"Dark Star" | ||||
---|---|---|---|---|
Single by Grateful Dead | ||||
B-side | "Born Cross-Eyed" | |||
Released | April 1968 | |||
Recorded | 1968 | |||
Genre | ||||
Length | 2:44 | |||
Label | Warner Bros. | |||
Songwriter(s) | Grateful Dead Robert Hunter | |||
Producer(s) | Grateful Dead David Hassinger | |||
Grateful Dead singles chronology | ||||
|
"Dark Star" is a song released as a single by the Grateful Dead on Warner Bros. Records in 1968. It was written by lyricist Robert Hunter and composed by lead guitarist Jerry Garcia; [2] however, compositional credit is sometimes extended to include Phil Lesh, Bill Kreutzmann, Mickey Hart, Ron "Pigpen" McKernan, and Bob Weir. [3] [4] "Dark Star" was an early Grateful Dead classic, which the group often used as a vehicle for extended jam sessions during live performances. One such performance, lasting 23 minutes, was included on the Dead's breakthrough 1969 album Live/Dead and is the best-known version of the song. "Dark Star" is included in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll list and was ranked at number 57 on Rolling Stone's 100 Greatest Guitar Songs of All Time.
In May 1967, Garcia composed the preliminary chords of the song, but without lyrics. [2] A handful of months later, Robert Hunter, who would become a longtime collaborator of the Grateful Dead's, arrived back in California and overheard the band playing around with the track. While in Rio Nido, a small town on the Russian River just north of San Francisco, he immediately sat down and wrote the opening line, contributing the lyrics and name of the song. [2] As Hunter has explained on multiple occasions, he reworded the opening lines of "The Love Song of J. Alfred Prufrock" as the chorus. [5]
"Dark Star" was initially released as a single in 1968, backed with "Born Cross-Eyed", a track written by rhythm guitarist Bob Weir. The single, to quote Phil Lesh, "sank like a stone." [2] Of the 1600 copies that made up the original shipment in 1968 by Warner Bros., only about 500 actually sold. [6] A live version appeared in 1969 on Live/Dead , the Dead's first live album. It also appeared on later compilations What a Long Strange Trip It's Been in 1977 and The Best of the Grateful Dead in 2015. It also appears as a bonus track on the 2001 reissue of Live/Dead . It also features Hunter's only appearance on a Grateful Dead record, reciting a monologue at the end of the song.
Due to the relentless touring of the Grateful Dead, and the fact that fans were allowed to tape the band's shows, many live versions of "Dark Star" exist. The studio recording of "Dark Star" lasted only 2:40, yet the song was known for its lengthy live performances, many of which clocked in at 20–30 minutes. Running over 23 minutes, the popular rendition as found on the Live/Dead live album was a blend of psychedelia, jazz, and jam elements. "Dark Star" defines the Dead's early improvisational music. At Woodstock 1969 it clocked in at 19:08.
After 1973, "Dark Star" fell out of the normal rotation at Dead shows; the song was not performed at all between October 18, 1974 and December 31, 1978. Being present for a "Dark Star" performance became a "Holy Grail" for Deadheads. The song became so legendary that it was often referred to as "IT" by dedicated Heads. Knowing this, the Dead would sometimes tease the song's introduction before switching into another song, finally bringing it back in the end of the seventies on New Year's 1978, at the closing of Winterland. Semi-regular guest pianist Bruce Hornsby would later incorporate such teases into his own concerts, knowing a good number of Deadheads might be in attendance.
After the New Years 1981 show "Dark Star" only appeared once more in the first half of the eighties (at the Hearst Greek Theatre on July 13, 1984) and lay dormant until revived at the "Formerly the Warlocks" two-day run at Hampton Coliseum in Hampton, Virginia on October 9, 1989. Shortly after, performing as the Grateful Dead, Dark Star returned on October 16, 1989 in a performance at the Meadowlands Arena (FKA Brendan Byrne Arena) which later was released as "Nightfall of Diamonds," and concluded this tour with another performance at Miami on October 26, 1989. After its 1989 revival, the song was performed frequently in 1990, and occasionally through the rest of the band's career. Notable post-revival "Dark Stars" include performances with jazz saxophonist Branford Marsalis sitting in with the band at Nassau Coliseum in Uniondale, New York, on March 29, 1990, and Oakland Coliseum Arena on December 31, 1990; the entire Nassau show appears as the vault release Wake Up to Find Out .
In 1993, Phil Lesh approached music collage artist John Oswald to do a project with "Dark Star". He was given over a hundred different performances of the song from between 1968 and 1993. Oswald then built, layered, and "folded" these many performances to produce two large, recomposed versions, one running 59:59, and the second 46:46. The project is called Grayfolded . This is the only recording known to include performances by every member of the group, from inception in 1965 through 1995. The final live performance of "Dark Star" by the Grateful Dead occurred on March 30, 1994, at The Omni in Atlanta, Georgia.
During the period when the Grateful Dead were mixing their first official live album Live/Dead , the band played a run of four shows at San Francisco's Fillmore West performing and recording "Dark Star" every night and selecting the February 27, 1969, performance for inclusion on their Live/Dead album. All four shows have been released as the Fillmore West 1969: The Complete Recordings box set. During this period, "Dark Star" began to take thematic shape and became a cornerstone of the Dead's jamming.[ original research? ]
Some Deadheads consider February 18, 1971's version at the Capitol Theater in Port Chester, New York to be the best. [7] Lasting 22 minutes in length, this version of "Dark Star" flowed into the song "Wharf Rat" and then back into "Dark Star".
Another well-loved performance, considered by many fans to be the peak rendition of "Dark Star" [8] is from the Fillmore East on February 13, 1970. This performance of the song includes the "Feelin' Groovy Jam", so-called because of its passing resemblance to "The 59th Street Bridge Song (Feelin' Groovy)" by Simon and Garfunkel. Other knowledgeable listeners favor Winterland, San Francisco, November 11, 1973, as the peak performance. The Dead performed Dark Star eleven times in their 1972 Europe tour, every performance gripping and all included in the official complete release of the tour.
In an unofficial survey of the Grateful Dead's fans, the performance most cited is the Veneta, Oregon, "Dark Star" of August 27, 1972. [9] A list of the top ten in that "deadhead" ranking is as follows:
The Grateful Dead was an American rock band formed in Palo Alto, California in 1965. Known for their eclectic style that fused elements of rock, blues, jazz, folk, country, bluegrass, rock and roll, gospel, reggae, and world music with psychedelia, the band is famous for improvisation during their live performances, and for their devoted fan base, known as "Deadheads". According to the musician and writer Lenny Kaye, the music of the Grateful Dead "touches on ground that most other groups don't even know exists." For the range of their influences and the structure of their live performances, the Grateful Dead are considered "the pioneering godfathers of the jam band world".
Ronald Charles McKernan, known as Pigpen, was an American musician. He was a founding member of the San Francisco band the Grateful Dead and played in the group from 1965 to 1972.
Live/Dead is the first official live album released by the rock band Grateful Dead. Recorded over a series of concerts in early 1969 and released later the same year, it was the first live rock album to use 16-track recording.
A Deadhead or Dead head is a fan of the American rock band the Grateful Dead. The Deadhead subculture originated in the 1970s, when a number of fans began traveling to see the Grateful Dead in as many shows or festival venues as they could. As more people began attending live performances and festivals, a community developed. The Deadhead community has since gone on to create slang and idioms unique to them.
The Fillmore East was rock promoter Bill Graham's rock venue on Second Avenue near East 6th Street on the Lower East Side section of Manhattan, now called the East Village, in New York City. The venue was open from March 8, 1968, to June 27, 1971, and featured some of the biggest acts in rock music of that time. The Fillmore East was a companion to Graham's Fillmore Auditorium, and its successor, the Fillmore West, in San Francisco.
Winterland Ballroom was an ice skating rink and music venue in San Francisco, California, United States. The arena was located at the corner of Post Street and Steiner Street. It was converted for exclusive use as a music venue in 1971 by concert promoter Bill Graham and became a popular performance location for many rock acts. Graham later formed a merchandising company called Winterland Productions, which sold concert shirts, memorabilia, and official sports team merchandise.
Tom Constanten is an American keyboardist, best known for playing with the Grateful Dead from 1968 to 1970, for which he was inducted into the Rock and Roll Hall of Fame in 1994.
The Grateful Dead Movie, released in 1977 and directed by Jerry Garcia, is a film that captures live performances from rock band the Grateful Dead during an October 1974 five-night run at Winterland in San Francisco. These concerts marked the beginning of a hiatus, with the October 20, 1974, show billed as "The Last One". The band would return to touring in 1976. The film features the "Wall of Sound" concert sound system that the Dead used for all of 1974. The movie also portrays the burgeoning Deadhead scene. Two albums have been released in conjunction with the film and the concert run: Steal Your Face and The Grateful Dead Movie Soundtrack.
Fillmore West 1969: The Complete Recordings is a 10-CD live album by the rock band the Grateful Dead. It contains four complete concerts recorded on February 27, February 28, March 1, and March 2, 1969, at the Fillmore West in San Francisco. The album was remixed from the original 16-track concert soundboard tapes. It was released as a box set in November 2005, in a limited edition of 10,000 copies.
"Sugar Magnolia" is a song by the Grateful Dead. Written by Robert Hunter and Bob Weir, it is one of the most well-known songs by the band, alongside such hits as "Truckin'", "Casey Jones", "Uncle John's Band", "Touch of Grey", and fellow sugar-adjacent tune "Sugaree".
What a Long Strange Trip It's Been is the second compilation album by American rock band Grateful Dead. It was released August 18, 1977 by Warner Bros. Records, three and a half years after the Skeletons from the Closet compilation. Both albums are subtitled "The Best of the Grateful Dead". Unlike the previous compilation, What a Long Strange Trip It's Been is a double album.
The discography of the rock band the Grateful Dead includes more than 200 albums, the majority of them recorded live in concert. The band has also released more than two dozen singles and a number of videos.
So Many Roads (1965–1995) is a five-disc box set by the Grateful Dead. Primarily consisting of concert recordings from different periods of the band's history, it also contains several songs recorded in the studio. All but one of the forty-two tracks were previously unreleased. The album was released on November 7, 1999. It was certified a gold record by the RIAA on April 12, 2000.
The Golden Road (1965–1973) is a twelve-CD box set of the Grateful Dead's studio and live albums released during their time with Warner Bros. Records, from 1965 to 1973. After 1973, the band went on to create its own label, Grateful Dead Records. Also included in the box set is a two-disc bonus album, Birth of the Dead, containing very early recordings of the band.
Dick's Picks Volume 4 is the fourth live album in the Dick's Picks series of releases by the Grateful Dead. It was recorded on February 13 and February 14, 1970, at the Fillmore East in New York City, and released in February 1996. It was the first of the Dick's Picks CDs to have three discs. It was also the first Dead album to include the song "Mason's Children".
Dick's Picks Volume 16 is the 16th live album in the Dick's Picks series of releases by the Grateful Dead. It was recorded on November 8, 1969 at the Fillmore Auditorium in San Francisco, California. It contains the first live performance of "Cumberland Blues". There is a monologue by someone not in the band during the song "Caution" shortly before the segue to "The Main Ten," who has never been definitively identified.
Europe '72 Volume 2 is a live album by the rock band the Grateful Dead. It is a two-CD set which features 20 tracks from the band's Spring 1972 tour of Europe. As such, it represents a belated sequel to the band's original three-LP 1972 release, Europe '72. Around the time of the production of the massive Europe '72: The Complete Recordings box set in 2011, Grateful Dead archivist David Lemieux was charged with the task of developing this follow-up compilation, nearly four decades later, without repeating any of the songs that appeared on Europe '72. As with the box set, all of the music for this CD was remastered from the original 16-track tapes and encoded with HDCD specifications. The artwork for the release is by Stanley Mouse, who, along with his late partner, Alton Kelley, created the recognizable images for the original release.
Dave's Picks Volume 6 is a three-CD live album by the rock band the Grateful Dead. It contains two complete concerts: one from December 20, 1969, at the Fillmore Auditorium in San Francisco and the second from February 2, 1970, at the Fox Theatre in St. Louis. It was produced as a limited edition of 13,000 numbered copies, and was released on May 1, 2013.
Dave's Picks Volume 13 is a three-CD live album by the rock band the Grateful Dead. It contains the complete concert recorded on February 24, 1974, at the Winterland Arena in San Francisco, California. It was produced as a limited edition of 16,500 numbered copies, and was released by Rhino Records on February 1, 2015.
Fillmore West 1969: February 27th is a live album by the rock band the Grateful Dead. As the name suggests, it was recorded on February 27, 1969, at the Fillmore West in San Francisco. It was produced as a four-disc vinyl LP, in a limited edition of 9,000 copies. It was released on April 21, 2018, in conjunction with Record Store Day.