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Death Wish V: The Face of Death | |
---|---|
Directed by | Allan A. Goldstein |
Screenplay by | Allan A. Goldstein |
Story by | Michael Colleary Allan A. Goldstein |
Based on | Characters by Brian Garfield |
Produced by | Damian Lee |
Starring | |
Cinematography | Curtis Petersen |
Edited by | Patrick Rand |
Music by | Terry Plumeri |
Production companies | 21st Century Film Corporation, Death Wish 5 Properties |
Distributed by | Trimark Pictures |
Release date |
|
Running time | 95 minutes |
Country | United States |
Language | English |
Budget | $5 million |
Box office | $1.7 million |
Death Wish V: The Face of Death is a 1994 American vigilante action-thriller film and the fifth and final installment in the Death Wish film series, written and directed by Allan A. Goldstein. Charles Bronson reprises his role in both his final theatrical starring role and his final appearance as the character Paul Kersey. In the film, Kersey tries to protect his girlfriend, Olivia Regent (Lesley-Anne Down) from brutal mobsters that are threatening her fashion business.
Seven years after Detective Sid Reiner discovered he was the vigilante, Paul Kersey returns to New York City in the witness protection program, having assumed the name Paul Stewart. He is invited by his girlfriend, Olivia Regent, to a fashion show. Backstage, mobster Tommy O'Shea and his goons muscle in. Tommy threatens Olivia, who is his ex-wife and mother to their daughter, Chelsea.
When Paul discovers bruises on Olivia's wrist, she informs Paul of her ex-husband's behavior. Paul confronts Tommy, but Tommy's henchman Chicki Paconi threatens Paul with a revolver. The confrontation ends with the arrival of Chelsea. D.A. Brian Hoyle and his associate NYPD detective Lt. Hector Vasquez visit Paul's home. He informs them about Tommy O'Shea. Hoyle says they have been trying to nab Tommy for years, and he wants Olivia to testify.
That night at a restaurant, Paul proposes to Olivia, who accepts. Olivia excuses herself to the bathroom and is attacked by Tommy's associate, Freddie "Flakes" Garrity. Flakes bashes her head against a mirror, disfiguring her. Freddie escapes, although Paul gets a look at him. At the hospital, Paul meets Lt. Mickey King, who has been working on the O'Shea case for 16 years, and his partner, Janice Omori. King warns Paul to let the police handle it.
During a failed bugging mission against the mob, both O'Shea associate Albert and Janice are killed, getting struck by Freddie's car. Freddie and his henchmen, pretending to be the cops sent to protect Olivia, attack Paul and Olivia at her apartment. Freddie shoots Olivia in the back, killing her as the couple tries to escape. Paul jumps from the roof of his apartment, where he lands in a pile of trash bags, and is retrieved by the police. Tommy is cleared of involvement in Olivia's death and seeks custody of their daughter. Paul assaults Tommy, but his right-hand man Sal leaves him unconscious.
Paul plans to return to his vigilante methods and is assisted by Hoyle, who learns his department has been corrupted by Tommy. Paul poisons Chicki with cyanide disguised as sugar in a cannoli. He then kills Freddie with a remote-controlled explosive soccer ball. Tommy finds out from Vasquez, who is his informant, that Paul is a vigilante and will be going after him for killing Olivia. Vasquez tries to kill Paul himself; however, Paul gets the upper hand and kills him.
Hoyle arrives and finds that Tommy wants both him and Paul dead. Hoyle tells Paul he must never see him again, and Paul agrees. Using Chelsea as a bait, Tommy has henchmen named Frankie, Mickey and Angel guard the dress factory. Once Paul gets inside, he uses a forklift as a distraction. The henchmen destroy it, but Paul appears behind them, disarms Angel, and shoots Frankie and Mickey dead. Paul makes Angel tell him where Chelsea is and wraps Angel in plastic wrapper. Chelsea makes a getaway. Sal and Tommy go after her, but Tommy sends Sal after Paul. While searching for Paul, Sal accidentally shoots Angel dead. Paul shoots Sal into a garment shredding machine. Lt. King arrives, but is wounded by Tommy.
Armed with Angel's shotgun, Paul corners Tommy and knocks him into an liming pool, where he disintegrates. King thanks Paul for saving his life. Paul goes to rejoin Chelsea, calling out to the injured King, "Hey, Lieutenant, if you need any help, give me a call".
The three previous films in the Death Wish series were produced by Cannon Films. In 1989, Cannon faced Chapter 11 bankruptcy and its financial records came under investigation by the U.S. Securities and Exchange Commission. Co-owners Menahem Golan and Yoram Globus also had a personal falling out during the collapse of their company. [1] Golan soon launched his own company, 21st Century Film Corporation. [1] The films of the new company tended to have small budgets and performed poorly at the box office. Meanwhile, the Death Wish films continued to enjoy popularity in the video and television market. Golan came up with the idea of a fifth Death Wish film to serve as a much-needed hit for the company. [2]
Financing to start the film production was secured through a loan from the Lewis Horwitz Organization. Golan still owned an unused screenplay for a Death Wish film, submitted in the late 1980s by J. Lee Thompson and Gail Morgan Hickman, which had Paul Kersey battling against terrorists in Alcatraz Island, San Francisco. [1] [2] He decided against using it, since it would be too costly to produce. Instead, he hired Michael Colleary to write a new script. [2]
Golan initially reserved directorial duties for himself, but his preoccupation with directing Crime and Punishment reportedly prevented him from doing so. Michael Winner was available to direct, but was never asked to do so. According to Winner, his lack of interest in directing Death Wish 4: The Crackdown (1987) may have led Golan to count him out. [2] Golan then hired Steve Carver for the job, an experienced director in the action film genre. Carver was so amused by this that he set up a lunch meeting during which, he recalled discussing with Bronson the depiction of Paul Kersey. Bronson wanted the character to become more, "sympathetic and less violent as he thought the character was becoming repetitive and that there was nothing really for him to chew on. He wanted a lot of elements that made the character somewhat soft, wanting to get away from the blatant killing of bad guys and the vigilante stuff. He had some humorous ideas". After Carver took his notes from the meeting, he began revising the script with writer, Stephen Peters. [2]
Carver worked on the pre-production for two months before Golan decided to replace him after the decision to pare down the budget. His replacement was Allan A. Goldstein, who held dual citizenship as a Canadian and American. Carver believes that it was Goldstein's Canadian ties, which influenced the decision. Goldstein himself was surprised, since he specialized in drama films. Death Wish V: The Face of Death was his first action film. To prepare for directing the film, he tried familiarizing himself with the film series by watching the previous entries for the first time. He soon started revising the script. He attempted to insert humor and black comedy elements. [2]
Filming began in March 2, 1993 and ended on April 12. At first, there were several locations available all around the United States, until the film producers chose a big studio in Wilmington, North Carolina that had originally been built and owned by the film producer of the first film, Dino De Laurentiis. The location was chosen as it wasn't controlled by unions, and had previously attracted other film producers as the studio was used to cut costs. A lot of the money went to Bronson's salary, so the film production was forced to change places to Toronto, Ontario. [2]
The change caused problems for the production because film companies receive tax breaks when shooting in Canada, but in order to qualify for the discounts, a number of key positions have to be filled by Canadians. The budget had to be cut even lower, which made Goldstein revise the story further. The previous films of the series were mostly shot on location, but the fifth film was mainly shot in a studio. All the scenes involving the dress factory were shot in a studio. [2]
Charles Bronson and the producer, Menahem Golan, were not on speaking terms during the filming, only communicating by using director Allan A. Goldstein as an intermediary. Goldstein was uncertain of the reasons behind this adversarial relationship. [2] Golan was not present for most of the shooting, preoccupied with filming Crime and Punishment (2002) in Russia. [2]
Death Wish V was a box office disaster. The film was partially financed through an advanced payment by Trimark Pictures, in exchange for domestic theatrical and home video rights. Trimark released the film on January 14, 1994, to 248 movie theaters. It made $503,936 on its opening weekend. The final box office gross of the film in the United States market was estimated at just over $1.7 million. It was released for the home video market later in 1994. Rental records pointed to a solid presence of the film in the video market, but it was not as lucrative as Death Wish 4: The Crackdown (1987). [2]
Death Wish V was universally panned and holds a rare 0% rating on Rotten Tomatoes based on reviews from 5 critics. [3] On Metacritic it has a score of 25 out of 100 based on reviews from 6 critics, indicating "generally unfavorable reviews". [4]
Chris Willman of the Los Angeles Times criticized the film series' repeated recycling of the same basic plotline, and Charles Bronson's perceptible boredom with the Paul Kersey role, and said that even fans of the series would find this particular installment unbearably dull. [5]
Stephen Holden of The New York Times remarked that Bronson "sounds terminally bored", and criticized the film for its sadistic violence. [6]
Richard Harrington of The Washington Post said the film "looks and feels older than its original mold." He criticized that by this point Bronson was embarrassingly old for the part of an action hero, approaching 73 years old, at the time, and that the Death Wish plot had been done past the point of any interest. [7]
Variety 's Joe Leydon likewise said the film "finds both the character and the series looking mighty tired." Like Willman, he said that Bronson seemed bored with his role and that the film failed to provide any fresh twist to the Death Wish plotline. He further remarked that series fans would find it a major disappointment due to the low body count, slow pace, and general lack of excitement. [8]
Candice Russell of the South Florida Sun Sentinel gave the film two out four stars. She criticized the amount of gore but also pointed out that "there is also a level of suspense and a plot involving an innocent child, qualities that make this grisly go-round more than a gore-fest." Her final consensus was "Death Wish V is better than fans of the previous sequels have a right to expect." [9]
Sean P. Means of The Salt Lake Tribune gave it one star and said it was a "shoddy action flick that is a textbook case of non-entertainment." His final thoughts were "Death Wish V fosters its own death wish: the audience's fervent wish that this lame series would just curl up and die." [10]
Leonard Maltin's movie guide gave the film a BOMB rating and said: "No plot, just a pretext: Bronson's fiancé is murdered on the orders of her mobster ex-husband Parks so (yawn) he turns vigilante yet again. Crude, stupid entry in this weary series, very badly directed, with an emphasis on torture."
Bronson was reportedly disappointed with the failure of Death Wish V, continuing a streak of disillusionment with the franchise going back to the third installment. Feeling that the character of Paul Kersey was too one-dimensional to be improved on, he stated that he would not reprise the role in future projects. However, Menahem Golan later announced plans to make a sixth film titled Death Wish VI: The New Vigilante, which would see a new protagonist being introduced as Kersey's apprentice so that the actor could be properly replaced. Death Wish VI was cancelled after Golan's company, 21st Century Film Corporation, went bankrupt in 1996. [2]
The Verdict is a 1982 American legal drama film directed by Sidney Lumet and written by David Mamet, adapted from Barry Reed's 1980 novel of the same name. The film stars Paul Newman as a down-on-his-luck alcoholic lawyer who accepts a medical malpractice case to improve his own situation, but discovers along the way that he is doing the right thing. Charlotte Rampling, Jack Warden, James Mason, Milo O'Shea and Lindsay Crouse also star in supporting roles.
Charles Bronson was an American actor. He was known for his roles in action films and his "granite features and brawny physique". Bronson was born into extreme poverty in Ehrenfeld, Pennsylvania, a coal mining town in the Allegheny Mountains. Bronson's father, a miner, died when Bronson was young. Bronson himself worked in the mines as well until joining the United States Army Air Forces in 1943 to fight in World War II. After his service, he joined a theatrical troupe and studied acting. During the 1950s, he played various supporting roles in motion pictures and television, including anthology drama TV series in which he would appear as the main character. Near the end of the decade, he had his first cinematic leading role in Machine-Gun Kelly (1958).
Michael Robert Winner was a British filmmaker, writer, and media personality. He is known for directing numerous action, thriller, and black comedy films in the 1960s, 1970s and 1980s, including several collaborations with actors Oliver Reed and Charles Bronson.
The Cannon Group, Inc. was an American group of companies, including Cannon Films, which produced films from 1967 to 1994. The extensive group also owned, amongst others, a large international cinema chain and a video film company that invested heavily in the video market, buying the international video rights to several classic film libraries. Some of their best known films include Joe (1970), Runaway Train (1985) and Street Smart (1987), all of which were Oscar-nominated.
Death Wish II is a 1982 American vigilante action-thriller film directed and co-edited by Michael Winner. It is the first of four sequels to the 1974 film Death Wish. It is the second installment in the Death Wish film series. In the story, architect Paul Kersey moves to Los Angeles with his daughter. After his daughter is murdered at the hands of several gang members, Kersey once again chooses to become a vigilante. Unlike the original, in which he hunts down every criminal he encounters, Kersey only pursues his family's attackers. The sequel makes a complete breakaway from the Brian Garfield novels Death Wish and Death Sentence, redefining the Paul Kersey character. It was succeeded by Death Wish 3.
Frederick Cecil Bartholomew, known for his acting work as Freddie Bartholomew, was an English-American child actor. One of the most famous child actors of all time, he became very popular in 1930s Hollywood films. His most famous starring roles are in Captains Courageous (1937) and Little Lord Fauntleroy (1936).
Death Wish is a 1972 novel by Brian Garfield. A sequel novel, Death Sentence, was published in 1975.
Michael Parks was an American singer and actor who made numerous film and television appearances, notably starring in the 1969–1970 series Then Came Bronson. He was widely known for his work in his later years with filmmakers such as Quentin Tarantino, Robert Rodriguez, and Kevin Smith.
Menahem Golan was an Israeli film producer, screenwriter, and director. He co-owned The Cannon Group with his cousin Yoram Globus. Cannon specialized in producing low-to-mid-budget American films, primarily genre films, during the 1980s after Golan and Globus had achieved significant filmmaking success in their native Israel during the 1970s.
Death Wish 3 is a 1985 American vigilante action-thriller film directed and edited by Michael Winner. It is the third film and the last to be directed by Winner in the Death Wish film series. It stars Charles Bronson as the vigilante killer Paul Kersey and sees him battling with New York street punk gangs while receiving tactical support from a local NYPD lieutenant. Despite being set in New York City, some of the filming was shot in London to reduce production costs. It was succeeded by Death Wish 4: The Crackdown.
Death Sentence is a 2007 American vigilante action thriller film directed by James Wan and starring Kevin Bacon as Nick Hume, a man who takes the law into his own hands after his son is murdered by a gang member as an initiation ritual; Hume must then protect his family from the gang's resulting vengeance. The film is loosely based on the 1975 novel of the same name by Brian Garfield; although the novel is a sequel to Garfield's Death Wish, the film is unconnected to the previous Death Wish film series.
Death Wish is a 1974 American vigilante action film directed by Michael Winner. The film, loosely based on the 1972 novel of the same title by Brian Garfield and the first film in the Death Wish film series, stars Charles Bronson as Paul Kersey, alongside Hope Lange, Vincent Gardenia, William Redfield, Kathleen Tolan and Christopher Guest. In the film, Paul Kersey, an architect leading a peaceful life, resorts to vigilantism after his wife is murdered and daughter raped during a home invasion.
Death Wish 4: The Crackdown is a 1987 American vigilante action-thriller film, and the fourth installment in the Death Wish film series. The film was directed by J. Lee Thompson, and features Charles Bronson, who reprises his leading role as Paul Kersey. In the film, Kersey is once again forced to become a vigilante after his girlfriend's daughter dies of a drug overdose. He is recruited by a tabloid owner, Nathan White, to take down various crime figures of the Los Angeles drug trade.
Death Sentence is a 1975 novel by Brian Garfield, the sequel to Death Wish.
10 to Midnight is a 1983 American neo noir-thriller-horror film directed by J. Lee Thompson from a screenplay originally written by William Roberts. The film stars Charles Bronson in the lead role with a supporting cast that includes Lisa Eilbacher, Andrew Stevens, Gene Davis, Geoffrey Lewis, and Wilford Brimley. 10 to Midnight was released by City Films, a subsidiary of Cannon Films, to American cinemas on March 11, 1983.
The Death Wish franchise is an American vigilante action-thriller film series based on the 1972 novel by Brian Garfield. The films follow the character Paul Kersey, portrayed by Charles Bronson in the original series, and Bruce Willis in the 2018 remake. While the first film received mixed reviews, the subsequent sequels, as well as the remake, were panned by critics. The series made $87 million against a combined production budget of $61 million. Charles Bronson was the only actor to have appeared in all five films.
Messenger of Death is a 1988 American vigilante action thriller film starring Charles Bronson. It is about an attempt by a water company to start a family feud among fundamentalist Mormons to take the family's land for the company.
Jolene is a 2008 American drama film directed by Dan Ireland, based on the short story "Jolene: A Life" by E. L. Doctorow. It marked Jessica Chastain's film debut. It premiered on June 13, 2008, at the Seattle International Film Festival and was later released in the United States on October 29, 2010.
Fighting Back is a 1982 vigilante action thriller film written by Thomas Hedley Jr and David Zelag Goodman and directed by Lewis Teague. The film stars Tom Skerritt, Patti LuPone, Michael Sarrazin, Yaphet Kotto, David Rasche, Lewis Van Bergen, Earle Hyman, and Ted Ross.
Death Wish is a 2018 American vigilante action thriller film directed by Eli Roth and produced by Roger Birnbaum. It is the remake of the 1974 film of the same name and stars Bruce Willis as Dr. Paul Kersey, alongside Vincent D'Onofrio, Elisabeth Shue, Dean Norris and Kimberly Elise in supporting roles. In the film, Dr. Paul Kersey, a Chicago-based surgeon, sets out to exact vengeance on the culprits responsible for attacking his family.