The Clash were an English rock band formed in London in 1976 who were key players in the original wave of British punk rock. Billed as "The Only Band That Matters", they also contributed to the post-punk and new wave movements that emerged in the wake of punk and employed elements of a variety of genres including reggae, dub, funk, ska, and rockabilly. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones, bassist Paul Simonon, and drummer Nicky "Topper" Headon. Headon left the group in 1982 and internal friction led to Jones' departure the following year. The group continued with new members, but finally disbanded in early 1986.
Give 'Em Enough Rope is the second studio album by the English punk rock band the Clash. It was released on 10 November 1978 through CBS Records. It was their first album released in the United States, preceding the U.S. version of the self-titled album. The album was well received by critics and fans, peaking at number two in the United Kingdom Albums Chart, and number 128 in the Billboard 200.
Sandinista! is the fourth studio album by English punk rock band the Clash. It was released on 12 December 1980 as a triple album containing 36 tracks, with 6 songs on each side. It crosses various genres including funk, reggae, jazz, gospel, rockabilly, folk, dub, rhythm and blues, calypso, disco, and rap. For the first time, the band's traditional songwriting credits of Strummer and Jones were replaced by a generic credit to the Clash. The band agreed to a decrease in album royalties in order to release the 3-LP at a low price.
Paul Gustave Simonon is an English musician and artist best known as the bassist for The Clash. More recent work includes his involvement in the supergroup The Good, the Bad & the Queen and playing on the Gorillaz album Plastic Beach in 2010, which saw Simonon reunite with The Clash guitarist Mick Jones and Blur frontman Damon Albarn – and which also led to Simonon becoming the live band's touring bassist for Gorillaz's Escape to Plastic Beach Tour.
The 101ers were a pub rock band from the 1970s playing mostly in a rockabilly style, notable as being the band that Joe Strummer left to join The Clash. Formed in London in May 1974, the 101ers made their performing debut on 7 September at the Telegraph pub in Brixton, under the name 'El Huaso and the 101 All Stars'. The name would later be shortened to the '101 All Stars' and finally just the '101ers'. The group played at free festivals such as Stonehenge, and established themselves on the London pub rock circuit prior to the advent of punk.
Combat Rock is the fifth studio album by the English rock band the Clash. It was released on 14 May 1982 through CBS Records. In the United Kingdom, the album charted at number 2, spending 23 weeks in the UK charts and peaked at number 7 in the United States, spending 61 weeks on the chart.
Nicholas Bowen "Topper" Headon is an English drummer, best known as the drummer of punk rock band the Clash.
Michael Geoffrey Jones is a British musician, singer and songwriter best known as the lead guitarist, co-lead vocalist, co-founder and songwriter for The Clash until 1983. In 1984, he formed Big Audio Dynamite with Don Letts. Jones has played with the group Carbon/Silicon along with Tony James since 2002 and was part of the Gorillaz live band for a world tour in 2010–2011. In late 2011, Jones collaborated with Pete Wylie and members of the Farm to form the Justice Tonight Band.
"(White Man) In Hammersmith Palais" is a song by the English punk rock band the Clash. It was originally released as a 7-inch single, with the b-side "The Prisoner", on 16 June 1978 through CBS Records.
The Clash: Westway to the World is a 2000 documentary film about the British punk rock band The Clash. In 2003 it won the Grammy Award for Best Long Form Music Video.
Donovan Letts is a British film director, DJ and musician. Letts first came to prominence as the videographer for The Clash, directing several of their music videos. In 1984, Letts co-founded the band Big Audio Dynamite with Clash guitarist Mick Jones, acting as the group's sampler and videographer before departing the band in 1990.
The discography of the British punk rock band the Clash consists of six studio albums, two extended plays, two live albums and thirty-one singles.
"Complete Control" is a song by The Clash, released as a 7" single and featured on the U.S. release of their debut album.
Rude Boy is a 1980 British film directed by Jack Hazan and David Mingay and filmed in 1978 and early 1979.
"I'm So Bored with the U.S.A." is a song by British punk rock band the Clash, featured on their critically acclaimed 1977 debut album, which was released in the United States in July 1979 as their second album after Give 'Em Enough Rope. It was the album's third track in the original version and second in the US version.
"Tommy Gun" is a song by the British punk rock band The Clash, released as the first single from their second album Give 'Em Enough Rope (1978).
Bill Price was an English record producer and audio engineer who worked with The Clash, The Sex Pistols, Guns N' Roses, Sparks, The Jesus and Mary Chain, The Nymphs, The Waterboys, Mott the Hoople and Simon Townshend. He was chief engineer on the first three solo albums by Pete Townshend, including Empty Glass and White City: A Novel.
"Janie Jones" is a song by the English punk rock band the Clash. It is the opening track on their eponymous debut album (1977). The song is named after Janie Jones, who was a famous madam in London during the 1970s and had been a pop singer during the 1960s.
Joe Strummer: The Future Is Unwritten is a 2007 documentary film directed by Julien Temple about Joe Strummer, the lead singer of the British punk rock band The Clash, that went on to win the British Independent Film Awards as Best British Documentary 2007. The film premiered 20 January 2007 at the 2007 Sundance Film Festival. It was also shown at the Dublin Film Festival on 24 February 2007.
"Garageland" is a song by English punk rock band The Clash featured as the final track for their 1977 debut album The Clash.
