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The Clash were an English rock band formed in London in 1976 who were key players in the original wave of British punk rock. Billed as "The Only Band That Matters", they also contributed to the post-punk and new wave movements that emerged in the wake of punk and employed elements of a variety of genres including reggae, dub, funk, ska, and rockabilly. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones, bassist Paul Simonon, and drummer Nicky "Topper" Headon.
John Graham Mellor, known professionally as Joe Strummer, was a British singer, musician and songwriter. He was the co-founder, lyricist, rhythm guitarist and co-lead vocalist of punk rock band the Clash, formed in 1976. The Clash's second studio album Give 'Em Enough Rope (1978) reached No. 2 on the UK charts. Soon after, they achieved success in the US, starting with London Calling (1979) and peaking with Combat Rock (1982), which reached No. 7 on the US charts and was certified 2× platinum there. The Clash's explosive political lyrics, musical experimentation, and rebellious attitude had a far-reaching influence on rock music in general, especially alternative rock. Their music incorporated reggae, ska, dub, funk, rap and rockabilly.
London Calling is the third studio album by English rock band the Clash. It was originally released as a double album in the United Kingdom on 14 December 1979 by CBS Records, and in the United States in January 1980 by Epic Records.
The 101ers were a pub rock band from the 1970s playing mostly in a rockabilly style, notable as being the band that Joe Strummer left to join The Clash. Formed in London in May 1974, the 101ers made their performing debut on 7 September at the Telegraph pub in Brixton, under the name 'El Huaso and the 101 All Stars'. The name would later be shortened to the '101 All Stars' and finally just the '101ers'. The group played at free festivals such as Stonehenge, and established themselves on the London pub rock circuit prior to the advent of punk.
The Mescaleros were the British backing band for British singer, musician and songwriter Joe Strummer, formed in 1999, which issued three albums prior to Strummer's death in 2002.
Nicholas Bowen "Topper" Headon is an English drummer, best known as the drummer of punk rock band the Clash. Known for his instrumental contributions to the drumming world, Headon was inducted in the Rock and Roll Hall of Fame with the rest of The Clash in 2003.
Cut the Crap is the sixth and final studio album by English punk band the Clash, released on 4 November 1985 by CBS Records. It was recorded in early 1985 at Weryton Studios, Munich, following a turbulent period: co-founder, lead guitarist and co-principal songwriter Mick Jones and drummer Topper Headon had been dismissed by lead vocalist Joe Strummer and bassist Paul Simonon. Jones and Headon were replaced by three unknowns: guitarists Vince White and Nick Sheppard and drummer Pete Howard. During the tense recording sessions, Clash manager Bernie Rhodes and Strummer fought each other for control over the band's songwriting and musical direction.
"London Calling" is a song by the British punk rock band the Clash. It was released as a single from the band's 1979 double album of the same name. This apocalyptic, politically charged rant features the band's post-punk sound, electric guitar and vocals.
"Rock the Casbah" is a song by the English punk rock band the Clash, released in 1982 as the second single from their fifth album, Combat Rock. It reached number eight on the Billboard Hot 100 chart in the US and, along with the track "Mustapha Dance", it also reached number eight on the dance chart.
"Spanish Bombs" is a song by English punk rock band The Clash, with principal vocals by Joe Strummer and additional vocals by Mick Jones. It was written by Strummer and recorded for the band's 1979 album London Calling.
"White Riot" is a song by English punk rock band the Clash, released as the band's first single in March 1977 and also included on their self-titled debut album.
"Complete Control" is a song by The Clash, released as a 7" single and featured on the U.S. release of their debut album.
"Train in Vain" is a song by the British punk rock band the Clash. It was released as the third and final single from their third studio album, London Calling (1979). The song was not originally listed on the album's track listing, appearing as a hidden track at the end of the album. This was because the track was added to the record at the last minute, when the sleeve was already in production. Some editions include the song in the track listing. It was the first Clash song to reach the United States Top 30 charts and in 2010, the song was ranked number 298 on Rolling Stone magazine's list of The 500 Greatest Songs of All Time.
"The Guns of Brixton" is a song by the English punk rock band the Clash, originally released on their 1979 album London Calling. It was written and sung by bassist Paul Simonon, who grew up in Brixton, South London. The song has a strong reggae influence, reflecting the culture of the area and the reggae gangster film The Harder They Come.
"Lost in the Supermarket" is a 1979 song by the Clash. Written by Joe Strummer and Mick Jones and produced by Guy Stevens, it is credited to the Strummer/Jones songwriting partnership. It was released on their third studio album London Calling. It is the eighth song on the track listing. Although it features Jones on lead vocals, the song was written by Strummer. The supermarket in question was the International, located at 471–473 Kings Road, beneath the World's End Estate. Strummer lived at 31 Whistler Walk at the time with his girlfriend Gaby Salter, her two younger brothers and her mother. The song appears in the Apple TV+ show Loot.
"Clash City Rockers" is a song by English rock band the Clash. It was first released in February 1978 as a single with the B-side "Jail Guitar Doors", the latter a re-worked version of a song from Joe Strummer's pub rock days. "Clash City Rockers" was the second of three non-album singles released between the group's eponymous first album in 1977 and their second album, Give 'Em Enough Rope (1978). It was later included as the opening track of the belated US version of the band's debut album.
"Tommy Gun" is a song by the British punk rock band The Clash, released as the first single from their second album Give 'Em Enough Rope (1978).
"Janie Jones" is a song by the English punk rock band the Clash. It is the opening track on their debut album, The Clash (1977). The song is named after Janie Jones, a cabaret singer who organised sex parties at her Kensington home.
The Clash were an English rock band that formed in 1976 as part of the original wave of British punk rock. Along with punk rock, they experimented with reggae, ska, dub, funk, rap and rockabilly. For most of their recording career, The Clash consisted of Joe Strummer, Mick Jones, and Paul Simonon, with Terry Chimes or Nicky "Topper" Headon on drums and percussion. The band features in several documentaries and other films.
"Garageland" is a song by English punk rock band The Clash featured as the final track for their 1977 debut album The Clash.
References
- 1 2 Wyman, Bill. "All 139 the Clash Songs, Ranked From Worst to Best". Vulture . New York . Retrieved 14 March 2023.
- 1 2 Anderson, Rick. "Death or Glory – The Clash | Song Info". AllMusic. Archived from the original on 8 August 2019. Retrieved 5 January 2013.
- ↑ Philippe Manœuvre, Rock'n'Roll : la discothèque idéale 2, Albin Michel, 2011 ( ISBN 978-2-226-20807-1).
- ↑ Huey, Steve. "City Rockers: A Tribute to the Clash – Various Artists | Songs, Reviews, Credits". AllMusic. Archived from the original on 28 October 2020. Retrieved 28 October 2020.
- 1 2 Gray, Marcus (2004). The Clash: Return of the Last Gang in Town (2nd ed.). Hal Leonard Corporation. p. 308. ISBN 1617749176 . Retrieved 27 October 2020.
- ↑ Salewicz, Chris (2006). Redemption Song: The Ballad of Joe Strummer . New York: Macmillan. ISBN 978-0-571-21178-4. OCLC 76794852.
- ↑ Clash on Broadway (booklet). The Clash. New York: Epic/Legacy. 1991. p. 52. 46991.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ↑ Thomson, Ian (14 December 2019). "London Calling 40 years on: How The Clash rewrote the rule book". The Irish Times . Archived from the original on 15 August 2020. Retrieved 27 October 2020.
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