highlights from a cast with real musical chops, as it turns out. Standouts include the stunning battlefield anthem 'Wherever I Fall', 'Close My Eyes' and an original for the film called 'Every Letter', but this is one score where each number has a purpose in moving the story along to a final act that is bittersweet, moving and quietly powerful in its sheer humanity and love."[19]
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