"Janie Jones" | |
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Song by The Clash | |
from the album The Clash | |
Released | 8 April 1977 |
Recorded | 10 February–27 February 1977 at CBS Studios in London; National Film and Television School in Beaconsfield |
Genre | Punk rock [1] [2] |
Length | 2:01 |
Label | CBS |
Songwriter(s) | |
Producer(s) | Mickey Foote |
"Janie Jones" is a song by the English punk rock band the Clash. It is the opening track on their debut album, The Clash (1977). [3] The song is named after Janie Jones, a cabaret singer who organised sex parties at her Kensington home. [4]
A live performance of "Janie Jones" is featured in the 1980 film Rude Boy , and the song has been on the soundtracks of other films as well.
The song is the first choice on narrator Rob Fleming's list of "five best side one track ones" in Nick Hornby's 1995 novel High Fidelity and on Rob Gordon's Top 5 list in the 2000 film adaptation. [5]
The song is named after Janie Jones, a minor English cabaret and pop singer in the 1960s who was convicted in 1974 of "controlling prostitutes" at sex parties she held at her home in Kensington. [4] She was released from prison in 1977, and an allegedly smitten Joe Strummer composed the song in her honour. [6]
In addition to The Clash , the song has appeared on the compilation albums The Story of the Clash, Volume 1 (1988) (disc two), Clash on Broadway (1991) (disc one; demo version), and The Essential Clash (2003) (disc one). A live version recorded on 4 June 1981 at Bond's Casino, New York City, is featured on the bootleg Live at Bond's Casino (2000).
The live performance of the song at the Apollo in Glasgow on 4 July 1978, is featured in Rude Boy , a 1980 film directed by Jack Hazan and David Mingay, starring Ray Gange and the Clash. The track was re-recorded at Wessex Studios by engineer Bill Price and tape operator Jerry Green. [7] [8] [9] The song was also featured on The Clash: Westway to the World , a 2000 documentary film directed by Don Letts. [10]
Martin Scorsese, a fan of the Clash, said that he considers "Janie Jones" to be the greatest British rock and roll song. He used the song in his 1999 film Bringing Out the Dead . [11] The song is also used in Michael Winterbottom's 2002 film 24 Hour Party People . [12]
Janie Jones is the iconic name given a record producer's long-lost love in season two of Californication , a character played by Madchen Amick. As lead character Hank Moody, David Duchovny refers to the Clash song more than once in scenes with Amick.
Other than its title, the 2010 David M. Rosenthal film Janie Jones bears only slight similarities to the song's lyrical theme. [13]
A rockabilly remake of "Janie Jones" by the Farrell Bros. is included on the various-artists tribute album This Is Rockabilly Clash, released by Raucous Records in 2002. In 2005, The Slackers and Chris Murray covered it on their collaborative album Slackness and the folk noir trio Songdog included a version on The Time of Summer Lightning. Babyshambles released their version, with contributions from others, in 2006 to benefit Joe Strummer's charity foundation Strummerville.
Other versions include remakes by Neurotic Outsiders and by Against Me!, who performed it in August 2011 for The A.V. Club's Undercover series. [14] Thea Gilmore recreates the drum rhythm at the beginning of the original song in her recording of another Clash song, "I'm Not Down." The song has also been played numerous times in concert by the English bands the Paddingtons and Bush.
"Janie Jones" | ||||
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Single by Babyshambles & Friends | ||||
Released | October 2006 | |||
Genre | Indie, Rock | |||
Length | 2:03 | |||
Label | B-Unique | |||
Songwriter(s) | Joe Strummer and Mick Jones | |||
Producer(s) | Static, Drew McConnell | |||
Babyshambles & Friends singles chronology | ||||
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"Janie Jones" (sometimes "Janie Jones (Strummerville)") was released through B-Unique Records to raise money for late Joe Strummer's charity foundation Strummerville and features contributions from others bands like Dirty Pretty Things, Larrikin Love, We Are Scientists, the Kooks, and Guillemots. This release marks the first time that Carl Barât and Pete Doherty worked together since the Libertines split up, although they never met during the recording process. [15]
The video revolves around (the real) Janie Jones being chauffeured around London with Mick Jones. Many of the contributors to the song feature in the video. Drew McConnell accompanies Janie Jones from the Windmill theatre right at the beginning as she's getting into her car, Alan Donohoe from the Rakes is driving the car, two members of Cazals are walking down the street near the start and their singer, Phil Bush, mimes 'lucky lady', the two guys standing in front of the telephone box are Josh Hubbard from The Paddingtons and one member of Guillemots; Carl Barât, Anthony Rossomando, Gary Powell and a guitar can be seen in a car pulling up to a petrol station, while Jack Peñate is also seen at the petrol station and Lisa Moorish is seen singing along towards the end. The lead singer from the Mystery Jets is seen walking with one of the Holloways on the side of the street.
Contributors [16]
Additional contributors to the Statik remix
Chart (2005) | Peak position [17] |
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Irish Singles Chart | 45 |
UK Singles Chart | 17 |
UK Indie (OCC) [18] | 1 |
The Clash were an English rock band that formed in London in 1976 and were key players in the original wave of British punk rock. Billed as "The Only Band That Matters", they used elements of reggae, dub, funk, ska, and rockabilly, and they contributed to the post-punk and new wave movements that followed punk. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones, bassist Paul Simonon, and drummer Nicky "Topper" Headon.
The Clash is the debut studio album by the English punk rock band the Clash, released on 8 April 1977 through CBS Records. Recorded and mixed over three weeks in February 1977 for £4,000, it would go on to reach No. 12 on the UK charts, and has been included on many retrospective rankings as one of the greatest punk albums of all time.
Give 'Em Enough Rope is the second studio album by the English punk rock band the Clash, released on 10 November 1978 through CBS Records. It was their first album released in the United States, preceding the US version of the self-titled studio album. The album was well received by critics and fans, peaking at number two in the United Kingdom Albums Chart, and number 128 in the Billboard 200. The album is tied with Combat Rock (1982) for being the highest-charting album for the Clash in their native United Kingdom.
Paul Gustave Simonon is an English musician and artist best known as the bassist for the Clash. More recent work includes his involvement in the supergroup the Good, the Bad & the Queen and playing on the Gorillaz album Plastic Beach in 2010, which saw Simonon reunite with The Clash guitarist Mick Jones and Blur frontman Damon Albarn – and which also led to Simonon becoming the live band's touring bassist for Gorillaz's Escape to Plastic Beach Tour. Simonon is also an established visual artist.
The 101ers were a pub rock band from the 1970s playing mostly in a rockabilly style, notable as being the band that Joe Strummer left to join The Clash. Formed in London in May 1974, the 101ers made their performing debut on 7 September at the Telegraph pub in Brixton, under the name 'El Huaso and the 101 All Stars'. The name would later be shortened to the '101 All Stars' and finally just the '101ers'. The group played at free festivals such as Stonehenge, and established themselves on the London pub rock circuit prior to the advent of punk.
Combat Rock is the fifth studio album by the English rock band the Clash, released on 14 May 1982 through CBS Records. In the United Kingdom, the album charted at number 2, spending 23 weeks in the UK charts and peaked at number 7 in the United States, spending 61 weeks on the chart. The album was propelled by drummer Topper Headon's "Rock the Casbah" which became a staple on the newly launched MTV. Combat Rock continued the influence of funk and reggae like previous Clash albums, but also featured a more radio-friendly sound which alienated Clash fans. While the recording process went smoothly, the producing process of the album was tiring and full of infighting between Mick Jones and Joe Strummer. Headon's heroin addiction grew worse and he slowly became distant from the band while Strummer and bassist Paul Simonon reinstated Bernie Rhodes as manager, a move unwelcomed by Jones. The band had disagreed on the creative process of the album and called in Glyn Johns to produce the more radio-friendly sound of Combat Rock. Lyrically, Combat Rock focuses on the Vietnam War, postcolonialism, the decline of American society, and authoritarianism.
"I Fought the Law" is a song written by Sonny Curtis of the Crickets and popularized by a cover by the Bobby Fuller Four, becoming a top-ten hit for the band in 1966. Their version of the song was ranked No. 175 on the Rolling Stone list of The 500 Greatest Songs of All Time in 2004, and the same year was named one of the 500 "Songs that Shaped Rock" by the Rock and Roll Hall of Fame.
Nicholas Bowen "Topper" Headon is an English drummer and multi-instrumentalist, best known as the drummer of punk rock band the Clash. Known for his contributions to the drumming world, Headon was inducted in the Rock and Roll Hall of Fame with the rest of the Clash in 2003.
Michael Geoffrey Jones is a British musician, singer, songwriter, and record producer best known as co-founder and lead guitarist of punk rock band the Clash, until his dismissal by frontman Joe Strummer in 1983. In 1984, he formed Big Audio Dynamite with Don Letts. Jones has played with the band Carbon/Silicon along with Tony James since 2002 and was part of the Gorillaz live band for a world tour in 2010–2011. In late 2011, Jones collaborated with Pete Wylie and members of the Farm to form the Justice Tonight Band.
"White Riot" is a song by English punk rock band the Clash, released as the band's first single in March 1977 and also included on their self-titled debut album.
"(White Man) In Hammersmith Palais" is a song by the English punk rock band the Clash. It was originally released as a 7-inch single, with the b-side "The Prisoner", on 16 June 1978 through CBS Records.
The Clash: Westway to the World is a 2000 documentary film about the British punk rock band The Clash. In 2003 it won the Grammy Award for Best Long Form Music Video.
The Joe Strummer Foundation is a non-profit organisation which promotes the development of new music. It was established in memory of punk rock singer and guitarist Joe Strummer shortly after his death in December 2002. Strummer's widow Lucinda was the principal founder along with their daughters, Jazz and Lola Mellor, and English artist Damien Hirst. The organisation was known as Strummerville until December 2014.
The discography of the British punk rock band the Clash consists of six studio albums, two extended plays, two live albums and 31 singles.
"Complete Control" is a song by The Clash, released as a 7" single and featured on the U.S. release of their debut album.
Rude Boy is a 1980 British film directed by Jack Hazan and David Mingay and filmed in 1978 and early 1979.
"I'm So Bored with the U.S.A." is a song by British punk rock band the Clash, featured on their critically acclaimed 1977 debut album, which was released in the United States in July 1979 as their second album after Give 'Em Enough Rope. It was the album's third track in the original version and second in the US version.
Bill Price was an English record producer and audio engineer who worked with the Clash, the Sex Pistols, Guns N' Roses, Sparks, the Jesus and Mary Chain, Nymphs, the Waterboys, Mott the Hoople and Simon Townshend. He was chief engineer on the first three solo studio albums by Pete Townshend: Empty Glass (1980), All the Best Cowboys Have Chinese Eyes (1982) and White City: A Novel (1985).
The Clash were an English rock band that formed in 1976 as part of the original wave of British punk rock. Along with punk rock, they experimented with reggae, ska, dub, funk, rap and rockabilly. For most of their recording career, The Clash consisted of Joe Strummer, Mick Jones, and Paul Simonon, with Terry Chimes or Nicky "Topper" Headon on drums and percussion. The band features in several documentaries and other films.
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'Except for the Lyceum gigs, The Clash aren't live on the film at all,' stated Johnny Green. 'Totally artificial. The backing tracks were done at Wessex Studios.'