"Garageland" | |
---|---|
Song by The Clash | |
from the album The Clash | |
Language | English |
Released | 8 April 1977 |
Recorded | 27 February 1977, London |
Genre | Punk rock |
Length | 3:12 |
Label | CBS |
Composer(s) | Mick Jones |
Lyricist(s) | Joe Strummer |
Producer(s) | Mickey Foote |
"Garageland" is a song by English punk rock band The Clash featured as the final track for their 1977 debut album The Clash .
The song was written by Joe Strummer as a response to music journalist Charles Shaar Murray, who, after a gig in 1976, wrote a review saying that they were "the kind of garage band who should be returned to the garage immediately". It also served as a declaration to their fans – and their new record company, with which they had signed a contract for £100,000 on 25 January 1977, [1] – that they would still remain the same as they were before the signing. [2]
I never want that to happen. After our second gig a critic in New Musical Express wrote that we should be returned to the garage and locked in with a motor running so that we died. "Garageland" is about that. I was trying to say that this is where we come from and we know it, and we're not going to get out of our depth. Even though we've signed with C.B.S. we aren’t going to float off into the atmosphere like the Pink Floyd or anything.
Joe was really excited about this idea of a garage band, that led to the song "Garageland". He really thought, ‘We belong in a garage.’ He'd hit on something like that and get very, very excited and live off that for a few days. Then he'd be depressed about something else and he'd come in and say, ‘We're not really a garage band at all.’
Joe would go into everything at a million miles an hour and then change his mind.
Upon The Clash's early appearance at the Sex Pistols Screen on the Green concert, Charles Shaar Murray, an NME critic, produced a damning review of the band:
The Clash reacted immediately by writing the song "Garageland", [3] whose opening verses are: "Back in the garage with my bullshit detector / Carbon monoxide making sure it's effective", followed by the chorus: "We're a garage band / We come from garageland", and concluding with "Back in the garage". [2]
Another theme in the song is about the band signing to CBS Records on 25 January 1977 for £100,000. [1] The music press and fans criticized The Clash for having "sold out" to the establishment. [8] Mark Perry, founder of the leading London punk periodical, Sniffin' Glue , let loose with what he would later call his "big quote": "Punk died the day The Clash signed to CBS." [9] This was evidenced in the verses: "Meanwhile things are hotting up in the West End alright / Contracts in the offices and groups in the night / My bumming slumming friends have all got new boots / And someone just asked me if the group would wear suits", and, after the chorus, with the following lines: "I don't want to hear about what the rich are doing / I don't want to go to where the rich are going / They think they're so clever, they think they're so right / But the truth is only known by gutter snipes". [2]
"Garageland", as well as the majority of the band's debut studio album, was conceived on the 18th floor of a council high rise on London's Harrow Road, in a flat that was rented by Jones' grandmother, who frequently went to see the band rehearsing. [10] The song was recorded at CBS Whitfield Street Studio No. 3 on 27 February 1977. The tapes for the entire album were delivered to CBS at the start of March and the recording was released in the United Kingdom through CBS Records on 8 April 1977. The album was engineered by CBS staff engineer Simon Humphrey and produced by Clash live soundman Mickey Foote. [11]
The song made its live debut on 10–11 March 1977, on the first and second night of an early gig at The Coliseum in Harlesden, London, where the band was supported by Subway Sect, Buzzcocks, and The Slits. [12] From that moment to 1985, the song has become a stable part of the setlists of their future tours and concerts, and has graced stages all over the world. Among the most important venues, concert halls and arenas there were:
"Garageland" was first featured as the last track of the band's debut album as well as in its 1979 U.S. release. It also is featured in many unofficial and semi-official bootlegs such as the 1992 release of U.S.A. 1979. [23] It was featured in the 1980 film release Rude Boy , where it was performed live at Rehearsal Rehearsals, but the audio was re-recorded at Wessex Studios, [24] and on The Punk Rock Movie , directed and filmed by Don Letts mainly at The Roxy club in Super 8 in the autumn of 1977 during The Clash's White Riot tour, and published in DVD format in 1992. [25] "Garageland" is also featured on some live and compilation albums, most notably on Clash on Broadway and The Essential Clash , both released in 2003, [26] [27] Rarities released in 2003, [28] and Pearl Harbour '79 released in 1979 in Japan and in 2004 worldwide. [29]
Ironically, only two years after the 1976 review that inspired the band to write "Garageland", in NME Murray called The Clash "the greatest rock band in the world". [7]
"Garageland" is also featured on tribute albums such as City Rockers: A Tribute To The Clash , released on 6 July 1999 by various artists throughout Chord Records where the song was performed by The Sick. White Riot: A Tribute To The Clash (Vol. Two) released in 2003 by various artists and performed by Billy Bragg with Wiggy, The Neurotics, and Attila & The Stockbroker, Charlie Does Surf: A Tribute To The Clash released in 2004 by various artists where the song was performed by The Glasgow Tiki Shakers with Bill McGlynnon guitar, Joyce Seko on bass, and Bruce Graham on drums, and Revolution Rock: Joe Strummer Memorial Night At Klubi, Tampere Finland released in December 2006 by various artists throughout LampLite Ltd. and performed by The Control with ex-Hanoi Rocks' Stefan Piesnack and Tumppi Varonen on vocals.
The New Zealand indie rock band Garageland, [30] as well as a UK magazine published by Transition Edition, [31] (and a tribute band from Dublin Ireland) are named after this song.
"Garageland" has been performed by a number of bands, including :
The Clash were an English rock band that formed in London in 1976 and were key players in the original wave of British punk rock. Billed as "The Only Band That Matters", they used elements of reggae, dub, funk, ska, and rockabilly, and they contributed to the post-punk and new wave movements that followed punk. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones, bassist Paul Simonon, and drummer Nicky "Topper" Headon.
John Graham Mellor, known professionally as Joe Strummer, was a British musician. He was the co-founder, lyricist, rhythm guitarist, and lead vocalist of punk rock band the Clash, formed in 1976. The Clash's second studio album, Give 'Em Enough Rope (1978), reached No. 2 on the UK charts. Soon after, they achieved success in the US, starting with London Calling (1979) and peaking with Combat Rock (1982), which reached No. 7 on the US charts and was certified 2× platinum there. The Clash's explosive political lyrics, musical experimentation, and rebellious attitude greatly influenced rock music in general, especially alternative rock. Their music incorporated punk with reggae, ska, dub, funk, rap, and rockabilly.
London Calling is the third studio album by the English rock band the Clash. It was originally released as a double album in the United Kingdom on 14 December 1979 by CBS Records, and in the United States in January 1980 by Epic Records.
The Clash is the debut studio album by the English punk rock band the Clash, released on 8 April 1977 through CBS Records. Recorded and mixed over three weeks in February 1977 for £4,000, it would go on to reach No. 12 on the UK charts, and has been included on many retrospective rankings as one of the greatest punk albums of all time.
The 101ers were a pub rock band from the 1970s playing mostly in a rockabilly style, notable as being the band that Joe Strummer left to join The Clash. Formed in London in May 1974, the 101ers made their performing debut on 7 September at the Telegraph pub in Brixton, under the name 'El Huaso and the 101 All Stars'. The name would later be shortened to the '101 All Stars' and finally just the '101ers'. The group played at free festivals such as Stonehenge, and established themselves on the London pub rock circuit prior to the advent of punk.
Combat Rock is the fifth studio album by the English rock band the Clash, released on 14 May 1982 through CBS Records. In the United Kingdom, the album charted at number 2, spending 23 weeks in the UK charts and peaked at number 7 in the United States, spending 61 weeks on the chart. The album was propelled by drummer Topper Headon's "Rock the Casbah" which became a staple on the newly launched MTV. Combat Rock continued the influence of funk and reggae like previous Clash albums, but also featured a more radio-friendly sound which alienated Clash fans. While the recording process went smoothly, the producing process of the album was tiring and full of infighting between Mick Jones and Joe Strummer. Headon's heroin addiction grew worse and he slowly became distant from the band while Strummer and bassist Paul Simonon reinstated Bernie Rhodes as manager, a move unwelcomed by Jones. The band had disagreed on the creative process of the album and called in Glyn Johns to produce the more radio-friendly sound of Combat Rock. Lyrically, Combat Rock focuses on the Vietnam War, postcolonialism, the decline of American society, and authoritarianism.
Cut the Crap is the sixth and final studio album by the English punk band the Clash, released on 4 November 1985 by CBS Records. It was recorded in early 1985 at Weryton Studios, Munich, following a turbulent period: co-founder, lead guitarist and co-principal songwriter Mick Jones and drummer Topper Headon had been dismissed by lead vocalist Joe Strummer and bassist Paul Simonon. Jones and Headon were replaced by three unknowns: guitarists Vince White and Nick Sheppard and drummer Pete Howard. During the tense recording sessions, Clash manager Bernie Rhodes and Strummer fought each other for control over the band's songwriting and musical direction.
"London Calling" is a song by the British punk rock band the Clash. It was released as a single from the band's 1979 double album of the same name. This apocalyptic, politically charged rant features the band's post-punk sound, electric guitar and vocals.
"Spanish Bombs" is a song by English punk rock band The Clash, with principal vocals by Joe Strummer and additional vocals by Mick Jones. It was written by Strummer and recorded for the band's 1979 album London Calling.
"White Riot" is a song by English punk rock band the Clash, released as the band's first single in March 1977 and also included on their self-titled debut album.
"Remote Control" is a song by The Clash, featured on their debut album, and is written against oppression and conformity.
"(White Man) In Hammersmith Palais" is a song by the English punk rock band the Clash. It was originally released as a 7-inch single, with the b-side "The Prisoner", on 16 June 1978 through CBS Records.
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Rude Boy is a 1980 British film directed by Jack Hazan and David Mingay and filmed in 1978 and early 1979.
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I described them as the kind of garage band who should be speedily returned to their garage, preferably with the engine running
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